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On Sunday, the day after this notice appeared, Alexander worked all day at his Tenth Street rooms. His business often called him to New York, and he had kept an apartment there for years, subletting it when he went abroad for any length of time. Besides his sleeping-room and bath, there was a large room, formerly a painter's studio, which he used as a study and office. It was furnished with the cast-off possessions of his bachelor days and with odd things which he sheltered for friends of his who followed itinerant and more or less artistic callings. Over the fireplace there was a large old-fas.h.i.+oned gilt mirror. Alexander's big work-table stood in front of one of the three windows, and above the couch hung the one picture in the room, a big canvas of charming color and spirit, a study of the Luxembourg Gardens in early spring, painted in his youth by a man who had since become a portrait-painter of international renown. He had done it for Alexander when they were students together in Paris.
Sunday was a cold, raw day and a fine rain fell continuously. When Alexander came back from dinner he put more wood on his fire, made himself comfortable, and settled down at his desk, where he began checking over estimate sheets. It was after nine o'clock and he was lighting a second pipe, when he thought he heard a sound at his door.
He started and listened, holding the burning match in his hand; again he heard the same sound, like a firm, light tap. He rose and crossed the room quickly. When he threw open the door he recognized the figure that shrank back into the bare, dimly lit hallway. He stood for a moment in awkward constraint, his pipe in his hand.
"Come in," he said to Hilda at last, and closed the door behind her. He pointed to a chair by the fire and went back to his worktable. "Won't you sit down?"
He was standing behind the table, turning over a pile of blueprints nervously. The yellow light from the student's lamp fell on his hands and the purple sleeves of his velvet smoking-jacket, but his flushed face and big, hard head were in the shadow. There was something about him that made Hilda wish herself at her hotel again, in the street below, anywhere but where she was.
"Of course I know, Bartley," she said at last, "that after this you won't owe me the least consideration. But we sail on Tuesday. I saw that interview in the paper yesterday, telling where you were, and I thought I had to see you. That's all. Good-night; I'm going now." She turned and her hand closed on the door-k.n.o.b.
Alexander hurried toward her and took her gently by the arm. "Sit down, Hilda; you're wet through. Let me take off your coat--and your boots; they're oozing water." He knelt down and began to unlace her shoes, while Hilda shrank into the chair. "Here, put your feet on this stool.
You don't mean to say you walked down--and without overshoes!"
Hilda hid her face in her hands. "I was afraid to take a cab. Can't you see, Bartley, that I'm terribly frightened? I've been through this a hundred times to-day. Don't be any more angry than you can help. I was all right until I knew you were in town. If you'd sent me a note, or telephoned me, or anything! But you won't let me write to you, and I had to see you after that letter, that terrible letter you wrote me when you got home."
Alexander faced her, resting his arm on the mantel behind him, and began to brush the sleeve of his jacket. "Is this the way you mean to answer it, Hilda?" he asked unsteadily.
She was afraid to look up at him. "Didn't--didn't you mean even to say goodby to me, Bartley? Did you mean just to--quit me?" she asked. "I came to tell you that I'm willing to do as you asked me. But it's no use talking about that now. Give me my things, please." She put her hand out toward the fender.
Alexander sat down on the arm of her chair. "Did you think I had forgotten you were in town, Hilda? Do you think I kept away by accident?
Did you suppose I didn't know you were sailing on Tuesday? There is a letter for you there, in my desk drawer. It was to have reached you on the steamer. I was all the morning writing it. I told myself that if I were really thinking of you, and not of myself, a letter would be better than nothing. Marks on paper mean something to you." He paused. "They never did to me."
Hilda smiled up at him beautifully and put her hand on his sleeve. "Oh, Bartley! Did you write to me? Why didn't you telephone me to let me know that you had? Then I wouldn't have come."
Alexander slipped his arm about her. "I didn't know it before, Hilda, on my honor I didn't, but I believe it was because, deep down in me somewhere, I was hoping I might drive you to do just this. I've watched that door all day. I've jumped up if the fire crackled. I think I have felt that you were coming." He bent his face over her hair.
