The Man Who Knew Too Much Part 12

March was staring at Fisher, in amazement at the effect his pink paper had produced.

"What does it all mean?" he cried. "I always supposed we should protest in defense of the Danish ports, for their sakes and our own.

What is all this botheration about Sir Isaac and the rest of you? Do you think it bad news?"

"Bad news!" repeated Fisher, with a sort of soft emphasis beyond expression.

"Is it as bad as all that?" asked his friend, at last.

"As bad as all that?" repeated Fisher. "Why of course it's as good as it can be. It's great news. It's glorious news! That's where the devil of it comes in, to knock us all silly. It's admirable. It's inestimable. It is also quite incredible."

He gazed again at the gray and green colors of the island and the river, and his rather dreary eye traveled slowly round to the hedges and the lawns.

"I felt this garden was a sort of dream," he said, "and I suppose I must be dreaming. But there is gra.s.s growing and water moving; and something impossible has happened."

Even as he spoke the dark figure with a stoop like a vulture appeared in the gap of the hedge just above him.

"You have won your bet," said Harker, in a harsh and almost croaking voice. "The old fool cares for nothing but fis.h.i.+ng. He cursed me and told me he would talk no politics."

"I thought it might be so," said Fisher, modestly. "What are you going to do next?"

"I shall use the old idiot's telephone, anyhow," replied the lawyer.

"I must find out exactly what has happened. I've got to speak for the Government myself to-morrow." And he hurried away toward the house.

In the silence that followed, a very bewildering silence so far as March was concerned, they saw the quaint figure of the Duke of Westmoreland, with his white hat and whiskers, approaching them across the garden. Fisher instantly stepped toward him with the pink paper in his hand, and, with a few words, pointed out the apocalyptic paragraph. The duke, who had been walking slowly, stood quite still, and for some seconds he looked like a tailor's dummy standing and staring outside some antiquated shop. Then March heard his voice, and it was high and almost hysterical:

"But he must see it; he must be made to understand. It cannot have been put to him properly." Then, with a certain recovery of fullness and even pomposity in the voice, "I shall go and tell him myself."

Among the queer incidents of that afternoon, March always remembered something almost comical about the clear picture of the old gentleman in his wonderful white hat carefully stepping from stone to stone across the river, like a figure crossing the traffic in Piccadilly. Then he disappeared behind the trees of the island, and March and Fisher turned to meet the Attorney-General, who was coming out of the house with a visage of grim a.s.surance.

"Everybody is saying," he said, "that the Prime Minister has made the greatest speech of his life. Peroration and loud and prolonged cheers. Corrupt financiers and heroic peasants. We will not desert Denmark again."

Fisher nodded and turned away toward the towing path, where he saw the duke returning with a rather dazed expression. In answer to questions he said, in a husky and confidential voice:

"I really think our poor friend cannot be himself. He refused to listen; he--ah--suggested that I might frighten the fish."

A keen ear might have detected a murmur from Mr. Fisher on the subject of a white hat, but Sir John Harker struck it more decisively:

"Fisher was quite right. I didn't believe it myself, but it's quite clear that the old fellow is fixed on this fis.h.i.+ng notion by now. If the house caught fire behind him he would hardly move till sunset."

Fisher had continued his stroll toward the higher embanked ground of the towing path, and he now swept a long and searching gaze, not toward the island, but toward the distant wooded heights that were the walls of the valley. An evening sky as clear as that of the previous day was settling down all over the dim landscape, but toward the west it was now red rather than gold; there was scarcely any sound but the monotonous music of the river. Then came the sound of a half-stifled exclamation from Horne Fisher, and Harold March looked up at him in wonder.

"You spoke of bad news," said Fisher. "Well, there is really bad news now. I am afraid this is a bad business."

"What bad news do you mean?" asked his friend, conscious of something strange and sinister in his voice.

"The sun has set," answered Fisher.

He went on with the air of one conscious of having said something fatal. "We must get somebody to go across whom he will really listen to. He may be mad, but there's method in his madness. There nearly always is method in madness. It's what drives men mad, being methodical. And he never goes on sitting there after sunset, with the whole place getting dark. Where's his nephew? I believe he's really fond of his nephew."

"Look!" cried March, abruptly. "Why, he's been across already.

There he is coming back."

And, looking up the river once more, they saw, dark against the sunset reflections, the figure of James Bullen stepping hastily and rather clumsily from stone to stone. Once he slipped on a stone with a slight splash. When he rejoined the group on the bank his olive face was unnaturally pale.

The other four men had already gathered on the same spot and almost simultaneously were calling out to him, "What does he say now?"

"Nothing. He says--nothing."

Fisher looked at the young man steadily for a moment; then he started from his immobility and, making a motion to March to follow him, himself strode down to the river crossing. In a few moments they were on the little beaten track that ran round the wooded island, to the other side of it where the fisherman sat. Then they stood and looked at him, without a word.

Sir Isaac Hook was still sitting propped up against the stump of the tree, and that for the best of reasons. A length of his own infallible fis.h.i.+ng line was twisted and tightened twice round his throat and then twice round the wooden prop behind him. The leading investigator ran forward and touched the fisherman's hand, and it was as cold as a fish.

"The sun has set," said Horne Fisher, in the same terrible tones, "and he will never see it rise again."

Ten minutes afterward the five men, shaken by such a shock, were again together in the garden, looking at one another with white but watchful faces. The lawyer seemed the most alert of the group; he was articulate if somewhat abrupt.

"We must leave the body as it is and telephone for the police," he said. "I think my own authority will stretch to examining the servants and the poor fellow's papers, to see if there is anything that concerns them. Of course, none of you gentlemen must leave this place."

Perhaps there was something in his rapid and rigorous legality that suggested the closing of a net or trap. Anyhow, young Bullen suddenly broke down, or perhaps blew up, for his voice was like an explosion in the silent garden.

"I never touched him," he cried. "I swear I had nothing to do with it!"

"Who said you had?" demanded Harker, with a hard eye. "Why do you cry out before you're hurt?"

"Because you all look at me like that," cried the young man, angrily. "Do you think I don't know you're always talking about my d.a.m.ned debts and expectations?"

Rather to March's surprise, Fisher had drawn away from this first collision, leading the duke with him to another part of the garden.

When he was out of earshot of the others he said, with a curious simplicity of manner:

"Westmoreland, I am going straight to the point."

"Well?" said the other, staring at him stolidly.

"You have a motive for killing him," said Fisher.

The duke continued to stare, but he seemed unable to speak.

"I hope you had a motive for killing him," continued Fisher, mildly.

"You see, it's rather a curious situation. If you have a motive for murdering, you probably didn't murder. But if you hadn't any motive, why, then perhaps, you did."

"What on earth are you talking about?" demanded the duke, violently.

"It's quite simple," said Fisher. "When you went across he was either alive or dead. If he was alive, it might be you who killed him, or why should you have held your tongue about his death? But if he was dead, and you had a reason for killing him, you might have held your tongue for fear of being accused." Then after a silence he added, abstractedly: "Cyprus is a beautiful place, I believe.

Romantic scenery and romantic people. Very intoxicating for a young man."

The duke suddenly clenched his hands and said, thickly, "Well, I had a motive."

"Then you're all right," said Fisher, holding out his hand with an air of huge relief. "I was pretty sure you wouldn't really do it; you had a fright when you saw it done, as was only natural. Like a bad dream come true, wasn't it?"