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Modern Essays Part 17

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It would be extravagant to claim that Pearsall Smith's _Trivia_, the remarkable little book from which these miniature essays are extracted, is well known: it is too daintily, fragile and absurd and sophisticated to appeal to a very large public. But it has a cohort of its own devotees and fanatics, and since its publication in 1917 it has become a sort of pa.s.sword in a secret brotherhood or intellectual Suicide Club. I say suicide advisedly, for Mr. Smith's irony is glitteringly edged. Its incision is so keen that the reader is often unaware the razor edge has turned against himself until he perceives the wound to be fatal.

Pearsall Smith was, in a way, one of the Men of the Nineties. But he had Repressions--(an excellent thing to have, brothers. Most of the great literature is founded on judicious repressions). He came of an excellent old intellectual Quaker family down in the Philadelphia region. His father (if we remember rightly) was one of Walt Whitman's staunchest friends in the Camden days. But when the strong wine of the Nineties was foaming in the vats and noggins, Mr. Smith (so we imagine it, at least) was still too close to that "guarded education in morals and manners" that he had had at Haverford College, Pennsylvania (and further tinctured with docility at Harvard and Balliol) to give full rein to his inward gush of hilarious satirics. Like a Strong Silent Man he held in that wellspring of champagne and mercury until many many years later. When it came out (in 1902 he first began to print his _Trivia_, privately; the book was published by Doubleday in 1917) it sparkled all the more tenderly for its long cellarage.

But we must be statistical. Logan Pearsall Smith was born at Melville, N. J., in 1865. As a boy he lived in Philadelphia and Germantown (do you know Germantown? it is a foothill of that mountain range whereof Parna.s.sus and Olivet are twin peaks) and was three years at Haverford in the cla.s.s of '85. He went to Harvard for a year, then to Balliol College, Oxford, where he took his degree in 1893. Ever since then, eheu, he has lived in England.

STONEHENGE

They sit there for ever on the dim horizon of my mind, that Stonehenge circle of elderly disapproving Faces--Faces of the Uncles and Schoolmasters and Tutors who frowned on my youth.

In the bright center and sunlight I leap, I caper, I dance my dance; but when I look up, I see they are not deceived. For nothing ever placates them, nothing ever moves to a look of approval that ring of bleak, old, contemptuous Faces.

THE STARS

Battling my way homeward one dark night against the wind and rain, a sudden gust, stronger than the others, drove me back into the shelter of a tree. But soon the Western sky broke open; the illumination of the Stars poured down from behind the dispersing clouds.

I was astonished at their brightness, to see how they filled the night with their soft l.u.s.tre. So I went my way accompanied by them; Arcturus followed me, and becoming entangled in a leafy tree, shone by glimpses, and then emerged triumphant, Lord of the Western Sky. Moving along the road in the silence of my own footsteps, my thoughts were among the Constellations. I was one of the Princes of the starry Universe; in me also there was something that was not insignificant and mean and of no account.

THE SPIDER

What shall I compare it to, this fantastic thing I call my Mind? To a waste-paper basket, to a sieve choked with sediment, or to a barrel full of floating froth and refuse?

No, what it is really most like is a spider's web, insecurely hung on leaves and twigs, quivering in every wind, and sprinkled with dewdrops and dead flies. And at its center, pondering for ever the Problem of Existence, sits motionless the spider-like and uncanny Soul.

L'OISEAU BLEU

What is it, I have more than once asked myself, what is it that I am looking for in my walks about London? Sometimes it seems to me as if I were following a Bird, a bright Bird that sings sweetly as it floats about from one place to another.

When I find myself, however, among persons of middle age and settled principles, see them moving regularly to their offices--what keeps them going? I ask myself. And I feel ashamed of myself and my Bird.

There is though a Philosophic Doctrine--I studied it at College, and I know that many serious people believe it--which maintains that all men, in spite of appearances and pretensions, all live alike for Pleasure.

This theory certainly brings portly, respected persons very near to me.

