The Muse of the Department Part 16

"Madame la Baronne was chilled by the cool air off the river," replied Lousteau. "Bianchon advised her to put on a warm dress."

Dinah turned as red as a poppy, and Madame Piedefer a.s.sumed a stern expression.

"Poor Bianchon! he is on the road to Paris. A n.o.ble soul!" said Lousteau.

"Oh, yes!" cried Madame de la Baudraye, "he is high-minded, full of delicate feeling----"

"We were in such good spirits when we set out," said Lousteau; "now you are overdone, and you speak to me so bitterly--why? Are you not accustomed to being told how handsome and how clever you are? For my part, I say boldly, before Gatien, I give up Paris; I mean to stay at Sancerre and swell the number of your _cavalieri serventi_. I feel so young again in my native district; I have quite forgotten Paris and all its wickedness, and its bores, and its wearisome pleasures.--Yes, my life seems in a way purified."

Dinah allowed Lousteau to talk without even looking at him; but at last there was a moment when this serpent's rhodomontade was really so inspired by the effort he made to affect pa.s.sion in phrases and ideas of which the meaning, though hidden from Gatien, found a loud response in Dinah's heart, that she raised her eyes to his. This look seemed to crown Lousteau's joy; his wit flowed more freely, and at last he made Madame de la Baudraye laugh. When, under circ.u.mstances which so seriously compromise her pride, a woman has been made to laugh, she is finally committed.

As they drove in by the s.p.a.cious graveled forecourt, with its lawn in the middle, and the large vases filled with flowers which so well set off the facade of Anzy, the journalist was saying:

"When women love, they forgive everything, even our crimes; when they do not love, they cannot forgive anything--not even our virtues.--Do you forgive me," he added in Madame de la Baudraye's ear, and pressing her arm to his heart with tender emphasis. And Dinah could not help smiling.

All through dinner, and for the rest of the evening, Etienne was in the most delightful spirits, inexhaustibly cheerful; but while thus giving vent to his intoxication, he now and then fell into the dreamy abstraction of a man who seems rapt in his own happiness.

After coffee had been served, Madame de la Baudraye and her mother left the men to wander about the gardens. Monsieur Gravier then remarked to Monsieur de Clagny:

"Did you observe that Madame de la Baudraye, after going out in a muslin gown came home in a velvet?"

"As she got into the carriage at Cosne, the muslin dress caught on a bra.s.s nail and was torn all the way down," replied Lousteau.

"Oh!" exclaimed Gatien, stricken to the heart by hearing two such different explanations.

The journalist, who understood, took Gatien by the arm and pressed it as a hint to him to be silent. A few minutes later Etienne left Dinah's three adorers and took possession of little La Baudraye. Then Gatien was cross-questioned as to the events of the day. Monsieur Gravier and Monsieur de Clagny were dismayed to hear that on the return from Cosne Lousteau had been alone with Dinah, and even more so on hearing the two versions explaining the lady's change of dress. And the three discomfited gentlemen were in a very awkward position for the rest of the evening.

Next day each, on various business, was obliged to leave Anzy; Dinah remained with her mother, Lousteau, and her husband. The annoyance vented by the three victims gave rise to an organized rebellion in Sancerre. The surrender of the Muse of Le Berry, of the Nivernais, and of Morvan was the cause of a perfect hue and cry of slander, evil report, and various guesses in which the story of the muslin gown held a prominent place. No dress Dinah had ever worn had been so much commented on, or was half as interesting to the girls, who could not conceive what the connection might be, that made the married women laugh, between love and a muslin gown.

The Presidente Boirouge, furious at her son's discomfiture, forgot the praise she had lavished on the poem of _Paquita_, and fulminated terrific condemnation on the woman who could publish such a disgraceful work.

"The wretched woman commits every crime she writes about," said she.

"Perhaps she will come to the same end as her heroine!"

Dinah's fate among the good folks of Sancerre was like that of Marechal Soult in the opposition newspapers; as long as he is minister he lost the battle of Toulouse; whenever he is out of the Government he won it!

While she was virtuous, Dinah was a match for Camille de Maupin, a rival of the most famous women; but as soon as she was happy, she was an _unhappy creature_.

