Sketches by Boz Part 7

Next to him, perhaps, you will see a thin pale man, with a very long face, in a suit of s.h.i.+ning black, thoughtfully knocking that part of his boot which once had a heel, with an ash stick. He is the man who does the heavy business, such as prosy fathers, virtuous servants, curates, landlords, and so forth.

By the way, talking of fathers, we should very much like to see some piece in which all the dramatis personae were orphans. Fathers are invariably great nuisances on the stage, and always have to give the hero or heroine a long explanation of what was done before the curtain rose, usually commencing with 'It is now nineteen years, my dear child, since your blessed mother (here the old villain's voice falters) confided you to my charge. You were then an infant,' &c., &c. Or else they have to discover, all of a sudden, that somebody whom they have been in constant communication with, during three long acts, without the slightest suspicion, is their own child: in which case they exclaim, 'Ah! what do I see? This bracelet! That smile! These doc.u.ments! Those eyes! Can I believe my senses?-It must be!-Yes-it is, it is my child!'-'My father!'

exclaims the child; and they fall into each other's arms, and look over each other's shoulders, and the audience give three rounds of applause.

To return from this digression, we were about to say, that these are the sort of people whom you see talking, and att.i.tudinising, outside the stage-doors of our minor theatres. At Astley's they are always more numerous than at any other place. There is generally a groom or two, sitting on the window-sill, and two or three dirty shabby-genteel men in checked neckerchiefs, and sallow linen, lounging about, and carrying, perhaps, under one arm, a pair of stage shoes badly wrapped up in a piece of old newspaper. Some years ago we used to stand looking, open-mouthed, at these men, with a feeling of mysterious curiosity, the very recollection of which provokes a smile at the moment we are writing. We could not believe that the beings of light and elegance, in milk-white tunics, salmon-coloured legs, and blue scarfs, who flitted on sleek cream-coloured horses before our eyes at night, with all the aid of lights, music, and artificial flowers, could be the pale, dissipated-looking creatures we beheld by day.

We can hardly believe it now. Of the lower cla.s.s of actors we have seen something, and it requires no great exercise of imagination to identify the walking gentleman with the 'dirty swell,' the comic singer with the public-house chairman, or the leading tragedian with drunkenness and distress; but these other men are mysterious beings, never seen out of the ring, never beheld but in the costume of G.o.ds and sylphs. With the exception of Ducrow, who can scarcely be cla.s.sed among them, who ever knew a rider at Astley's, or saw him but on horseback? Can our friend in the military uniform ever appear in threadbare attire, or descend to the comparatively un-wadded costume of every-day life? Impossible! We cannot-we will not-believe it.

CHAPTER XII-GREENWICH FAIR

If the Parks be 'the lungs of London,' we wonder what Greenwich Fair is-a periodical breaking out, we suppose, a sort of spring-rash: a three days'

fever, which cools the blood for six months afterwards, and at the expiration of which London is restored to its old habits of plodding industry, as suddenly and completely as if nothing had ever happened to disturb them.

In our earlier days, we were a constant frequenter of Greenwich Fair, for years. We have proceeded to, and returned from it, in almost every description of vehicle. We cannot conscientiously deny the charge of having once made the pa.s.sage in a spring-van, accompanied by thirteen gentlemen, fourteen ladies, an unlimited number of children, and a barrel of beer; and we have a vague recollection of having, in later days, found ourself the eighth outside, on the top of a hackney-coach, at something past four o'clock in the morning, with a rather confused idea of our own name, or place of residence. We have grown older since then, and quiet, and steady: liking nothing better than to spend our Easter, and all our other holidays, in some quiet nook, with people of whom we shall never tire; but we think we still remember something of Greenwich Fair, and of those who resort to it. At all events we will try.

