The Poetical Works of William Collins; With a Memoir Part 1

The Poetical Works of William Collins.

by William Collins.

MEMOIR OF COLLINS.

"A Bard, Who touched the tenderest notes of Pity's lyre."

HAYLEY.

No one can have reflected on the history of genius without being impressed with a melancholy feeling at the obscurity in which the lives of the poets of our country are, with few exceptions, involved. That they lived, and wrote, and died, comprises nearly all that is known of many, and, of others, the few facts which are preserved are often records of privations, or sufferings, or errors. The cause of the lamentable deficiency of materials for literary biography may, without difficulty, be explained. The lives of authors are seldom marked by events of an unusual character; and they rarely leave behind them the most interesting work a writer could compose, and which would embrace nearly all the important facts in his career, a "History of his Books,"

containing the motives which produced them, the various incidents respecting their progress, and a faithful account of the bitter disappointment, whether the object was fame or profit, or both, which, in most instances, is the result of his labours. Various motives deter men from writing such a volume; for, though quacks and charlatans readily become auto-biographers, and fill their prefaces with their personal concerns, real merit shrinks from such disgusting egotism, and, flying to the opposite extreme, leaves no authentic notice of their struggles, its hopes, or its disappointments. Nor is the history of writers to be expected from their contemporaries; because few will venture to antic.i.p.ate the judgment of posterity, and mankind are usually so isolated in self, and so jealous of others, that neither time nor inclination admits of their becoming the Boswells of all those whose productions excite admiration.

If these remarks be true, surprise cannot be felt, though there is abundance of cause for regret, that little is known of a poet whose merits were not appreciated until after his decease: whose powers were destroyed by a distressing malady at a period of life when literary exertions begin to be rewarded and stimulated by popular applause.

For the facts contained in the following Memoir of Collins, the author is indebted to the researches of others, as his own, which were very extensive, were rewarded by trifling discoveries. Dr. Johnson's Life is well known; but the praise of collecting every particular which industry and zeal could glean belongs to the Rev. Alexander Dyce, the result of whose inquiries may be found in his notes to Johnson's Memoir, prefixed to an edition of Collins's works which he lately edited. Those notices are now, for the first time, wove into a Memoir of Collins; and in leaving it to another to erect a fabric out of the materials which he has collected instead of being himself the architect, Mr. Dyce has evinced a degree of modesty which those who know him must greatly lament.

WILLIAM COLLINS was born at Chichester, on the 25th of December, 1721, and was baptized in the parish church of St. Peter the Great, alias Subdeanery in that city, on the first of the following January. He was the son of William Collins, who was then the Mayor of Chichester, where he exercised the trade of a hatter, and lived in a respectable manner.

His mother was Elizabeth, the sister of a Colonel Martyn, to whose bounty the poet was deeply indebted.

Being destined for the church, young Collins was admitted a scholar of Winchester College on the 19th of January, 1733, where he was educated by Dr. Burton; and in 1740 he stood first on the list of scholars who were to be received at New College. No vacancy, however, occurred, and the circ.u.mstance is said by Johnson to have been the original misfortune of his life. He became a commoner of Queen's,[1] whence, on the 29th of July, 1741, he was elected a demy of Magdalen College. During his stay at Queen's he was distinguished for genius and indolence, and the few exercises which he could be induced to write bear evident marks of both qualities. He continued at Oxford until he took his bachelor's degree, and then suddenly left the University, his motive, as he alleged, being that he missed a fellows.h.i.+p, for which he offered himself; but it has been a.s.signed to his disgust at the dulness of a college life, and to his being involved in debt.

On arriving in London, which was either in 1743 or 1744, he became, says Johnson, "a literary adventurer, with many projects in his head and very little money in his pocket." Collins was not without some reputation as an author when he proposed to adopt the most uncertain and deplorable of all professions, that of literature, for a subsistence. Whilst at Winchester school he wrote his Eclogues, and had appeared before the public in some verses addressed to a lady weeping at her sister's marriage, which were printed in the Gentleman's Magazine, Oct. 1739, when Collins was in his eighteenth year. In January, 1742, he published his Eclogues, under the t.i.tle of "Persian Eclogues;"[2] and, in December, 1743, his "Verses to Sir Thomas Hanmer on his Edition of Shakespeare," appeared. To neither did he affix his name, but the latter was said to be by "a Gentleman of Oxford."

