A Comedy of Masks Part 5

"To Florence," she said, smiling, "to the Zoo."

"Ah, a good idea," he murmured. "Well, good-bye, Lady Garnett; good-day, Rainham. I am sorry to see you don't seem to have benefited much by your winter abroad. I almost wonder you came back so soon. Was not it rather unwise? This treacherous climate, you know."

"Yes," said Rainham; "I, too, think you are right. I think I had much better have stayed--very much better."

"Ah, well," he said, "you must take care of yourself, and give us a look in if you have time."

Eve looked up at him, flus.h.i.+ng a little, as though she found her brother's formal politeness lacking in hospitality. She was struck then, as she had not been yet during her visit, by a curious la.s.situde in her old friend's face. It affected her with an unconscious pity, causing her to second her brother's somewhat chilly invitation more cordially.

The humour which had shone in Rainham's eyes while they had been talking seemed to have gone out suddenly, like a lamp, leaving them blank and tired. It shocked her to realize how old and ill he had become.

CHAPTER VI

Indolence and ill-health, in the opinion of many the salient points in Philip Rainham's character, had left him at forty with little of the social habit. The circle of his intimates had sensibly narrowed, and for the rest he was becoming more and more conscious that people whom one does not know exceedingly well are not worth knowing at all. The process of dining out two or three times a week in the company of two or three persons whose claims on his attention were of the slenderest he found a process attended with less and less pleasure the older he grew. There were few houses now which he frequented, and this year, when he had made an effort to devote a couple of evenings to the renewal of some acquaintance of the winter, and had discovered, as he had discovered anew each season, that the effort gave him no appreciable compensations for the disagreeables it involved, he made fresh resolutions of abstinence, and on the whole he kept them amazingly well.

For the most part, when he was not routed out by Lightmark (and since the young artist was in train to become a social acquisition this happened less frequently than of old), it was at Blackpool that he spent his evenings. He had, it is true, a standing invitation to dinner at Lady Garnett's when that old lady found herself at home; but Portman Square was remote, and evening dress, to a man with one lung in a climate which had so fickle a trick of registering itself either at the extreme top or bottom of the thermometer, presented various discomforts. His den behind the office--a little sitting-room with a bay-window facing Blackpool Reach, a room filled with books that had no relation to s.h.i.+pping, and hung round with etchings and pictures in those curiously-low tones for which he had so unreasonable an affection--was what he cherished most in London. He read little now, but the mere presence of the books he loved best in rough, uneven cases, painted black, lining the walls, caressed him. As with persons one has loved and grown used to loving, it was not always needful that they should speak to him; it was sufficient, simply, that they should be there. Neither did he write on these long, interminable evenings, which were prolonged sometimes far into the night. He had ended by being able to smile at his literary ambitions of twenty, cultivating his indolence as something choice and original, finding his destiny appropriate.

He spent the time in interminable reveries, sitting with a volume before him, as often as not unopened, smoking incessantly, and looking out of the window. The habit amused himself at times; it was so eminently symbolic of his destiny. Life, after all, had been to him nothing so much as that--a long looking out of window, the impartial spectators.h.i.+p of a crowd of persons and pa.s.sions from which he had come at last to seem strangely detached, almost as much as from this chameleon river, which he had observed with such satisfaction in all its manifold gradations of character and colour; its curious cold grayness in the beginning of an autumnal dawn; the illusion of warmth and depth which it sustained at noon, bringing up its burden of leviathans on the top of the flood; its sheen on moonless nights, when only little punctures, green and red and orange, and its audible stillness, reminded him that down in the obscurity the great polluted stream stole on wearily, monotonously, everlastingly to the sea. It was changeful and changeless. He thought he knew its effects by heart, but it had always new ones in reserve to surprise and delight him. He declared it at last to be inexhaustible. It was like a diamond on sunny days, flas.h.i.+ng out light in every little ripple; in the late, sunless afternoon the light lay deeply within it, and it seemed jealous of giving back the least particle. He compared it then to an opal or a sapphire, which s.h.i.+ne with the same parsimonious radiance.

