Trail's End Part 6

"I'm afraid I wouldn't care to hitch up with Mr. Craddock in the regeneration of Ascalon," Morgan said. "We'd pull so hard in opposite directions we'd break the harness."

Judge Thayer expressed his regret while he slipped on his black alpaca coat, asking Morgan to wait until he locked his door, when he would walk with him as far as the hotel corner. On the way they met a young man who came bowling along with a great air of importance and self-a.s.surance, a fresh cigar tilted up in his mouth to such an angle that it threatened the brim of his large white hat.

Judge Thayer introduced this man as Dell Hutton, county treasurer.

Hutton wrung Morgan's hand with ardent grip, as if he welcomed him into the brotherhood of the elect in Ascalon, speaking out of the corner of his mouth around his cigar. He was a thin-mouthed man of twenty-five, or perhaps a year or two older, with a shrunken weazenness about his face that made him look like a very old man done over, and but poorly renovated. His eyes were pale, with shadows in them as of inquiry and distrust; his stature was short, his frame slight.

Hutton seemed to be deeply, even pa.s.sionately, interested in the venture Morgan had come to make in that country. He offered his services in any exigency where they might be applied, shaking hands again with hard grip, accompanied by a wrinkling of his thin mouth about his cigar as he clamped his jaws in the fervor of his earnestness. But he appeared to be under a great pressure to go his way, his eyes controverting the sincerity of his words the while.

"He's rather a young man to be filling such a responsible position,"

Morgan ventured as they resumed their way.

"Dell wasn't elected to the office," Judge Thayer explained. "He's filling out his father's term."

"Did he--die?" Morgan inquired, marveling over the mortality among the notables of the town.

"He was a victim of this feud in the rivalry for the county seat," Judge Thayer explained, with sadness. "It was due to Hutton, more than any other force, that we didn't lose the county seat at the last election--he kept the cattlemen lined up, was a power among them, followed that business a long time himself. Yes. He was the first man that ever drove a herd of cattle from Texas to load for market when this railroad was put through. Some of those skulkers from Glenmore shot him down at his door two months after he took office."

"I thought the boy looked like he'd been trained on the range," Morgan said, thoughtfully.

"Yes, Dell was raised in the saddle, drove several trips from Texas up here. Dell"--softly, a little sorrowfully, Morgan thought--"was the other princ.i.p.al in that affair with our late editor."

"Oh, I see. He was exonerated?"

"Clear case of self-defense, proved that Smith--the editor was Smith--reached for his gun first."

Morgan did not comment, but he thought that this seemed a thing easily proved in Ascalon. He parted from the judge at the bank corner, which was across the way from the hotel.

The shadow of the hotel fell far into the public square, and in front of the building, their chairs placed in what would have been the gutter of the street if the thoroughfare had been paved, their feet braced with probably more comfort than grace against the low sidewalk, a row of men was stationed, like crows on a fence. There must have been twenty or more of them, in various stages of undress from vest down to suspenders, from bright cravats flaunting over woolen s.h.i.+rts and white s.h.i.+rts, and striped s.h.i.+rts and speckled s.h.i.+rts, to unconfined necks laid bare to the breeze.

Whether these were guests waiting supper, or merely loafers waiting anything that might happen next, Morgan had not been long enough in town to determine. He noticed the curious and, he thought, unfriendly eyes which they turned on him as he approached. And as Morgan set foot on the sidewalk porch of the hotel, Seth Craddock, the new city marshal, rose out of the third chair on the end of the row nearest him, hand lifted in commanding signal to halt.

"You've just got time to git your gripsack," Craddock said, coming forward as he spoke, but stopping a little to one side as if to allow Morgan pa.s.sage to the door.

"Time's no object to me," Morgan returned, good-humored and undisturbed, thinking this must be one of the jokes at the expense of strangers for which Ascalon was famous.

Some of the loafers were standing by their chairs in att.i.tude of indecision, others sat leaning forward to see and hear. Traffic both ways on the sidewalk came to a sudden halt at the spectacle of two men in a situation recognized at a glance in quick-triggered Ascalon as significant, those who came up behind Morgan clearing the way by edging from the sidewalk into the square.

"The train'll be here in twelve minutes," Craddock announced, watch in his palm.

"On time, is she?" Morgan said indifferently, starting for the door.

Again Seth Craddock lifted his hand. Those who had remained seated along the gutter perch up to this moment now got to their feet with such haste that chairs were upset. Craddock put his hand casually to his pistol, as a man rests his hand on his hip.

"You're leavin' on it," he said.

"I guess you've got the wrong man," Morgan suggested, noting everything with comprehensive eye, not a little concerned by the marshal's threatening att.i.tude. If this were going to turn out a joke, Morgan wished it might begin very soon to show some of its risible features on the surface, in order that he might know which way to jump to make the best figure possible.

"No, I ain't got no wrong man!" Craddock returned, making mockery of the words, uttering them jeeringly out of the corner of his mouth. He blasted Morgan with the glare of his malevolent red eyes, redder now than before his weapon had moistened the street of Ascalon with blood.

"You're the feller that's been shootin' off your mouth about murder in the name of the law, and you bein' able to take his gun away from that feller. Well, kid, I'm afraid it's goin' to be a little too rough for you in this town. You're leavin'--you won't have time to git your gripsack now, you can write for it!"

Morgan felt the blood flaming into his face with the hot swell of anger.

A moment he stood eye to eye with Craddock, fighting down the defiance that rose for utterance to his lips. Then he started again toward the hotel door.

Craddock whipped out his pistol with arm so swift that the eye multiplied it like a spoke in a quick-spinning wheel. He stood holding the weapon so, his wrist rather limber, the muzzle of the pistol pointing in the general direction of Morgan's feet.

"Maybe you can take a gun away from me, little feller?" Craddock challenged in high mockery, one nostril of his long nose twitching, lifting his mustache on that side in a snarl.

"Don't point that gun at me, Craddock!" Morgan warned, his voice unshaken and cool, although the surge of his heart made his seasoned body vibrate to the finger tips.

"Scratch gravel for the depot!" Craddock commanded, lowering the muzzle of his gun as if he intended to hasten the going by a shot between the offender's feet.

The men were separated by not more than two yards, and Morgan made no movement to widen the breach immediately following the marshal's command to go. On the contrary, before any that saw him standing there in apparent indecision, and least of all among them Seth Craddock, could measure his intention, Morgan stepped aside quicker than the watchers calculated any living man could move, reached out his long arm a flash quicker than he had s.h.i.+fted on his feet, and laid hold of the city marshal's hairy wrist, wrenching it in a twist so bone-breaking that nerves and muscles failed their office. n.o.body saw exactly how he accomplished it, but the next moment Morgan stepped back from the city marshal, that officer's revolver in his hand.

"Mr. Craddock," he said, in calm, advisory way, "I expect to stay around this part of the country some little time, and I'll be obliged to come to Ascalon once in a while. If you think you're going to feel uncomfortable every time you see me, I guess the best thing for you to do is leave. I'm not saying you must leave, I don't set myself up to tell a man when to come and go without I've got that right over him. I just suggest it for your comfort and peace of mind. If you stay here you'll have to get used to seeing me around."

Craddock stood for a breath glaring at the man who had humiliated him in his new dignity, clutching his half-paralyzed wrist. He said nothing, but there was the proclamation of a death feud in his eyes.

"Give him a gun, somebody!" said a fool in the crowd that pressed to the edge of the sidewalk at the marshal's back.

Tom Conboy, standing in his door ten feet away, interposed quickly, waving the crowd back.

"Tut, tut! No n.i.g.g.e.rs in Ireland, now!" he said.

"He can have this one," said Morgan, still in the same measured, calm voice. He offered the pistol back to its owner, who s.n.a.t.c.hed it with ungracious hand, shoved it into his battered scabbard, turned to the crowd at his back with an oath.

"Scatter out of here!" he ordered, covering his degradation as he might in this tyrannical exercise of authority.

Morgan looked into the curious faces of the people who blocked the sidewalk ahead of him, withdrawn a discreet distance, not yet venturing to come on. Except for the red handkerchief that he had worn about his neck, he was dressed as when he arrived in Ascalon in Joe Lynch's wagon, coatless, the dust of the road on his shoes. In place of the bright handkerchief he now wore a slender black necktie, the ends of it tucked into his gray woolen s.h.i.+rt.

He felt taller, rawer, more angular than nature had built him as he stood there looking at the people who had gathered like leaves against a rock in a brook. He was ashamed of his part in the public show, sorry that anybody had been by to witness it. In his embarra.s.sment he pushed his hat back from his forehead, looking around him again as if he would break through the ranks and hide himself from such confusing publicity.

The crowd was beginning to disperse at Seth Craddock's urging, although those who had come to a stand on the sidewalk seemed timid about pa.s.sing Morgan. They still held back as if to give him room, or in uncertainty whether it was all over yet. Perhaps they expected Craddock to turn on Morgan again when he had cleared a proper s.p.a.ce for his activities.

As for Morgan, he had dismissed the city marshal from his thoughts, for something else had risen in his vision more worthy the attention of a man. This was the face of a girl on the edge of the crowd in front of him, a tall, strong, pliant creature who leaned a little as if she looked for her reflection in a stream. She was garbed in a brown duck riding skirt, white waist with a bright wisp of cravat blowing at her breast like the red of bittersweet against snow. Her dusty sombrero threw a shadow over her eyes, but Morgan could see that they were dark and friendly eyes, as no shadow but night could obscure. The other faces became in that moment but the incidental background for one; his heart lifted and leaped as the heart moves and yearns with tender quickening at the sound of some old melody that makes it glad.

Morgan stepped back, thinking only of her, seeing only her, making a way for her, only, to pa.s.s. That others might follow was not in his mind. He stepped out of the way for her.

She came on toward him now, one finished, one refined, among that press of crudity, one unlooked for in that place of wild l.u.s.ts and dark pa.s.sions unrestrained. She carried a packet of newspapers and letters under her bent arm, telling of her mission on the street; the thong of her riding quirt was about her wrist. Her soft dark hair was low on her neck, a flush as of the pleasure that speaks in bounding blood when friend meets friend glowed in her face. Morgan removed his hat as she pa.s.sed him. She looked into his face and smiled.

The little crowd broke and followed, but Morgan, oblivious to the movement around him, stood on the sidewalk edge looking after her, his hat in his hand.

CHAPTER V

ASCALON AWAKE