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FOOTNOTES:
[Footnote 90: Vol. ix. p. 653.]
RIGHT HON. THOMAS GRENVILLE, 1755-1846
[Ill.u.s.tration: THOMAS GRENVILLE. After a Portrait by Hoppner.]
The Right Hon. Thomas Grenville, who was born on the 31st of December 1755, was the second son of the Right Hon. George Grenville, the statesman, who succeeded Lord Bute as Premier in 1763, and Elizabeth, daughter of Sir William Wyndham. In 1771 he entered Christ Church, Oxford, as a gentleman-commoner, and in 1778 he was appointed ensign in the Coldstream Guards, which he left the following year to become a lieutenant in the 80th foot. In 1780 he was elected Member for Buckinghams.h.i.+re, and became a follower of Lord Rockingham and Mr. Fox, the latter of whom thought so highly of his talents that he intended, if his India Bill had pa.s.sed, to have made him Governor-General. Towards the close of the war with the United States, Mr. Grenville was sent to Paris to negotiate terms of peace, but only remained there a short time, being recalled by the death of the Marquis of Rockingham and a change of ministry. On his return to this country he continued for some time to support Mr. Fox, but the course pursued by that statesman with regard to the French Revolution caused him to transfer his allegiance to Mr. Pitt, and in 1794 Mr. Grenville accepted the post of Minister Extraordinary to the Court of Vienna. In 1798 he became a privy councillor, and in 1799 he was sent as Amba.s.sador to Berlin to endeavour to prevent the King of Prussia deserting the coalition against France; but the first vessel in which he sailed was stopped by ice, and the second was wrecked, and the delay which ensued rendered the mission an abortive one. In 1800 he was made Chief Justice in Eyre to the South of the Trent, a sinecure office of two thousand a year, of which he was the last holder. On the fall of Mr. Pitt's ministry in March 1801, Mr.
Grenville ceased to support the Tory party, and renewed his political connection with Mr. Fox, and in 1806, shortly after his brother, Lord Grenville, became Prime Minister, he was appointed President of the Board of Control. On the death of Mr. Fox on the 13th of September 1806, he succeeded Lord Howick as First Lord of the Admiralty, a post he held until the formation of the Duke of Portland's administration in April 1807, when he finally retired from office, and devoted the remaining forty years of his life to literature, and to the collection of the splendid library, which is now one of the great glories of the British Museum. From an early age Mr. Grenville was animated by an ardent love for books, and took a great interest in the development of the National Library, of which he was for many years a Trustee. He died at Hamilton Place, Piccadilly, on the 17th of December 1846, at the age of ninety-one. Mr. Grenville had originally bequeathed his library to his great-nephew the Duke of Buckingham, but the circ.u.mstance that it was princ.i.p.ally purchased from the profits of the sinecure office which he had held for so many years, led him to the conclusion that it was 'a debt and a duty' that the collection so acquired should be devoted to the use of the public. In the autumn of 1845, in the course of a conversation with his friend Mr. Panizzi, afterwards Sir Anthony Panizzi, then Keeper of Printed Books in the British Museum, he informed him of his intention; and after his death it was found that he had revoked the bequest to the Duke of Buckingham, and left his n.o.ble collection to the nation. A full and interesting description of the printed books in the library by Sir Anthony Panizzi is to be found in the Report on the accessions to the Museum for the year 1847, and we cannot do better than give the account of them in the words of the famous librarian, who had himself much to do with the acquisition of this magnificent gift:--
'With exception of the Collection of His Majesty George the Third, the Library of the British Museum has never received an accession so important in every respect as the Collection of the Right Honourable Thomas Grenville.... Formed and preserved with the exquisite taste of an accomplished bibliographer, with the learning of a profound and elegant scholar, and the splendid liberality of a gentleman in affluent circ.u.mstances, who employed in adding to his library whatever his generous heart allowed him to spare from silently relieving those whose wants he alone knew, this addition to the National Library places it in some respects above all libraries known, in others it leaves it inferior only to the Royal Library at Paris. An idea may be formed of the literary value of Mr. Grenville's Library by referring to its pecuniary value; it consists of 20,240 volumes, forming about 16,000 works, which cost upwards of 54,000, and would sell for more now. During his lifetime, Mr. Grenville's library was most liberally rendered accessible to any person, however humble his condition in life, who could show the least cause for asking the loan of any of his precious volumes. By bequeathing the whole to his country, Mr. Grenville has secured to literary men, even after his death, that a.s.sistance, as far as it relates to the use of his books, which he so generously bestowed on them in every way during his long and dignified career:--the career of a man of high birth, distinguished for uniting to a powerful and cultivated intellect a warm and benevolent heart.'