One night, while he sat smoking in his wonted meditative fas.h.i.+on, he had a visitor--the painter Oswyn. He had almost forgotten his invitation, but he reminded himself of his first impression, and greeted him with a cordiality which the other seemed to find surprising. He took him into his sanctuary and found him whisky and a pipe; then he set himself to make the painter talk, a task which he found by no means arduous.

Oswyn was sober, and Rainham was surprised after a while at his sanity. He decided that, though one might differ from him, dissent from his premises or his conclusions, he was still a man to be taken seriously. His fluency was as remarkable as ever, and at first as spleenful; by-and-by his outrageous mood gave way, and, in response to some of Rainham's adroit thrusts, he condescended to stand on his defence. He could give a reasonable account of himself; was prepared clearly, and succinctly, and seriously with his justification.

Rainham was impressed anew by his singleness, the purity of his artistic pa.s.sion. His life might be disgraceful, indescribable: his art lay apart from it; and when he took up a brush an enthusiasm, a devotion to art, almost religious, steadied his hand.

"You may think me a charlatan," he said, with the same savage earnestness, "but I can tell you I am not. I may fail or I may succeed, as the world counts those things. It is all the same: I believe in myself. It is sufficient to me if I approve myself, and the world may go to d.a.m.nation! What I care for is my idea!... yes, my idea, that's it! They can howl at me," he went on; "but they can never say of any stroke of my brush that I put it there for them. I could have painted pictures like Lightmark if I had cared, you know, but I did not care!"

"And yet he has great facility," said Rainham tentatively.

"He has more," said Oswyn bitterly, "or, at least, he had--genius.

And he has deliberately chosen to go the wrong way, to be conventional. He can't plead 'invincible ignorance' like the others; he ought to know better. Well, he has his reward; but I can't forgive him."

Rainham shrugged his shoulders with something between a sigh and a laugh.

"Poor boy! he is young, you know. Perhaps he will live to see the errors of his ways."

"When he's an Academician, I suppose?" suggested the other ironically. "Do they ever see the errors of their ways? If they do they don't show it. No; he will marry a rich wife, and make speeches at banquets, and paint portraits of celebrities, for the rest of his days. And in fifty years' time people will say, 'Lightmark, R.A.?

Who the devil was he?'"

By this time the young moon had risen, and its cold light s.h.i.+mmered on the misty river. Rainham refilled his pipe, and opened the window still more widely.

"By Jove, what a night!" he said. "What a night for a painter! I am sure you are longing to be out in it. I'm afraid there's nothing to show you in the dock at present; you must come down again when there's a s.h.i.+p coming in at night. I feel quite reconciled to the dock on those occasions. Shall we go for a stroll in the moonlight--and seek impressions?"

Oswyn's restless humour welcomed the suggestion, and he was already waiting, his soft felt hat in one ungloved hand, and a heavy, quaintly carved stick in the other.

They stood for some minutes on the little, square, pulpit-like landing, at the top of the creaking wooden staircase, which led down the side of the building from office to yard, listening to the faint drip of the water through the sluice-gates; the wail of a child outside the walls, and the pacing step of the woman who hushed it; the distant intermittent roar of the song which reached them through the often opened doors of a public-house. Presently the night-watchman lumbered out of his sentry-box by the gates, his dim lantern sounding pools of mysterious darkness, which were untouched by the solitary gas-lamp in the street outside, and which the faint moonlight only seemed to intensify.

Oswyn drew in a long breath of the cool, caressing air, momentarily straightening his bent figure. Then he gave a short laugh, which startled Rainham from the familiar state of half-smiling reverie to which he was always so ready to recur.

"The last time I saw the river like this," he said--"the last time I was down here at night, that is--was when I went with a Malay model of mine to his favourite opium den."

"You have not repeated the experiment?" asked Rainham absently.

"No; not yet, at any rate. It made my hand shake so d.a.m.nably for a week afterwards that I couldn't paint. Besides, I doubt if I could find the place again. I couldn't get the Malay to come away at all; he is probably there still."