Indeed, with a sense of low complicity, I have sometimes watched a Bishop. Was he, too, on the hunt for Pleasure, solemnly pursuing his Bird?

I SEE THE WORLD

"But you go nowhere, see nothing of the world," my cousins said.

Now though I do go sometimes to the parties to which I am now and then invited, I find, as a matter of fact, that I get really much more pleasure by looking in at windows, and have a way of my own of seeing the World. And of summer evenings, when motors hurry through the late twilight, and the great houses take on airs of inscrutable expectation, I go owling out through the dusk; and wandering toward the West, lose my way in unknown streets--an unknown City of revels. And when a door opens and a bediamonded Lady moves to her motor over carpets unrolled by powdered footmen, I can easily think her some great Courtezan, or some half-believed d.u.c.h.ess, hurrying to card-tables and lit candles and strange scenes of joy. I like to see that there are still splendid people on this flat earth; and at dances, standing in the street with the crowd, and stirred by the music, the lights, the rus.h.i.+ng sound of voices, I think the Ladies as beautiful as Stars who move up those lanes of light past our rows of vagabond faces; the young men look like Lords in novels; and if (it has once or twice happened) people I know go by me, they strike me as changed and rapt beyond my sphere. And when on hot nights windows are left open, and I can look in at Dinner Parties, as I peer through lace curtains and window-flowers at the silver, the women's shoulders, the s.h.i.+mmer of their jewels, and the divine att.i.tudes of their heads as they lean and listen, I imagine extraordinary intrigues and unheard-of wines and pa.s.sions.

THE CHURCH OF ENGLAND

I have my Anglican moments; and as I sat there that Sunday afternoon, in the Palladian interior of the London Church, and listened to the unexpressive voices chanting the correct service, I felt a comfortable a.s.surance that we were in no danger of being betrayed into any unseemly manifestations of religious fervor. We had not gathered together at that performance to abase ourselves with furious hosannas before any dark Creator of an untamed Universe, no Deity of freaks and miracles and sinister hocus-pocus; but to pay our duty to a highly respected Anglican First Cause--undemonstrative, gentlemanly, and conscientious--whom, without loss of self-respect, we could decorously praise.

CONSOLATION

The other day, depressed on the Underground, I tried to cheer myself by thinking over the joys of our human lot. But there wasn't one of them for which I seemed to care a b.u.t.ton--not Wine, nor Friends.h.i.+p, nor Eating, nor Making Love, nor the Consciousness of Virtue. Was it worth while then going up in a lift into a world that had nothing less trite to offer?

Then I thought of reading--the nice and subtle happiness of reading.

This was enough, this joy not dulled by Age, this polite and unpunished vice, this selfish, serene, life-long intoxication.

THE KALEIDOSCOPE

I find in my mind, in its miscellany of ideas and musings, a curious collection of little landscapes and pictures, s.h.i.+ning and fading for no reason. Sometimes they are views in no way remarkable--the corner of a road, a heap of stones, an old gate. But there are many charming pictures too: as I read, between my eyes and book, the Moon sheds down on harvest fields her chill of silver; I see autumnal avenues, with the leaves falling, or swept in heaps; and storms blow among my thoughts, with the rain beating for ever on the fields. Then Winter's upward glare of snow appears; or the pink and delicate green of Spring in the windy suns.h.i.+ne; or cornfields and green waters, and youths bathing in Summer's golden heats.

And as I walk about, certain places haunt me; a cathedral rises above a dark blue foreign town, the color of ivory in the sunset light; now I find myself in a French garden, full of lilacs and bees, and shut-in suns.h.i.+ne, with the Mediterranean lounging and was.h.i.+ng outside its walls; now in a little college library, with busts, and the green reflected light of Oxford lawns--and again I hear the bells, reminding me of the familiar Oxford hours.

THE POPLAR

There is a great tree in Suss.e.x, whose cloud of thin foliage floats high in the summer air. The thrush sings in it, and blackbirds, who fill the late, decorative suns.h.i.+ne with a s.h.i.+mmer of golden sound. There the nightingale finds her green cloister; and on those branches sometimes, like a great fruit, hangs the lemon-colored Moon. In the glare of August, when all the world is faint with heat, there is always a breeze in those cool recesses, always a noise, like the noise of water, among its lightly-hung leaves.