Sir Anthony Panizzi, in describing the contents of the collection, adds: 'It would naturally be expected that one of the editors of the "Adelphi Homer" would lose no opportunity of collecting the best and rarest editions of the Prince of Poets. aesop, a favourite author of Mr.
Grenville, occurs in his Library in its rarest forms; there is no doubt that the series of editions of this author in that library is unrivalled. The great admiration which Mr. Grenville felt for Cardinal Ximenes, even more on account of the splendid edition of the Polyglot Bible which that prelate caused to be printed at Alcala, than of his public character, made him look upon the acquisition of the Moschus, a book of extreme rarity, as a piece of good fortune. Among the extremely rare editions of the Latin Cla.s.sics, in which the Grenville Library abounds, the unique complete copy of Azzoguidi's first edition of Ovid is a gem well deserving particular notice, and was considered, on the whole, by Mr. Grenville himself, the boast of his collection. The Aldine Virgil of 1505, the rarest of the Aldine editions of this poet, is the more welcome to the Museum, as it serves to supply a lacuna; the copy mentioned in the Catalogue of the Royal Collection not having been transferred to the National Library.
'The rarest editions of English Poets claimed and obtained the special attention of Mr. Grenville. Hence we find him possessing not only the first and second edition of Chaucer's Canterbury Tales by Caxton, but the only copy known of a hitherto undiscovered edition of the same work printed in 1498 by Wynkyn de Worde. Of Shakespeare's collected Dramatic Works, the Grenville Library contains a copy of the first edition, which, if not the finest known, is at all events surpa.s.sed by none. His strong religious feelings, and his sincere attachment to the Established Church, as well as his mastery and knowledge of the English Language, concurred in making him eager to possess the earliest, as well as the rarest, editions of the translations of the Scriptures in the vernacular tongue. He succeeded to a great extent; but what deserves particular mention is the only known fragment of the New Testament in English, translated by Tyndale and Roy, which was in the press of Quentell, at Cologne, in 1525, when the printers were obliged to interrupt the printing, and fly to escape persecution.
'The History of the British Empire, and whatever could ill.u.s.trate any of its different portions, were the subject of Mr. Grenville's unremitting research, and he allowed nothing to escape him deserving to be preserved, however rare and expensive. Hence his collection of works on the Divorce of Henry VIII.; that of Voyages and Travels, either by Englishmen, or to countries at some time more or less connected with England, or possessed by her; that of contemporary works on the gathering, advance, and defeat of the "Invincible Armada"; and that of writings on Ireland,--are more numerous, more valuable, and more interesting than in any other collection ever made by any person on the same subjects. Among the Voyages and Travels, the collections of De Bry and Hulsius are the finest in the world; no other library can boast of four such fine books as the copies of Hariot's Virginia, in Latin, German, French, and English of the De Bry series. And it was fitting that in Mr. Grenville's library should be found one of the only two copies known of the first edition of this work, printed in London in 1588, wherein an account is given of a colony which had been founded by his family namesake, Sir Richard Grenville.
'Conversant with the language and literature of Spain, as well as with that of Italy, the works of imagination by writers of those two countries are better represented in his library than in any other out of Spain and Italy; in some branches better even than in any single library in the countries themselves. No Italian collection can boast of such a splendid series of early editions of Ariosto's Orlando, one of Mr.
Grenville's favourite authors, nor, indeed, of such choice Romance Poems. The copy of the first edition of Ariosto is not to be matched for beauty; of that of Rome, 1533, even the existence was. .h.i.therto unknown.
A perfect copy of the first complete edition of the _Morgante Maggiore_ of 1482, was also not known to exist before Mr. Grenville succeeded in procuring his. Among the Spanish Romances, the copy of that of "Tirant lo Blanch," printed at Valencia in 1490, is as fine, as clean, and as white as when it first issued from the press; and no second copy of this edition of a work professedly translated from English into Portuguese, and thence into Valencian, is known to exist except in the library of the Sapienza at Rome.
