The Solomon Islands and Their Natives - BestLightNovel.com
You’re reading novel The Solomon Islands and Their Natives Part 4 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
CHAPTER IV.
DWELLINGS--TAMBU-HOUSES--WEAPONS--TOOLS.
THE villages in the eastern islands of the group vary much in size. They usually contain between 25 and 40 houses, and between one and two hundred inhabitants. There are however some much larger, as in the case of Wano on the north coast of St. Christoval, which probably does not possess a population much under five hundred. In the larger villages the houses are generally built in double rows with a common thoroughfare between; and the tambu-house occupies usually a central position. In the village of Suenna, as shown in the engraving, which is one of the largest villages in Ugi, the houses are built around a large open s.p.a.ce free of buildings. The usual dimensions of the dwelling-houses are as follows: length 25 to 30 feet, breadth 15 to 20 feet, height 8 to 10 feet. The gable-roof, which is made of a framework of bamboos thatched with the leaves of panda.n.u.s trees, or of cocoa-nut or areca palms, is supported on a central row of posts. The sides are low and made of the same materials as the roof. The only entrance is by an oblong aperture in the front of the building, which is removed 2 to 3 feet above the ground, so that one has literally to dive into the interior, which from the absence of any other openings, is kept very dark. Such are the dimensions and mode of structure of an ordinary dwelling-house in the eastern islands. The chiefs, however, have larger buildings, which in some instances, as in those of the more powerful chiefs, rival in size and in style the tambu-houses themselves. Many houses have a staging in front, which is on a level with the lower edge of the aperture that serves as the entrance. On this staging, protected by the projecting roof the inmates are wont to sit and lie about during the day; and the men occasionally pa.s.s the night there. In the houses of the chiefs and princ.i.p.al men, there are generally s.p.a.ces part.i.tioned off for sleeping and containing a raised stage for the mats; but in the dwelling-house of an ordinary man no such part.i.tions usually occur. Single men sleep on the ground on a mat, which may be nothing more than the leaves of two branches of the cocoa-nut palm rudely plaited together. Each man lays his mat by the side of a little smouldering wood-fire, which he endeavours to keep up during the night, and for this purpose he gets up at all hours to fan it into a flame.
There is but little attempt made to please the eye in the way of external or internal decoration in the ordinary dwelling-house of a native in the eastern islands. Rows of the lower jaws of pigs with the skeletons of fishes and the dried skins of the flying-fox are to be seen suspended from the roof over the entrance; whilst the spears, clubs, and fis.h.i.+ng implements are either thrust between the bamboos of the roof or slung in a bundle over the entrance. Of furniture there is but little except the large cooking-bowls, the mats, and a circle of cooking-stones forming a rude hearth in the centre of the floor. I have seen in temporary sheds or "lean-tos," erected by fis.h.i.+ng parties on the southern island of the "Three Sisters," fire-places formed of a circle two to three feet across of medium-sized _Tridacna_ sh.e.l.ls, the enclosed s.p.a.ce being strewn with small stones.
The houses of the chiefs usually display more decoration. Amongst others I recall to my mind the brightly-coloured front of the residence of Haununo, the intelligent young chief of Santa Catalina. I am not aware how long a native house will last. The white residents, however, tell me that houses built for their own use, which are more substantial than the ordinary native dwellings, will stand some five or six years; and that, notwithstanding the heavy rainfall of this region, the thatch remains admirably waterproof.
I now come to the description of the houses in the islands of Bougainville Straits. In the villages of Treasury and the Shortlands, the houses are arranged in a long straggling row; and although close to the beach they are for the most part concealed by the trees from the view of those on board the s.h.i.+ps in the anchorage. In the materials used, in their style, and in their general size, these houses resemble those of St. Christoval and the adjacent smaller islands. A thatch made of the leaves of the sago-palm or of the panda.n.u.s, covers the gable-roof and the framework of the walls. The usual dimensions of a dwelling-house are: length 25 to 30 feet, breadth 12 to 15 feet, height 10 to 12 feet.