From the time he settled in London, his mind was more occupied with literary projects than with steady application; nor had poesy, for which Nature peculiarly designed him, sufficient attractions to chain his wavering disposition. It is not certain whether his irresolution arose from the annoyance of importunate debtors, or from an original infirmity of mind, or from these causes united. A popular writer[3] has defended Collins from the charge of irresolution, on the ground that it was but "the vacillations of a mind broken and confounded;" and he urges, that "he had exercised too constantly the highest faculties of fiction, and precipitated himself into the dreariness of real life." But this explanation does not account for the want of steadiness which prevented Collins from accomplis.h.i.+ng the objects he meditated. His mind was neither "broken nor confounded," nor had he experienced the bitter pangs of neglect, when with the buoyancy of hope, and a full confidence in his extraordinary powers, he threw himself on the town, at the age of twenty-three, intending to live by the exercise of his talents; but his indecision was then as apparent as at any subsequent period, so that, in truth, the effect preceded the cause to which it has been a.s.signed.

Mankind are becoming too much accustomed to witness splendid talents and great firmness of mind united in the same person to partake the mistaken sympathy which so many writers evince for the follies or vices of genius; nor will it much longer tolerate the opinion, that the possession of the finest imagination, or the highest poetic capacity, must necessarily be accompanied by eccentricity. It may, indeed, be difficult to convert a poetical temperament into a merchant, or to make the man who is destined to delight or astonish mankind by his conceptions, sit quietly over a ledger; but the transition from poetry to the composition of such works as Collins planned is by no means unnatural, and the abandonment of his views respecting them must, in justice to his memory, be attributed to a different cause.

The most probable reason is, that these works were mere speculations to raise money, and that the idea was not encouraged by the booksellers; but if, as Johnson, who knew Collins well, a.s.serts, his character wanted decision and perseverance, these defects may have been const.i.tutional, and were, perhaps, the germs of the disease which too soon ripened into the most frightful of human calamities. Endued with a morbid sensibility, which was as ill calculated to court popularity as to bear neglect; and wanting that stoical indifference to the opinions of the many, which ought to render those who are conscious of the value of their productions satisfied with the approbation of the few; Collins was too impatient of applause, and too anxious to attain perfection, to be a voluminous writer. To plan much rather than to execute any thing; to commence to-day an ode, to-morrow a tragedy, and to turn on the following morning to a different subject, was the chief occupation of his life for several years, during which time he destroyed the princ.i.p.al part of the little that he wrote. To a man nearly pennyless, such a life must be attended by privations and danger; and he was in the hands of bailiffs, possibly not for the first time, very shortly before he became independent by the death of his maternal uncle, Colonel Martyn. The result proved that his want of firmness and perseverance was natural, and did not arise from the uncertainty or narrowness of his fortune; for being rescued from imprisonment, on the credit of a translation of Aristotle's Poetics, which he engaged to furnish a publisher, a work, it may be presumed, peculiarly suited to his genius, he no sooner found himself in the possession of money by the death of his relative, than he repaid the bookseller, and abandoned the translation for ever.

From the commencement of his career, Collins was, however, an object for sympathy instead of censure; and though few refuse their compa.s.sion to the confirmed lunatic, it is rare that the dreadful state of irresolution and misery, which sometimes exist for years before the fatal catastrophe, receives either pity or indulgence.

In 1747, Collins published his Odes, to the unrivaled splendour of a few of which he is alone indebted for his fame; but neither fame nor profit was the immediate result; and the author of the Ode on the Pa.s.sions had little reason to expect, from its reception by the public, that it was destined to live as long as the pa.s.sions themselves animate or distract the world.

It is uncertain at what time he undertook to publish a volume of Odes in conjunction with Joseph Warton, but the intention is placed beyond dispute by the following letter from Warton to his brother. It is without a date, but it must have been written before the publication of Collins's Odes in 1747, and before the appearance of Dodsley's Museum,[4] as it is evident the Ode to a Lady on the Death of Colonel Ross, which was inserted in that work, was not then in print.

