The Mapleson Memoirs, 1848-1888 Volume I Part 8

About half-past eleven o'clock that evening our party was alarmed by a violent ringing of the bell. Then my servant rushed in with his clothes very much torn, uttered some inarticulate sounds, and fell on a chair, pointing upwards. On looking out of the window we saw that the sky was bright red, although we were four miles from the fire. Mdlle. t.i.tiens and Signor Bevignani exclaimed with one voice: "It's the theatre!"

I hastened down at once, accompanied by Bevignani, only to find impa.s.sable barriers of soldiers and populace, and it was not without great difficulty I could approach the building. On my pointing out to the firemen certain doors which they ought to break open in order to recover wardrobes, music, &c., I was told to "mind my own business."

They then went to quite another part and began chopping and breaking, whereas had they allowed themselves to be guided by me they might have saved a considerable portion of my property. It was not until three hours afterwards that the fire reached that part of the theatre which I had pointed out as containing things which might have been saved.

Lord Colville was very kind, and with his a.s.sistance I reached one portion of the building, to which he accompanied me, enjoining me to save engagements or any important doc.u.ments in my private rooms at Pall Mall. But I was so bewildered that all I could do was to seize a dress coat and an opera hat, with which I came downstairs, leaving all my papers and doc.u.ments on the table. I remained until two or three in the morning. Then, my presence being useless, I went home to change my clothes, which were freezing on me, and next hurried to Jarrett, my acting manager.

Jarrett was in bed. But he had already heard of the calamity, and expressed great regret. I desired him at once to go over to Chatterton, the then lessee of Drury Lane, who resided in the neighbourhood of Clapham, and endeavour to secure his theatre from March till the end of July before he could hear of my disaster.

"Go as quickly as possible," I said, "and if the newspaper is lying about be careful he does not see it."

On arriving at Chatterton's the first thing Jarrett saw, lying on the hall table, was the _Times_ newspaper. He threw his top coat over it, and waited quietly downstairs until Chatterton, who was dressing, could receive him. Then, like the able diplomatist he was, without appearing at all anxious, he concluded a short agreement whereby I was to have the use of Drury Lane for the following spring and summer seasons, with a right to renew the occupation for future years. By half-past nine o'clock Mr. Jarrett was able to hand me the agreement, and it was not until half-past ten that Mr. Gye drove up to Mr. Chatterton's to inform him of the disaster Mapleson had met with, and at the same time to offer him 200 per week provided he did not let Drury Lane for Italian Opera.

The day after the fire I received letters of sympathy from all parts of the country; likewise telegrams of condolence, including one from Her Majesty the Queen, which greatly affected me. In fact, my nerves were so unstrung that I was hardly master of myself. In the course of the next day His Royal Highness the Prince of Wales came to see me. I showed him over the ruins of what the day before had been the Opera-house. After his departure I was so unnerved that I took to my bed in the adjoining hotel, and remained there some two weeks.

The Monday after the fire the insurance agent, with whom I had neglected to do business, called upon me to a.s.sure me of his deep sympathy, since if I had paid him the 10 on account of the proposed insurance he would now have had to give me a cheque for 30,000. I told him that I was exceedingly glad I had not paid him the 10, as I certainly should have been suspected of having myself caused the fire, and should never afterwards have been able to set myself right with the public.

Prior to my recovery, amongst the numerous callers was one particularly sympathetic gentleman, who came in a carriage and pair, and said he would see that the theatre was rebuilt, asking, as it were, my permission for this. I was deeply touched by his kindness. Some short time afterwards he wrote saying that he thought it better, for my sake, that Covent Garden should be closed, and that he had seen Mr. Gye and made terms for its purchase. On a later occasion he called upon me, and stated that the site of Her Majesty's Theatre, which had then been cleared by Lord Dudley, being such a desirable one, he was in treaty with the Bank of England to lease it to them at a considerable ground rent, they erecting the building. By this means, he explained, the 80,000 then lying in consols for the purpose of re-erecting the theatre could be handed over to me. But he ultimately consented that I should give him half.

Notwithstanding all my troubles, within three weeks after the fire I was already on the road with a strong concert company for the usual spring tour; all my spare time being utilized in the creation of a new wardrobe, music library, etc. Whilst at Manchester Mdlle. t.i.tiens aided me kindly in the purchase of various goods, stuffs, cottons, needles, etc., etc.; all the prime donne of the Company volunteering their services as dressmakers in order to have everything ready for my Opera season, which was to commence early the following month in Glasgow.

