Lives of Poor Boys Who Became Famous Part 16

Again the whole North rejoiced over this victory. Sheridan was made a major-general in the regular army "for the personal gallantry, military skill and just confidence in the courage and gallantry of your troops displayed by you on the 19th day of October at Cedar Run," said Lincoln, "whereby, under the blessing of Providence, your routed army was reorganized, a great national disaster averted, and a brilliant victory achieved over the rebels for the third time in pitched battle within thirty days." General Grant wrote from City Point, "Turning what bid fair to be a disaster into a glorious victory stamps Sheridan what I always thought him, one of the ablest of generals."

Well wrote Thomas Buchanan Read in that immortal poem, "Sheridan's Ride":--

"Hurrah! hurrah for Sheridan!

Hurrah! hurrah for horse and man!

And when their statues are placed on high, Under the dome of the Union sky, The American soldier's Temple of Fame, There with the glorious General's name, Be it said in letters both bold and bright, 'Here is the steed that saved the day, By carrying Sheridan into the fight From Winchester, twenty miles away!'"

The n.o.ble animal died in Chicago, October, 1878.

"In eleven weeks," says General Adam Badeau, "Sheridan had taken thirteen thousand prisoners, forty-nine battle flags, and sixty guns, besides recapturing eighteen cannon at Cedar Creek. He must besides have killed and wounded at least nine thousand men, so that he destroyed for the enemy twenty-two thousand soldiers."

And now the only work remaining was to join Grant at Richmond in his capture of Lee. He had pa.s.sed the winter near Winchester, and now having crossed the James River, April 1, 1865, was attacked by General Pickett at Five Forks. After a severe engagement about five thousand prisoners were taken by Sheridan, with thirteen colors and six guns. His magnetic influence over his men is shown by an incident narrated by General Badeau. "At the battle of Five Forks, a soldier, wounded under his eyes, stumbled and was falling to the rear, but Sheridan cried, 'Never mind, my man; there's no harm done!' and the soldier went on with a bullet in his brain, till he dropped dead on the field."

From here he pushed on to Appomattox Court House, where he headed Lee's army, and waited for Grant to come up. Richmond had surrendered to Grant on the morning of April 3. On the 7th of April Grant wrote to Lee, "The result of the last week must convince you of the hopelessness of further resistance on the part of the Army of Northern Virginia in this struggle. I feel that it is so, and regard it as my duty to s.h.i.+ft from myself the responsibility of any further effusion of blood, by asking you to surrender that portion of the Confederate States Army known as the Army of Northern Virginia." Lee replied, "Though not entertaining the opinion you express on the hopelessness of further resistance on the part of the Army of Northern Virginia, I reciprocate your desire to avoid useless effusion of blood, and therefore, before considering your proposition, ask the terms you will offer on condition of its surrender." The reply was the only one that could be given. "The terms upon which peace can be had are well understood. By the South laying down their arms they will hasten that most desirable event, save thousands of human lives, and hundreds of millions of property not yet destroyed."

At one o'clock, April 9, 1865, the two able generals met, and at four it was announced that the Army of Northern Virginia, with over twenty-eight thousand men, had surrendered to the Army of the Potomac. Memorable day!

that brought peace to a nation tired of the horrors of war. In July, Sheridan a.s.sumed command of the Military Division of the Gulf. Ten years later, June 3, 1875, when he was forty-four years old, he married Miss Irene Rucker, the daughter of General D. H. Rucker, for years his friend. She is a fine linguist, and a charming woman. Their home in Chicago has many souvenirs of war times, and tokens of appreciation from those who realize General Sheridan's great services to his country.

He was made Lieutenant-General, March 4, 1869, and when General Sherman retired from the position of Commander-in-Chief of the Army, Nov. 1, 1883, Sheridan moved to Was.h.i.+ngton, to take his place. The office of "Lieutenant-General" expires with General Sheridan, he being the last of our three great and famous generals,--Grant, Sherman, and Sheridan. In this latter city he has a home purchased by thirty-one of his leading friends from Chicago. He is devoted to his wife and children, honest, upright, and manly, and deserves the honors he has won.

General Sheridan was taken ill of heart disease about the middle of May, 1888. After three months, he died at Nonquitt, Ma.s.s., near the ocean, at twenty minutes past ten on the evening of August 5, 1888. He left a wife and four children, a girl of eight, a boy of six, and twin daughters of four. After lying in state at Was.h.i.+ngton, he was buried with military honors at Arlington Heights, on Sat.u.r.day, August 11, in the midst of universal sorrow.

THOMAS COLE.