Monsieur de Clagny was her valiant champion; he went several times to the Chateau d'Anzy to acquire the right to contradict the rumors current as to the woman he still faithfully adored, even in her fall; and he maintained that she and Lousteau were engaged together on some great work. But the lawyer was laughed to scorn.

The month of October was lovely; autumn is the finest season in the valley of the Loire; but in 1836 it was unusually glorious. Nature seemed to aid and abet Dinah, who, as Bianchon had predicted, gradually developed a heart-felt pa.s.sion. In one month she was an altered woman. She was surprised to find in herself so many inert and dormant qualities, hitherto in abeyance. To her Lousteau seemed an angel; for heart-love, the crowning need of a great nature, had made a new woman of her. Dinah was alive! She had found an outlet for her powers, she saw undreamed-of vistas in the future--in short, she was happy, happy without alarms or hindrances. The vast castle, the gardens, the park, the forest, favored love.

Lousteau found in Madame de la Baudraye an artlessness, nay, if you will, an innocence of mind which made her very original; there was much more of the unexpected and winning in her than in a girl. Lousteau was quite alive to a form of flattery which in most women is a.s.sumed, but which in Dinah was genuine; she really learned from him the ways of love; he really was the first to reign in her heart. And, indeed, he took the trouble to be exceedingly amiable.

Men, like women, have a stock in hand of recitatives, of _cantabile_, of _nocturnes_, airs and refrains--shall we say of recipes, although we speak of love--which each one believes to be exclusively his own. Men who have reached Lousteau's age try to distribute the "movements"

of this repertoire through the whole opera of a pa.s.sion. Lousteau, regarding this adventure with Dinah as a mere temporary connection, was eager to stamp himself on her memory in indelible lines; and during that beautiful October he was prodigal of his most entrancing melodies and most elaborate _barcarolles_. In fact, he exhausted every resource of the stage management of love, to use an expression borrowed from the theatrical dictionary, and admirably descriptive of his manoeuvres.

"If that woman ever forgets me!" he would sometimes say to himself as they returned together from a long walk in the woods, "I will owe her no grudge--she will have found something better."

When two beings have sung together all the duets of that enchanting score, and still love each other, it may be said that they love truly.

Lousteau, however, had not time to repeat himself, for he was to leave Anzy in the early days of November. His paper required his presence in Paris. Before breakfast, on the day before he was to leave, the journalist and Dinah saw the master of the house come in with an artist from Nevers, who restored carvings of all kinds.

"What are you going to do?" asked Lousteau. "What is to be done to the chateau?"

"This is what I am going to do," said the little man, leading Lousteau, the local artist, and Dinah out on the terrace.

He pointed out, on the front of the building, a s.h.i.+eld supported by two sirens, not unlike that which may be seen on the arcade, now closed, through which there used to be a pa.s.sage from the Quai des Tuileries to the courtyard of the old Louvre, and over which the words may still be seen, "_Bibliotheque du Cabinet du Roi_." This s.h.i.+eld bore the arms of the n.o.ble House of Uxelles, namely, Or and gules party per fess, with two lions or, dexter and sinister as supporters. Above, a knight's helm, mantled of the tincture of the s.h.i.+eld, and surmounted by a ducal coronet. Motto, _Cy paroist!_ A proud and sonorous device.

"I want to put my own coat of arms in the place of that of the Uxelles; and as they are repeated six times on the two fronts and the two wings, it is not a trifling affair."

"Your arms, so new, and since 1830!" exclaimed Dinah.

"Have I not created an entail?"

"I could understand it if you had children," said the journalist.

"Oh!" said the old man, "Madame de la Baudraye is still young; there is no time lost."

This allusion made Lousteau smile; he did not understand Monsieur de la Baudraye.

"There, Didine!" said he in Dinah's ear, "what a waste of remorse!"

Dinah begged him to give her one day more, and the lovers parted after the manner of certain theatres, which give ten last performances of a piece that is paying. And how many promises they made! How many solemn pledges did not Dinah exact and the unblus.h.i.+ng journalist give her!

