What the Moon Saw: and Other Tales Part 31

"Ding-dong! ding-dong!" sounded the bell, when the tower still stood there; and one evening, while the sun was setting, and the bell was swinging away bravely, it broke loose and came flying down through the air, the brilliant metal s.h.i.+ning in the ruddy beam.

"Ding-dong! ding-dong! Now I'll retire to rest!" sang the bell, and flew down into the Odense-Au where it is deepest; and that is why the place is called the "bell-deep." But the bell got neither rest nor sleep. Down in the Au-mann's haunt it sounds and rings, so that the tones sometimes pierce upward through the waters; and many people maintain that its strains forebode the death of some one; but that is not true, for then the bell is only talking with the Au-mann, who is now no longer alone.

And what is the bell telling? It is old, very old, as we have already observed; it was there long before grandmother's grandmother was born; and yet it is but a child in comparison with the Au-mann, who is an old quiet personage, an oddity, with his hose of eel-skin, and his scaly jacket with the yellow lilies for b.u.t.tons, and a wreath of reed in his hair and seaweed in his beard; but he looks very pretty for all that.

[Ill.u.s.tration: THE AU-MANN LISTENING TO THE BELL.]

What the bell tells? To repeat it all would require years and days; for year by year it is telling the old stories, sometimes short ones, sometimes long ones, according to its whim; it tells of old times, of the dark hard times, thus:

"In the church of St. Alban, the monk mounted up into the tower. He was young and handsome, but thoughtful exceedingly. He looked through the loophole out upon the Odense-Au, when the bed of the water was yet broad, and the monks' meadow was still a lake; he looked out over it, and over the rampart, and over the nuns' hill opposite, where the convent lay, and the light gleamed forth from the nun's cell; he had known the nun right well, and he thought of her, and his heart beat quicker as he thought. Ding-dong! ding-dong!"

Yes, this was the story the bell told.

"Into the tower came also the dapper man-servant of the bishop; and when I, the bell, who am made of metal, rang hard and loud, and swung to and fro, I might have beaten out his brains. He sat down close under me, and played with two little sticks as if they had been a stringed instrument; and he sang to it. 'Now I may sing it out aloud, though at other times I may not whisper it. I may sing of everything that is kept concealed behind lock and bars. Yonder it is cold and wet. The rats are eating her up alive! n.o.body knows of it! n.o.body hears of it! Not even now, for the bell is ringing and singing its loud Ding-dong! ding-dong.'

"There was a king in those days; they called him Canute. He bowed himself before bishop and monk; but when he offended the free peasants with heavy taxes and hard words, they seized their weapons and put him to flight like a wild beast. He sought shelter in the church, and shut gate and door behind him. The violent band surrounded the church; I heard tell of it. The crows, ravens, and magpies started up in terror at the yelling and shouting that sounded around. They flew into the tower and out again, they looked down upon the throng below, and they also looked into the windows of the church, and screamed out aloud what they saw there. King Canute knelt before the altar in prayer, his brothers Eric and Benedict stood by him as a guard with drawn swords; but the king's servant, the treacherous Blake, betrayed his master; the throng in front of the church knew where they could hit the king, and one of them flung a stone through a pane of gla.s.s, and the king lay there dead! The cries and screams of the savage horde and of the birds sounded through the air, and I joined in it also; for I sang 'Ding-dong! ding-dong!'

"The church bell hangs high and looks far around, and sees the birds around it, and understands their language; the wind roars in upon it through windows and loopholes; and the wind knows everything, for he gets it from the air, which encircles all things, and the church bell understands his tongue, and rings it out into the world, 'Ding-dong!

ding-dong!'

"But it was too much for me to hear and to know; I was not able any longer to ring it out. I became so tired, so heavy, that the beam broke, and I flew out into the gleaming Au where the water is deepest, and where the Au-mann lives, solitary and alone; and year by year I tell him what I have heard and what I know. Ding-dong!

ding-dong!"

Thus it sounds complainingly out of the bell-deep in the Odense-Au: that is what grandmother told us.

But the schoolmaster says that there was not any bell that rung down there, for that it could not do so; and that no Au-mann dwelt yonder, for there was no Au-mann at all! And when all the other church bells are sounding sweetly, he says that it is not really the bells that are sounding, but that it is the air itself which sends forth the notes; and grandmother said to us that the bell itself said it was the air who told it him, consequently they are agreed on that point, and this much is sure. "Be cautious, cautious, and take good heed to thyself,"

they both say.

