O. T., A Danish Romance Part 18

"To thy health, Otto," said Wilhelm, and pushed his cup against Otto's.

"Health!" said Otto, with a smile.

"It is true," began the cousin, "I promised you the other day to bring my advertis.e.m.e.nts with me; the first volume is closed." And he drew from his pocket a book in which a collection of the most original Address-Gazette advertis.e.m.e.nts, such as one sees daily, was pasted.

"I have one for you," said the lady; "I found it a little time since. 'A woman wishes for a little child to bottle.' Is not that capital?"

"Here is also a good one," said Wilhelm, who had turned over the leaves of the book: "'A boy of the Mosaic belief may be apprenticed to a cabinet-maker, but he need not apply unless he will eat everything that happens to be in the house.' That is truly a hard condition for the poor lad."

"Almost every day," said the cousin, "one may read, 'For the play of to-day or to-morrow is a good place to be had in the third story in the Christenbernikov Street.' The place is a considerable distance from the theatre."

"Theatre!" exclaimed the master of the house, who now entered to take his place at the tea-table, "one can soon hear who has that word in his mouth; now is he again at the theatre! The man can speak of nothing else. There ought, ready, to be a fine imposed, which he should pay each time he p.r.o.nounces the word theatre. I would only make it a fine of two skillings, and yet I dare promise that before a month was over he would be found to pay in fines his whole pocket-money, and his coat and boots besides. It is a real mania with the man! I know no one among my young friends," added he, with an ironical smile at Wilhelm,--"no, not one, who has such a hobby-horse as our good cousin."

"Here thou art unjust to him!" interrupted his wife; "do not place a fine upon him, else I will place thee in a vaudeville! Thy life is in politics; our cousin's in theatrical life; Wilhelm's in thorough-ba.s.s; and Mr. Thostrup's in learned subjects. Each of you is thus a little nail in the different world-wheels; whoever despises others shows that he considers his wheel the first, or imagines that the world is a wheelbarrow, which goes upon one wheel! No, it is a more complicated machine."

Later in the evening, when the company broke up, Otto and Wilhelm went together.

"I do not think," said Wilhelm, "that thou hast yet said thou to me. Is it not agreeable to thee?"

"It was my own wish, my own request," replied Otto. "I have not remarked what expressions I have employed." He remained silent. Wilhelm himself seemed occupied with unusual thoughts, when he suddenly exclaimed: "Life is, after all, a gift of blessings! One should never make one's self sorrows which do not really exist! 'Carpe diem,' said old Horace."

"That will we!" replied Otto; "but now we must first think of our examination."

They pressed each other's hands and parted.

"But I have heard no thou!" said Wilhelm to himself "He is an oddity, and yet I love him! In this consists, perhaps, my own originality."

He entered his room, where the hostess had been cleaning, and had arranged the books and papers in the nicest order. Wilhelm truly called it disorder; the papers in confusion and the books in a row. The lamp even had a new place; and this was called order!

Smiling, he seated himself at the piano; it was so long since they had said "Good day" to each other! He ran over the keys several times, then lost himself in fantasies. "That is lovely!" he exclaimed. "But it is not my property! What does it belong to? It melts into my own feelings!"

He played it again. It was a thema out of "Tancredi," therefore from Rossini, even the very composer whom our musical friends most looked down upon; how could he then guess who had created those tones which now spoke to his heart? His whole being he felt penetrated by a happiness, a love of life, the cause of which he knew not. He thought of Otto with a warmth which the latter's strange behavior did not deserve. All beloved beings floated so sweetly before his mind. This was one of those moments which all good people know; one feels one's self a member of the great chain of love which binds creation together.

So long as the rose-bud remains folded together it seems to be without fragrance; yet only one morning is required, and the fine breath streams from the crimson mouth. It is only one moment; it is the commencement of a new existence, which already has lain long concealed in the bud: but one does not see the magic wand which works the change. This spiritual contrast, perhaps, took place in the past hour; perhaps the last evening rays which fell upon the leaves concealed this power! The roses of the garden must open; those of the heart follow the same laws. Was this love? Love is, as poets say, a pain; it resembles the disease of the mussel, through which pearls are formed. But Wilhelm was not sick; he felt himself particularly full of strength and enjoyment of life. The poet's simile of the mussel and the pearl sounds well, but it is false.