But the owner of this Tree lives in London, reading books.

BEYOND LIFE

_By_ JAMES BRANCH CABELL

To my taste, _Beyond Life_, an all-night soliloquy put into the mouth of the author's _alter ego_ Charteris, is the most satisfying of Mr. Cabell's books. Its point of view is deftly sharpened, its manner is urbane and charming, without posture or allegorical pseudo-romantics. From this book I have taken the two closing sections, which form a beautiful and significant whole.

James Branch Cabell, born in Richmond, Virginia, in 1879, graduated from William and Mary College in 1898. He had some newspaper experience in Richmond and on the New York _Herald_, and began publis.h.i.+ng in 1904. Not until 1915, until Mr. McBride, the New York publisher, and his untiring literary a.s.sistant, Mr. Guy Holt (to whom much of Cabell's appreciation is due), began their work, did critics begin to take him at all seriously. Since that time Mr.

Cabell's reputation has been enormously enhanced by the idiotic suppression of his novel _Jurgen_. The Cabell cult has been almost too active in zeal, but there can be no doubt of his very real and refres.h.i.+ng imaginative talent.

I ask of literature precisely those things of which I feel the lack in my own life. I appeal for charity, and implore that literature afford me what I cannot come by in myself....

For I want distinction for that existence which ought to be peculiarly mine, among my innumerable fellows who swarm about earth like ants. Yet which one of us is noticeably, or can be appreciably different, in this throng of human ephemerae and all their millions and inestimable millions of millions of predecessors and oncoming progeny? And even though one mote may transiently appear exceptional, the distinction of those who in their heydays are "great" personages--much as the Emperor of Lilliput overtopped his subjects by the breadth of Captain Gulliver's nail--must suffer loss with time, and must dwindle continuously, until at most the man's recorded name remains here and there in sundry pedants' libraries.

There were how many dynasties of Pharaohs, each one of whom was absolute lord of the known world, and is to-day forgotten? Among the countless popes who one by one were adored as the regent of Heaven upon earth, how many persons can to-day distinguish? and does not time breed emperors and czars and presidents as plentiful as blackberries, and as little thought of when their season is out? For there is no perpetuity in human endeavor: we strut upon a quicksand: and all that any man may do for good or ill is presently forgotten, because it does not matter. I wail to a familiar tune, of course, in this lament for the evanescence of human grandeur and the perishable renown of kings. And indeed to the statement that imperial Caesar is turned to clay and Mizraim now cures wounds, and that in short Queen Anne is dead, we may agree lightly enough; for it is, after all, a matter of no personal concern: but how hard it is to concede that the banker and the rector and the traffic-officer, to whom we more immediately defer, and we ourselves, and the little gold heads of our children, may be of no importance, either!... In art it may so happen that the thing which a man makes endures to be misunderstood and gabbled over: yet it is not the man himself. We retain the _Iliad_, but oblivion has swallowed Homer so deep that many question if he ever existed at all.... So we pa.s.s as a cloud of gnats, where I want to live and be thought of, if only by myself, as a distinguishable ent.i.ty. And such distinction is impossible in the long progress of suns, whereby in thought to separate the personality of any one man from all others that have lived, becomes a task to stagger Omniscience....

I want my life, the only life of which I am a.s.sured, to have symmetry or, in default of that, at least to acquire some clarity. Surely it is not asking very much to wish that my personal conduct be intelligible to me! Yet it is forbidden to know for what purpose this universe was intended, to what end it was set a-going, or why I am here, or even what I had preferably do while here. It vaguely seems to me that I am expected to perform an allotted task, but as to what it is I have no notion.... And indeed, what have I done hitherto, in the years behind me? There are some books to show as increment, as something which was not anywhere before I made it, and which even in bulk will replace my buried body, so that my life will be to mankind no loss materially. But the course of my life, when I look back, is as orderless as a trickle of water that is diverted and guided by every pebble and crevice and gra.s.s-root it encounters. I seem to have done nothing with pre-meditation, but rather, to have had things done to me. And for all the rest of my life, as I know now, I shall have to shave every morning in order to be ready for no more than this!... I have attempted to make the best of my material circ.u.mstances always; nor do I see to-day how any widely varying course could have been wiser or even feasible: but material things have nothing to do with that life which moves in me.

Why, then, should they direct and heighten and provoke and curb every action of life? It is against the tyranny of matter I would rebel--against life's absolute need of food, and books, and fire, and clothing, and flesh, to touch and to inhabit, lest life perish.... No, all that which I do here or refrain from doing lacks clarity, nor can I detect any symmetry anywhere, such as living would a.s.suredly display, I think, if my progress were directed by any particular motive.... It is all a muddling through, somehow, without any recognizable goal in view, and there is no explanation of the scuffle tendered or anywhere procurable. It merely seems that to go on living has become with me a habit....

And I want beauty in my life. I have seen beauty in a sunset and in the spring woods and in the eyes of divers women, but now these happy accidents of light and color no longer thrill me. And I want beauty in my life itself, rather than in such chances as befall it. It seems to me that many actions of my life were beautiful, very long ago, when I was young in an evanished world of friendly girls, who were all more lovely than any girl is nowadays. For women now are merely more or less good-looking, and as I know, their looks when at their best have been painstakingly enhanced and edited.... But I would like this life which moves and yearns in me, to be able itself to attain to comeliness, though but in transitory performance. The life of a b.u.t.terfly, for example, is just a graceful gesture: and yet, in that its loveliness is complete and perfectly rounded in itself, I envy this bright flicker through existence. And the nearest I can come to my ideal is punctiliously to pay my bills, be polite to my wife, and contribute to deserving charities: and the program does not seem, somehow, quite adequate. There are my books, I know; and there is beauty "embalmed and treasured up" in many pages of my books, and in the books of other persons, too, which I may read at will: but this desire inborn in me is not to be satiated by making marks upon paper, nor by deciphering them.... In short, I am enamored of that flawless beauty of which all poets have perturbedly divined the existence somewhere, and which life as men know it simply does not afford nor anywhere foresee....

And tenderness, too--but does that appear a mawkish thing to desiderate in life? Well, to my finding human beings do not like one another.

Indeed, why should they, being rational creatures? All babies have a temporary lien on tenderness, of course: and therefrom children too receive a dwindling income, although on looking back, you will recollect that your childhood was upon the whole a lonesome and much put-upon period. But all grown persons ineffably distrust one another.... In courts.h.i.+p, I grant you, there is a pa.s.sing aberration which often mimics tenderness, sometimes as the result of honest delusion, but more frequently as an ambuscade in the endless struggle between man and woman. Married people are not ever tender with each other, you will notice: if they are mutually civil it is much: and physical contacts apart, their relation is that of a very moderate intimacy. My own wife, at all events, I find an unfailing mystery, a Sphinx whose secrets I a.s.sume to be not worth knowing: and, as I am mildly thankful to narrate, she knows very little about me, and evinces as to my affairs no morbid interest. That is not to a.s.sert that if I were ill she would not nurse me through any imaginable contagion, nor that if she were drowning I would not plunge in after her, whatever my delinquencies at swimming: what I mean is that, pending such high crises, we tolerate each other amicably, and never think of doing more.... And from our blood-kin we grow apart inevitably. Their lives and their interests are no longer the same as ours, and when we meet it is with conscious reservations and much manufactured talk. Besides, they know things about us which we resent.... And with the rest of my fellows, I find that convention orders all our dealings, even with children, and we do and say what seems more or less expected. And I know that we distrust one another all the while, and instinctively conceal or misrepresent our actual thoughts and emotions when there is no very apparent need.... Personally, I do not like human beings because I am not aware, upon the whole, of any generally distributed qualities which ent.i.tle them as a race to admiration and affection. But toward people in books--such as Mrs.

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Modern Essays Part 17 summary

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