'But where there is nothing common, it is almost depreciating a collection to enumerate a few articles as rare. It is a marked feature of this library, that Mr. Grenville did not collect mere bibliographical rarities. He never aimed at having a complete set of the editions from the press of Caxton or Aldus; but Chaucer and Gower by Caxton were readily purchased, as well as other works which were desirable on other accounts, besides that of having issued from the press of that printer; and, when possible, select copies were procured. Some of the rarest, and these the finest, Aldine editions were purchased by him for the same reasons. The Horae in Greek, printed by Aldus in 16mo in 1497, is a volume which, from its language, size, and rarity, is of the greatest importance for the literary and religious history of the time when it was printed. It is, therefore, in Mr. Grenville's library. The Virgil of 1501 is not only an elegant book, but it is the first book printed with that peculiar _Italic_, known as Aldine, and the first volume which Aldus printed, "forma enchiridii," as he called it, being expressly adapted to give poor scholars the means of purchasing for a small sum the works of the cla.s.sical writers. This also is, therefore, among Mr.
Grenville's books; and of one of the two editions of Virgil, both dated the same year, 1514, he purchased a large paper copy, because it was the more correct of the two.
'It was the merit of the work, the elegance of the volume, the "genuine"
condition of the copy, etc., which together determined Mr. Grenville to purchase books printed on vellum, of which he collected nearly a hundred. He paid a very large sum for a copy of the Furioso of 1532, not because it was "on ugly vellum," as he very properly designated it, but because, knowing the importance of such an edition of such a work, and never having succeeded in procuring it on paper, he would rather have it on expensive terms and "ugly vellum," than not at all.
'By the bequest of Mr. Grenville's library, the collection of books printed on vellum now at the Museum, and comprising those formerly presented by George II., George III., and Mr. Cracherode, is believed to surpa.s.s that of any other National Library, except the King's Library at Paris, of which Van Praet justly speaks with pride, and all foreign competent and intelligent judges with envy and admiration. Injustice to the Grenville Library, the list of all its vellum books ought here to be inserted. As this cannot be done, some only of the most remarkable shall be mentioned. These are--the Greek Anthology of 1494; the Book of Hawking, of Juliana Berners, of 1496; the first edition of the Bible, known as the "Mazarine Bible," printed at Mentz about 1454; the Aldine Dante of 1502; the first Rationale of Durandus of 1459; the first edition of Fisher On the Psalms, of 1508; the Aldine Horace, Juvenal, Martial, and Petrarca, of 1501; the Livy of 1469; the Primer of Salisbury, printed in Paris in 1531; the Psalter of 1457, which supplies the place of the one now at Windsor, which belonged to the Royal Collection before it was transferred to the British Museum; the Sforziada, by Simoneta, of 1490, a most splendid volume even in so splendid a library; the Theuerdank of 1517; the Aulus Gellius and the Vitruvius of Giunta, printed in 1513, etc., etc. Of this identical copy of Vitruvius, formerly Mr. Dent's, the author of the Bibliographical Decameron wrote, "Let the enthusiastic admirers of a genuine vellum Junta--of the amplest size and in spotless condition--resort to the choice cabinet of Mr. Dent for such a copy of this edition of Vitruvius and Frontinus." The Aulus Gellius is in its original state, exactly as it was when presented to Lorenzo de' Medici, afterwards Duke of Urbino, to whom the edition was dedicated.'
In addition to the printed books, the Grenville Library contains sixty-four ma.n.u.scripts, many of them being of great interest and value.
The finest of them is a volume of exquisite miniature drawings by Giulio Clovio, executed by command of Philip II. of Spain, and representing the victories of the Emperor Charles V. This volume was formerly in the Escurial. Other notable ma.n.u.scripts are the original drawings for Hariot's Virginia in the De Bry collection, made by John White; Norden's Description of Ess.e.x; the Third Voyage of Vespucius in Latin; and two very interesting doc.u.ments relating to the Spanish Armada--one being an original letter from the Lords of the Council to the Lord High Admiral, regarding the preparation of the fleet, dated July 21, 1588; and the other, a Resolution of a Council of War, held by the admirals and captains of the fleet which dispersed the Armada, dated August 1, 1588. The former of these papers is signed by Chr. Hatton (Cancs.), W. Burghley, F. Knollys, T. Heneage, Poulet, and J. Wolley; the latter by C. Howard, George c.u.mberland, T. Howarde, Edmonde Sheffeylde, Fr. Drake, Edw. Hoby, John Hawkyns, and Thomas Fenner.