Since there are no means of admitting light except by the door, the interiors are very dark, insomuch that on entering one of these houses from the bright sunlight the eyes require some time before they can see at all. In the out-lying hamlets in the interior of these islands, the houses are often smaller and more rudely constructed; and the owner supplies the place of a door by placing a couple of large plantain leaves or a branch of a cocoa-nut palm before the entrance. Many of these small hamlets are only occupied during the planting season.
There is a far greater difference in size between the dwellings of the chiefs and those of the ordinary natives than exists in the eastern islands of the group, a distinction which might have been expected on account of the greater power of the chiefs of Bougainville Straits.
Gorai, the powerful Shortland chief, has appropriated to himself more than an acre of ground on which stand the several buildings required for the accommodation of his numerous wives, children, and dependents. Its precincts are tabooed to the ordinary native; but the old chief is always ready to extend to the white man a privilege which he denies to his own people. His own residence when we first met him, had no great pretensions in size or appearance, measuring 40 by 20 feet in length and breadth, and possessing a very dingy interior from the absence of any opening except the entrance to admit light. There was, however, a larger and better constructed building situated near his own for the accommodation of his female establishment. It measured 60 by 30 by 20 feet in length, breadth, and height; and was subsequently appropriated by the chief for his own use.
The residence of Mule, the Treasury chief, was one of the largest native edifices that I saw in the Solomon Group. It is a gable-roofed building, measuring about 80 feet in length, 50 feet in breadth, and 25 to 30 feet in height. The front of the house, which is at one of the ends of the building, has a singular appearance from the central part or body of the building, being advanced several feet beyond the sides, a style which is imitated in some of the smaller houses of the village. Its interior is very imperfectly lighted by small apertures in the walls. I should here refer to the large and neatly built house of the powerful chief of Simbo, who, contrary to the usual practice, prefers light to darkness in his residence.
[Ill.u.s.tration: PILE-DWELLINGS IN FAURO ISLAND.
(_To face page 60._)]
In the two princ.i.p.al villages of Faro or Fauro which are named Toma and Sinasoro, a number of the houses are built on piles and raised from 5 to 8 feet above the ground, as shown in the accompanying plate. But this custom is by no means universal in the same village, and depends, as far as I could learn, on the personal fancy of the owner. Both these villages are situated on low level tracts bordering the sea; but their sites are free from moist and swampy ground, to the existence of which one might have attributed this practice. The houses built on the ground are about 30 feet long, 20 feet wide, and 12 or 13 feet high; whilst those raised on piles are considerably smaller, measuring 22 by 15 feet in length and breadth, the building itself being supported on a framework of stout poles lashed on the tops of the piles by broad stripes of rattan. These pile-dwellings are reached by rudely constructed steps made after the style of our own ladders. The roofs of the houses in these villages have a higher pitch than I have observed in houses of the other islands of the Straits. Their eaves project considerably beyond the walls, and the roof is often prolonged at the front end of the building forming a kind of portico. A neat thatch of the leaves of the sago palm covers the sides and roof of each building.
After remarking that the houses in the Florida Islands are often similarly built on piles not only at the coast, but also on the hill-slopes some distance from the sea, I pa.s.s on to briefly refer to the purpose of these pile-dwellings on land. It seemed to me probable that in previous years, when the natives of Faro were not on such friendly terms with their neighbours, the houses were built on piles for purposes of defence against a surprise; and that when comparative peace and order reigned, some persons preferred the more commodious house on a ground site to the smaller and less convenient building on piles.
Various explanations have been advanced with reference to this custom of building pile-dwellings on dry land, some of which I will enumerate. It is held by some that this custom is but the survival of "the once purposeful habit of building them in the water." The exclusion of pigs and goats and the protection against wild animals have been suggested as probable objects of this practice; whilst by others it is urged that the purpose of these pile-dwellings is to obviate the effects of excessive rain and to guard against damp exhalations from a tropical soil.