"DEAR TOM,

"You will wonder to see my name in an advertis.e.m.e.nt next week, so I thought I would apprise you of it. The case was this. Collins met me in Surrey, at Guildford races, when I wrote out for him my odes, and he likewise communicated some of his to me; and being both in very high spirits, we took courage, resolved to join our forces, and to publish them immediately. I flatter myself that I shall lose no honor by this publication, because I believe these odes, as they now stand, are infinitely the best things I ever wrote. You will see a very pretty one of Collins's, on the Death of Colonel Ross before Tournay. It is addressed to a lady who was Ross's intimate acquaintance, and who, by the way, is Miss Bett G.o.ddard. Collins is not to publish the odes unless he gets ten guineas for them. I returned from Milford last night, where I left Collins with my mother and sister, and he sets out to-day for London. I must now tell you, that I have sent him your imitation of Horace's Blandusian Fountain, to be printed amongst ours, and which you shall own or not, as you think proper. I would not have done this without your consent, but because I think it very poetically and correctly done, and will get you honour. You will let me know what the Oxford critics say. Adieu, dear Tom,

"I am your most affectionate brother, "J. WARTON."

Like so many of Collins's projects this was not executed; but the reason of its failure is unknown.

On the death of Thomson, in August, 1748, Collins wrote an ode to his memory, which is no less remarkable for its beauty as a composition, than for its pathetic tenderness as a memorial of a friend.

The Poet's pecuniary difficulties were removed in 1749, by the death of his maternal uncle, Lieutenant-Colonel Edmund Martyn, who, after bequeathing legacies to some other relations, ordered the residue of his real and personal estate to be divided between his nephew William Collins, and his nieces Elizabeth and Anne Collins, and appointed the said Elizabeth his executrix, who proved her uncle's will on the 30th of May, 1749. Collins's share was, it is said, about two thousand pounds; and, as has been already observed, the money came most opportunely: a greater calamity even than poverty, however, shortly afterwards counterbalanced his good fortune; but the a.s.sertion of the writer in the Gentleman's Magazine, that his mental aberration arose from his having squandered this legacy, appears to be unfounded.

One, and but one, letter of Collins's has ever been printed; nor has a careful inquiry after others been successful. It is of peculiar interest, as it proves that he wrote an Ode on the Music of the Grecian Theatre, but which is unfortunately lost. The honour to which he alludes was the setting his Ode on the Pa.s.sions to music.

"TO DR. WILLIAM HAYES, PROFESSOR OF MUSIC, OXFORD.

"SIR,

"MR. BLACKSTONE of Winchester some time since informed me of the honour you had done me at Oxford last summer; for which I return you my sincere thanks. I have another more perfect copy of the ode; which, had I known your obliging design, I would have communicated to you. Inform me by a line, if you should think one of my better judgment acceptable. In such case I could send you one written on a n.o.bler subject; and which, though I have been persuaded to bring it forth in London, I think more calculated for an audience in the university. The subject is the Music of the Grecian Theatre; in which I have, I hope naturally, introduced the various characters with which the chorus was concerned, as dipus, Medea, Electra, Orestes, etc. etc. The composition too is probably more correct, as I have chosen the ancient tragedies for my models, and only copied the most affecting pa.s.sages in them.

"In the mean time, you would greatly oblige me by sending the score of the last. If you can get it written, I will readily answer the expense. If you send it with a copy or two of the ode (as printed at Oxford) to Mr. Clarke, at Winchester, he will forward it to me here. I am, Sir,

"With great respect, "Your obliged humble servant, "WILLIAM COLLINS.

"Chichester, Suss.e.x, November 8, 1750."

"P. S. Mr. Clarke past some days here while Mr. Worgan was with me; from whose friends.h.i.+p, I hope, he will receive some advantage."

Soon after this period, the disease which had long threatened to destroy Collins's intellects a.s.sumed a more decided character; but for some time the unhappy poet was the only person who was sensible of the approaching calamity. A visit to France was tried in vain; and when Johnson called upon him, on his return, an incident occurred which proves that Collins wisely sought for consolation against the coming wreck of his faculties, from a higher and more certain source than mere human aid. Johnson says, "he paid him a visit at Islington, where he was then waiting for his sister, whom he had directed to meet him: there was then nothing of disorder discernible in his mind by any but himself; but he had withdrawn from study, and travelled with no other book than an English Testament, such as children carry to the school: when his friend took it into his hand, out of curiosity to see what companion a man of letters had chosen, 'I have but one book,' said Collins, 'but that is the best.'"