There is a catalogue of Mr. Grenville's library in three parts (London, 1842-72). Parts 1 and 2 were compiled by Messrs. Payne and Foss, the booksellers of Pall Mall, who bought largely for him; and part 3 by Mr.
W.B. Rye, the late Keeper of the Department of Printed Books, British Museum.
A portrait of Mr. Grenville by Hoppner has been engraved for Fisher's _National Portrait Gallery_. There is also a painting of him by Phillips at Althorp, and a miniature by C. Manzini in the National Portrait Gallery.
A bust of him, presented by Sir David Dundas, is placed in the room in the British Museum occupied by his library.
FRANCIS DOUCE, 1757-1834
Francis Douce, who was born in 1757, was a son of Thomas Douce, one of the Six Clerks of the Court of Chancery. He was first sent to a school at Richmond, conducted by a Mr. Lawton, author of a work on Egypt, and afterwards to 'a French academy, kept by a pompous and ignorant Life-Guardsman, with a view to his learning merchants' accounts, which were his aversion.' On leaving school he studied for the bar, and for some time held an appointment, under his father, in the Six Clerks'
Office, but the post was not very congenial to him, as from an early age he devoted himself to books and antiquities, and he also had a great pa.s.sion for music. His father, who died in 1799, bequeathed the greater part of his property, which was very considerable, to his elder son, leaving but a comparatively small amount to be divided between Francis and his sisters, but in 1823 Nollekens, the sculptor, left Douce so large a portion of his fortune that at the decease of the latter his property was valued at nearly eighty thousand pounds. In 1807 he succeeded the Rev. Robert Nares as Keeper of the Ma.n.u.scripts in the British Museum, but resigned the post in 1812 in consequence of some trifling disagreement with one of the trustees. While holding this office he took part in the preparation of the catalogues of the Harleian and Lansdowne ma.n.u.scripts. Douce published in 1807 _Ill.u.s.trations of Shakspeare and Ancient Manners_, and in 1833 _The Dance of Death_, 'exhibited in elegant Engravings on wood, with a Dissertation on the several Representations on that Subject.' The substance of this Dissertation had appeared about forty years before in ill.u.s.tration of Hollar's etchings, published by Edwards of Pall Mall, London. In addition to these works he edited Arnold's _Chronicle_ in 1811, two books for the Roxburghe Club in 1822 and 1824, and a.s.sisted in the production of Scott's _Sir Tristram_, Smith's _Vagabondiniana_, and the 1824 edition of Warton's _History of English Poetry_. Many papers also by him are to be found in the _Archaeologia_, the _Vetusta Monumenta_, and the _Gentleman's Magazine_. Douce was a prominent Fellow of the Society of Antiquaries, and numbered among his friends Isaac D'Israeli, the Rev. C.M. Cracherode, Sir George Staunton, Mr. John Towneley, and Dr. Dibdin, to the last of whom he left five hundred pounds. He is introduced under the name of _Prospero_ in Dibdin's _Bibliomania_. Douce died at his residence in Gower Street, London, on the 30th of March 1834, and he left in his will two hundred pounds to Sir Anthony Carlisle 'requesting him either to sever my head or extract the heart from my body, so as to prevent the possibility of the return of vitality.' His valuable collection of printed books, which consisted of sixteen thousand four hundred and eighty volumes, with a quant.i.ty of fragments of early English works, including two printed by Caxton, which are unique; three hundred and ninety-three ma.n.u.scripts, many of them beautifully illuminated; ninety-eight charters; a large number of valuable drawings and prints; together with a collection of coins and medals, were left by him to the Bodleian Library. It is said that this bequest was the result of the courteous reception he received from Dr.
Bandinel, the librarian, when Douce visited Oxford with Isaac D'Israeli in 1830. The carvings in ivory or other materials, and the miscellaneous curiosities, were bequeathed to Dr., afterwards Sir Samuel Rush Meyrick, of Goodrich Castle, Wales, who published an account of them, ent.i.tled _The Doucean Museum_. To the British Museum Douce left a volume of the works of Albert Durer which had formerly belonged to Nollekens, his impressions from monumental bra.s.ses, and his 'commented copies of the blockhead Whitaker's History of Manchester, and his Cornwall Cathedral.'
