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To Mr. John Brown, in Edinburgh
HARTFORD, June 1, 1882.
MY DEAR MR. BROWN,--I was three thousand miles from home, at breakfast in New Orleans, when the damp morning paper revealed the sorrowful news among the cable dispatches. There was no place in America, however remote, or however rich, or poor or high or humble where words of mourning for your father were not uttered that morning, for his works had made him known and loved all over the land. To Mrs. Clemens and me, the loss is personal; and our grief the grief one feels for one who was peculiarly near and dear. Mrs. Clemens has never ceased to express regret that we came away from England the last time without going to see him, and often we have since projected a voyage across the Atlantic for the sole purpose of taking him by the hand and looking into his kind eyes once more before he should be called to his rest.
We both thank you greatly for the Edinburgh papers which you sent. My wife and I join in affectionate remembrances and greetings to yourself and your aunt, and in the sincere tender of our sympathies.
Faithfully yours, S. L. CLEMENS.
Our Susie is still "Megalops." He gave her that name:
Can you spare a photograph of your father? We have none but the one taken in a group with ourselves.
William Dean Howells, at the age of forty-five, reached what many still regard his highest point of achievement in American realism.
His novel, The Rise of Silas Lapham, which was running as a Century serial during the summer of 1882, attracted wide attention, and upon its issue in book form took first place among his published novels.
Mark Twain, to the end of his life, loved all that Howells wrote.
Once, long afterward, he said: "Most authors give us glimpses of a radiant moon, but Howells's moon s.h.i.+nes and sails all night long."
When the instalments of The Rise of Silas Lapham began to appear, he overflowed in adjectives, the sincerity of which we need not doubt, in view of his quite open criticisms of the author's reading delivery.
To W. D. Howells, in Belmont, Ma.s.s.:
MY DEAR HOWELLS,--I am in a state of wild enthusiasm over this July instalment of your story. It's perfectly dazzling--it's masterly--incomparable. Yet I heard you read it--without losing my balance. Well, the difference between your reading and your writing is-remarkable. I mean, in the effects produced and the impression left behind. Why, the one is to the other as is one of Joe Twich.e.l.l's yarns repeated by a somnambulist. Goodness gracious, you read me a chapter, and it is a gentle, pearly dawn, with a sprinkle of faint stars in it; but by and by I strike it in print, and shout to myself, "G.o.d bless us, how has that pallid former spectacle been turned into these gorgeous sunset splendors!"
Well, I don't care how much you read your truck to me, you can't permanently damage it for me that way. It is always perfectly fresh and dazzling when I come on it in the magazine. Of course I recognize the form of it as being familiar--but that is all. That is, I remember it as pyrotechnic figures which you set up before me, dead and cold, but ready for the match--and now I see them touched off and all ablaze with blinding fires. You can read, if you want to, but you don't read worth a d.a.m.n. I know you can read, because your readings of Cable and your repeatings of the German doctor's remarks prove that.
That's the best drunk scene--because the truest--that I ever read. There are touches in it that I never saw any writer take note of before. And they are set before the reader with amazing accuracy. How very drunk, and how recently drunk, and how altogether admirably drunk you must have been to enable you to contrive that masterpiece!
Why I didn't notice that that religious interview between Marcia and Mrs. Halleck was so deliciously humorous when you read it to me--but dear me, it's just too lovely for anything. (Wrote Clark to collar it for the "Library.")
Hang it, I know where the mystery is, now; when you are reading, you glide right along, and I don't get a chance to let the things soak home; but when I catch it in the magazine, I give a page 20 or 30 minutes in which to gently and thoroughly filter into me. Your humor is so very subtle, and elusive--(well, often it's just a vanis.h.i.+ng breath of perfume which a body isn't certain he smelt till he stops and takes another smell) whereas you can smell other...
(Remainder obliterated.)
Among Mark Twain's old schoolmates in Hannibal was little Helen Kercheval, for whom in those early days he had a very tender spot indeed. But she married another schoolmate, John Garth, who in time became a banker, highly respected and a great influence. John and Helen Garth have already been mentioned in the letter of May 17th.
To John Garth, in Hannibal:
HARTFORD, July 3 '82.
DEAR JOHN,--Your letter of June 19 arrived just one day after we ought to have been in Elmira, N. Y. for the summer: but at the last moment the baby was seized with scarlet fever. I had to telegraph and countermand the order for special sleeping car; and in fact we all had to fly around in a lively way and undo the patient preparations of weeks--rehabilitate the dismantled house, unpack the trunks, and so on. A couple of days later, the eldest child was taken down with so fierce a fever that she was soon delirious--not scarlet fever, however. Next, I myself was stretched on the bed with three diseases at once, and all of them fatal.
But I never did care for fatal diseases if I could only have privacy and room to express myself concerning them.
We gave early warning, and of course n.o.body has entered the house in all this time but one or two reckless old bachelors--and they probably wanted to carry the disease to the children of former flames of theirs.
The house is still in quarantine and must remain so for a week or two yet--at which time we are hoping to leave for Elmira.
Always your friend S. L. CLEMENS.
By the end of summer Howells was in Europe, and Clemens, in Elmira, was trying to finish his Mississippi book, which was giving him a great deal of trouble. It was usually so with his non-fiction books; his interest in them was not c.u.mulative; he was p.r.o.ne to grow weary of them, while the menace of his publisher's contract was maddening. Howells's letters, meant to be comforting, or at least entertaining, did not always contribute to his peace of mind. The Library of American Humor which they had planned was an added burden. Before sailing, Howells had written: "Do you suppose you can do your share of the reading at Elmira, while you are writing at the Mississippi book?"