Whatever may be the cause or causes of this custom, it is one which is widely spread, being found in New Guinea, in the Philippines, amongst the tribes on the north-eastern frontier of India, and in Guiana.[19]
[19] Those of my readers who desire further information on this subject should refer to the works of Tylor, Mosely, etc., and to "Nature" for the last few years.
With regard to the internal arrangements of the houses in this part of the Solomon Group, but little remains to be said. In many houses a portion of a s.p.a.ce is part.i.tioned off for sleeping purposes, usually one of the corners; in others, again, the interior is divided into two halves by a cross-part.i.tion. More attention is here paid to the comfort of repose than in the eastern islands. In the place of the single mat laid on the ground, they have low couches, raised a foot to eighteen inches above the floor, on which they lay their mats; whilst a round cylinder of wood serves them as a pillow. These couches, which the natives can improvise in the bush in a few minutes, are usually nothing more than a layer of stout poles, such as the slender trunks of the areca palms, resting at their ends on two logs.
Mat-making is one of the occupations of the women of the Straits, the material employed being the thick leaves of a species of _Panda.n.u.s_ which is known by the natives as the _pota_. The leaves are first deprived of their thin polished epidermis by being rubbed over with the leaves of a plant, named _sansuti_, which have a rough surface giving a sensation like that caused by fine emery paper when pa.s.sed over the skin. The panda.n.u.s leaves are then dried in the sun, when they become whitened and leathery, and are then sewn together into mats. These mats are not only used to lie upon, but are also worn by the women over their shoulders as a protection in wet weather. They are especially useful, as I have myself found, when sleeping out in the open in wet weather. They are sufficiently long to cover the whole length of a native; and when he is sleeping out in the bush, he lies down on his couch formed, as above described, from the slender trunks of areca palms ready at his hand, and covering himself completely with his mat, he may sleep through a deluge of rain without being touched by the wet. The mat has a crease along the middle of its length, so that when placed over the body it resembles a "tente d'abri;" and the rain runs off as from the roof of a house. To intending travellers in these islands, I strongly recommend this form of couch. A native mat and a blanket are all he requires to carry. Almost anywhere in the bush he can find the areca palms, the slender trunks of which, when placed as a layer of poles on two logs, will serve him as an excellent couch.
With regard to the domestic utensils in use amongst the natives of Bougainville Straits, I should observe that cocoa-nut sh.e.l.ls pierced by a hole of about the size of a florin, are employed as drinking-vessels.
The outer surface of the sh.e.l.l is usually coated over with a kind of red cement formed of a mixture of red ochreous earth and the resinous material, obtained from the fruit of the "t.i.ta" (_Parinarium laurinum_), which is employed for caulking the seams of the canoes. The exterior of these vessels is frequently ornamented by double chevron-lines of native sh.e.l.l-beads. Sometimes a tube of bamboo is fitted into the orifice of the vessel to form a neck, the whole being plastered over with the red cement and looking like some antique earthen jar. Both of these kinds of drinking-vessels are shown in the accompanying plate. Drinking water is always kept at hand in a house in a number of these cocoa-nut sh.e.l.ls which, being hung up overhead, keep the water pleasantly cool, a plug of leaves being used as a stopper. The native, in drinking, never puts the vessel to his mouth, but throwing his head well back, he holds the vessel a few inches above his lips and allows the water to run into his mouth. The milk of the cocoa-nut is drunk in the same manner. The scoops or sc.r.a.pers used in eating the white kernels of the cocoa-nuts are generally either of bone or of pearl-sh.e.l.l. Sometimes for this purpose a large _Cardium_ sh.e.l.l is lashed to a handle, a small hole being made in the sh.e.l.l for this purpose..... Wooden hooks of clumsy size, though showing some skill in their design and workmans.h.i.+p, are employed as hanging-pegs in the houses.