His will also directs his executor 'to collect together all my letters and correspondence, all my private ma.n.u.scripts, and unfinished or even finished essays or intended work or works, memorandum books, especially such as are marked in the inside of their covers with a red cross, with the exception only of such articles as he may think proper to destroy, as my diaries, or other articles of a merely private nature, and to put them into a strong box, to be sealed up without lock or key, and with a bra.s.s plate inscribed "Mr. Douce's papers, to be opened on the 1st of January 1900," and then to deposit this box in the British Museum, or, if the Trustees should decline receiving it, I then wish it to remain with the other things bequeathed to the Bodleian Library.' The Trustees accepted the charge of the box, and it was opened at the time appointed, but nothing of literary value was found in it.
A catalogue of the printed books, ma.n.u.scripts, charters and fragments presented by Douce to the Bodleian was published in 1840, and there is also a ma.n.u.script catalogue of the prints and drawings.
JAMES EDWARDS, 1757-1816
James Edwards, who was so ardent a collector that he directed that his coffin should be made out of the shelves of his library, was born in 1757. He was the eldest son of William Edwards, an eminent bookseller of Halifax, Yorks.h.i.+re, who was noted both for his success in collecting rare books, and his skill and taste in binding them. In 1784 James Edwards and, along with him, his younger brother John, were set up by their father as booksellers in Pall Mall, London, under the t.i.tle of Edwards and Sons. John died soon afterwards, but the business was conducted with great ability and success by the elder brother, who, Dibdin says, 'travelled diligently and fearlessly abroad; now exploring the book-gloom of dusty monasteries, and at other times marching in the rear or front of Bonaparte's armies in Italy.'
Edwards was a bookbinder as well as a bookseller, and in 1785 he took out a patent for 'embellis.h.i.+ng books bound in vellum by making drawings on the vellum which are not liable to be defaced but by destroying the vellum itself.' This was accomplished by rendering the vellum transparent, and then painting or impressing the design on the under surface. The British Museum possesses a Prayer Book bound by Edwards in this manner for Queen Charlotte, wife of King George III., which is a very skilful and artistic piece of work. Both he and his father were also celebrated for the pretty paintings with which they decorated the edges of the leaves of the books they bound. In 1788 Edwards, accompanied by his friend and fellow bookseller James Robson, went to Venice for the purpose of purchasing the Pinelli Library, which they brought to England, and sold by auction in the following year. Many other collections of note were sold by him during the twenty years he remained in business. Having ama.s.sed a considerable fortune, he determined to retire from trade, and in 1805 purchased the fine old manor-house at Harrow, which for some time was one of the residences of the Archbishops of Canterbury. A part of Dibdin's _Bibliographical Decameron_ was written on the garden terrace of this mansion, Edwards being the 'Rinaldo' of that work. In consequence of ill-health he determined in 1815 to part with the remainder of his library (a portion of the books had been disposed of by Christie on his retirement in 1804), and it was sold by his successor in the Pall Mall business, Robert Harding Evans, who became so well known as a book auctioneer. The sale consisted of but eight hundred and thirty lots, but it realised the large sum of eight thousand four hundred and twenty-one pounds, seventeen s.h.i.+llings. Edwards died at Harrow on the 2nd of January 1816, and a monument was erected to his memory in the parish church.
Edwards's collection was not a large one, but it contained some exceedingly rare and choice ma.n.u.scripts and printed books. Among the most precious of the former was the famous Bedford Book of Hours, which he acquired at the d.u.c.h.ess of Portland's sale in 1786 for two hundred and thirteen pounds, and which was purchased at his own sale by the Marquis of Blandford, afterwards Duke of Marlborough, for six hundred and eighty-seven pounds, fifteen s.h.i.+llings. It is now in the British Museum. Other fine ma.n.u.scripts were a copy of the Gospels in Greek, written in the tenth century; _Opera Horatii_, executed for Ferdinand I.
King of Naples, which realised respectively two hundred and ten and one hundred and twenty-five pounds; and _Regole e Precetti della Pittura_, written by Leonardo da Vinci, and ill.u.s.trated with original drawings by Nicholas Poussin, which fetched one hundred and two pounds, eighteen s.h.i.+llings.