Being under the belief that this fire had cancelled the contract I had already made at the Theatre Royal, Glasgow, I got entangled, in my mistake and hurry, into an engagement at another theatre, the Prince of Wales's; and as the time approached for my coming to Scotland both managers threatened me with an attachment if I did not fulfil my engagement. In fact, I found myself announced at both houses, with war to the knife threatened by the two rival managers. At one time they proposed to combine against me and leave me, with my expensive Company, outside in the cold. But about ten days before the date fixed I paid a visit to each, when, out of consideration for me personally, they both agreed to have me alternately at their theatres. This caused great excitement in the city, and as the adherents of each manager mustered in force the receipts at both houses were very great, so that eventually each manager had taken more money in the half number of representations than he would have received had I given him the full number.

Prior to the opening of my London season of 1868 I received another visit from my philanthropic friend, Mr. Wagstaff. He told me that he had purchased Mr. Gye's interest, showing me the agreement, and he considered that it would be more desirable that Covent Garden for the future should be run by a Company, of which I should be the manager, receiving some 20,000 cash as a consideration for my goodwill and for any property I might have in music or other effects, with a salary of 3,000 a year as long as I chose to retain my post, and a fair share in the profits.

I became quite uncomfortable at having so much wealth suddenly thrust upon me, and wished I were back in my old position of trouble and anxiety. In due course all the necessary doc.u.ments were signed, Mr. Gye at the same time writing a letter to a high personage, in which he stated that his long-sought desire to quit the cares of management had at length been satisfied, and strongly urged that all patronage should now be transferred to me, as the shattered state of his health would preclude him for the future from taking part in operatic affairs. On entering upon my duties I began to reorganize the establishment by, in the first place, relieving myself of some sixty old choristers who had been engaged from time immemorial, and introducing in their stead my fresh, full-voiced young Italians whom I had imported the previous year.

One evening a card was brought to me from a young gentleman, the son of an old musical friend of mine, requesting an interview. He told me that he had been promised the secretarys.h.i.+p of the Grand Opera (meaning Her Majesty's and Covent Garden, united under the new arrangement) for seven years at a salary of 800 a year, provided he lent 200 for a month to my philanthropic friend, who had organized the whole thing. It appeared to me like a dream. I could not understand it; but still, as nothing astonishes me in this world, I took it as a matter of course, and later in the day went over to Wandsworth to call on Mr. Gye, in order to see how matters stood.

On my entering, Mr. Gye said how pleased he was to leave operatic management for ever, and that he wondered how he had found the nerve to continue it so long. Before I could say a word to him, he desired me to be seated and handed me a cigar, when he began to inform me of his plans for the future. He told me he had secured by private treaty a vast estate in Scotland of some 20,000 acres, with the right of shooting and fis.h.i.+ng. He was arranging, moreover, to purchase a large estate in Oxfords.h.i.+re. Various guns had been ordered, with fis.h.i.+ng rods and other appurtenances. Steps, too, had been taken for the sale of the house in which he was then living.

I made two or three attempts to get a word in, but without success; and at last I had scarcely the courage to hint that the projected arrangements might, possibly, not be carried out.

I explained, however, that on the following Monday a small payment of 10,000 would be due to me; also that a further deposit on Drury Lane would become payable, and that I should make that deposit, as it was probable, nay, very possible, that I should be called upon to resume my position at Drury Lane, instead of Covent Garden. I at the same time recommended Mr. Gye at all events to be prepared to open Covent Garden, as it wanted but some three or four weeks to the beginning of the season. This he replied he could not do, as the deposit he was to receive would not be payable before some three or four weeks. He still, moreover, doubted all I had been telling him.

On the Monday following I attended at the Egyptian Bank, which had been specially hired for the occasion, and on entering with my order for the payment of 10,000, found one small boy seated on a very high stool, drawing figures on a sheet of blotting paper. On my demanding 10,000 the boy turned deadly pale and was at first inclined to run. I explained to him that it was not his fault if the money was not forthcoming, but I requested him, in the presence of a witness I had brought with me, to present seven letters which I already had in my pocket, each one containing notice to the Directors that, they having failed to pay me my money at the appointed time, my contract as general manager was at an end. I at once informed Gye of what had occurred, recommending him again to get his Company together and re-engage Costa and the orchestra, as my own prospectus was to come out the middle of that week.