Most poets are not very learned in natural history; and, therefore, they are guilty of many errors with regard to it. The pearl is formed on the mussel not through disease; when an enemy attacks her she sends forth drops in her defense, and these change into pearls. It is thus strength, and not weakness, which creates the beautiful. It would be unjust to call love a pain, a sickness; it is an energy of life which G.o.d has planted in the human breast; it fills our whole being like the fragrance which fills each leaf of the rose, and then reveals itself among the struggles of life as a pearl of worth.

These were Wilhelm's thoughts; and yet it was not perfectly clear to him that he loved with his whole soul, as one can only love once.

The following forenoon he paid a visit to Professor Weyse.

"You are going to Roeskelde, are you not?" asked Wilhelm. "I have heard you so often play the organ here in Our Lady's church, I should very much like to hear you there, in the cathedral. If I were to make the journey, would you then play a voluntary for me?"

"You will not come!" said the musician.

"I shall come!" answered Wilhelm, and kept his word. Two days after this conversation he rolled through the streets of Roeskelde.

"I am come for a wager! I shall hear Weyse play the organ!" said he to the host, although there was no need for an apology.

Bulwer in his romance, "The Pilgrims of the Rhine," has with endless grace and tenderness called forth a fairy world. The little spirits float there as the breath of air floats around the material reality; one is forced to believe in their existence. With a genius powerful as that which inspired Bulwer, glorious as that which infused into Shakespeare the fragrance we find breathed over the "Midsummer-night's Dream," did Weyse's tones fill Wilhelm; the deep melodies of the organ in the old cathedral had indeed attracted him to the quiet little town! The powerful tones of the heart summoned him! Through them even every day things a.s.sumed a coloring, an expression of beauty, such as Byron shows us in words, Thorwaldsen in the hard stone, Correggio in colors.

We have by Goethe a glorious poem, "Love a Landscape-painter." The poet sits upon a peak and gazes before him into the mist, which, like canvas spread upon the easel, conceals all heights and expanses; then comes the G.o.d of Love and teaches him how to paint a picture on the mist. The little one now sketches with his rosy fingers a picture such as only Nature and Goethe give us. Were the poet here, we could offer him no rock on which he might seat himself, but something, through legends and songs, equally beautiful. He would then sing,--I seated myself upon the mossy stone above the cairn; the mist resembled outstretched canvas. The G.o.d of Love commenced on this his sketch. High up he painted a glorious still, whose rays were dazzling! The edges of the clouds he made as of gold, and let the rays penetrate through them; then painted he the fine light boughs of fresh, fragrant trees; brought forth one hill after the other. Behind these, half-concealed, lay a little town, above which rose a mighty church; two tall towers with high spires rose into the air; and below the church, far out, where woods formed the horizon, drew he a bay so naturally! it seemed to play with the sunbeams as if the waves splashed up against the coast. Now appeared flowers; to the fields and meadows he gave the coloring of velvet and precious stones; and on the other side of the bay the dark woods melted away into a bluish mist. "I can paint!" said the little one; "but the most difficult still remains to do." And he drew with his delicate finger, just where the rays of the sun fell most glowingly, a maiden so gentle, so sweet, with dark blue eyes and cheeks as blooming as the rosy fingers which formed the picture. And see! a breeze arose; the leaves of the trees quivered; the expanse of water ruffled itself; the dress of the maiden was gently stirred; the maiden herself approached: the picture itself was a reality! And thus did the old royal city present itself before Wilhelm's eyes, the towers of the cathedral, she tay, the far woods, and--Eva!

The first love of a pure heart is holy! This holiness may be indicated, but not described! We return to Otto.

CHAPTER XXII

"A man only gains importance by a poet's fancy, when his genius vividly represents to our imagination a clearer, but not an enn.o.bled image of men and objects which have an existence; then alone he understands how to idealize."--H.

HERTZ.

We pa.s.s on several weeks. It was toward the end of September, the examen philosophic.u.m was near. Preparations for this had been Otto's excuse for not yet having visited the family circle of his guardian, the merchant Berger. This was, however, brought about by Otto's finding one day, when he went to speak with his guardian, the mistress of the house in the same room. We know that there are five daughters in the house, and that only one is engaged, yet they are all well-educated girls--domestic girls, as their mother a.s.sured her friend upon more than one occasion.