Among the printed books were the Latin Bible, on vellum, printed at Mentz, by Fust and Schoeffer, in 1462, which realised one hundred and seventy-five pounds; and the first edition of Livy, also on vellum, printed by Sweynheym and Pannartz at Rome about 1469. This copy, the only one known on vellum, belonged to Pope Alexander VI., and was bought by Sir M.M. Sykes for nine hundred and three pounds. It was afterwards acquired by the Right Hon. Thomas Grenville, and bequeathed by him to the British Museum. Luther's own copy of the first edition of his translation of the Bible after his final revision, printed at Wittemberg in 1541, with MS. notes by himself, Bugenhagen and Melanchthon, which is also now in the British Museum, sold for eighty-nine pounds, five s.h.i.+llings; and a splendid set of the _Opere di Piranesi_ for three hundred and fifteen pounds. A fine and perfect block-book, the _Biblia Pauperum_, was also among the treasures of the library, and was purchased by the Duke of Devons.h.i.+re for two hundred and ten pounds.
GEORGE HIBBERT, 1757-1837
George Hibbert was born at Manchester in the year 1757. His father was Robert Hibbert, a West India merchant. Destined from his boyhood to a commercial life, he was educated at a private school, and on leaving Lancas.h.i.+re he joined a London firm engaged in the West India trade, in which, first as a junior partner, and afterwards as the head of the firm, he remained nearly half a century. In 1798 Mr. Hibbert was elected an alderman, but resigned his gown in 1803, and in 1806 he entered Parliament as one of the members for Seaford, Suss.e.x, and sat for that borough until 1812. He was also chairman of the West India merchants, and agent for Jamaica. The construction of the West India Docks was largely owing to his exertions, and as one of the original members of the committee of the London Inst.i.tution, he took a prominent part in its foundation and management, and for many years he filled the office of president. Mr. Hibbert was elected a Fellow of the Royal Society in 1811, and a Fellow of the Society of Antiquaries in the following year.
He was also a Fellow of the Linnaean Society, and formed at his residence at Clapham a large collection of exotic plants, many of which were first introduced into this country by the agents he employed in almost every part of the globe. He married Elizabeth Margaret, daughter of Mr. Philip Fonnereau, by whom he had a large family. Mr. Hibbert died on the 8th of October 1837, at Munden House, near Watford, Hertfords.h.i.+re, and was buried in the churchyard of Aldenham, in the same county.
Mr. Hibbert, who was the 'Honorio' of Dibdin's _Bibliographical Decameron_, was a patron of art, and an enthusiastic collector of books, pictures, and prints and drawings. He formed a splendid library at his houses at Clapham, and in Portland Place, London, which is believed to have cost him at least thirty-five thousand pounds. It contained a large number of early printed Bibles, and was particularly rich in rare editions of the French Romances, and of English and Italian Poetry. No fewer than eighty of the books were printed on vellum. The collection also comprised twenty-five ma.n.u.scripts.
When, in 1829, Mr. Hibbert retired to his estate of Munden, which had been bequeathed to him by Mr. Roger Parker, an uncle of his wife, he found that the size of his new residence rendered it necessary that he should dispose of the greater part of his collections, and his library was sold by auction by Mr. Evans at 93 Pall Mall in three divisions. The sales occupied altogether forty-two days. The first commenced on the 16th of March, and the last on the 25th of May 1829. There were eight thousand seven hundred and ninety-four lots, representing about twenty thousand volumes; and the total amount realised was twenty-one thousand seven hundred and fifty-three pounds, nine s.h.i.+llings. The books sold for comparatively small sums. A copy of the sale catalogue, with the prices obtained for the books and the names of the purchasers, is preserved in the library of the British Museum.
The following are a few of the princ.i.p.al books in this magnificent collection, together with the prices they fetched at the sale:--
The Gutenberg Bible, two hundred and fifteen pounds.
The Mentz Psalter of 1459, ninety pounds, six s.h.i.+llings.
The Latin Bible printed by Fust and Schoeffer at Mentz in 1462, one hundred and twenty-eight pounds, two s.h.i.+llings.
The Latin Bible, printed at Paris in 1476, thirty-two pounds, eleven s.h.i.+llings.
The Latin Bible, printed by Jenson at Venice in 1479. A very fine copy, which formerly belonged to Pope Sixtus IV., ninety-eight pounds, fourteen s.h.i.+llings.
The Complutensian Polyglot Bible, said to have been Cardinal Ximenes's own copy, for which Mr. Hibbert gave sixteen thousand one hundred francs at the sale, five hundred and twenty-five pounds.