From what I afterwards learned, the 200 my musical friend's son was to have advanced prevented some thousands of circulars from being posted for want of stamps, and the printer from delivering the remainder of the circulars he had prepared for want of a deposit. I must add that Mr. Gye repeatedly thanked me for my straightforward conduct in preventing him from being practically ruined.

Considerable changes were necessary in adapting the Theatre Royal, Drury Lane, for Italian Opera. I was obliged to have sundry discussions with the Committee before I could be allowed to alter the floor of the pit and boxes, and to take about twenty feet off the stage, its removal enabling me to add some two or three rows of stalls. I had, moreover, to decorate, clean, and carpet the house from top to bottom, the outlay for which, irrespective of the rent, cost me from 3,000 to 4,000. A further difficulty presented itself, as there were some six or seven hundred renters who were at that time allowed free admission to any part of the theatre, and it was only by temporizing with their representatives that I ultimately made an equitable arrangement satisfactory to all parties.

The season opened in due course, and a magnificent Company I was enabled to introduce: Mdlle. t.i.tiens in the zenith of her powers; Christine Nilsson, who had made such a prodigious success the previous season at Her Majesty's; also Miss Clara Louise Kellogg, Mongini, Fraschini, Santley, etc. The performances were really of the first order, and Mozart's masterpieces were given with such strong combined casts as to attract the whole of London. In fact, the success was such as to paralyze the efforts of the rival manager.

CHAPTER IX.

PROPOSAL FOR AN OPERATIC UNION--t.i.tIENS IN DUBLIN--HER SERVICES AS A PACIFICATOR--AUTUMN SEASON AT COVENT GARDEN--THE COMBINATION SEASON--IMMENSE SUCCESS--COSTA'S DESPOTISM--AN OPERATIC CONSPIRACY--LUCCA AND HER HUSBANDS.

DURING my successful Drury Lane season, in the month of June, 1868, a letter addressed to me was left by an unknown person in the hall. The superscription on the envelope was in a disguised hand, but the letter enclosed was in the writing of Mr. Gye.

The manager of the Royal Italian Opera proposed a coalition with the manager of Her Majesty's Theatre, and Mr. Gye suggested a personal interview on the subject. Here, however, is his letter:--

[COPY.]

"Springfield House, "Wandsworth Road, "June 19th, 1868.

"DEAR MR. MAPLESON,

"The last time you were over here I believe we were pretty well agreed that our interests lay rather in the combination of the two operas than in fighting one another. As we shall both of us be making our engagements for the next year, if anything is to be arranged between us it is time it were thought about. I should be very glad to see you on the subject if you still remain in the same mind as when I saw you last.

It would perhaps be well if we did not meet either at Drury Lane or at Covent Garden. Would you mind coming over here, or would you prefer our meeting somewhere in town? This matter, for obvious reasons, had better remain strictly _between ourselves_ for the present.

"Yours very truly, "(Signed) FREDERICK GYE.

"James Mapleson, Esq."

When I met Mr. Gye by appointment his first proposition was that we should work together at either of the two theatres, the other one being kept closed; and that I should take a quarter of the profits.

I suggested, as a more equitable adjustment, an equal division of profits; and to that Mr. Gye at last agreed.

Articles of partners.h.i.+p were then drawn up binding us to remain together for three years on the basis of half profits, and our agreement was to be kept secret for the next six months.

At the close of my engagement at Dublin, in the beginning of October, 1868, a great demonstration took place in honour of Mdlle. t.i.tiens, it being the last night of the season. Weber's opera of _Oberon_ was performed, and after t.i.tiens had sung the exacting air of the third act, "Ocean, thou Mighty Monster," a most animated scene took place, many requiring the great air to be repeated, whilst others called out the names of different Irish songs. The uproar lasted upwards of fifteen minutes before silence could be restored, when it was decided that "The Last Rose of Summer" should be given.

But the orchestra had no music and the conductor would not venture a performance without it. Further delay and further uproar took place, until at length Signor Bettini, who had undertaken the _role_ of "Oberon," came from the wing, pulling on a cottage piano, whilst t.i.tiens helped the conductor to get out of the orchestra in order to accompany her. As Bettini was turning the piano round, in consequence of the slope of the stage it fell right over, causing an immense cheer from the G.o.ds, when no less than five demons (who were to appear in the next scene of _Oberon_) rushed from the wings to raise it up again on its legs. At length order was restored, and such was the silence that when Mdlle.

t.i.tiens was on the point of beginning the beautiful air I remember taking a pin from my collar and dropping it on the stage in order to give a practical and effective ill.u.s.tration of the old saying that you "could hear a pin drop."