[Ill.u.s.tration: 1
2
1. MODEL CANOE MADE BY A ST. CHRISTOVAL NATIVE.
2. PAN-PIPES. COCOANUT DRINKING VESSELS. COOKING-POT WITH CUs.h.i.+ON AND TROWEL. FAN.
(All these Articles are from Treasury Island.)
(_To face page 63._)]
The cooking-vessels in use in the islands of Bougainville Straits are circular pots of a rough clay ware, usually measuring about nine inches in depth and breadth, but sometimes more than double this size.
Cleansing these vessels out between the meals is deemed an unnecessary refinement. These cooking-pots, one of which is shown in the accompanying plate, are made by the women in the following manner: A handful of the clay, which is dark-reddish in colour and would make a good brick-clay, is first worked together in the hands into a plastic lump; and this is fas.h.i.+oned rudely into a kind of saucer to form the bottom of the vessel by basting the ma.s.s against a flat smooth pebble, three or four inches across, held in the left hand, with a kind of wooden trowel or beater held in the right hand. (One of these wooden trowels is figured in the plate.) Whilst one woman is thus engaged, a couple of her companions are occupied in flattening out, by means of a flat-sided stick, strips of the clay six to twelve inches in length and an inch in breadth, their length increasing as the making of the vessel progresses. One of these strips is then placed around the upper edge of the saucer; and the potter welds or batters it into position, employing the same tools in a similar manner, the pebble being held inside. The cooking vessel is thus built up strip by strip; and to enable the worker to give symmetry to the upper part of the pot, a fillet of broad gra.s.s is tied around as a guide. An even edge is given to the lip by drawing along the rim a fibre from the cocoa-nut husk, and the interior and neck are finished off by the fingers well moistened. Whilst being made, the cooking-pot is rested on a ring-cus.h.i.+on of palm leaves, as shown in the same engraving. The time occupied in making one of the ordinary sized pots is about three-quarters of an hour. Thus made, they are kept in the shade for three or four days to become firm; and they are finally hardened by being placed in a wood-fire. No glaze appears to be used, and the vessels themselves show no signs of its employment. Their outer surfaces are indistinctly marked by odd-looking patterns in relief, reminding one somewhat of hieroglyphics, which are produced by the same patterns cut into one of the surfaces of the wooden beater (as shown in the engraving) for the purpose of giving the tool a better hold on the clay. Some cooking-pots, as in the case of the one ill.u.s.trated, are ornamented with a chevron-line in relief below the neck and partly surrounding the vessel.[20] This ware compares but poorly with the finish and variety of design displayed by the glazed pottery of Fiji.
The Fijian women, however, employ similar tools and accessories, namely, a flat mallet, a small round flat stone, and a ring-like cus.h.i.+on of palm leaves; but they do not appear from the accounts given of the process by Commodore Wilkes,[21] Messrs. Williams and Calvert,[22] and Miss Gordon c.u.mming,[23] to fas.h.i.+on the clay in the first place into strips. I may here refer the reader to the ill.u.s.tration, given by Commodore Wilkes in his narrative (vol. iii. p. 348), of pottery-making in Fiji, as it exactly suits my description of pottery-making in these islands of Bougainville Straits.
[20] Specimens of the pots, the implements, the clay, and the other accessories, have been placed in the Ethnographical Collection of the British Museum.
[21] "Narrative of the U.S. Explor. Exped.:" vol. iii., p. 348.
[22] "Fiji and the Fijians:" 3rd edit., 1870, p. 60.
[23] "A Lady's Cruise in a French Man-of-War:" London, 1882, p. 247.
It will be interesting, perhaps, to briefly notice some of the gradations in the art of pottery manufacture amongst the savage races in this quarter of the globe. A very simple method, as recorded by Captain Forrest[24] more than a century ago, was employed by the women of Dory Harbour, New Guinea. They formed "pieces of clay into earthen pots; with a pebble in one hand to put into it, whilst they held in the other hand, also a pebble, with which they knocked, to enlarge and smooth it." The natives of the Andaman Islands[25] advance another step in the process.