Four of my favorite pictures from childhood have been Cole's "Voyage of Life." I have studied the tiny infant in the boat surrounded by roses, life's stream full of luxuriant vegetation; the happy, ambitious youth, looking eagerly forward to the Temple of Fame, steering the boat himself, with no need of aid from his guardian angel; then the worried and troubled man, his boat tossing and whirling among the broken trees and frightful storms that come to all; and lastly, perhaps most beautiful, the old man sailing peacefully into the ocean of eternity, the angel having returned to guide him, and the way to heaven being filled with celestial spirits. I have always hung these pictures near my writing-table, and their lesson has been a helpful and inspiring one.

No wonder that Thorwaldsen, the great sculptor, said when he looked upon them in Rome, "O great artist! what beauty of conception! what an admirable arrangement of parts! what an accurate study of nature! what truth of detail!" He told Cole that his work was entirely new and original, executed in a masterly manner, and he commended the harmony of color.

These pictures are hung in thousands of homes; but how few persons know the history of the artist! Born in England, Feb. 1, 1801, the only son in a family of eight children, and the youngest but one, we find him when a mere child, in some print-works, learning to engrave simple designs for calico. His father, a woolen manufacturer, had failed in business, and the family were thrown upon themselves for support. He was a kind and honest man, always hoping to succeed, but never succeeding; always trying new scenes to build up his fortune and never building it.

Like other fathers, especially those who have been disappointed in life, he had hopes that his boy would accomplish more than himself.

He wished to apprentice him to an attorney or to an iron manufacturer, but Thomas saw no pleasure in Blackstone, or in handling ponderous iron.

A boy of tender feelings, he found little companions.h.i.+p with his fellow-operatives, most of whom were rough; and he enjoyed most an old Scotchman who could repeat ballads, and tell of the beautiful hills and lakes of his native land. When he had leisure, he wandered with his sister Sarah into the surrounding country; and while she sang, he accompanied her with his flute.

With little opportunity for school, he was a great reader; and when through with designs for calico for the day, he buried himself in books, especially about foreign countries, and in imagination clambered over high mountains, and sailed upon broad rivers. He talked much to the family of the wonders of the New World; and when he was eighteen, they all sailed for America. The father rented a little house and shop in Philadelphia, and began to sell the small stock of dry-goods which he had brought with him, while Thomas found work with a person who supplied woodcuts for printers.

The father soon became dissatisfied with his prospects, and moved his family to Steubenville, Ohio, where he hoped to find a land flowing with milk and honey. Thomas remained behind, working on some ill.u.s.trations for Bunyan's "Holy War," keeping up his spirits with his beloved flute; going to Steubenville the next year, walking almost the entire way from Philadelphia.

Here he worked in his father's small manufactory of paper-hangings; yet he had longings to do some great work in the world, as he wandered alone in the wild and charming scenery. He loved music, architecture, and pictures, but he hardly dared breathe his aspirations save in a few verses of poetry. How in that quiet home a boy should be born who had desires to win renown was a mystery. n.o.body knows whence the perilous but blessed gift of ambition comes.

About this time a portrait-painter by the name of Stein came to the village. He took an interest in the poetic boy, and loaned him an English ill.u.s.trated work on painting. Thomas had already acquired some skill in drawing. Now his heart was on fire as he read about Raphael, Claude Lorraine, and t.i.tian, and he resolved to make painting his life-work. How little he knew of the obstacles before a poor artist!

He set to work to make his own brushes, obtaining his colors from a chair-maker. His easel and palette were of his own crude manufacture.

The father had serious misgivings for his son; but his mother encouraged him to persevere in whatever his genius seemed to lie. As a rule, women discover genius sooner than men, and good Mary Cole had seen that there was something uncommon in her boy. His brushes ready, putting his scanty wearing apparel and his flute in a green baize bag, hung over his shoulder, the youth of twenty-one started for St. Clairsville, thirty miles distant, to begin life as a painter. He broke through the ice in crossing a stream, and, wet to his breast, arrived at the town, only to find that a German had just been there, and had painted all the portraits which were desired.

However, a saddler was found who was willing to be painted, and after five days of work from morning till night, the young artist received a new saddle as pay. A military officer gave him an old silver watch for a portrait, and a dapper tradesman a chain and key, which proved to be copper instead of gold. For some other work he received a pair of shoes and a dollar. All these, except the dollar, he was obliged to give to his landlord for board, the man being dissatisfied even with this bargain.

