Geography and Plays Part 26

BRAQUE

Cap and corn, auditor, interest and exertion, aim and audience, interest and earnest and outset, inside in inside. Alarm no sun, alarm is thinking, alarming is determination an earth wide moth is something.

Price in curving is weeding. There is an undetermined super division.

There is the percolating bread stuff, the window is thickening.

Alarm no alarm is standing and holding something. No alarm has a perpendicular position. No alarm is in that position. An alarm which is not a choice shows the necessity of good nature. It shows and the tune which is on any wind the same, that tune is the organization. It has a place, it is a circle and this which is not guarded is not soft, it is softening. It being soft breaking is something and what is round is not widening. It is particular and so much more than the saving of an elimination. Practice is particular. It is recognition.

Silence is not hurt by attending to taking more reflection than a whole sentence. And it is said and the quotation is reasoning. It gives the whole preceding. If there is time enough then appearances are considerable. There are in a circle. They are tendering a circle. They are a tender circle. They are tenderly a circle.

This was not past a future.

If the speck is plain and the tail is there tail is made of hair. That makes that. Any one is no tailor. The curtain is not made of wood and a candle is placed in a candlestick and the whole, the very whole, there is no robbery.

If the pet is whole and the juice is so serene then the salt is pure and there is pepper in between. The harness which is on the stake is used to rubbing on a wheel. There is the complete absence of all reason for an excuse. The time has the wealth of a separation. The season is not that of baking.

Brack and neuresthenia and lean talk with a marvel and make a spittoon clear with a mixing in a mustache. The sense is in that.

Pie is not peeling and the date and the poison and the cake when the pan is a shape is not minus all the practice. The time is not filling.

Brack, Brack is the one who put up the hooks and held the things up and ate his dinner. He is the one who did more. He used his time and felt more much more and came before when he came after. He did not resemble anything more.

The time and place of a corner is no convenience if it has not been filled, none at all, and if it is filled then there is a resemblance, there is some resemblance.

Do not celebrate what is hearty and surely there is no danger in expecting a strong summer. If the place is shown to be damp there is no use in that excuse. Anyway there is no time to rise together. They cannot sit in a seat.

The time came when there was no occasion for geography. This did not mean that there was a change of place, it meant that there was a change of influence. This change was understood, it was no wonder. In understanding the whole thing of precomposition there was no more light than sweetness, there was no more size than bulk, there was no more load than a caravan, there was no mingling of unison. The time did not come any more.

And then the simple way was celebrated by causation and the charge was sweetening, that is to say there was a round ma.s.s.

Powder is not brown. The color does not show in the mixture. In curving and not lengthening the disposition there is no meeker feather. To show the wave to be cultivated and to show the suspension of a razor the light does s.h.i.+ne directly. It s.h.i.+nes and it darkens another, it does not s.h.i.+ne and destroy the connector, it does not s.h.i.+ne in a color, it does not make a brown tender. Brown is tender, that is no trouble and no appet.i.te.

It follows that when the time is separated that the sacrifice is not the same as when the conversation is sensible and it is sensible to discuss carving and oak-trees and the season and to be disturbed by a mountain and to argue when there is no desertion. It is sensible and to be present is enough to separate the future. If it comes to happen that there is no eraser then certainly there is no cause why there should be.

This is the reason. The best shape is that which is pasted without paper. At any rate the paper is not white and brown, it is brown and it is black and white and colored.

The time is not replaced by indicating the reason it will there be resplendent travelling. This is not a question because that is not an answer.

The time which was put to some place was that is so well placed. The question is is there travelling. There is no question as to if there is travelling where which showed solemnity in not turning in turning. This was so put that certainly not any more reception could be astonis.h.i.+ng.

To pa.s.s away, to choose some away, to object to abhor that and to be not triumphant this is not the splendor of a single standard this is the solemn reverberation of an enlarged and of a small masterpiece.

The way of the man and the way of the lamp and the way of s.h.i.+ning and the way of settling all this is in accord with the devastation and destruction which resembling is not disturbing motion. This comes so soon that talking is enn.o.bling. This which is is what comes, that coming is what is come and can come. Coming it comes and is come and there is some mingling and there is more willing than there was when the coming came to suggest and disturb and rea.s.sure reason.

