Wild Oranges Part 2

John Woolfolk placed a handle through the rockfish's gills, and, carrying it with an obvious effort, he followed her over a narrow, trampled path through the rasped palmettos. They approached the dwelling from behind the orange grove; and, coming suddenly to the porch, surprised an incredibly thin, grey man in the act of lighting a small stone pipe with a reed stem. He was sitting, but, seeing Woolfolk, he started sharply to his feet, and the pipe fell, shattering the bowl.

"My father," the woman p.r.o.nounced: "Lichfield Stope."

"Millie," he stuttered painfully, "you know--I--strangers--"

John Woolfolk thought, as he presented himself, that he had never before seen such an immaterial living figure. Lichfield Stope was like the shadow of a man draped with unsubstantial, dusty linen. Into his waxen face beat a pale infusion of blood, as if a diluted wine had been poured into a semi-opaque goblet; his sunken lips puffed out and collapsed; his fingers, dust-colored like his garb, opened and shut with a rapid, mechanical rigidity.

"Father," Millie Stope remonstrated, "you must manage yourself better.

You know I wouldn't bring any one to the house who would hurt us. And see--we are fetching you a splendid rockfish."

The older man made a convulsive effort to regain his composure.

"Ah, yes," he muttered; "just so."

The flush receded from his indeterminate countenance. Woolfolk saw that he had a goatee laid like a wasted yellow finger on his chin, and that his hands hung on wrists like twisted copper wires from circular cuffs fastened with large mosaic b.u.t.tons.

"We are alone here," he proceeded in a fluctuating voice, the voice of a shadow; "the man is away. My daughter--I----" He grew inaudible, although his lips maintained a faint movement.

The fear that lurked illusively in the daughter was in the parent magnified to an appalling panic, an instinctive, acute agony that had crushed everything but a thin, tormented spark of life. He pa.s.sed his hand over a brow as dry as the spongy limbs of the cypress, brus.h.i.+ng a scant lock like dead, bleached moss.

"The fish," he p.r.o.nounced; "yes ... acceptable."

"If you will carry it back for me," Millie Stope requested; "we have no ice; I must put it in water." He followed her about a bay window with ornamental fretting that bore the shreds of old, variegated paint. He could see, amid an incongruous wreckage within, a dismantled billiard table, its torn cloth faintly green beneath a film of dust.

They turned and arrived at the kitchen door. "There, please." She indicated a bench on the outside wall, and he deposited his burden.

"You have been very nice," she told him, making her phrase less commonplace by a glance of her wide, appealing eyes. "Now, I suppose, you will go on across the world?"

"Not tonight," he replied distantly.

"Perhaps, then, you will come ash.o.r.e again. We see so few people. My father would be benefited. It was only at first, so suddenly--he was startled."

"There is a great deal to do on the ketch," he replied indirectly, maintaining his retreat from the slightest advance of life. "I came ash.o.r.e to discover if you had a large water supply and if I might fill my casks."

"Rain water," she informed him; "the cistern is full."

"Then I'll send Halvard to you." He withdrew a step, but paused at the incivility of his leaving.

A sudden weariness had settled over the shoulders of Millie Stope; she appeared young and very white. Woolfolk was acutely conscious of her utter isolation with the s.h.i.+vering figure on the porch, the unmaterialized Nicholas. She had delicate hands.

"Good-by," he said, bowing formally. "And thank you for the fis.h.i.+ng."

He whistled sharply for the tender.

IV

Throughout the afternoon, with a triangular sc.r.a.ping iron, he a.s.sisted Halvard in removing the whitened varnish from the yacht's mahogany.

They worked silently, with only the shrill note of the edges drawing across the wood, while the westering sun plunged its diagonal rays far into the transparent depths of the bay. The _Gar_ floated motionless on water like a pale evening over purple and silver flowers threaded by fish painted the vermilion and green of parrakeets. Insh.o.r.e the pallid cypresses seemed, as John Woolfolk watched them, to twist in febrile pain. With the waning of day the land took on its air of unhealthy mystery; the mingled, heavy scents floated out in a sickly tide; the ruined facade glimmered in the half light.

Woolfolk's thoughts turned back to the woman living in the miasma of perfume and secret fear. He heard again her wistful voice p.r.o.nounce the names of far places, of Tarragona and Seriphos, investing them with the accent of an intense hopeless desire. He thought of the inexplicable place of her birth and of the riven, unsubstantial figure of the man with the blood pulsing into his ocherous face. Some old, profound error or calamity had laid its blight upon him, he was certain; but the most lamentable inheritance was not sufficient to account for the acute apprehension in his daughter's tones. This was different in kind from the spiritual collapse of the aging man. It was actual, he realized that; proceeding--in part at least--from without.

He wondered, sc.r.a.ping with difficulty the under-turning of a cathead, if whatever dark tide was centered above her would, perhaps, descend through the oleander-scented night and stifle her in the stagnant dwelling. He had a swift, vividly complete vision of the old man face down upon the floor in a flickering, reddish light.