The air knows everything. It is around us, it is in us, it talks of our thoughts and of our deeds, and it speaks longer of them than does the bell down in the depths of the Odense-Au where the Au-mann dwells; it rings it out into the vault of heaven, far, far out, for ever and ever, till the heaven bells sound "Ding-dong! ding-dong!"

THE PUPPET SHOWMAN.

On board the steamer was an elderly man with such a merry face that, if it did not belie him, he must have been the happiest fellow in creation. And, indeed, he declared he was the happiest man; I heard it out of his own mouth. He was a Dane, a travelling theatre director. He had all his company with him in a large box, for he was proprietor of a puppet-show. His inborn cheerfulness, he said, had been _purified_ by a Polytechnic candidate, and the experiment had made him completely happy. I did not at first understand all this, but afterwards he explained the whole story to me, and here it is. He told me:

[Ill.u.s.tration: THE ANIMATED PUPPETS.]

"It was in the little town of Slagelse I gave a representation in the hall of the posting-house, and had a brilliant audience, entirely a juvenile one, with the exception of two respectable matrons. All at once a person in black, of student-like appearance, came into the room and sat down; he laughed aloud at the telling parts, and applauded quite appropriately. That was quite an unusual spectator for me! I felt anxious to know who he was, and I heard he was a candidate from the Polytechnic Inst.i.tution in Copenhagen, who had been sent out to instruct the folks in the provinces. Punctually at eight o'clock my performance closed; for children must go early to bed, and a manager must consult the convenience of his public. At nine o'clock the candidate commenced his lecture, with experiments, and now I formed part of _his_ audience. It was wonderful to hear and to see. The greater part of it was beyond my scope; but still it made me think that if we men can find out so much, we must be surely intended to last longer than the little span until we are hidden away in the earth. They were quite miracles in a small way that he showed, and yet everything flowed as naturally as water! At the time of Moses and the prophets such a man would have been received among the sages of the land; in the middle ages they would have burned him at a stake. All night long I could not go to sleep. And the next evening, when I gave another performance, and the candidate was again present, I felt fairly overflowing with humour. I once heard from a player that when he acted a lover he always thought of one particular lady among the audience; he only played for her, and forgot all the rest of the house; and now the Polytechnic candidate was my 'she,' my only auditor, for whom alone I played. And when the performance was over, all the puppets were called before the curtain, and the Polytechnic candidate invited me into his room to take a gla.s.s of wine; and he spoke of my comedies, and I of his science; and I believe we were both equally pleased. But I had the best of it, for there was much in what he did of which he could not always give me an explanation. For instance, that a piece of iron that falls through a spiral should become magnetic. Now, how does that happen? The spirit comes upon it; but whence does it come? It is as with people in this world; they are made to tumble through the spiral of this world, and the spirit comes upon them, and there stands a Napoleon, or a Luther, or a person of that kind. 'The whole world is a series of miracles,' said the candidate; 'but we are so accustomed to them that we call them every-day matters.' And he went on explaining things to me until my skull seemed lifted up over my brain, and I declared that if I were not an old fellow I would at once visit the Polytechnic Inst.i.tution, that I might learn to look at the sunny side of the world, though I am one of the happiest of men. 'One of the happiest!' said the candidate, and he seemed to take real pleasure in it. 'Are you happy?' 'Yes,' I replied, 'and they welcome me in all the towns where I come with my company; but I certainly have _one_ wish, which sometimes lies like lead, like an Alp, upon my good humour: I should like to become a real theatrical manager, the director of a real troupe of men and women!'

'I see,' he said, 'you would like to have life breathed into your puppets, so that they might be real actors, and you their director; and would you then be quite happy?' He did not believe it; but I believed it, and we talked it over all manner of ways without coming any nearer to an agreement; but we clanked our gla.s.ses together, and the wine was excellent. There was some magic in it, or I should certainly have become tipsy. But that did not happen; I retained my clear view of things, and somehow there was suns.h.i.+ne in the room, and suns.h.i.+ne beamed out of the eyes of the Polytechnic candidate. It made me think of the old stories of the G.o.ds, in their eternal youth, when they still wandered upon earth and paid visits to the mortals; and I said so to him, and he smiled, and I could have sworn he was one of the ancient G.o.ds in disguise, or that, at any rate, he belonged to the family! and certainly he must have been something of the kind, for my highest wish was to have been fulfilled, the puppets were to be gifted with life, and I was to be director of a real company. We drank to my success and clinked our gla.s.ses. He packed all my dolls into a box, bound the box on my back, and then let me fall through a spiral. I heard myself tumbling, and then I was lying on the floor--I know that quite well--and the whole company sprang out of the box. The spirit had come upon all of us: all the puppets had become distinguished artists, so they said themselves, and I was the director. All was ready for the first representation; the whole company wanted to speak to me, and the public also. The dancing lady said the house would fall down if she did not keep it up by standing on one leg; for she was the great genius, and begged to be treated as such. The lady who acted the queen wished to be treated off the stage as a queen, or else she should get out of practice. The man who was only employed to deliver a letter gave himself just as many airs as the first lover, for he declared the little ones were just as important as the great ones, and that all were of equal consequence, considered as an artistic whole.