In a letter from London, Howells writes of the good times he is having over there with Osgood, Hutton, John Hay, Aldrich, and Alma Tadema, excursioning to Oxford, feasting, especially "at the Mitre Tavern, where they let you choose your dinner from the joints hanging from the rafter, and have pa.s.sages that you lose yourself in every time you try to go to your room.... Couldn't you and Mrs.
Clemens step over for a little while?... We have seen lots of nice people and have been most pleasantly made of; but I would rather have you smoke in my face, and talk for half a day just for pleasure, than to go to the best house or club in London." The reader will gather that this could not be entirely soothing to a man shackled by a contract and a book that refused to come to an end.
To W. D. Howells, in London:
HARTFORD, CONN. Oct 30, 1882.
MY DEAR HOWELLS,--I do not expect to find you, so I shan't spend many words on you to wind up in the perdition of some European dead-letter office. I only just want to say that the closing installments of the story are prodigious. All along I was afraid it would be impossible for you to keep up so splendidly to the end; but you were only, I see now, striking eleven. It is in these last chapters that you struck twelve. Go on and write; you can write good books yet, but you can never match this one. And speaking of the book, I inclose something which has been happening here lately.
We have only just arrived at home, and I have not seen Clark on our matters. I cannot see him or any one else, until I get my book finished.
The weather turned cold, and we had to rush home, while I still lacked thirty thousand words. I had been sick and got delayed. I am going to write all day and two thirds of the night, until the thing is done, or break down at it. The spur and burden of the contract are intolerable to me. I can endure the irritation of it no longer. I went to work at nine o'clock yesterday morning, and went to bed an hour after midnight.
Result of the day, (mainly stolen from books, tho' credit given,) 9500 words, so I reduced my burden by one third in one day. It was five days work in one. I have nothing more to borrow or steal; the rest must all be written. It is ten days work, and unless something breaks, it will be finished in five. We all send love to you and Mrs. Howells, and all the family.
Yours as ever, MARK.
Again, from Villeneuve, on lake Geneva, Howells wrote urging him this time to spend the winter with them in Florence, where they would write their great American Comedy of 'Orme's Motor,' "which is to enrich us beyond the dreams of avarice.... We could have a lot of fun writing it, and you could go home with some of the good old Etruscan malaria in your bones, instead of the wretched pinch-beck Hartford article that you are suffering from now.... it's a great opportunity for you. Besides, n.o.body over there likes you half as well as I do."
It should be added that 'Orme's Motor' was the provisional t.i.tle that Clemens and Howells had selected for their comedy, which was to be built, in some measure, at least, around the character, or rather from the peculiarities, of Orion Clemens. The Cable mentioned in Mark Twain's reply is, of course, George W. Cable, who only a little while before had come up from New Orleans to conquer the North with his wonderful tales and readings.
To W. D. Howells, in Switzerland:
HARTFORD, Nov. 4th, 1882.
MY DEAR HOWELLS,--Yes, it would be profitable for me to do that, because with your society to help me, I should swiftly finish this now apparently interminable book. But I cannot come, because I am not Boss here, and nothing but dynamite can move Mrs. Clemens away from home in the winter season.
I never had such a fight over a book in my life before. And the foolishest part of the whole business is, that I started Osgood to editing it before I had finished writing it. As a consequence, large areas of it are condemned here and there and yonder, and I have the burden of these unfilled gaps hara.s.sing me and the thought of the broken continuity of the work, while I am at the same time trying to build the last quarter of the book. However, at last I have said with sufficient positiveness that I will finish the book at no particular date; that I will not hurry it; that I will not hurry myself; that I will take things easy and comfortably, write when I choose to write, leave it alone when I so prefer. The printers must wait, the artists, the canva.s.sers, and all the rest. I have got everything at a dead standstill, and that is where it ought to be, and that is where it must remain; to follow any other policy would be to make the book worse than it already is. I ought to have finished it before showing to anybody, and then sent it across the ocean to you to be edited, as usual; for you seem to be a great many shades happier than you deserve to be, and if I had thought of this thing earlier, I would have acted upon it and taken the tuck somewhat out of your joyousness.
In the same mail with your letter, arrived the enclosed from Orme the motor man. You will observe that he has an office. I will explain that this is a law office and I think it probably does him as much good to have a law office without anything to do in it, as it would another man to have one with an active business attached. You see he is on the electric light lay now. Going to light the city and allow me to take all the stock if I want to. And he will manage it free of charge. It never would occur to this simple soul how much less costly it would be to me, to hire him on a good salary not to manage it. Do you observe the same old eagerness, the same old hurry, springing from the fear that if he does not move with the utmost swiftness, that colossal opportunity will escape him? Now just fancy this same frantic plunging after vast opportunities, going on week after week with this same man, during fifty entire years, and he has not yet learned, in the slightest degree, that there isn't any occasion to hurry; that his vast opportunity will always wait; and that whether it waits or flies, he certainly will never catch it. This immortal hopefulness, fortified by its immortal and unteachable misjudgment, is the immortal feature of this character, for a play; and we will write that play. We should be fools else. That staccato postscript reads as if some new and mighty business were imminent, for it is slung on the paper telegraphically, all the small words left out. I am afraid something newer and bigger than the electric light is swinging across his...o...b..t. Save this letter for an inspiration. I have got a hundred more.