We learn from Mr. Man that the only implements employed are, an _Arca_ sh.e.l.l, a short pointed stick, and a board. The clay is rolled out into strips with the hand. One of these strips is twisted to form the cup-like base; and the pot is then built up strip by strip. The method employed by the natives of Bougainville Straits in the Solomon Group, may be considered to be an improvement on the plan adopted by the Andaman Islanders. As already described, they also fas.h.i.+on the clay into strips and build up the vessel in a similar manner, but in the employment of a special implement as the wooden beater, in the use of the ring-cus.h.i.+on, and probably in the more artistic details of the process, they make a nearer approach than do the Andaman Islanders to the pottery-making of the Fijians. Then we come in the ascending scale to the method employed by the women of the Motu tribe around Port Moresby, New Guinea. By the Rev. Dr. W. Turner,[26] we are informed that they use a round smooth stone and a wooden beater but no cus.h.i.+on, the vessel being made without the aid of strips of clay into two pieces, the body and the mouth, which are moulded together. This method, as employed by the Motu women, may not be superior to that followed amongst the women of Bougainville Straits; but inasmuch as the former manufacture three kinds of vessels, one for holding water, another for cooking, and a third to be used as a plate, whilst the latter confine their art to the cooking-pot, I have a.s.signed the first place to the former.[27]
From the work of the Motu women to the pottery of the Fijians, and between the different processes employed, there is a considerable advance in the art of pottery manufacture, as already described in the case of Fiji. There, a glaze is for the first time employed; whilst in their finish, their comparative elegance of design, in their multiplicity of pattern, and in the various purposes for which they are employed from the cooking-pot up to the ornamental jar, these Fijian vessels are greatly superior to all I have referred to, whether the work of a woman of Port Dory, of an Andaman Islander, of a woman of Bougainville Straits, or of a woman of the Motu tribe in New Guinea.[28]
[24] "A Voyage to New Guinea and the Moluccas," by Captain T.
Forrest: London, 1779, p. 96.
[25] Journal of the Anthropological Inst.i.tute: vol. xii., p. 69.
[26] Ibid: vol. vii., p. 470.
[27] In the Ethnological Collection of the British Museum there are specimens from this quarter of New Guinea of the wooden beaters employed in the pottery making. They are highly carved and much more finished than those of Bougainville Straits, being labelled "blocks"
in the collection, as if their chief use was for imprinting patterns on the clay. It seems to me, however, that their princ.i.p.al purpose is as beaters, the simply cut patterns of the beater of Bougainville Straits, which serve to give the tool a better hold on the clay, being elaborated in the case of the New Guinea beater into ornamental patterns which have the same purpose.
[28] Two kinds of earthen pots from the Admiralty Islands are figured in the official narrative of the cruise of the "Challenger"
(figs. 242 and 243). They differ in shape from those of Bougainville Straits and are probably made in a different manner.
The Polynesian plan of producing fire, which is known as the "stick-and-groove" method, was that which was occasionally employed by my native guides during my excursions in St. Christoval and in the island of Simbo. At the risk of being charged with undue prolixity, I will briefly describe it as I saw it performed. A dry piece of wood is first taken, and one side of it is sliced so as to form a flat surface.
A small bit of the same wood is then pointed at one end and worked briskly along a groove which it soon forms in the flat surface. The friction in some three or four minutes produces smoke; and finally a fine powder, which has been collecting in a small heap at the end of the groove, begins to smoulder. After being carefully nursed by the breath of the operator, the tiny flame is transferred to a piece of touch-wood, and the object is attained. In most native houses in districts not often visited by the trader, pieces of the wood used for this purpose are left lying about on the floor. Wax matches, however, form an important item in the large quant.i.ties of trade-articles which pa.s.s into the hands of the natives of some of the islands; and in such islands any other method of producing fire is not generally employed. In most cases, when I had omitted to take matches with me in my excursions, my natives, although very desirous of getting a light for their pipes, were too lazy to obtain it by making use of the more laborious method of the "stick-and-groove." When making their own journeys in the bush, they carry along with them a piece of smouldering wood, a precaution which I used to encourage them to adopt when accompanying me, in order to save myself being pestered every few minutes for a light for their pipes.