"Beg your pardon, sir," said the night-watchman hoa.r.s.ely, when they reached the bottom of the difficult staircase, "there's been a young woman here asking for a gentleman of the name of Crichton. I told her there weren't no one of that name here, and Mr. Bullen, sir, he saw her, and sent her away. I thought I had better mention it to you, sir."

"Crichton? Crichton?" repeated Rainham indifferently. "I don't know anyone of that name. Some mistake, I suppose, or---- Well, sailors will be sailors! Thank you, Andrewes, that will do. Good-night--or, rather, we shall be back in half an hour or so." He turned to Oswyn, who had been hanging back to avoid any appearance of interest in the conversation, for corroboration. "You will come back, of course?"

"Rather late, isn't it? I think I had better catch some train before midnight, if there is one."

"Oh, there are plenty of trains," said Rainham vaguely. "We can settle that matter later. I can give you a bed here, you know, or a berth, at any rate."

As they stepped through the narrow opening in the gate, a dark form sprang forward out of the shadow, and then stopped timidly.

"Oh, Cyril!" cried a woman's plaintive voice. "Cyril! I knew you were here, and they wouldn't let me---- Ah, my G.o.d! it isn't Cyril after all...!"

The voice--and it struck Rainham that it was not the voice of a woman of the sort one would expect to encounter in the streets at that hour--died away in a broken sob, and the girl fell back a step, almost dropping the child she carried in her arms.

Her evident despair appealed to Rainham's somewhat inconveniently a.s.sertive sensibility.

He hesitated for a moment, glancing from the girl to Oswyn, and noting that the face, too, had a certain beauty which was not of the order affected by the women of Blackpool.

"Don't go," he said to Oswyn, who had withdrawn a few paces. "I won't keep you a moment!"

The baby in the woman's arms set up a feeble wail, and it was borne in upon Rainham's mind that the unhappy creature with the white face and pleading dark eyes had been waiting long.

"Didn't my foreman tell you that the--that the gentleman you asked for is not here?" he inquired gently. "No one here has ever heard of Mr. Crichton. I'm afraid you have made a mistake.... Hadn't you better go home? I'm sure it would be best for your child."

"Home?" echoed the girl bitterly. Then, changing her tone, "But I saw him here with my own eyes!" she pleaded. "I saw him at the window there not a week ago quite plain, and then they told me he wasn't here! I'm sure he would see me if he only knew--if he only knew!"

"He may have been here," suggested Rainham doubtfully. "There are a great many people here from day to day, and we don't always know their names. But I a.s.sure you he isn't here now."

The girl--for in spite of her pale misery she did not look more--drew her dark shawl more closely round herself and the child with a little, despairing shudder, glancing over her shoulder.

Rainham let his eyes rest on the frail figure pityingly, and a thought of the river behind her struck him with a sudden chill.

He put his hand, almost surrept.i.tiously, into his pocket.

"Where do you live?" he asked. "Near here?" The girl mentioned a street which he sometimes pa.s.sed through when economy of time induced him to make an otherwise undesirable short-cut to the railway station. "Well," he said presently, "I can't keep my friend here waiting, you know. Come and see me to-morrow morning about midday, and I will see if I can help you. Only you must promise me to go straight home now! And"--here he dropped a coin quickly into her hand--"buy something for your child; you both look as if you wanted it."

The girl looked at him dumbly for a moment.

"I will come, sir, and--and thank you!" she said, with a quaver in her voice. And then, in obedience to Rainham's playfully threatening gesture, she turned away.

Rainham gazed after her until she had turned the corner.

"I'm sorry to have treated you to this--scene," he said apologetically, as he joined Oswyn, who was gazing over the narrow bridge. "I felt bound to do something for the girl, after she had been wasting all that time outside my gates. Did you notice what a pretty, refined face she had? I wonder who the man can be--Crichton, Cecil Crichton, wasn't it?... I never heard the name before. It doesn't sound like a sailor's name."