To this circ.u.mstance Hayley beautifully alludes in his epitaph on him:

He, "in reviving reason's lucid hours, Sought on _one_ book his troubled mind to rest, And rightly deem'd the Book of G.o.d the best."

A journey to Bath proved as useless as the one to France; and in 1754, he went to Oxford for change of air and amus.e.m.e.nt, where he stayed a month. It was on this occasion that a friend, whose account of him will be given at length, saw him in a distressing state of restraint under the walls of Merton College. From the paucity of information respecting Collins, the following letters are extremely valuable; and though the statements are those of his friends, they may be received without suspicion of partiality, because they are free from the high colouring by which friends.h.i.+p sometimes perverts truth.

The first of the letters in question was printed in the Gentleman's Magazine:

"Jan. 20, 1781.

"MR. URBAN,

"WILLIAM COLLINS, the poet, I was intimately acquainted with, from the time that he came to reside at Oxford. He was the son of a tradesman in the city of Chichester, I think a hatter; and being sent very young to Winchester school, was soon distinguished for his early proficiency, and his turn for elegant composition. About the year 1740, he came off from that seminary first upon roll,[5]

and was entered a commoner of Queen's college. There, no vacancy offering for New College, he remained a year or two, and then was chosen demy of Magdalen college; where, I think, he took a degree.

As he brought with him, for so the whole turn of his conversation discovered, too high an opinion of his school acquisitions, and a sovereign contempt for all academic studies and discipline, he never looked with any complacency on his situation in the university, but was always complaining of the dulness of a college life. In short, he threw up his demys.h.i.+p, and, going to London, commenced a man of the town, spending his time in all the dissipation of Ranelagh, Vauxhall, and the playhouses; and was romantic enough to suppose that his superior abilities would draw the attention of the great world, by means of whom he was to make his fortune.

"In this pleasurable way of life he soon wasted his little property, and a considerable legacy left him by a maternal uncle, a colonel in the army, to whom the nephew made a visit in Flanders during the war. While on his tour he wrote several entertaining letters to his Oxford friends, some of which I saw.

In London I met him often, and remember he lodged in a little house with a Miss Bundy, at the corner of King's-square-court, Soho, now a warehouse, for a long time together. When poverty overtook him, poor man, he had too much sensibility of temper to bear with misfortunes, and so fell into a most deplorable state of mind. How he got down to Oxford, I do not know; but I myself saw him under Merton wall, in a very affecting situation, struggling, and conveyed by force, in the arms of two or three men, towards the parish of St. Clement, in which was a house that took in such unhappy objects: and I always understood, that not long after he died in confinement; but when, or where, or where he was buried, I never knew.

"Thus was lost to the world this unfortunate person, in the prime of life, without availing himself of fine abilities, which, properly improved, must have raised him to the top of any profession, and have rendered him a blessing to his friends, and an ornament to his country.

"Without books, or steadiness and resolution to consult them if he had been possessed of any, he was always planning schemes for elaborate publications, which were carried no further than the drawing up proposals for subscriptions, some of which were published; and in particular, as far as I remember, one for 'a History of the Darker Ages.'

"He was pa.s.sionately fond of music; good-natured and affable; warm in his friends.h.i.+ps, and visionary in his pursuits; and, as long as I knew him, very temperate in his eating and drinking. He was of moderate stature, of a light and clear complexion, with gray eyes, so very weak at times as hardly to bear a candle in the room; and often raising within him apprehensions of blindness.

"With an anecdote respecting him, while he was at Magdalen College, I shall close my letter. It happened one afternoon, at a tea visit, that several intelligent friends were a.s.sembled at his rooms to enjoy each other's conversation, when in comes a member of a certain college,[6] as remarkable at that time for his brutal disposition as for his good scholars.h.i.+p; who, though he met with a circle of the most peaceable people in the world, was determined to quarrel; and, though no man said a word, lifted up his foot and kicked the tea-table, and all its contents, to the other side of the room. Our poet, though of a warm temper, was so confounded at the unexpected downfall, and so astonished at the unmerited insult, that he took no notice of the aggressor, but getting up from his chair calmly, he began picking up the slices of bread and b.u.t.ter, and the fragments of his china, repeating very mildly,

Invenias etiam disjecti membra poetae.

"I am your very humble servant, "V."