From here Thomas walked one hundred miles to Zanesville, and to his great sorrow, found that the German had preceded him here also, and painted the tavern-keeper and his family. The landlord intimated that a historical picture would be taken in payment for the young stranger's board. Accordingly an impromptu studio was arranged. A few patrons came at long intervals; but it was soon evident that another field must be chosen. What, however, was young Cole's astonishment to find that the historical painting would not be received for board, and that if thirty-five dollars were not at once paid, he would be thrust into jail!

Two or three acquaintances became surety for the debt to the unprincipled landlord, and the pale, slender artist hastened toward Chillicothe with but a sixpence in his pocket.

After walking for three days, seventy-five miles, he sat down under a tree by the roadside, wellnigh discouraged, in the hot August day; but when the tears gathered in his eyes, he took out his flute, and playing a lively air, his courage returned. He had two letters of introduction in his pocket, given him at Zanesville, and these he would present, whispering to himself that he must "hold up his head like Michael Angelo" as he offered them. The men who received them had little time or wish to aid the young man. A few persons sat for their portraits, and a few took lessons in drawing; but after a time he had no money to pay for was.h.i.+ng his linen, and at last no linen even to be washed. Still enthusiastic over art, and with visions of Italy floating in his mind, yet penniless and footsore, he returned to Steubenville to tell his sorrows to his sympathetic mother. How her heart must have been moved as she looked upon her boy's pale face, and great blue eyes, and felt his eager desire for a place of honor in the world, but knew, alas! that she was powerless to aid him.

He took a plain room for a studio, painted some scenes for a society of amateur actors, and commenced two pictures,--Ruth gleaning in the field of Boaz, and the feast of Belshazzar. One Sunday, some vicious boys broke into the studio, mixed the paints, broke the brushes, and cut the paintings in pieces. Learning that the boys were poor, Cole could not bear to prosecute them; and the matter was dropped. He soon departed to Pittsburgh, whither his parents had moved, and began to a.s.sist his father in making floor-cloths. Every moment of leisure he was down by the banks of the Monongahela, carefully drawing tree, or cloud, or hill-top.

Finally the old longing became irresistible. He packed his little trunk, his mother threw over his shoulders the table cover, with her blessing and her tears; and with six dollars in his purse, he said good-bye to the family and started for Philadelphia. Then followed, as he used to say in after years, the "winter of his discontent." In a poor quarter of the city, in an upper room, without a bed or fire or furniture, struggled poor Thomas Cole. Timid, friendless, his only food a baker's roll and a pitcher of water, his only bedding at night the table cover, he worked day by day, now copying in the Academy, and now ornamenting bellows, brushes, or j.a.pan ware, with figures of birds or with flowers.

Sometimes he ran down a neighboring alley, whipping his hands about him to keep his blood in circulation, lest he be benumbed. He soon became the victim of inflammatory rheumatism, and was a great sufferer. He still saw before him, someway, somehow, renown. Meantime his pure, n.o.ble soul found solace in writing poetry and an occasional story for the "Sat.u.r.day Evening Post." After a year and a half he put his goods on a wheelbarrow, had them carried to the station, and started for New York, whither his family had moved.

He was now twenty-four. Life had been one continuous struggle. Still he loved each beauty in nature, and hoped for the good time to come. In his father's garret in Greenwich Street, in a room so narrow that he could scarcely work, and so poorly lighted that he was "perpetually fighting a kind of twilight," he labored for two years. Obstacles seemed but to increase his determination to persevere. Of such grand material are heroes made!

His first five pictures were placed for exhibition in the shop of an acquaintance, and were sold at eight dollars apiece. Through the courtesy of a gentleman who purchased three of these, he was enabled to go up the Hudson and sketch from nature among the Catskills. This was indeed a great blessing. On his return, he painted "A View of Fort Putnam," "Lake with dead trees," and "The Falls of the Caterskills."

These were purchased at twenty-five dollars apiece by three artists,--Trumbull, Dunlap, and Durand.

Trumbull first discovered the merits of the pictures, buying the "Falls"

for his studio, and invited Cole to meet Durand at his rooms. At the hour appointed the sensitive artist made his appearance, so timid that at first he could only reply to their cordial questioning by monosyllables. Colonel Trumbull said, "You surprise me, at your age, to paint like this. You have already done what I, with all my years and experience, am yet unable to do." Through the new friends, attention was called to his work, and he soon had abundant commissions. How his hungry heart must have fed on this appreciation! "From that time," said his friend, William Cullen Bryant, "he had a fixed reputation, and was numbered among the men of whom our country had reason to be proud. I well remember what an enthusiasm was awakened by these early works of his,--the delight which was expressed at the opportunity of contemplating pictures which carried the eye over scenes of wild grandeur peculiar to our country, over our arid mountain-tops with their mighty growth of forest never touched by the axe, along the banks of streams never deformed by culture, and into the depth of skies bright with the hues of our own climate; such skies as few but Cole could ever paint, and through the transparent abysses of which it seemed that you might send an arrow out of sight."

