Black Diamonds Part 52

"Arpad, my son, who was that beautiful lady who was here just now? A princess, was she not?"

"She was a poor woman who came to beg from me."

"H'm! Surprising! What extraordinary beggars there are in this city--beggars dressed in silk, with a Persian shawl for a wrap. Did you give her anything, Arpad?"

"Mother, I had nothing to give her."

"You have done well, my boy." And she shut the door and went back to her own room to finish st.i.tching at her son's s.h.i.+rt-collar.

CHAPTER x.x.xIII

CHARCOAL

Eveline had resolved to make a great effort. She recognized that there was truth in what Arpad had said; only in one particular he was wrong: he had not measured the gulf between "can" and "must."

She felt herself possessed by sudden energy; her resolution to succeed grew in proportion as her chance of success was less. Many people have found strength in the thought, "If I have no one to care for me, I, at least, am master of myself." She would carve her own future; she _would_ be an actress. She would show the world what was in her. She would nerve herself to courage before the footlights. The very circ.u.mstances which had deprived her of all courage would now give her strength; she would sing to the public as if she were alone. The crowd should go for nothing, except in being sharers in her triumph.

She spent a miserable night. The luxury which surrounded her, the works of art which lay upon her tables, in her cabinets, the costly vases, seemed silently to reproach her; the cups set with precious stones recalled Arpad's words. Better to be a gla.s.s of fifteen sous than a goblet of silver!

At last sleep fell upon her tired eyelids, and in the morning she awoke refreshed and full of fresh energy.

This day the opera in which she had sung the day before yesterday was to be repeated. The rehearsal was to take place in the morning. At this rehearsal, then, she would show what she could do; she would look at no one; she would sing like a blind nightingale.

She ordered her carriage. When she reached the theatre she told the servants to return for her in two hours.

As she entered the vestibule the stage-manager came to meet her, and told her that her part had been given to another singer.

Eveline flew into a pa.s.sion. Why had it been taken away from her, and in such a manner, without asking her permission? Such a want of proper deference towards her!

The man regretted the circ.u.mstance, but either could not or would not offer any explanation. Would she like to see the manager?

Eveline, in a very excited frame of mind, went to look for him; but he was not in his office. His secretary, however, handed her a letter, which the manager had desired him to send to her address.

Eveline took the letter, and when she was in the hall she broke the seal and read it. It was a dismissal, immediate, discourteous, on the grounds that she was quite unequal to fill the position of prima donna.

How she got out of the theatre and into the street she did not know; she came to herself when she saw the crowd of pa.s.sers-by staring at her. She felt that it was no wonder they looked at her. She was walking like one who was dead; her body moved forward, but her mind was lifeless. It was strange to feel one's self thus annihilated.

Then it was true; the cruel boy was right. The clouds were golden only so long as the sun shone. All her splendor had been on the outside.

There was nothing tangible; nothing came from herself. The whole thing had been a _fata morgana_; it had now vanished forever.

Eveline wandered, she didn't know where. Suddenly she found herself opposite her own house. She would not have thought it strange if some one had told her at the door of the hotel that no one of her name lived there, that she had been dead and buried years ago. She thought she was too stunned to feel either astonishment or pain, but her composure soon gave way under a new trial.

She walked up-stairs, still in a dream, and through her apartment until she reached her dressing-room. When she entered it she saw, stretched in an arm-chair, Prince Waldemar.

He was faultlessly attired, with a most elegant _tournure_, carefully arranged hair, and fair whiskers, hanging down on both sides in what were then called "cutlets"; his mustache was pointed and waxed.

Eveline called out, in a voice of fear, mixed with anger:

"May I ask, sir, what you want here?"

"I was waiting to see you," said the prince, with well-bred nonchalance; but he never rose from the seat in which he lounged so comfortably.

"Who gave you permission to enter my room?"

"I asked for no permission."

"What right have you to intrude yourself here?"

With a lazy air the prince put his hand into the pocket of his coat and drew out a red paper like a bill; this he handed to Eveline with a slight motion of his head, which conveyed, "This is the cause of my presence here."

Eveline took the paper, which trembled in her hand.

"What is it? I do not understand it."

"It is, however, very intelligible," said the prince, at last getting out of the chair. "The creditors of Kaulmann have seized your things.

Kaulmann was careless or thoughtless enough--I really cannot say which--to announce that what belonged to his wife was _his_, and therefore his creditors have seized everything here, believing it is his. During your absence this morning they got the law officers to break open your door and to take possession. They affixed a notice outside, inviting all pa.s.sers-by to come in and inspect the things for sale. In consequence of this invitation I am here. I came in to look about me. You will observe that there are government seals upon everything. I am here in the right of purchaser."

Eveline looked round, and saw that what he said was true.

"But, sir, it is impossible. Kaulmann knew perfectly that nothing here was his property."

"I am sure of that. It was gross negligence on your lawyer's side; he should have protected your interests better. Every one knows that Kaulmann brought the goods here; it was supposed that he bought them.

In any case, he cannot testify in your favor. A misfortune has happened to him. When he saw that the police were after him he jumped out of the railway-carriage he was in. Unfortunately, he broke his neck and died immediately."

Eveline fell back upon the sofa and hid her face in her hands.

"If you wish to shed a few tears to the memory of Kaulmann I will retire to the window," remarked Prince Waldemar, with ironical courtesy.

Eveline made him no answer. In her mind everything was in confusion; she could think of nothing. Let everything go; what did it matter?

Should she inst.i.tute a law-suit to recover her property? Should she bring witnesses to prove that this ornament, these costly hangings, these rich carpets were not the property of her husband, but the gifts to her from a gray-beard--the most upright, the dearest of men, a Hungarian magnate, who had adopted her, an actress, to be his own child, with no self-seeking, no sinful gratification, but out of pure affection? No one would credit her story. She would tell it to no one.

She would not subject the name of her benefactor to the jeers and laughter of the incredulous. Sooner let everything go.

"I am not weeping, sir," she said to the prince. "If you have anything further to tell me I am ready to listen."

"I could tell you many other unfortunate circ.u.mstances," returned Waldemar, leaning against the fireplace with the silver grate. "For one thing, Prince Theobald, your former patron, has been placed by his family under legal restraint, and cannot take any active part in the affairs of this world."

"I know that."

"The shares which he took as a provision for you in the Bondavara Company have been also sequestrated by law."

"That has been told to me already."

"This loss, however, has a compensation: those shares are now almost worthless. Since the colliery explosion, and the impossibility of extinguis.h.i.+ng the fire in the mine, they have fallen to nothing."

"That does not concern me."