"So, then, I have at length the honor of making your acquaintance," said Mrs. Berger, "this visit, truly, is not intended either for me or the children, but still you must now drink a cup of coffee with us. Within it certainly looks rather disorderly; the girls are making cloaks for the winter. We will not put ourselves out of the way for you: you shall be regarded as a member of the family: but then you must come to us in a friendly way. Every Thursday our son-in-law dines with us, will you then be contented with our dinner? Now you shall become acquainted with my daughters."

"And I must to my office," said the husband; "therefore let us consider Thursday as an appointment. We dine at three o'clock, and after coffee Laide gives us music."

The lady now conducted Otto into the sitting-room, where he found the four daughters in full activity with a workwoman. The fifth daughter, Julle, was, as they had told him, gone to the shops for patterns: yesterday she had run all over the town, but the patterns she received were not good.

The lady told him the name of each daughter; their characteristics he naturally learnt later.

All the five sisters had the idea that they were so extremely different, and yet they resembled each other to a hair. Adelaide, or Laide, as she was also called, was certainly the prettiest; that she well knew also, therefore she would have a fur cape, and no cloak; her figure should be seen. Christiane was what one might call a practical girl; she knew how to make use of everything. Alvilde had always a little attack of the tooth-ache; Julle went shopping, and Miss Grethe was the bride. She was also musical, and was considered witty. Thus she said one evening when the house-door was closed, and groaned dreadfully on its hinges, "See now, we have port wine after dinner." [Translator's Note: A pun which it is impossible to translate. The Danish word Portviin according to sound, may mean either port wine or the creaking of a door.] The brother, the only son of the house, with whom we shall become better acquainted, had written down this conceit; "but that was only to be rude toward her,"

said Miss Grethe. "Such good ideas as this I have every hour of the day!"

We ought really to accuse these excellent girls of nothing foolish; they were very good and wise. The lover, Mr. Svane, was also a zealous wit; he was so lively, they said. Every one with whom he became a little familiar he called immediately Mr. Petersen, and that was so droll!

"Now the father has invited Mr. Thostrup to come on Thursday!" said the lady. "I also think, if we were to squeeze ourselves a little together, he might find a place with us in the box; the room is, truly, very confined."

Otto besought them not to incommode themselves.

"O, it is a large box!" said the lady, but she did not say how many of them were already in it. Only eleven ladies went from the family itself.

They were obliged to go to the theatre in three parties, so that people might not think; if they all went together, there was a mob.

One evening, when the box had been occupied by eighteen persons, beside several twelve-year old children, who had sat in people's laps, or stood before them, and the whole party had returned home in one procession, and were standing before the house door to go in, people streamed together, imagining there was some alarm, or that some one had fallen into convulsions. "What is the matter?" they asked, and Miss Grethe immediately replied, "It is a select company!" [Translator's Note: A select or shut-out company. We regret that this pun, like the foregoing one, is untransferable into English.] Since that evening they returned home in separate divisions.

"It is really a good box!" said Alvilde; "if we had only other neighbors! The doors are opening and shutting eternally, and make a draught which is not bearable for the teeth. And then they speak so loud! the other night I did not hear a single word of the pretty song about Denmark."

"But did you lose much through that?" asked Otto, smiling, and soon they found themselves very much at variance, just as if they had been old acquaintances. "I do not think much of these patriotic sc.r.a.ps, where the poet, in his weakness, supports himself by this beautiful sentiment of patriotism in the people. You will certainly grant that here the mult.i.tude always applauds when it only hears the word 'Father-land,' or the name of 'Christian IV.' The poet must give something more; this is a left-handed kind of patriotism. One would really believe that Denmark were the only country in the world!"

"Fie, Mr. Thostrup!" said the lady: "do you not then love your father-land?"

"I believe I love it properly!" returned he: "and because it really possesses so much that is excellent do I desire that only what is genuine should be esteemed, only what is genuine be prized."

"I agree in the main with Mr. Thostrup," said Miss Grethe, who was busied in unpicking and turning her cloak, in order, as she herself said, to spoil it on the other side. "I think he is right! If a poem is well spoken on the stage, it has always a kind of effect. It is just the same as with stuffs--they may be of a middling quality and may have an unfavorable pattern, but if they are worn by a pretty figure they look well after all!"

"I am often vexed with the public!" said Otto. "It applauds at improper places, and sometimes exhibits an extraordinary innocence."

"Those are 'the lords of the kingdom of mind,'" said Miss Grethe, smiling.

[Note: "We are the lords of the kingdom of mind!

We are the stem which can never decay!"