A lane is not a hill and a hill is a descent. To explain this it is necessary to practice mending and disturbing and relating. The time to go is not more arranged than the roundness which makes for beauty and to be round is not what there is to height.

The time when selection is vacation is when the perfection is so replaced that there is a premonition. This does make baking so easy and at the same time there is no separation and no disgrace not even desertion. This comes to be so told that any appearance is regal. So then there is no announcement.

A little seat which is not low is not more elevated than a little seat which is low and high. There is no s.p.a.ce for more than there is room for. This makes no demand on conscience, this makes no demand on anything, this does not alter an exhibition. The reason that there is no alteration is that in separating s.p.a.ces they come to show that there is the same s.p.a.ce between that there is there where there is the place which is it in it. This shows that there is nothing so clearly shown by the whole exposition. It does show it, it shows the extension of the resemblance and the unification of the differentiation and the extension of the interval and the inhibition of the retention of acceleration.

This does show no more than is individual. And yet there is no train that does not go in that direction and to return is not pa.s.sing that way. Returning is not vagabonding it is a s.p.a.cious interception. The use of the spread of the arrangement between that and that is not so wide that there are no s.p.a.ces. There are s.p.a.ces. They can repose so. They do call whiteness no wonder. They do not shudder together. There is no example in a relation. There is none in saving s.p.a.cing.

A capable curtain is not used and the meaning of this is that protection on both sides is protection everywhere. The band played longer.

So much sorrow in winter and so much sadness in summer, so much nervousness in the country and so much disturbance in the city, so much counting with a letter and so much writing with no electrician, so much piano color and so much musical permission, so much steadiness in circling and so much singleness in searching, so much bloom in labeling and so much secrecy in enlightening, so much saving in abandoning and so much steadying in remaining, all this and no more, so much and not often, all this and no moment when a monument is not mind and munificent, no time and sweetness and no escape and separation, all this and no obliging desperation, all this and the same moment in particular and if it were in not pa.s.sing, all and no one never to be satisfied in signalling, no more and the choice is absent, there is a season in the right, there is a sanction in the left, there is a presence in the center, there is an upheaval in the distant circ.u.mference, there is a resonance in the special curve, there is a susceptibility in the unperspiring relation. All this nightly and some daily and weakly and more yearly and not certainly and not reducingly.

To be raised and to be so respected that there is no doubt that the lines that are turning are the lines that are turning, to be so respected that talking is not continuous and the presence of nothing is more selected, to be so raised is not an expectation, it is capable of calming.

There has been no doubt. There has not been any doubt. There is not being any surface and there is not that there then.

The strong hold is the mildness of the salutation of the metropolitan.

This is not obligatory and it is not capable, neither is it casual. The mint is not where there is no building, it is not any this is never a surprise, it is never a surprise because when the whole thing is considered and the whole thing when it is considered has that beginning, when it is put where there is no selection it is then not made noticeable. To be noticeable is not declared, in declaring it there is no speech, in not keeping on talking there is no silence. This is not heard louder and there is no doubt. There will not be that doubt.

The capacity which makes the size that has that meaning have that meaning, that is what has the sensitiveness which does not make antic.i.p.ation, there is reality. In that there is touching morning and in touching morning there is no course. There is all there inclines to be.

The freedom which has no ornament is not spilled and this does not mean anything not lively, it certainly does not mean an extra. The practice of no p.r.o.noun is not audacious. There is no prize in a pocket. There is none there and the circle having a separation makes all that which is not the same similar, it does not make it a circle. A circle has no pleasure, it is not encircled and there is this to say that the white and black are brown.

PORTRAIT OF PRINCE B. D.

A s.p.a.ce is not spent, it is not used, it is similar, it is represented.

This shows no more than a lat.i.tude which running through the center makes the surrounding. The s.p.a.ce is not placed, it is presented, that is the relation of the similar settlement. To settle upon and to settle under shows more than the similar circle it shows the degree which makes more similarity than that, it sinks higher and there is no roar. The section and there is a section, the section means that penetration resembles distance, it supplies the drop and it selects no sightless system.

The incident that succ.u.mbs is the one that is early. The lateness is not tending to define a definite darkness, it does not s.h.i.+ne and since that time there is a large light. The western windless is not the same as the white wind. The white wind has no poise. There is a diamond. A diamond is a treasure. If a treasure is that color then there is a resemblance.

A trade between the one who has a hat and one who has a hat is such that there is no hiatus. The one who has had a hat is the one who adds that.

The one who is the one that has that is that one adding that thing. No neglecting and adding, no single safety silent disturbing, no neglect and no gla.s.s is there to pa.s.s away and stay. It sees the solid sight and that which is not bright is white, that which is single is resembling and so it comes that when there is a show a way to pa.s.s into the recent glow means more fire. A fine color is red and green and purple and rose and yellow, a fine color resembles the continuation. Any fine color is in a gla.s.s. A gla.s.s to resist must be a gla.s.s to pa.s.s. This shows no shadow. This shows no scratch.

A change is measured, a card is unmeasured. There is a return of much more. Stupor is not in winning a climate. It is lost in the remembrance of poisoning. The list of a result in stretching a building does not make any mark. The wheel is there. The trend is not behind a back. It is in the window of a fenestra. The blending is distinct interspreading.

This is not the measure of wind. The return is not so, it is occupied.

The rest is arisen.

There is no height. If there is there is wind. There is wind. Height shrinks below and settlement is not soluble. The erection of yellow is no violence. The five are won. Single, same, purple, blue, circle. The last which section has the reverse resemblance has no moment and there is a tendency which in the rising of the setting sun means new arising.

To s.h.i.+ne and whine, to shatter and shrink, to collect and settle, to stir and suck, to lose violence and select simultaneity, to see that the whole exception is not arrested and to satiate the lines of resemblance, this and no more is underdone. The public and pilot, all the s.h.i.+ning land and the wind and no neglect, all this does not mean that there is no denial. It has been there the same result of no intended excavation, it has been there and that exception planted no resemblance has a moment, none and the ill.u.s.tration is planted and the time is placed.

So then there is no secret. A secret means that when there is a thing there is nothing and if there is nothing then there is no addition. A sum is not sacrificed.

Handing a lizard to any one is a green thing receiving a curtain. The change is not present and the sensible way to have agony is not precautious. Then the s.h.i.+rting is extreme and there is a lilac smell and no ginger. Halt and suggest a leaf which has no circle and no singular center, this has that show and does judge that there is a need of moving toward the equal height of a hot sinking center and surface. Then there is a s.p.a.ce, then there is exception, then there is no reason why a pound should be smaller and all the time there is the courage and the mint and the repeating result that surely if there has been a change there has not been a fire. Surely a fire is famous and a famous fire is in the fire. Surely no more special spending shows anything. And yet if there is no wind there is no haste and if there is no haste why is twenty older than thirty and thirty older than twenty-eight, why is it and why is there no mistake. There is no mistake because there is the time and the accusation is indented and this makes enough so that clouding does not make a cemetery. A surprise is not in sight. This is the sentence present. There is no danger and the silent height is so high that sound rises higher. This does not make sound infamous, it does not shatter a conclusion. Nothing is hollow in water, nothing is high in air, nothing is louder and nothing is perpendicular. The establishment is thorough. A chance shows a bright blue sound, a chance is the same wind out of a window.

A Persian kitten is a purring kitten. The safety that comes is so gathered that there can be news. One oak and more oaks and the training of water this means that a color attracts a signal it means that the result of a certain well is seen by there being no extra example of a kind of closet. In the beginning when there is no rising and resisting and letting a singular section of the whole rise together, in the beginning the imparting actual relation to a time of surfaces does show that there is an origin of originating. In showing this there is no repair. There is a whole half of a turtle and the presence of more is not rope, it is not and certainly is so wise that fever is fainting.

This is this. Then there is that and the singular example is not predicted by resting in more contraction. Not very and what is then to be extending is the whole place with filling. Filling is not spreading.

The size is not that it is not proportioned to the moon and the lantern, it is fully proportioned together and aroused and interested.

This made no measure and no misery and no murder. There is no acute tr.i.m.m.i.n.g nor trembling. So then there is that thing. This is not that silent thing. This is not the thing that is anything. This is the thing that is that thing.

A large moist blue and a paler color, a large dust rose and no water nearer, a small tall frame and no building finer this makes a prediction that necessity is work and then why is there no question. There is no question because investigation is miraculous.