He smiled in self-contempt at this neurotic fancy; and, straightening his cramped muscles, rolled a cigarette. It might be that the years he had spent virtually alone on the silence of various waters had affected his brain. Halvard's broad, concentrated countenance, the steady, grave gaze and determined mouth, cleared Woolfolk's mind of its phantoms. He moved to the c.o.c.kpit and from there said:

"That will do for today."

Halvard followed, and commenced once more the familiar, ordered preparations for supper. John Woolfolk, smoking while the sky turned to malachite, became sharply aware of the unthinkable monotony of the universal course, of the centuries wheeling in dull succession into infinity. Life seemed to him no more varied than the wire drum in which squirrels raced nowhere. His own lot, he told himself grimly, was no worse than another. Existence was all of the same drab piece.

It had seemed gay enough when he was young, worked with gold and crimson threads, and then----

His thoughts were broken by Halyard's appearance in the companionway, and he descended to his solitary supper in the contracted, still cabin.

Again on deck his sense of the monotony of life trebled. He had been cruising now about the edges of continents for twelve years. For twelve years he had taken no part in the existence of the cities he had pa.s.sed, as often as possible without stopping, and of the villages gathered invitingly under their canopies of trees. He was--yes, he must be--forty-six. Life was pa.s.sing away; well, let it ...

worthless.

The growing radiance of the moon glimmered across the water and folded the land in a gossamer veil. The same uneasiness, the inchoate desire to go ash.o.r.e that had seized upon him the night before, rea.s.serted its influence. The face of Millie Stope floated about him like a magical gardenia in the night of the matted trees. He resisted the pressure longer than before; but in the end he was seated in the tender, pulling toward the beach.

He entered the orange grove and slowly approached the house beyond.

Millie Stope advanced with a quick welcome.

"I'm glad," she said simply. "Nicholas is back. The fish weighed--"

"I think I'd better not know," he interrupted. "I might be tempted to mention it in the future, when it would take on the historic suspicion of the fish story."

"But it was imposing," she protested. "Let's go to the sea; it's so limitless in the moonlight."

He followed her over the path to where the remains of the wharf projected into a sea as black, and as solid apparently, as ebony, and across which the moon flung a narrow way like a chalk mark. Millie Stope seated herself on the boarding and he found a place near by. She leaned forward, with her arms propped up and her chin couched on her palms. Her potency increased rather than diminished with a.s.sociation; her skin had a rare texture; her movements, the turn of the wrists, were distinguished. He wondered again at the strangeness of her situation.

She looked about suddenly and surprised his palpable questioning.

"You are puzzled," she p.r.o.nounced. "Perhaps you are setting me in the middle of romance. Please don't! Nothing you might guess----" She broke off abruptly, returned to her former pose. "And yet," she added presently, "I have a perverse desire to talk about myself. It's perverse because, although you are a little curious, you have no real interest in what I might say. There is something about you like--yes, like the cast-iron dog that used to stand in our lawn. It rusted away, cold to the last and indifferent, although I talked to it by the hour.

But I did get a little comfort from its stolid painted eye. Perhaps you'd act in the same way.

"And then," she went on when Woolfolk had somberly failed to comment, "you are going away, you will forget, it can't possibly matter. I must talk, now that I have urged myself this far. After all, you needn't have come back. But where shall I begin? You should know something of the very first. That happened in Virginia.... My father didn't go to war," she said, sudden and clear. She turned her face toward him, and he saw that it had lost its flower-like quality; it looked as if it had been carved in stone.

"He lived in a small, intensely loyal town," she continued; "and when Virginia seceded it burned with a single high flame of sacrifice. My father had been always a diffident man; he collected mezzotints and avoided people. So, when the enlistment began, he shrank away from the crowds and hot speeches, and the men went off without him. He lived in complete retirement then, with his prints, in a town of women. It wasn't impossible at first; he discussed the situation with the few old tradesmen that remained, and exchanged bows with the wives and daughters of his friends. But when the dead commenced to be brought in from the front it got worse. Belle Semple--he had always thought her unusually nice and pretty--mocked at him on the street. Then one morning he found an ap.r.o.n tied to the k.n.o.b of the front door.

"After that he went out only at night. His servants had deserted him, and he lived by himself in a biggish, solemn house. Sometimes the news of losses and deaths would be shouted through his windows; once stones were thrown in, but mostly he was let alone. It must have been frightful in his empty rooms when the South went from bad to worse."

She paused, and John Woolfolk could see, even in the obscurity, the slow shudder that pa.s.sed over her.

"When the war was over and what men were left returned--one with hands gone at the wrists, another without legs in a shabby wheelchair--the life of the town started once more, but my father was for ever outside of it. Little subscriptions for burials were made up, small schemes for getting the necessities, but he was never asked. Men spoke to him again, even some of the women. That was all.

"I think it was then that a curious, perpetual dread fastened on his mind--a fear of the wind in the night, of breaking twigs or sudden voices. He ordered things to be left on the steps, and he would peer out from under the blind to make sure that the walk was empty before he opened the door.

"You must realize," she said in a sharper voice, "that my father was not a pure coward at first. He was an extremely sensitive man who hated the rude stir of living and who simply asked to be left undisturbed with his portfolios. But life's not like that. The war hunted him out and ruined him; it destroyed his being, just as it destroyed the fortunes of others.