The road to Greenwich during the whole of Easter Monday, is in a state of perpetual bustle and noise. Cabs, hackney-coaches, 'shay' carts, coal-waggons, stages, omnibuses, sociables, gigs, donkey-chaises-all crammed with people (for the question never is, what the horse can draw, but what the vehicle will hold), roll along at their utmost speed; the dust flies in clouds, ginger-beer corks go off in volleys, the balcony of every public-house is crowded with people, smoking and drinking, half the private houses are turned into tea-shops, fiddles are in great request, every little fruit-shop displays its stall of gilt gingerbread and penny toys; turnpike men are in despair; horses won't go on, and wheels will come off; ladies in 'carawans' scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement; servants-of-all-work, who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer-apprentices grow sentimental, and straw-bonnet makers kind.

Everybody is anxious to get on, and actuated by the common wish to be at the fair, or in the park, as soon as possible.

Pedestrians linger in groups at the roadside, unable to resist the allurements of the stout proprietress of the 'Jack-in-the-box, three s.h.i.+es a penny,' or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, 'Here's the sort o' game to make you laugh seven years arter you're dead, and turn ev'ry air on your ed gray vith delight! Three thimbles and vun little pea-with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die! niver mind the change, and the expense: all fair and above board: them as don't play can't vin, and luck attend the ryal sportsman! Bet any gen'lm'n any sum of money, from harf-a-crown up to a suverin, as he doesn't name the thimble as kivers the pea!' Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble-an impression which is immediately confirmed by a gentleman in top-boots, who is standing by, and who, in a low tone, regrets his own inability to bet, in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The 'plant' is successful, the bet is made, the stranger of course loses: and the gentleman with the thimbles consoles him, as he pockets the money, with an a.s.surance that it's 'all the fortin of war! this time I vin, next time you vin: niver mind the loss of two bob and a bender! Do it up in a small parcel, and break out in a fresh place. Here's the sort o' game,' &c.-and the eloquent harangue, with such variations as the speaker's exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new-comers.

The chief place of resort in the daytime, after the public-houses, is the park, in which the princ.i.p.al amus.e.m.e.nt is to drag young ladies up the steep hill which leads to the Observatory, and then drag them down again, at the very top of their speed, greatly to the derangement of their curls and bonnet-caps, and much to the edification of lookers-on from below.

'Kiss in the Ring,' and 'Threading my Grandmother's Needle,' too, are sports which receive their full share of patronage. Love-sick swains, under the influence of gin-and-water, and the tender pa.s.sion, become violently affectionate: and the fair objects of their regard enhance the value of stolen kisses, by a vast deal of struggling, and holding down of heads, and cries of 'Oh! Ha' done, then, George-Oh, do tickle him for me, Mary-Well, I never!' and similar Lucretian e.j.a.c.u.l.a.t.i.o.ns. Little old men and women, with a small basket under one arm, and a wine-gla.s.s, without a foot, in the other hand, tender 'a drop o' the right sort' to the different groups; and young ladies, who are persuaded to indulge in a drop of the aforesaid right sort, display a pleasing degree of reluctance to taste it, and cough afterwards with great propriety.

The old pensioners, who, for the moderate charge of a penny, exhibit the mast-house, the Thames and s.h.i.+pping, the place where the men used to hang in chains, and other interesting sights, through a telescope, are asked questions about objects within the range of the gla.s.s, which it would puzzle a Solomon to answer; and requested to find out particular houses in particular streets, which it would have been a task of some difficulty for Mr. Horner (not the young gentleman who ate mince-pies with his thumb, but the man of Colosseum notoriety) to discover. Here and there, where some three or four couple are sitting on the gra.s.s together, you will see a sun-burnt woman in a red cloak 'telling fortunes' and prophesying husbands, which it requires no extraordinary observation to describe, for the originals are before her. Thereupon, the lady concerned laughs and blushes, and ultimately buries her face in an imitation cambric handkerchief, and the gentleman described looks extremely foolish, and squeezes her hand, and fees the gipsy liberally; and the gipsy goes away, perfectly satisfied herself, and leaving those behind her perfectly satisfied also: and the prophecy, like many other prophecies of greater importance, fulfils itself in time.

But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth, is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the n.o.ble river beyond, glistening in the moonlight, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the gra.s.s so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives.