Dinah, with superiority of the Superior Woman, accompanied Lousteau, in the face of all the world, as far as Cosne, with her mother and little La Baudraye. When, ten days later, Madame de la Baudraye saw in her drawing-room at La Baudraye, Monsieur de Clagny, Gatien, and Gravier, she found an opportunity of saying to each in turn:

"I owe it to Monsieur Lousteau that I discovered that I had not been loved for my own sake."

And what n.o.ble speeches she uttered, on man, on the nature of his feelings, on the end of his base pa.s.sions, and so forth. Of Dinah's three wors.h.i.+pers, Monsieur de Clagny only said to her: "I love you, come what may"--and Dinah accepted him as her confidant, lavished on him all the marks of friends.h.i.+p which women can devise for the Gurths who are ready thus to wear the collar of gilded slavery.

In Paris once more, Lousteau had, in a few weeks, lost the impression of the happy time he had spent at the Chateau d'Anzy. This is why: Lousteau lived by his pen.

In this century, especially since the triumph of the _bourgeoisie_--the commonplace, money-saving citizen--who takes good care not to imitate Francis I. or Louis XIV.--to live by the pen is a form of penal servitude to which a galley-slave would prefer death. To live by the pen means to create--to create to-day, and to-morrow, and incessantly--or to seem to create; and the imitation costs as dear as the reality. So, besides his daily contribution to a newspaper, which was like the stone of Sisyphus, and which came every Monday, cras.h.i.+ng down on to the feather of his pen, Etienne worked for three or four literary magazines.

Still, do not be alarmed; he put no artistic conscientiousness into his work. This man of Sancerre had a facility, a carelessness, if you call it so, which ranked him with those writers who are mere scriveners, literary hacks. In Paris, in our day, hack-work cuts a man off from every pretension to a literary position. When he can do no more, or no longer cares for advancement, the man who can write becomes a journalist and a hack.

The life he leads is not unpleasing. Blue-stockings, beginners in every walk of life, actresses at the outset or the close of a career, publishers and authors, all make much of these writers of the ready pen. Lousteau, a thorough man about town, lived at scarcely any expense beyond paying his rent. He had boxes at all the theatres; the sale of the books he reviewed or left unreviewed paid for his gloves; and he would say to those authors who published at their own expense, "I have your book always in my hands!" He took toll from vanity in the form of drawings or pictures. Every day had its engagements to dinner, every night its theatre, every morning was filled up with callers, visits, and lounging. His serial in the paper, two novels a year for weekly magazines, and his miscellaneous articles were the tax he paid for this easy-going life. And yet, to reach this position, Etienne had struggled for ten years.

At the present time, known to the literary world, liked for the good or the mischief he did with equally facile good humor, he let himself float with the stream, never caring for the future. He ruled a little set of newcomers, he had friends.h.i.+ps--or rather, habits of fifteen years'

standing, and men with whom he supped, and dined, and indulged his wit.

He earned from seven to eight hundred francs a month, a sum which he found quite insufficient for the prodigality peculiar to the impecunious. Indeed, Lousteau found himself now just as hard up as when, on first appearing in Paris, he had said to himself, "If I had but five hundred francs a month, I should be rich!"

The cause of this phenomenon was as follows: Lousteau lived in the Rue des Martyrs in pretty ground-floor rooms with a garden, and splendidly furnished. When he settled there in 1833 he had come to an agreement with an upholsterer that kept his pocket money low for a long time.

These rooms were let for twelve hundred francs. The months of January, April, July, and October were, as he phrased it, his indigent months.

The rent and the porter's account cleaned him out. Lousteau took no fewer hackney cabs, spend a hundred francs in breakfasts all the same, smoked thirty francs' worth of cigars, and could never refuse the mistress of a day a dinner or a new dress. He thus dipped so deeply into the fluctuating earnings of the following months, that he could no more find a hundred francs on his chimney-piece now, when he was making seven or eight hundred francs a month, than he could in 1822, when he was hardly getting two hundred.

Tired, sometimes, by the incessant vicissitudes of a literary life, and as much bored by amus.e.m.e.nt as a courtesan, Lousteau would get out of the tideway and sit on the bank, and say to one and another of his intimate allies--Nathan or Bixiou, as they sat smoking in his sc.r.a.p of garden, looking out on an evergreen lawn as big as a dinner-table: