A Book of Remarkable Criminals Part 9

Castaing proposed to send for a doctor from Paris, but Auguste insisted that a local doctor should be called in at once.

Accordingly Dr. Pigache of Saint Cloud was summoned. He arrived at the hotel about eleven o'clock. Before seeing the patient Castaing told the doctor that he believed him to be suffering from cholera. Pigache asked to see the matter vomited but was told that it had been thrown away. He prescribed a careful diet, lemonade and a soothing draught.

Dr. Pigache returned at three o'clock, when he found that the patient had taken some lemonade, but, according to Castaing, had refused to take the draught. He called again that afternoon. Ballet was much better; he said that he would be quite well if he could get some sleep, and expressed a wish to return to Paris. Dr. Pigache dissuaded him from this and left, saying that he would come again in the evening. Castaing said that that would be unnecessary, and it was agreed that Pigache should see the patient again at eight o'clock the next morning. During the afternoon Castaing sent a letter to Paris to Jean, Auguste's negro servant, telling him to take the two keys of his master's desk to his cousin Mala.s.sis. But the negro distrusted Castaing. He knew of the will which his master had made in the doctor's favour. Rather than compromise himself by any injudicious act, he brought the keys to Saint Cloud and there handed them over to Castaing.

When Jean arrived his master complained to him of feeling very ill.

Jean said that he hoped he would be well enough to go back to Paris the following day, to which Auguste replied, "I don't think so. But if I am lucky enough to get away to-morrow, I shall leave fifty francs for the poor here." About eleven o'clock that night Castaing, in Jean's presence, gave the sick man a spoonful of the draught prescribed by Dr.

Pigache. Four or five minutes later Auguste was seized with terrible convulsions, followed by unconsciousness. Dr. Pigache was sent for. He found Ballet lying on his back unconscious, his throat strained, his mouth shut and his eyes fixed; the pulse was weak, his body covered with cold sweat; and every now and then he was seized with strong convulsions. The doctor asked Castaing the cause of the sudden change in Ballet's condition. Castaing replied that it had commenced shortly after he had taken a spoonful of the draught which the doctor had prescribed for him. Dr. Pigache bled the patient and applied twenty leeches. He returned about six; Ballet was sinking, and Castaing appeared to be greatly upset. He told the doctor what an unhappy coincidence it was that he should have been present at the deathbeds of both Hippolyte and his brother Auguste; and that the position was the more distressing for him as he was the sole heir to Auguste's fortune. To M. Pelletan, a professor of medicine, who had been sent for to St. Cloud in the early hours of Sunday morning, Castaing appeared to be in a state of great grief and agitation; he was shedding tears. Pelletan was from the first impressed by the suspicious nature of the case, and pointed out to Castaing the awkwardness of his situation as heir to the dying man.

"You're right," replied Castaing, "my position is dreadful, horrible. In my great grief I had never thought of it till now, but now you make me see it clearly. Do you think there will be an investigation?" Pelletan answered that he should be compelled to ask for a post-mortem. "Ah! You will be doing me the greatest service," said Castaing, "I beg you to insist on a post-mortem. You will be acting as a second father to me in doing so." The parish priest was sent for to administer extreme unction to the dying man. To the parish clerk who accompanied the priest Castaing said, "I am losing a friend of my childhood," and both priest and clerk went away greatly edified by the sincere sorrow and pious demeanour of the young doctor. About mid-day on Sunday, June 1, Auguste Ballet died.

During the afternoon Castaing left the hotel for some hours, and that same afternoon a young man about twenty-five years of age, short and fair, left a letter at the house of Mala.s.sis. The letter was from Castaing and said, "My dear friend, Ballet has just died, but do nothing before to-morrow, Monday. I will see you and tell you, yes or no, whether it is time to act. I expect that his brother-in-law, M.

Martignon, whose face is pock-marked and who carries a decoration, will call and see you. I have said that I did not know what dispositions Ballet may have made, but that before his death he had told me to give you two little keys which I am going to deliver to you myself to-morrow, Monday. I have not said that we are cousins, but only that I had seen you once or twice at Ballet's, with whom you were friendly. So say nothing till I have seen you, but whatever you do, don't say you are a relative of mine." When he returned to the hotel Castaing found Martignon, Lebret, and one or two friends of Auguste already a.s.sembled.

It was only that morning that Martignon had received from Castaing any intimation of his brother-in-law's critical condition. From the first Castaing was regarded with suspicion; the nature of the illness, the secrecy maintained about it by Castaing, the coincidence of some of the circ.u.mstances with those of the death of Hippolyte, all combined to excite suspicion. Asked if Auguste had left a will Castaing said no; but the next day he admitted its existence, and said that it was in the hands of Mala.s.sis.

Monday, June 2, was the day fixed for the post-mortem; it was performed in the hotel at Saint Cloud. Castaing was still in the hotel under provisional arrest. While the post-mortem was going on his agitation was extreme; he kept opening the door of the room in which he was confined, to hear if possible some news of the result. At last M. Pelletan obtained permission to inform him of the verdict of the doctors. It was favourable to Castaing; no trace of death by violence or poison had been discovered.

The medical men declared death to be due to an inflammation of the stomach, which could be attributed to natural causes; that the inflammation had subsided; that it had been succeeded by cerebral inflammation, which frequently follows inflammation of the stomach, and may have been aggravated in this case by exposure to the sun or by over-indulgence of any kind.

II

THE TRIAL OF DR. CASTAING

Castaing expected, as a result of the doctors' report, immediate release. In this he was disappointed; he was placed under stricter arrest and taken to Paris, where a preliminary investigation commenced, lasting five months. During the early part of his imprisonment Castaing feigned insanity, going to disgusting lengths in the hope of convincing those about him of the reality of his madness. But after three days of futile effort he gave up the attempt, and turned his attention to more practical means of defence. In the prison at Versailles, whither he had been removed from Paris, he got on friendly terms with a prisoner, one Goupil, who was awaiting trial for some unimportant offence. To Goupil Castaing described the cruelty of his position and the causes that had led to his wrongful arrest. He admitted his unfortunate possession of the poison, and said that the 100,000 francs which he had invested he had inherited from an uncle. Through Goupil he succeeded in communicating with his mother in the hope that she would use her influence to stifle some of the more serious evidence against him.

Through other prisoners he tried to get at the chemists from whom he had bought acetate of morphia, and persuade them to say that the preparation of morphia which he had purchased was harmless.

The trial of Castaing commenced before the Paris a.s.size Court on November 10, 1823. He was charged with the murder of Hippolyte Ballet, the destruction of a doc.u.ment containing the final dispositions of Hippolyte's property, and with the murder of Auguste Ballet. The three charges were to be tried simultaneously. The Act of Accusation in Castaing's case is a remarkable doc.u.ment, covering a hundred closely-printed pages. It is a well-reasoned, graphic and unfair statement of the case for the prosecution. It tells the whole story of the crime, and inserts everything that can possibly prejudice the prisoner in the eyes of the jury. As an example, it quotes against Castaing a letter of his mistress in which, in the course of some quarrel, she had written to him saying that his mother had said some "horrible things" (des horreurs) of him; but what those "horrible things" were was not revealed, nor were they ever alluded to again in the course of the trial, nor was his mistress called as a witness, though payments of money by Castaing to her formed an important part of the evidence against him. Again, the evidence of Goupil, his fellow prisoner, as to the incriminating statements made to him by Castaing is given in the Act of Accusation, but Goupil himself was not called at the trial.

During the reading of the Act of Accusation by the Clerk of the Court Castaing listened calmly. Only when some allusion was made to his mistress and their children did he betray any sign of emotion. As soon as the actual facts of the case were set out he was all attention, making notes busily. He is described as rather attractive in appearance, his face long, his features regular, his forehead high, his hair, fair in colour, brushed back from the brows; he wore rather large side-whiskers. One of the witnesses at Saint Cloud said that Castaing looked more like a priest than a doctor; his downcast eyes, gentle voice, quiet and una.s.suming demeanour, lent him an air of patience and humility.

The interrogatory of Castaing by the presiding judge lasted all the afternoon of the first day of the trial and the morning of the second.

The opening part of it dealt with the murder of Hippolyte Ballet, and elicited little or nothing that was fresh. Beyond the purchase of acetate of morphia previous to Hippolyte's death, which Castaing reluctantly admitted, there was no serious evidence against him, and before the end of the trial the prosecution abandoned that part of the charge.

Questioned by the President as to the destruction of Hippolyte Ballet's will, Castaing admitted that he had seen a draft of a will executed by Hippolyte in favour of his sister, but he denied having told Auguste that Lebret had in his possession a copy which he was prepared to destroy for 100,000 francs. Asked to explain the a.s.sertion of Mlle.

Percillie, Auguste's mistress, that statements to this effect had been made in her presence by both Auguste Ballet and himself, he said that it was not true; that he had never been to her house. "What motive," he was asked, "could Mlle. Percillie have for accusing you?" "She hated me,"

was the reply, "because I had tried to separate Auguste from her."

