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A Comedy of Masks Part 29

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"It is for Miss Masters," said Mrs. Lightmark; "but she won't want it yet. She has just gone down to supper."

"Ah, so much the better. I want to see her."

"Do you?" she asked indifferently. "Well, you had better keep me company until she comes. It is a long time since I saw you."

He considered her for a moment with a heavy, fraternal appreciation.

"Yes," he said--"yes, it is a long time, Eve. But, of course, we have each our own occupations, our own duties now. And being the wife of a successful painter must involve almost as many as being--if I may say so--a fairly successful barrister. Gratified as we are, my dear--my mother and I--at the success of your marriage, which has proved more brilliant even than we hoped, I must say that we often regret having lost you. We are duller people, I fear, since you have left us. However, we can still think of the old days, as you, no doubt, do sometimes."

She gave a faint, little, elusive smile, behind her fan.

"Oh, I am afraid I have forgotten them," she said. Then she went on quickly, before he had time to reply: "Another thing, too, I had almost forgotten--to congratulate you--on Mr. Humphrey's death."

"My dear Eve!" He looked at her with some reproof, with an air of finding her a little crude. "You should not say such things, Eve! I deeply deplore----"

"Shouldn't I?" she asked flippantly. "d.i.c.k told me you were to succeed to his seat. Isn't it true?"

He ignored her question, busied himself with an obdurate b.u.t.ton on his glove. She watched him over her fan, half smiling, with her brilliant eyes.

"You are cynical," he remarked at last. "I dare say I shall get in.

Is Lightmark here?"

"Yes, he is here. He has taken Mrs. Van der Gucht--the American Petroleum Queen they call her, don't they?--down to supper. She wants him to paint her portrait, at his own price. He will be here to fetch me at half-past eleven. I believe we have to move on then."

"Move on?" he asked, with an air of mystification.

"Show ourselves at another house," she replied. "It's a convenient practice, you know; one gets two advertis.e.m.e.nts in one night.

Besides, one saves one's self a little that way; one sometimes gets an evening off."

"You talk as if you were an actress," he said, with offended irony.

"I don't understand your tone. Does Miss Masters accompany you?"

"I think not. Did you say you wanted to see her?"

"Particularly; it is chiefly for that I am here."

"She is a very nice girl," remarked his sister gently. "I hope----"

She hesitated slightly; then held out her hand to him, which involuntarily he clasped. "I hope you will have a satisfactory conversation, Charles."

He glanced at her for a moment silently, feeling a secret pleasure in her discrimination.

"You look very well," he said at last, "only rather tired. That is a very pretty dress."

She smiled vaguely.

"I didn't know you ever noticed dresses. Yes, I am rather tired. Ah, there is Mary--and d.i.c.k."

The girl came towards them at this moment, looking pretty and distinguished in her square-cut, dark gown; and Lightmark followed, carrying her bouquet of great yellow roses, which he held appreciatively under his nose.

He nodded to Charles Sylvester, who was shaking hands with Mary; then he turned to his wife.

"If you are ready, dear," he said lightly, "I expect the carriage is. Miss Masters, you know we have another dance to do. My brother-in-law will see after you and your bouquet, if you will allow me."

"Oh, give it me, please," cried the girl, with a nervous laugh. "I really did not know you were carrying it. Thanks so much."

She had succeeded almost mechanically to Mrs. Lightmark's vacated chair; and as she sat there, with her big nosegay on her lap, he was struck by her extreme pallor, the la.s.situde in her fine eyes. He ventured to remark on it, when the other two had left them, and she had not made, as he had feared and half antic.i.p.ated, any motion to rise.

"Yes, the rooms are hot and dreadfully full. There are too many sweet-smelling flowers about; they make one faint. It's a relief to sit down in comparative quiet and calm for a little."

He was emboldened by her quiescence to resume his chair at her side.

"I won't ask you to dance, then," he said; "and allow me to hope that no one else has done so."

She glanced indifferently at her card.

"No. 10," he added anxiously; "a waltz, after the Lancers."

"I see some vague initials," she said; "but probably my partner will not be able to find me, thanks to these shrubs."

"I hope not, with all my heart," said Charles devoutly. "At any rate, I can sit with you until you are claimed."

"As you like," she replied wearily. "Are you not anxious to dance?"

"I am not a great dancer at any time," he protested; "and to-night my heart would be particularly out of it. I came for another purpose."

He spoke tensely, and there was a slight tremor in his voice, ordinarily so clear and dogmatic, which alarmed the girl so that she forgot her weariness and meditated a retreat.

"Oh, so did I," she replied with forced gaiety. "I came to look after my aunt, which reminds me that this is hardly the way to do it. Will you please take me to her?"

"I a.s.sure you she does not want you," cried Charles eagerly. "I saw her not ten minutes ago with M. de Loudeac. They seemed to be talking most intimately."

"He is an old friend," said Mary; "but, still, they may have finished by this time. One can say a great deal in ten minutes."

"Ah!" he put in quickly, "only give me them, Miss Masters."

"I really think it is unnecessary," she murmured with a rapid flush.

She made another movement, as if she would rise, dropping her bouquet in her haste to prevent his speech. He picked it up quickly and replaced it in her hands.

"No, don't go, Miss Masters," he insisted. "I surely have a right to be heard. After all, I do not require ten minutes, nor five. Only I came to say----"

"Ah, don't say it, Mr. Sylvester," she pleaded. "What is the good?"

"I mean that I love you! I want you immensely to be my wife."

She bent her head over her flowers, so that her eyes were quite hidden, and he could not see that they were full of tears; and for a long time there was silence, in which Sylvester's foot kept time nervously with the music. The girl bitterly reproached her tiredness, which had dulled apprehension so far that she had not realized at once the danger of the situation, nor retreated while there was yet time. She had always dreaded this; and now that it was accomplished, an illimitable vista of the disagreeable consequences broadened out before her. The ice being once broken, however she might answer him now, a repet.i.tion, perhaps even several, could scarcely be avoided; she foresaw that his persistence would be immense, so that with whatsoever finality she might refuse him, it would all be to go over again. And with it all was joined her natural reluctance to give an honest gentleman pain, only heightened by her sense that, for the first time in her knowledge of the man, the evident sincerity of his purpose had given simplicity to his speech. He for once had been neither formal nor absurd, and the uniqueness of the fact, taken in conjunction with her share in it, seemed to have given him a claim on her consideration. He had cast aside the armour of self-conceit at which she could have thrown a dart without remorse, and the man seeming so defenceless, she had a desire to deal gently with him.

"Mr. Sylvester," she said at last, looking up at him, "I am so sorry, but please do not speak of this any more. Believe me, it is quite impossible. I am sensible of the honour you do me, deeply sensible, only it is impossible. Let us forget this--this mistake, and be better friends than we have ever been before."

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A Comedy of Masks Part 29 summary

You're reading A Comedy of Masks. This manga has been translated by Updating. Author(s): Ernest Christopher Dowson and Arthur Moore. Already has 617 views.

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