No sooner had the singer finished the last verse than a roar of admiration was heard, so loud, so overpowering, that I can only compare it to the belching forth of huge pieces of artillery. At the close of the opera a great crowd, composed of the public and the medical students who habitually occupy the gallery (always without their coats, sometimes without their waistcoats, occasionally without their s.h.i.+rts), was awaiting the Queen of Song's departure. They had actually cut the traces of her carriage, and from a s.h.i.+p chandler's opposite had got two long coils of rope which they fastened to the vehicle. t.i.tiens shortly afterwards appeared, amidst deafening cheers, and the procession started. No less than a dozen of the singer's most enthusiastic admirers were on the roof letting off fireworks. All went on in something like order until with our two long strings of volunteer horses we arrived at Dawson Street, when, in consequence of no previous arrangement having been made, one half of the team went up Dawson Street and the other half down Na.s.sau Street, the result being a violent collision against Morrison's Hotel. It was not without considerable difficulty and delay that things could be readjusted.

On our arriving at Shelbourne Hotel the police found themselves powerless to cope with the mult.i.tude. But we had been accompanied by a young man, who, standing on the carriage step, had repeatedly addressed Mdlle. t.i.tiens both in German and in French, telling her that she had "nothing to fear." On arriving at the door of the Shelbourne he gave a shrill whistle as a call for volunteer special constables, when a pa.s.sage was at once cleared. It being a wet night the enthusiasts around us made a carpet for t.i.tiens to walk on by throwing their coats on to the pavement. The crowd remained opposite the hotel for over an hour, during which time repeated calls were made for a song. But the gas of Mdlle. t.i.tiens's sitting-room had been turned low, and the blinds being drawn down she hoped it might appear that she had retired for the night.

Shortly afterwards, however, a deputation came up accompanied by one of the chief constables, stating that if madame could not disperse the crowd the consequences would be very serious, as it refused to move. She at last felt compelled to go to the window of her hotel, when, after entreating for silence, she addressed the crowd in these words: "I will sing you 'The Last Rose of Summer' provided you promise to go home immediately afterwards like mice."

And sure enough they did, for at the conclusion of the song the crowd melted away in dead silence, not one person being left.

The inspector afterwards remarked to Mdlle. t.i.tiens that if ever a revolution broke out in Ireland they would send over for her to quell it.

During the stay of my Opera Company at Dublin I allowed some of the princ.i.p.al artists to sing in various churches for charitable purposes.

Mdlle. t.i.tiens's services were sought for far and wide, and she was always ready to devote her Sunday, which was the only day of rest she had during the week, to the cause of charity. On one occasion I recollect her singing in a poor neighbourhood near Thomas Street, when many persons actually stooped to kiss the ground where she had trodden.

She was held in the highest esteem by the clergy.

One Sat.u.r.day evening, after the termination of the opera, several of my Italian choristers were wending their way home when they were accosted by some rowdy, good-natured Irishmen, who insisted upon having a drink with them. They, not comprehending the language, thought the men were robbers, and placed themselves in a position of defence, whereupon they were boldly attacked by the sons of Erin, and a free fight ensued, in which some two or three Irishmen got stabbed. About noon the following day it was notified to me that some four or five of my choristers were in prison on account of this serious affair, and would be kept there until the wounded men, who were then in hospital, were sufficiently recovered to appear against them. I at once sought Mdlle. t.i.tiens's aid, who went with me to one of the priests, with whom we afterwards visited the prison where our choristers were. They insisted that it was only a small affair, and that they had defended themselves against their aggressors.

They seemed also in great distress because the police authorities had taken away their week's salary which they had in their pockets, together with such pieces of jewellery or keys they had about them. By the advice of the priest we afterwards visited the hospital, and I, accompanied by the surgeon, inspected their wounds, which were triangular, as if caused by an Italian stiletto.

My clerical friend was very kind, and after a deal of whispering with the hospital surgeons, and afterwards with the wounded men themselves, he stated that they might have done it in accidentally falling down, but that it was not their intention to appear against the choristers, who were afterwards bailed out by Mdlle. t.i.tiens. They duly appeared the next morning at the police-court and were dismissed, no one appearing against them.