The struggles were not all over, but the "renown" of which the calico-designer had dreamed had actually come. Down in the heart of Mary Cole there must have been deep thanksgiving that she had urged him on.

He with a few others now founded the National Academy of Design. He took lodgings in the Catskills in the summer of 1826, and worked diligently.

He studied nature like a lover; now he sketched a peculiar sunset, now a wild storm, now an exquisite waterfall. "Why do not the younger landscape painters walk--walk alone, and endlessly?" he used to say.

"How I have walked, day after day, and all alone, to see if there was not something among the old things which was new!" He knew every chasm, every velvety bank, every dainty flower growing in some tanglewood for miles around. American scenery, with its untamed wilderness, lake, and mountain, was his chief pa.s.sion. He found no pleasure, however, in hunting or fis.h.i.+ng; for his kind heart could not bear to inflict the slightest injury.

The following spring he exhibited at the National Academy the "Garden of Eden and the Expulsion," rich in poetic conception; and in the fall sketched in the White Mountains, especially near North Conway, which the lamented Starr King loved so well. In the winter he was very happy, finis.h.i.+ng his "Chocorua Peak." A visitor said, "Your clouds, sir, appear to move."

"That," replied the artist, "is precisely the effect I desire."

He was now eager to visit Europe to study art; but first he must see Niagara, of which he made several sketches. He had learned the secret, that all poets and artists finally learn,--that they must identify themselves with some great event in history, something grand in nature, or some immortal name. Milton chose a sublime subject, Homer a great war, just as some one will make our civil war a famous epic two centuries hence.

In June, 1829, he sailed for Europe, and there, for two years, studied faithfully. In London, he saw much of Turner, of whom he said, "I consider him as one of the greatest landscape painters that ever lived, and his 'Temple of Jupiter' as fine as anything the world has produced.

In landscapes, my favorites are Claude Lorraine, and Gaspar Poussin."

Some of Cole's work was exhibited at the British Gallery, but the autumn coloring was generally condemned as false to nature! How little we know about that which we have not seen!

Paris he enjoyed greatly for its clear skies and sunny weather,--essentials usually to those of poetic temperament, though he was not over pleased with the Venuses and Psyches of modern French art.

For nine months he found the "galleries of Florence a paradise to a painter." He thought our skies more gorgeous than the Italian, though theirs have "a peculiar softness and beauty." At Rome, some of his friends said, "Cole works like a crazy man." He usually rose at five o'clock, worked till noon, taking an hour for eating and rest, and then sketched again till night.

There was a reason for this. The support of the family came upon him, besides the payment of debts incurred by his father.

He felt that every hour was precious. In Rome, he found the Pantheon "simple and grand"; the Apollo Belvidere "the most perfect of human productions," while the Venus de Medici has "the excellence of feminine form, dest.i.tute in a great measure of intellectual expression"; the "Transfiguration," "beautiful in color and chiaroscuro," and Michael Angelo's "Moses," "one of the things never to be forgotten."

On his return to New York he took rooms at the corner of Wall Street and Broadway. Here he won the friends.h.i.+p of Luman Reed, for whom he promised to paint pictures for one room, to cost five thousand dollars. The chief pictures for Mr. Reed, who died before their completion, were five, called "The Course of Empire," representing man in the different phases of savage life, high civilization, and ruin through sin, the idea coming to him while in Rome. Of this group, Cooper, the novelist, said, "I consider the 'Course of Empire' the work of the highest genius this country has ever produced, and one of the n.o.blest works of art that has ever been wrought."

In November, 1836, Mr. Cole was married to Maria Bartow, a young lady of refinement and loveliness of character. Soon after, both of his parents died. The "Departure and Return" were now painted, "among his n.o.blest works," says Bryant, followed by the "Voyage of Life," for Mr. Samuel Ward, who, like Mr. Reed, died before the set was finished. This series was sold in 1876 for three thousand one hundred dollars. These pictures he had worked upon with great care and intensity. He used to say, "Genius has but one wing, and, unless sustained on the other side by the well-regulated wing of a.s.siduity, will quickly fall to the ground. The artist must work always; his eye and mind can work even when his pen is idle. He must, like a magician, draw a circle round him, and exclude all intrusive spirits. And above all, if he would attain that serene atmosphere of mind in which float the highest conceptions of the soul in which the sublimest works have been produced, he must be possessed of a holy and reasonable faith."