Five minutes' walking brings you to the fair; a scene calculated to awaken very different feelings. The entrance is occupied on either side by the vendors of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of 'Do, dear'-'There's a love'-'Don't be cross, now,' &c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket-handkerchief. Occasionally you pa.s.s a deal table, on which are exposed pen'orths of pickled salmon (fennel included), in little white saucers: oysters, with sh.e.l.ls as large as cheese-plates, and divers specimens of a species of snail (_wilks_, we think they are called), floating in a somewhat bilious-looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar-box, with a lighted tallow candle in the centre.

Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.

This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is 'Richardson's,' where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes.

The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitening. See with what a ferocious air the gentleman who personates the Mexican chief, paces up and down, and with what an eye of calm dignity the princ.i.p.al tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat, may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so n.o.ble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of a.s.sa.s.sination, and vengeance, and everything else that is grand and solemn. Then, the ladies-were there ever such innocent and awful-looking beings; as they walk up and down the platform in twos and threes, with their arms round each other's waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a _leetle_ the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown, is perfectly enchanting.

'Just a-going to begin! Pray come for'erd, come for'erd,' exclaims the man in the countryman's dress, for the seventieth time: and people force their way up the steps in crowds. The band suddenly strikes up, the harlequin and columbine set the example, reels are formed in less than no time, the Roman heroes place their arms a-kimbo, and dance with considerable agility; and the leading tragic actress, and the gentleman who enacts the 'swell' in the pantomime, foot it to perfection. 'All in to begin,' shouts the manager, when no more people can be induced to 'come for'erd,' and away rush the leading members of the company to do the dreadful in the first piece.

A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn't beloved by her; and the wrongful heir gets hold of the rightful heir, and throws him into a dungeon, just to kill him off when convenient, for which purpose he hires a couple of a.s.sa.s.sins-a good one and a bad one-who, the moment they are left alone, get up a little murder on their own account, the good one killing the bad one, and the bad one wounding the good one. Then the rightful heir is discovered in prison, carefully holding a long chain in his hands, and seated despondingly in a large arm-chair; and the young lady comes in to two bars of soft music, and embraces the rightful heir; and then the wrongful heir comes in to two bars of quick music (technically called 'a hurry'), and goes on in the most shocking manner, throwing the young lady about as if she was n.o.body, and calling the rightful heir 'Ar-recreant-ar-wretch!' in a very loud voice, which answers the double purpose of displaying his pa.s.sion, and preventing the sound being deadened by the sawdust. The interest becomes intense; the wrongful heir draws his sword, and rushes on the rightful heir; a blue smoke is seen, a gong is heard, and a tall white figure (who has been all this time, behind the arm-chair, covered over with a table-cloth), slowly rises to the tune of 'Oft in the stilly night.' This is no other than the ghost of the rightful heir's father, who was killed by the wrongful heir's father, at sight of which the wrongful heir becomes apoplectic, and is literally 'struck all of a heap,' the stage not being large enough to admit of his falling down at full length. Then the good a.s.sa.s.sin staggers in, and says he was hired in conjunction with the bad a.s.sa.s.sin, by the wrongful heir, to kill the rightful heir; and he's killed a good many people in his time, but he's very sorry for it, and won't do so any more-a promise which he immediately redeems, by dying off hand without any nonsense about it. Then the rightful heir throws down his chain; and then two men, a sailor, and a young woman (the tenantry of the rightful heir) come in, and the ghost makes dumb motions to them, which they, by supernatural interference, understand-for no one else can; and the ghost (who can't do anything without blue fire) blesses the rightful heir and the young lady, by half suffocating them with smoke: and then a m.u.f.fin-bell rings, and the curtain drops.

The exhibitions next in popularity to these itinerant theatres are the travelling menageries, or, to speak more intelligibly, the 'Wild-beast shows,' where a military band in beef-eater's costume, with leopard-skin caps, play incessantly; and where large highly-coloured representations of tigers tearing men's heads open, and a lion being burnt with red-hot irons to induce him to drop his victim, are hung up outside, by way of attracting visitors.

The princ.i.p.al officer at these places is generally a very tall, hoa.r.s.e man, in a scarlet coat, with a cane in his hand, with which he occasionally raps the pictures we have just noticed, by way of ill.u.s.trating his description-something in this way. 'Here, here, here; the lion, the lion (tap), exactly as he is represented on the canvas outside (three taps): no waiting, remember; no deception. The fe-ro-cious lion (tap, tap) who bit off the gentleman's head last Cambervel vos a twelvemonth, and has killed on the awerage three keepers a-year ever since he arrived at matoority. No extra charge on this account recollect; the price of admission is only sixpence.' This address never fails to produce a considerable sensation, and sixpences flow into the treasury with wonderful rapidity.

The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, 'a young lady of singular beauty, with perfectly white hair and pink eyes,' and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. The best thing about a dwarf is, that he has always a little box, about two feet six inches high, into which, by long practice, he can just manage to get, by doubling himself up like a boot-jack; this box is painted outside like a six-roomed house, and as the crowd see him ring a bell, or fire a pistol out of the first-floor window, they verily believe that it is his ordinary town residence, divided like other mansions into drawing-rooms, dining-parlour, and bedchambers. Shut up in this case, the unfortunate little object is brought out to delight the throng by holding a facetious dialogue with the proprietor: in the course of which, the dwarf (who is always particularly drunk) pledges himself to sing a comic song inside, and pays various compliments to the ladies, which induce them to 'come for'erd' with great alacrity. As a giant is not so easily moved, a pair of indescribables of most capacious dimensions, and a huge shoe, are usually brought out, into which two or three stout men get all at once, to the enthusiastic delight of the crowd, who are quite satisfied with the solemn a.s.surance that these habiliments form part of the giant's everyday costume.

The grandest and most numerously-frequented booth in the whole fair, however, is 'The Crown and Anchor'-a temporary ball-room-we forget how many hundred feet long, the price of admission to which is one s.h.i.+lling.

Immediately on your right hand as you enter, after paying your money, is a refreshment place, at which cold beef, roast and boiled, French rolls, stout, wine, tongue, ham, even fowls, if we recollect right, are displayed in tempting array. There is a raised orchestra, and the place is boarded all the way down, in patches, just wide enough for a country dance.

There is no master of the ceremonies in this artificial Eden-all is primitive, unreserved, and unstudied. The dust is blinding, the heat insupportable, the company somewhat noisy, and in the highest spirits possible: the ladies, in the height of their innocent animation, dancing in the gentlemen's hats, and the gentlemen promenading 'the gay and festive scene' in the ladies' bonnets, or with the more expensive ornaments of false noses, and low-crowned, tinder-box-looking hats: playing children's drums, and accompanied by ladies on the penny trumpet.

The noise of these various instruments, the orchestra, the shouting, the 'scratchers,' and the dancing, is perfectly bewildering. The dancing, itself, beggars description-every figure lasts about an hour, and the ladies bounce up and down the middle, with a degree of spirit which is quite indescribable. As to the gentlemen, they stamp their feet against the ground, every time 'hands four round' begins, go down the middle and up again, with cigars in their mouths, and silk handkerchiefs in their hands, and whirl their partners round, nothing loth, scrambling and falling, and embracing, and knocking up against the other couples, until they are fairly tired out, and can move no longer. The same scene is repeated again and again (slightly varied by an occasional 'row') until a late hour at night: and a great many clerks and 'prentices find themselves next morning with aching heads, empty pockets, damaged hats, and a very imperfect recollection of how it was they did _not_ get home.

CHAPTER XIII-PRIVATE THEATRES

'RICHARD THE THIRD.-DUKE OF GLO'STER 2_l._; EARL OF RICHMOND, 1_l_; DUKE OF BUCKINGHAM, 15_s._; CATESBY, 12_s._; TRESSEL, 10_s._ 6_d._; LORD STANLEY, 5_s._; LORD MAYOR OF LONDON, 2_s._ 6_d._'

Such are the written placards wafered up in the gentlemen's dressing-room, or the green-room (where there is any), at a private theatre; and such are the sums extracted from the shop-till, or overcharged in the office expenditure, by the donkeys who are prevailed upon to pay for permission to exhibit their lamentable ignorance and b.o.o.byism on the stage of a private theatre. This they do, in proportion to the scope afforded by the character for the display of their imbecility. For instance, the Duke of Glo'ster is well worth two pounds, because he has it all to himself; he must wear a real sword, and what is better still, he must draw it, several times in the course of the piece.

The soliloquies alone are well worth fifteen s.h.i.+llings; then there is the stabbing King Henry-decidedly cheap at three-and-sixpence, that's eighteen-and-sixpence; bullying the coffin-bearers-say eighteen-pence, though it's worth much more-that's a pound. Then the love scene with Lady Ann, and the bustle of the fourth act can't be dear at ten s.h.i.+llings more-that's only one pound ten, including the 'off with his head!'-which is sure to bring down the applause, and it is very easy to do-'Orf with his ed' (very quick and loud;-then slow and sneeringly)-'So much for Bu-u-u-uckingham!' Lay the emphasis on the 'uck;' get yourself gradually into a corner, and work with your right hand, while you're saying it, as if you were feeling your way, and it's sure to do. The tent scene is confessedly worth half-a-sovereign, and so you have the fight in, gratis, and everybody knows what an effect may be produced by a good combat.

One-two-three-four-over; then, one-two-three-four-under; then thrust; then dodge and slide about; then fall down on one knee; then fight upon it, and then get up again and stagger. You may keep on doing this, as long as it seems to take-say ten minutes-and then fall down (backwards, if you can manage it without hurting yourself), and die game: nothing like it for producing an effect. They always do it at Astley's and Sadler's Wells, and if they don't know how to do this sort of thing, who in the world does? A small child, or a female in white, increases the interest of a combat materially-indeed, we are not aware that a regular legitimate terrific broadsword combat could be done without; but it would be rather difficult, and somewhat unusual, to introduce this effect in the last scene of Richard the Third, so the only thing to be done, is, just to make the best of a bad bargain, and be as long as possible fighting it out.

The princ.i.p.al patrons of private theatres are dirty boys, low copying-clerks, in attorneys' offices, capacious-headed youths from city counting-houses, Jews whose business, as lenders of fancy dresses, is a sure pa.s.sport to the amateur stage, shop-boys who now and then mistake their masters' money for their own; and a choice miscellany of idle vagabonds. The proprietor of a private theatre may be an ex-scene-painter, a low coffee-house-keeper, a disappointed eighth-rate actor, a retired smuggler, or uncertificated bankrupt. The theatre itself may be in Catherine-street, Strand, the purlieus of the city, the neighbourhood of Gray's-inn-lane, or the vicinity of Sadler's Wells; or it may, perhaps, form the chief nuisance of some shabby street, on the Surrey side of Waterloo-bridge.

The lady performers pay nothing for their characters, and it is needless to add, are usually selected from one cla.s.s of society; the audiences are necessarily of much the same character as the performers, who receive, in return for their contributions to the management, tickets to the amount of the money they pay.

All the minor theatres in London, especially the lowest, const.i.tute the centre of a little stage-struck neighbourhood. Each of them has an audience exclusively its own; and at any you will see dropping into the pit at half-price, or swaggering into the back of a box, if the price of admission be a reduced one, divers boys of from fifteen to twenty-one years of age, who throw back their coat and turn up their wristbands, after the portraits of Count D'Orsay, hum tunes and whistle when the curtain is down, by way of persuading the people near them, that they are not at all anxious to have it up again, and speak familiarly of the inferior performers as Bill Such-a-one, and Ned So-and-so, or tell each other how a new piece called _The Unknown Bandit of the Invisible Cavern_, is in rehearsal; how Mister Palmer is to play _The Unknown Bandit_; how Charley Scarton is to take the part of an English sailor, and fight a broadsword combat with six unknown bandits, at one and the same time (one theatrical sailor is always equal to half a dozen men at least); how Mister Palmer and Charley Scarton are to go through a double hornpipe in fetters in the second act; how the interior of the invisible cavern is to occupy the whole extent of the stage; and other town-surprising theatrical announcements. These gentlemen are the amateurs-the _Richards_, _Shylocks_, _Beverleys_, and _Oth.e.l.los_-the _Young Dorntons_, _Rovers_, _Captain Absolutes_, and _Charles Surfaces_-a private theatre.