Burning-gla.s.ses are in common use amongst the natives of some of the islands, as at Simbo. The reason of their being not always favourite articles of trade in other islands, I was at a loss to understand. The numerous fumaroles varying in temperature between 160 and 200 Fahr.
which pierce the hill-sides of the volcanic island of Simbo, are employed by the natives for the purposes of cooking, as I have elsewhere observed (p. 86).
Fans serve the double purpose of nursing a fire and of cooling the person. Those in use in Treasury are made of the extremities of two branches of the cocoa-nut palm, the midribs forming the handle, whilst the long "pinnae" are neatly plaited together to form the fan. One of these fans is figured in the pottery engraving. Although more coa.r.s.ely made, they are of a pattern similar to the fans of Fiji and Samoa. The shape appears to have originated from the nature of the materials employed; and I suspect that in Fiji and Samoa, where different materials are used, the original shape which depended on the plaiting of the cocoa-nut leaves has been retained, whilst the material itself has been discarded.
The natives of Bougainville Straits burn torches during their fis.h.i.+ng excursions at night and during festivals. For this purpose they use resins obtained from the "anoga,"[29] probably a species of _Canarium_, and the "katari," a species of _Calophyllum_, two tall trees which rank among the giants of the forest in this region. The resin of the "anoga"
should be more properly described as a resinous balsam. It is white, is easily pulverised, and has a powerful odour, as if of camphor and sandal-wood combined. It concretes in ma.s.s inside the bark and in tears on the outer surface of the tree, and is usually obtained by climbing up and knocking it off the bark; but sometimes the tree is ringed at a height of four feet from the ground, a process which drains it of its resin but causes its death. The torch of this material is simply prepared by wrapping up compactly the powdered resin in a palm-leaf, which although outside answers the purpose of a wick... . The "katari"
resin, which is less frequently used, is a dark-coloured material that burns with a tarry and somewhat fragrant odour. Other resins and gums are yielded by the trees, one of which somewhat resembles the "kauri"
gum of New Zealand, and occurs in a similar situation beneath the soil; but I was unable to find the tree.
[29] From Surville's description of his visit to Port Praslin in Isabel in 1769, it would appear that the natives burned torches made of this resin. ("Voyage de Marion." Paris, 1783; p. 274.)
In the tambu-houses of St. Christoval and the adjoining islands we have a style of building on which all the mechanical skill of which the natives are possessed has been brought to bear. These sacred buildings have many and varied uses. Women are forbidden to enter their walls; and in some coast villages, as at Sapuna in the island of Santa Anna, where the tambu-house overlooks the beach, women are not even permitted to cross the beach in front. The tambu-houses of the coast villages are employed chiefly for keeping the war-canoes, each chief being allowed, as an honourable mark of his position, the privilege of there placing his own war-canoe;[30] but in the inland villages, these buildings are of course no longer employed for this purpose. Another use to which these buildings may be put is described on page 53, in connection with the tambu-house of Sapuna in Santa Anna, in which are deposited, enclosed in the wooden figure of a shark, the skulls of ordinary men and the entire bodies of the chiefs.
[30] Mr. C. F. Wood, in his "Yachting in the South Seas" (London, 1875), gives, as the frontispiece of his book, an autotype photograph of the tambu-house of Makira in St. Christoval, in which the war-canoes are well shown.
The front of the tambu-house in his native village is, for the Solomon Islander, a common place of resort, more especially towards the close of the afternoon. There he meets his fellows and listens to the news of his own little world; and it is to this spot that any native who may be a stranger to the village first directs his steps, and on arriving states his errand or particular business. In my numerous excursions, when thirsty or tired, I always used to follow the native custom in this matter, being always treated hospitably and never with any rudeness. The interior of these buildings is free to any man to lie down in and sleep.