The Inn at the Red Oak Part 7

"Deary me! no; but I am going to take a boarder."

"Really?--you are setting up to rival the Inn, eh?" said Tom.

"No", Tommy, nothing of the sort. But I am offered good pay for my front room, and as Jane Frost is always nagging me about living here alone, I thought I'd take her."

"And who pray is your new boarder?" asked Nancy.

"That is the funny part of it," replied Mrs. Meath, "I know nothing but her name--Mrs. Fountain. Everything has been arranged by a lawyer man from Coventry, and she is coming in a few days. Tell thy mother, Nancy dear, that she need worry about me no longer."

"I will, Mrs. Meath. I think it is a splendid idea, and I hope you will like the lady. Mother will be so glad that you have some one with you."

Soon they were on their way across the dunes and marshes to Tinterton road and home. Dan was preoccupied, not with the news that was so exciting to Mrs. Meath, but with the recollection of his conversation with Nancy as they had driven toward the house. Despite her implicit denial he knew there was a secret between the Marquis de Boisdhyver and herself. He could not imagine what it might be, and it was evident that she did not mean to tell him at present. But his anxieties on this or kindred subjects were not relieved by his companion during the remainder of the drive. Moreover his attempts to speak again of his newly discovered pa.s.sion were received coldly--so coldly indeed that he had no heart for pleading for such proofs as she had given him earlier in the afternoon that she shared his emotion. So despite the splendid moon, the bright cold night, the merry jangle of the sleigh bells, the drive back was not the unmixed joy Tom had promised himself; and he felt his role of a declared and practically-accepted lover anything but a satisfactory one.

Finally they reached the Inn and entered the bar where they found the Marquis sitting alone before a cheerful fire. All of Tom's suspicious jealousies returned with fresh force, for Nancy rapidly crossed the room, spoke a few words to the old gentleman in an inaudible tone of voice, and pa.s.sed quickly on to her own apartments.

PART II

THE TORN Sc.r.a.p OF PAPER

CHAPTER VI

THE HALF OF AN OLD PAPER

That evening Mrs. Frost made a particular request for music. Poor Dan, impatient to be alone with Tom and show him the torn sc.r.a.p of paper that he had found that afternoon was forced to bring out his fiddle and accompany the Marquis. Tom, for first part, was more concerned with his own relations with Nancy than with the mysterious possibilities of the previous night. The poignant notes of the violin set his pulses to beating in tune with the throbbing of the music and transported him again into the realms of youthful dreams. They were quaint plaintive songs of old France that the Marquis chose to play that evening, folk tunes of the Vendee, love songs of olden time.

From where he sat in the shadow Tom got a full view of Nancy seated on the oaken setlle near the fire. Her brows were drawn a little in deep thought, her lips for the most part compressed, though ever and anon relaxing at some gentler thought. Her hands were clasped, her head was bent a little, but her body was held straight and tense. Her eyes, dark and l.u.s.trous in the light of the flaming logs, always fixed upon the musician, not once wandering in his direction.

What was the influence, the fascination that strange old Frenchman seemed to exert? It seemed to Tom impossible that there could be a secret which she felt necessary to hide from them, her lifelong friends. But apart from what he knew had taken place the night before as he looked back over the past month, he was conscious that there had been a change in Nancy, a change that mystified him. It was the danger in this change, he told himself, that had awakened in him the knowledge of his love.

But then as he looked across at her so lovely, in the firelight, he felt again the thrill as when first he had taken her hand that afternoon. In that moment all the dreams, the vague longings of his boyhood had found their reality.

Suddenly, while he was thinking thus, the Marquis laid his violin upon his knees. "Ah, _ma jeunnesse_!" he exclaimed in a dramatic whisper, "_et maintenant_--_et maintenant_!"

For a moment no one spoke or stirred. They looked at him curiously as they always did when he brought his playing to an end in such fas.h.i.+on.

Then he rose. "_Bon soir, madame; bon soir, messieurs; bon soir, mademoiselle_"

Tom saw his little faded blue eyes meet Nancy's with a look of swift significance. Then he bowed with a flourish that included them all.

"A thousand thanks, Monsieur le Marquis," murmured Mrs. Frost, "how much pleasure you give us!"

They all rose then, as the Marquis smiled his appreciation and withdrew.

"Give me your arm, Dan," the old lady said. "It must be past my bedtime.

Come, Nancy."

"Yes, mother." The girl rose wearily, stopping a moment at the mantelpiece to snuff the candles there. Tom seized his opportunity, and was by her side. She started, as she realized him near her.

"Nance, Nance, I must have a word with you," he exclaimed in a tense whisper, "don't go!"

"Nance, come," called Mrs. Frost from the hall.

"Yes, Mother, I am coming ... I must go, Tom. Don't delay me. You know how Mother is ..."

"What difference will it make if you wait a moment? Good Lord! Nance, I have been trying all evening to get a word with you, and you have not so much as given me a glance. Don't go--please don't go! Oh, Nancy dear,--I love you so!"

He seized her hands and kissed them pa.s.sionately. "Nance, Nance ...

please ..." His arms were about her.

"Tom, you make it so hard ... Remember, you promised me ... No word of love until I can think, until I have time to know ... Please, Tom, let me go."

"I can't let you go. Oh sweetheart dear."

"Tom, we musn't--Dan, Mother! ..."

Unheeding her protest, he put his arms around her. An instant he felt her yield, then quickly thrusting him aside, she ran from the room, leaving him standing alone there, trembling with excitement, chagrin, happiness, alarm.

In a moment his friend returned and Tom pulled himself together. "Come on," said Dan, "I have a lot to tell you."

"Did you find anything this afternoon?" exclaimed Pembroke.

"s.h.!.+ for heaven's sake be careful. Don't talk here. Let's go upstairs."

A few minutes later they were closeted in Dan's chamber. The curtains were tightly drawn and a heavy quilt was hung over the door. Good Lord!

thought Tom, could it be possible that these precautions in part at least were taken against Nancy. The world seemed to have turned upside down for him in the last twenty-four hours.

"Aren't we going to keep watch to-night?" he asked.

"Yes, but later. They are just getting to bed--or pretending to. Look here, this may throw light on the mystery. I found this paper in a secret cubby-hole in the old cabinet in the Oak Parlour. Draw a chair up to the table so that you can see."

"The cabinet," he continued, as he took the paper out of his strong-box and began to unfold it, "was brought from some old manor house in England. It has four little secret cubby-holes, opened by hidden springs, that Mother says were probably used by the Roman Catholics to hide pages of their ma.s.s-books during the days of persecution. She remembered fortunately a little about them. They were all empty but one, and in that I found this torn sc.r.a.p of paper."

He handed the yellowed bit of writing to Tom, who flattened it out on the table before him.

"Why it's written in French," Pembroke exclaimed, as he bent over to examine it.

"Yes, I know it is," said Dan. "I can't make head or tail of it. Besides it seems to be only a part of a note or letter. I could hardly wait to give you a chance at it. You can make something of it, can't you?"

"I don't know--I guess I can. It's hard to read the handwriting. The thing's torn in two--haven't you the rest of it?"

"No, I tell you; that's all I could find; that's all, I am sure, that can be in the cabinet now. My theory is that the old marquis has somehow come across the other half and is still looking for this. G.o.d only knows who hid it there.

"How the deuce could the Marquis know about it. Ah! look--it's signed somebody, something _de Boisdhyver_--'_ancois_--that's short for Francois, I guess. Evidently 't wasn't the Marquis himself. Wonder what it means?"