"And I," she whispered,--"I felt that you were feeling that. But when I came, I thought I had been mistaken."
Alexander started up and began to walk up and down the room.
"No, you weren't mistaken. I've been up in Canada with my bridge, and I arranged not to come to New York until after you had gone. Then, when your manager added two more weeks, I was already committed." He dropped upon the stool in front of her and sat with his hands hanging between his knees. "What am I to do, Hilda?"
"That's what I wanted to see you about, Bartley. I'm going to do what you asked me to do when you were in London. Only I'll do it more completely. I'm going to marry."
"Who?"
"Oh, it doesn't matter much! One of them. Only not Mac. I'm too fond of him."
Alexander moved restlessly. "Are you joking, Hilda?"
"Indeed I'm not."
"Then you don't know what you're talking about."
"Yes, I know very well. I've thought about it a great deal, and I've quite decided. I never used to understand how women did things like that, but I know now. It's because they can't be at the mercy of the man they love any longer."
Alexander flushed angrily. "So it's better to be at the mercy of a man you don't love?"
"Under such circ.u.mstances, infinitely!"
There was a flash in her eyes that made Alexander's fall. He got up and went over to the window, threw it open, and leaned out. He heard Hilda moving about behind him. When he looked over his shoulder she was lacing her boots. He went back and stood over her.
"Hilda you'd better think a while longer before you do that. I don't know what I ought to say, but I don't believe you'd be happy; truly I don't. Aren't you trying to frighten me?"
She tied the knot of the last lacing and put her boot-heel down firmly.
"No; I'm telling you what I've made up my mind to do. I suppose I would better do it without telling you. But afterward I shan't have an opportunity to explain, for I shan't be seeing you again."
Alexander started to speak, but caught himself. When Hilda rose he sat down on the arm of her chair and drew her back into it.
"I wouldn't be so much alarmed if I didn't know how utterly reckless you CAN be. Don't do anything like that rashly." His face grew troubled.
"You wouldn't be happy. You are not that kind of woman. I'd never have another hour's peace if I helped to make you do a thing like that." He took her face between his hands and looked down into it. "You see, you are different, Hilda. Don't you know you are?" His voice grew softer, his touch more and more tender. "Some women can do that sort of thing, but you--you can love as queens did, in the old time."
Hilda had heard that soft, deep tone in his voice only once before. She closed her eyes; her lips and eyelids trembled. "Only one, Bartley. Only one. And he threw it back at me a second time."
She felt the strength leap in the arms that held her so lightly.
"Try him again, Hilda. Try him once again."
She looked up into his eyes, and hid her face in her hands.
CHAPTER X
On Tuesday afternoon a Boston lawyer, who had been trying a case in Vermont, was standing on the siding at White River Junction when the Canadian Express pulled by on its northward journey. As the day-coaches at the rear end of the long train swept by him, the lawyer noticed at one of the windows a man's head, with thick rumpled hair. "Curious," he thought; "that looked like Alexander, but what would he be doing back there in the daycoaches?"
It was, indeed, Alexander.
That morning a telegram from Moorlock had reached him, telling him that there was serious trouble with the bridge and that he was needed there at once, so he had caught the first train out of New York. He had taken a seat in a day-coach to avoid the risk of meeting any one he knew, and because he did not wish to be comfortable. When the telegram arrived, Alexander was at his rooms on Tenth Street, packing his bag to go to Boston. On Monday night he had written a long letter to his wife, but when morning came he was afraid to send it, and the letter was still in his pocket. Winifred was not a woman who could bear disappointment. She demanded a great deal of herself and of the people she loved; and she never failed herself. If he told her now, he knew, it would be irretrievable. There would be no going back. He would lose the thing he valued most in the world; he would be destroying himself and his own happiness. There would be nothing for him afterward. He seemed to see himself dragging out a restless existence on the Continent--Cannes, Hyeres, Algiers, Cairo--among smartly dressed, disabled men of every nationality; forever going on journeys that led nowhere; hurrying to catch trains that he might just as well miss; getting up in the morning with a great bustle and splas.h.i.+ng of water, to begin a day that had no purpose and no meaning; dining late to shorten the night, sleeping late to shorten the day.