The hero would only play parts composed of nothing but points; for those brought him down the applause. The prima donna would only play in a red light; for she declared that a blue one did not suit her complexion. It was like a company of flies in a bottle; and I was in the bottle with them, for I was the director. My breath stopped and my head whirled round; I was as miserable as a man can be. It was quite a novel kind of men among whom I now found myself. I only wished I had them all in the box again, and that I had never been a director at all; so I told them roundly that after all they were nothing but puppets; and then they killed me. I found myself lying on my bed in my room; and how I got there, and how I got away at all from the Polytechnic candidate, he may perhaps know, for I don't. The moon shone upon the floor where the box lay open, and the dolls all in a confusion together--great and small all scattered about; but I was not idle. Out of bed I jumped, and into the box they had all to go, some on their heads, some on their feet, and I shut down the lid and seated myself upon the box. 'Now you'll just have to stay there,' said I, 'and I shall beware how I wish you flesh and blood again.' I felt quite light, my good humour had come back, and I was the happiest of mortals. The Polytechnic student had fully purified me. I sat as happy as a king, and went to sleep on the box. The next morning--strictly speaking it was noon, for I slept wonderfully late that day--I was still sitting there, happy and conscious that my former wish had been a foolish one. I inquired for the Polytechnic candidate, but he was gone, like the Greek and Roman G.o.ds; and from that time I've been the happiest of men. I am a happy director: none of my company ever grumble, nor my public either, for they are always merry. I can put my pieces together just as I please. I take out of every comedy what pleases me best, and no one is angry at it. Pieces that are neglected now-a-days by the great public, but which it used to run after thirty years ago, and at which it used to cry till the tears ran down its cheeks, these pieces I now take up; I put them before the little ones, and the little ones cry just as papa and mamma used to cry thirty years ago; but I shorten them, for the youngsters don't like a long palaver; what they want is something mournful, but quick."

THE PIGS.

Charles d.i.c.kens once told us about a pig, and since that time we are in a good humour if we only hear one grunt. St. Antony took the pig under his protection; and when we think of the prodigal son we always a.s.sociate with him the idea of feeding swine; and it was in front of a pig-sty that a certain carriage stopped in Sweden, about which I am going to talk. The farmer had his pig-sty built out towards the high road, close by his house, and it was a wonderful pig-sty. It was an old state carriage. The seats had been taken out and the wheels taken off, and so the body of the old coach lay on the ground, and four pigs were shut up inside it. I wonder if these were the first that had ever been there? That point could not certainly be determined; but that it had been a real state coach everything bore witness, even to the damask rag that hung down from the roof; everything spoke of better days.

"Humph! humph!" said the occupants, and the coach creaked and groaned; for it had come to a mournful end. "The beautiful has departed," it sighed--or at least it might have done so.

We came back in autumn. The coach was there still, but the pigs were gone. They were playing the grand lords out in the woods. Blossoms and leaves were gone from all the trees, and storm and rain ruled, and gave them neither peace nor rest; and the birds of pa.s.sage had flown.

"The beautiful has departed! This was the glorious green wood, but the song of the birds and the warm suns.h.i.+ne are gone! gone!" Thus said the mournful voice that creaked in the lofty branches of the trees, and it sounded like a deep-drawn sigh, a sigh from the bosom of the wild rose tree, and of him who sat there; it was the rose king. Do you know him?

He is all beard, the finest reddish-green beard; he is easily recognized. Go up to the wild rose bushes, and when in autumn all the flowers have faded from them, and only the wild hips remain, you will often find under them a great red-green moss flower; and that is the rose king. A little green leaf grows up out of his head, and that's his feather. He is the only man of his kind on the rose bush; and he it was who sighed.

[Ill.u.s.tration: THE PIGS AT HOME IN THE OLD STATE COACH.]

"Gone! gone! The beautiful is gone! The roses have faded, and the leaves fall down! It's wet here! it's boisterous here! The birds who used to sing are dumb, and the pigs go out hunting for acorns, and the pigs are the lords of the forest!"

The nights were cold and the days were misty; but, for all that, the raven sat on the branch and sang, "Good! good!" Raven and crow sat on the high bough; and they had a large family, who all said, "Good!

good!" and the majority is always right.