See them at the neighbouring public-house or the theatrical coffee-shop!

They are the kings of the place, supposing no real performers to be present; and roll about, hats on one side, and arms a-kimbo, as if they had actually come into possession of eighteen s.h.i.+llings a-week, and a share of a ticket night. If one of them does but know an Astley's supernumerary he is a happy fellow. The mingled air of envy and admiration with which his companions will regard him, as he converses familiarly with some mouldy-looking man in a fancy neckerchief, whose partially corked eyebrows, and half-rouged face, testify to the fact of his having just left the stage or the circle, sufficiently shows in what high admiration these public characters are held.

With the double view of guarding against the discovery of friends or employers, and enhancing the interest of an a.s.sumed character, by attaching a high-sounding name to its representative, these geniuses a.s.sume fict.i.tious names, which are not the least amusing part of the play-bill of a private theatre. Belville, Melville, Treville, Berkeley, Randolph, Byron, St. Clair, and so forth, are among the humblest; and the less imposing t.i.tles of Jenkins, Walker, Thomson, Barker, Solomons, &c., are completely laid aside. There is something imposing in this, and it is an excellent apology for shabbiness into the bargain. A shrunken, faded coat, a decayed hat, a patched and soiled pair of trousers-nay, even a very dirty s.h.i.+rt (and none of these appearances are very uncommon among the members of the _corps dramatique_), may be worn for the purpose of disguise, and to prevent the remotest chance of recognition. Then it prevents any troublesome inquiries or explanations about employment and pursuits; everybody is a gentleman at large, for the occasion, and there are none of those unpleasant and unnecessary distinctions to which even genius must occasionally succ.u.mb elsewhere. As to the ladies (G.o.d bless them), they are quite above any formal absurdities; the mere circ.u.mstance of your being behind the scenes is a sufficient introduction to their society-for of course they know that none but strictly respectable persons would be admitted into that close fellows.h.i.+p with them, which acting engenders. They place implicit reliance on the manager, no doubt; and as to the manager, he is all affability when he knows you well,-or, in other words, when he has pocketed your money once, and entertains confident hopes of doing so again.

A quarter before eight-there will be a full house to-night-six parties in the boxes, already; four little boys and a woman in the pit; and two fiddles and a flute in the orchestra, who have got through five overtures since seven o'clock (the hour fixed for the commencement of the performances), and have just begun the sixth. There will be plenty of it, though, when it does begin, for there is enough in the bill to last six hours at least.

That gentleman in the white hat and checked s.h.i.+rt, brown coat and bra.s.s b.u.t.tons, lounging behind the stage-box on the O. P. side, is Mr. Horatio St. Julien, alias Jem Larkins. His line is genteel comedy-his father's, coal and potato. He _does_ Alfred Highflier in the last piece, and very well he'll do it-at the price. The party of gentlemen in the opposite box, to whom he has just nodded, are friends and supporters of Mr.

Beverley (otherwise Loggins), the _Macbeth_ of the night. You observe their attempts to appear easy and gentlemanly, each member of the party, with his feet c.o.c.ked upon the cus.h.i.+on in front of the box! They let them do these things here, upon the same humane principle which permits poor people's children to knock double knocks at the door of an empty house-because they can't do it anywhere else. The two stout men in the centre box, with an opera-gla.s.s ostentatiously placed before them, are friends of the proprietor-opulent country managers, as he confidentially informs every individual among the crew behind the curtain-opulent country managers looking out for recruits; a representation which Mr.

Nathan, the dresser, who is in the manager's interest, and has just arrived with the costumes, offers to confirm upon oath if required-corroborative evidence, however, is quite unnecessary, for the gulls believe it at once.

The stout Jewess who has just entered, is the mother of the pale, bony little girl, with the necklace of blue gla.s.s beads, sitting by her; she is being brought up to 'the profession.' Pantomime is to be her line, and she is coming out to-night, in a hornpipe after the tragedy. The short thin man beside Mr. St. Julien, whose white face is so deeply seared with the small-pox, and whose dirty s.h.i.+rt-front is inlaid with open-work, and embossed with coral studs like ladybirds, is the low comedian and comic singer of the establishment. The remainder of the audience-a tolerably numerous one by this time-are a motley group of dupes and blackguards.

The foot-lights have just made their appearance: the wicks of the six little oil lamps round the only tier of boxes, are being turned up, and the additional light thus afforded serves to show the presence of dirt, and absence of paint, which forms a prominent feature in the audience part of the house. As these preparations, however, announce the speedy commencement of the play, let us take a peep 'behind,' previous to the ringing-up.

The little narrow pa.s.sages beneath the stage are neither especially clean nor too brilliantly lighted; and the absence of any flooring, together with the damp mildewy smell which pervades the place, does not conduce in any great degree to their comfortable appearance. Don't fall over this plate basket-it's one of the 'properties'-the caldron for the witches'

cave; and the three uncouth-looking figures, with broken clothes-props in their hands, who are drinking gin-and-water out of a pint pot, are the weird sisters. This miserable room, lighted by candles in sconces placed at lengthened intervals round the wall, is the dressing-room, common to the gentlemen performers, and the square hole in the ceiling is _the_ trap-door of the stage above. You will observe that the ceiling is ornamented with the beams that support the boards, and tastefully hung with cobwebs.

The characters in the tragedy are all dressed, and their own clothes are scattered in hurried confusion over the wooden dresser which surrounds the room. That snuff-shop-looking figure, in front of the gla.s.s, is _Banquo_: and the young lady with the liberal display of legs, who is kindly painting his face with a hare's foot, is dressed for _Fleance_.

The large woman, who is consulting the stage directions in c.u.mberland's edition of _Macbeth_, is the _Lady Macbeth_ of the night; she is always selected to play the part, because she is tall and stout, and _looks_ a little like Mrs. Siddons-at a considerable distance. That stupid-looking milksop, with light hair and bow legs-a kind of man whom you can warrant town-made-is fresh caught; he plays _Malcolm_ to-night, just to accustom himself to an audience. He will get on better by degrees; he will play _Oth.e.l.lo_ in a month, and in a month more, will very probably be apprehended on a charge of embezzlement. The black-eyed female with whom he is talking so earnestly, is dressed for the 'gentlewoman.' It is _her_ first appearance, too-in that character. The boy of fourteen who is having his eyebrows smeared with soap and whitening, is _Duncan_, King of Scotland; and the two dirty men with the corked countenances, in very old green tunics, and dirty drab boots, are the 'army.'

'Look sharp below there, gents,' exclaims the dresser, a red-headed and red-whiskered Jew, calling through the trap, 'they're a-going to ring up.

The flute says he'll be blowed if he plays any more, and they're getting precious noisy in front.' A general rush immediately takes place to the half-dozen little steep steps leading to the stage, and the heterogeneous group are soon a.s.sembled at the side scenes, in breathless anxiety and motley confusion.

'Now,' cries the manager, consulting the written list which hangs behind the first P. S, wing, 'Scene 1, open country-lamps down-thunder and lightning-all ready, White?' [This is addressed to one of the army.]

'All ready.'-'Very well. Scene 2, front chamber. Is the front chamber down?'-'Yes.'-'Very well.'-'Jones' [to the other army who is up in the flies]. 'Hallo!'-'Wind up the open country when we ring up.'-'I'll take care.'-'Scene 3, back perspective with practical bridge. Bridge ready, White? Got the tressels there?'-'All right.'