And for what? For a mere folly, a masquerade, a little thing that he could not let go. AND HE COULD EVEN LET IT GO, he told himself. But he had promised to be in London at mid-summer, and he knew that he would go. . . . It was impossible to live like this any longer.
And this, then, was to be the disaster that his old professor had foreseen for him: the crack in the wall, the crash, the cloud of dust.
And he could not understand how it had come about. He felt that he himself was unchanged, that he was still there, the same man he had been five years ago, and that he was sitting stupidly by and letting some resolute offshoot of himself spoil his life for him. This new force was not he, it was but a part of him. He would not even admit that it was stronger than he; but it was more active. It was by its energy that this new feeling got the better of him. His wife was the woman who had made his life, gratified his pride, given direction to his tastes and habits.
The life they led together seemed to him beautiful. Winifred still was, as she had always been, Romance for him, and whenever he was deeply stirred he turned to her. When the grandeur and beauty of the world challenged him--as it challenges even the most self-absorbed people--he always answered with her name. That was his reply to the question put by the mountains and the stars; to all the spiritual aspects of life.
In his feeling for his wife there was all the tenderness, all the pride, all the devotion of which he was capable. There was everything but energy; the energy of youth which must register itself and cut its name before it pa.s.ses. This new feeling was so fresh, so unsatisfied and light of foot. It ran and was not wearied, antic.i.p.ated him everywhere.
It put a girdle round the earth while he was going from New York to Moorlock. At this moment, it was tingling through him, exultant, and live as quicksilver, whispering, "In July you will be in England."
Already he dreaded the long, empty days at sea, the monotonous Irish coast, the sluggish pa.s.sage up the Mersey, the flash of the boat train through the summer country. He closed his eyes and gave himself up to the feeling of rapid motion and to swift, terrifying thoughts. He was sitting so, his face shaded by his hand, when the Boston lawyer saw him from the siding at White River Junction.
When at last Alexander roused himself, the afternoon had waned to sunset. The train was pa.s.sing through a gray country and the sky overhead was flushed with a wide flood of clear color. There was a rose-colored light over the gray rocks and hills and meadows. Off to the left, under the approach of a weather-stained wooden bridge, a group of boys were sitting around a little fire. The smell of the wood smoke blew in at the window. Except for an old farmer, jogging along the highroad in his box-wagon, there was not another living creature to be seen.
Alexander looked back wistfully at the boys, camped on the edge of a little marsh, crouching under their shelter and looking gravely at their fire. They took his mind back a long way, to a campfire on a sandbar in a Western river, and he wished he could go back and sit down with them.
He could remember exactly how the world had looked then.
It was quite dark and Alexander was still thinking of the boys, when it occurred to him that the train must be nearing Allway. In going to his new bridge at Moorlock he had always to pa.s.s through Allway. The train stopped at Allway Mills, then wound two miles up the river, and then the hollow sound under his feet told Bartley that he was on his first bridge again. The bridge seemed longer than it had ever seemed before, and he was glad when he felt the beat of the wheels on the solid roadbed again.
He did not like coming and going across that bridge, or remembering the man who built it. And was he, indeed, the same man who used to walk that bridge at night, promising such things to himself and to the stars? And yet, he could remember it all so well: the quiet hills sleeping in the moonlight, the slender skeleton of the bridge reaching out into the river, and up yonder, alone on the hill, the big white house; upstairs, in Winifred's window, the light that told him she was still awake and still thinking of him. And after the light went out he walked alone, taking the heavens into his confidence, unable to tear himself away from the white magic of the night, unwilling to sleep because longing was so sweet to him, and because, for the first time since first the hills were hung with moonlight, there was a lover in the world. And always there was the sound of the rus.h.i.+ng water underneath, the sound which, more than anything else, meant death; the wearing away of things under the impact of physical forces which men could direct but never circ.u.mvent or diminish. Then, in the exaltation of love, more than ever it seemed to him to mean death, the only other thing as strong as love. Under the moon, under the cold, splendid stars, there were only those two things awake and sleepless; death and love, the rus.h.i.+ng river and his burning heart.