Under the high trees, in the hollow, was a great puddle, and here the pigs reclined, great and small. They found the place so inexpressibly lovely! "Oui! oui!" they all exclaimed. That was all the French they knew, but even that was something; and they were so clever and so fat!

The old ones lay quite still, and reflected; the young ones were very busy, and were not quiet a moment. One little porker had a twist in his tail like a ring, and this ring was his mothers's pride: she thought all the rest were looking at the ring, and thinking only of the ring; but that they were not doing; they were thinking of themselves and of what was useful, and what was the use of the wood.

They had always heard that the acorns they ate grew at the roots of the trees, and accordingly they had grubbed up the ground; but there came quite a little pig--it's always the young ones who come out with their new-fangled notions--who declared that the acorns fell down from the branches, for one had just fallen down on his head, and the idea had struck him at once, afterwards he had made observations, and now was quite certain on the point. The old ones put their heads together.

"Umph!" they said, "umph! The glory has departed: the twittering of the birds is all over: we want fruit; whatever's good to eat is good, and we eat everything."

"Oui! oui!" chimed in all the rest.

But the mother now looked at her little porker, the one with the ring in his tail, "One must not overlook the beautiful," she said. "Good!

good!" cried the crow, and flew down from the tree to try and get an appointment as nightingale; for some one must be appointed; and the crow obtained the office directly.

"Gone! gone!" sighed the rose king. "All the beautiful is gone!"

It was boisterous, it was grey, cold, and windy; and through the forest and over the field swept the rain in long dark streaks. Where is the bird who sang, where are the flowers upon the meadow, and the sweet berries of the wood? Gone! gone!

Then a light gleamed from the forester's house. It was lit up like a star, and threw its long ray among the trees. A song sounded forth out of the house! Beautiful children played there round the old grandfather. He sat with the Bible on his knee, and read of the Creator and of a better world, and spoke of spring that would return, of the forest that would array itself in fresh green, of the roses that would bloom, the nightingale that would sing, and of the beautiful that would reign in its glory again.

But the rose king heard it not, for he sat in the cold, damp weather, and sighed, "Gone! gone!" And the pigs were the lords of the forest, and the old mother sow looked proudly at her little porker with the twist in his tail. "There is always somebody who has a soul for the beautiful!" she said.

ANNE LISBETH.

Anne Lisbeth had a colour like milk and blood; young, fresh, and merry, she looked beautiful, with gleaming white teeth and clear eyes; her footstep was light in the dance, and her mind was lighter still.

And what came of it all? Her son was an ugly brat! Yes, he was not pretty; so he was put out to be nursed by the labourer's wife. Anne Lisbeth was taken into the count's castle, and sat there in the splendid room arrayed in silks and velvets; not a breath of wind might blow upon her, and no one was allowed to speak a harsh word to her.

No, that might not be; for she was nurse to the count's child, which was delicate and fair as a prince, and beautiful as an angel; and how she loved this child! Her own boy was provided for at the labourer's, where the mouth boiled over more frequently than the pot, and where, in general, no one was at home to take care of the child. Then he would cry; but what n.o.body knows, that n.o.body cares for, and he would cry till he was tired, and then he fell asleep; and in sleep one feels neither hunger nor thirst. A capital invention is sleep.

With years, just as weeds shoot up, Anne Lisbeth's child grew, but yet they said his growth was stunted; but he had quite become a member of the family in which he dwelt; they had received money to keep him.

Anne Lisbeth was rid of him for good. She had become a town lady, and had a comfortable home of her own; and out of doors she wore a bonnet, when she went out for a walk; but she never walked out to see the labourer--that was too far from the town; and indeed she had nothing to go for; the boy belonged to the labouring people, and she said he could eat his food, and he should do something to earn his food, and consequently he kept Matz's red cow. He could already tend cattle and make himself useful.

The big dog, by the yard gate of the n.o.bleman's mansion, sits proudly in the suns.h.i.+ne on the top of the kennel, and barks at every one who goes by: if it rains he creeps into his house, and there he is warm and dry. Ann Lisbeth's boy sat in the suns.h.i.+ne on the fence of the field, and cut out a pole-pin. In the spring he knew of three strawberry plants that were in blossom, and would certainly bear fruit, and that was his most hopeful thought; but they came to nothing. He sat out in the rain in foul weather, and was wet to the skin, and afterwards the cold wind dried the clothes on his back. When he came to the lordly farmyard he was hustled and cuffed, for the men and maids declared he was horribly ugly; but he was used to that--loved by n.o.body!