Castaing denied that he had driven with Auguste to Lebret's office on October 8. Asked to explain his sudden possession of 100,000 francs at a moment when he was apparently without a penny, he repeated his statement that Auguste had given him the capital sum as an equivalent for an income of 4,000 francs which his brother had intended to leave him.

"Why, when first asked if you had received anything from Auguste, did you say you had received nothing?" was the question.

"It was a thoughtless statement," was the answer. "Why," pursued the President, "should you not have admitted at once a fact that went to prove your own good faith? If, however, this fact be true, it does not explain the mysterious way in which Auguste asked Prignon to raise for him 100,000 francs; and unless those 100,000 francs were given to you, it is impossible to account for them. It is important to your case that you should give the jury a satisfactory explanation on this point."

Castaing could only repeat his previous explanations.

The interrogatory was then directed to the death of Auguste Ballet.

Castaing said that Auguste Ballet had left him all his fortune on account of a disagreement with his sister. Asked why, after Auguste's death, he had at first denied all knowledge of the will made in his favour and deposited by him with Mala.s.sis, he could give no satisfactory reason. Coming to the facts of the alleged poisoning of Auguste Ballet, the President asked Castaing why, shortly after the warm wine was brought up on the night of May 30, he went up to the room where one of the servants of the hotel was lying sick. Castaing replied that he was sent for by the wife of the hotel-keeper. This the woman denied; she said that she did not even know that he was a doctor. "According to the prosecution," said the judge, "you left the room in order to avoid drinking your share of the wine." Castaing said that he had drunk half a cupful of it. The judge reminded him that to one of the witnesses Castaing had said that he had drunk only a little.

A ridiculous statement made by Castaing to explain the purchase of morphia and antimony in Paris on May 31 was brought up against him.

Shortly after his arrest Castaing had said that the cats and dogs about the hotel had made such a noise on the night of May 30 that they had disturbed the rest of Auguste, who, in the early morning, had asked Castaing to get some poison to kill them. He had accordingly gone all the way, about ten miles, to Paris at four in the morning to purchase antimony and morphia to kill cats and dogs. All the people of the hotel denied that there had been any such disturbance on the night in question. Castaing now said that he had bought the poisons at Auguste's request, partly to kill the noisy cats and dogs, and partly for the purpose of their making experiments on animals. Asked why he had not given this second reason before, he said that as Auguste was not a medical man it would have been damaging to his reputation to divulge the fact of his wis.h.i.+ng to make unauthorised experiments on animals. "Why go to Paris for the poison?" asked the judge, "there was a chemist a few yards from the hotel. And when in Paris, why go to two chemists?" To all these questions Castaing's answers were such as to lead the President to express a doubt as to whether they were likely to convince the jury.

Castaing was obliged to admit that he had allowed, if not ordered, the evacuations of the sick man to be thrown away. He stated that he had thrown away the morphia and antimony, which he had bought in Paris, in the closets of the hotel, because, owing to the concatenation of circ.u.mstances, he thought that he would be suspected of murder. In reply to a question from one of the jury, Castaing said that he had mixed the acetate of morphia and tartar emetic together before reaching Saint Cloud, but why he had done so he could not explain.

The medical evidence at the trial was favourable to the accused. Orfila, the famous chemist of that day, said that, though the symptoms in Auguste Ballet's case might be attributed to poisoning by acetate of morphia or some other vegetable poison, at the same time they could be equally well attributed to sudden illness of a natural kind. The liquids, taken from the stomach of Ballet, had yielded on a.n.a.lysis no trace of poison of any sort. The convulsive symptoms present in Ballet's case were undoubtedly a characteristic result of a severe dose of acetate of morphia.(14) Castaing said that he had mixed the acetate of morphia and tartar emetic together, but in any case no trace of either poison was found in Auguste's body, and his illness might, from all appearances, have been occasioned by natural causes. Some attempt was made by the prosecution to prove that the apoplexy to which Hippolyte Ballet had finally succ.u.mbed, might be attributed to a vegetable poison; one of the doctors expressed an opinion favourable to that conclusion "as a man but not as a physician." But the evidence did not go further.

(14) It was a.s.serted some years later by one medical authority in Palmer's case that it might have been morphia and not strychnine that had caused the tetanic symptoms which preceded Cook's death.

To the young priest-like doctor the ordeal of his trial was a severe one. It lasted eight days. It was only at midday on the sixth day that the evidence was concluded. Not only was Castaing compelled to submit to a long interrogatory by the President, but, after each witness had given his or her evidence, the prisoner was called on to refute or explain any points unfavourable to him. This he did briefly, with varying success; as the trial went on, with increasing embarra.s.sment. A great deal of the evidence given against Castaing was hearsay, and would have been inadmissible in an English court of justice. Statements made by Auguste to other persons about Castaing were freely admitted. But more serious was the evidence of Mlle. Percillie, Auguste's mistress. She swore that on one occasion in her presence Castaing had reproached Auguste with ingrat.i.tude; he had complained that he had destroyed one copy of Hippolyte Ballet's will, and for Auguste's sake had procured the destruction of the other, and that yet, in spite of all this, Auguste hesitated to entrust him with 100,000 francs. Asked what he had to say to this statement Castaing denied its truth. He had, he said, only been in Mlle. Percillie's house once, and then not with Auguste Ballet. Mlle.

Percillie adhered to the truth of her evidence, and the President left it to the jury to decide between them.

A Mme. Durand, a patient of Castaing, gave some curious evidence as to a story told her by the young doctor. He said that a friend of his, suffering from lung disease, had been persuaded into making a will in his sister's favour. The sister had offered a bribe of 80,000 francs to her brother's lawyer to persuade him to make such a will, and paid one of his clerks 3,000 francs for drawing it up. Castaing, in his friend's interest, and in order to expose the fraud, invited the clerk to come and see him. His friend, hidden in an alcove in the room, overheard the conversation between Castaing and the clerk, and so learnt the details of his sister's intrigue. He at once destroyed the will and became reconciled with his brother, whom he had been about to disinherit. After his death the brother, out of grat.i.tude, had given Castaing 100,000 francs.

President: Castaing, did you tell this story to Mme. Durand?

Castaing: I don't recollect.

Avocat-General: But Mme. Durand says that you did.

Castaing: I don't recollect.

President: You always say that you don't recollect; that is no answer.

Have you, yes or no, made such a statement to Mme. Durand?

Castaing: I don't recollect; if I had said it, I should recollect it.

Another lady whom Castaing had attended free of charge swore, with a good deal of reluctance, that Castaing had told her a somewhat similar story as accounting for his possession of 100,000 francs.

Witnesses were called for the defence who spoke to the diligence and good conduct of Castaing as a medical student; and eighteen, whom he had treated free of expense, testified to his kindness and generosity. "All these witnesses," said the President, "speak to your generosity; but, for that very reason, you must have made little profit out of your profession, and had little opportunity for saving anything," to which Castaing replied: "These are not the only patients I attended; I have not called those who paid me for my services." At the same time Castaing found it impossible to prove that he had ever made a substantial living by the exercise of his profession.

One of the medical witnesses called for the defence, M. Chaussier, had volunteered the remark that the absence of any trace of poison in the portions of Auguste Ballet's body submitted to a.n.a.lysis, const.i.tuted an absence of the corpus delicti. To this the President replied that that was a question of criminal law, and no concern of his. But in his speech for the prosecution the Avocat-General dealt with the point raised at some length--a point which, if it had held good as a principle of English law, would have secured the acquittal of so wicked a poisoner as Palmer. He quoted from the famous French lawyer d'Aguesseau: "The corpus delicti is no other thing than the delictum itself; but the proofs of the delictum are infinitely variable according to the nature of things; they may be general or special, princ.i.p.al or accessory, direct or indirect; in a word, they form that general effect (ensemble) which goes to determine the conviction of an honest man." If such a contention as M. Chaussier's were correct, said the Avocat-General, then it would be impossible in a case of poisoning to convict a prisoner after his victim's death, or, if his victim survived, to convict him of the attempt to poison. He reminded the jury of that paragraph in the Code of Criminal Procedure which instructed them as to their duties: "The Law does not ask you to give the reasons that have convinced you; it lays down no rules by which you are to decide as to the fullness or sufficiency of proof... it only asks you one question: 'Have you an inward conviction?'" "If," he said, "the actual traces of poison are a material proof of murder by poison, then a new paragraph must be added to the Criminal Code--'Since, however, vegetable poisons leave no trace, poisoning by such means may be committed with impunity.'" To poisoners he would say in future: "Bunglers that you are, don't use a.r.s.enic or any mineral poison; they leave traces; you will be found out. Use vegetable poisons; poison your fathers, poison your mothers, poison all your families, and their inheritance will be yours--fear nothing; you will go unpunished! You have committed murder by poisoning, it is true; but the corpus delicti will not be there because it can't be there!" This was a case, he urged, of circ.u.mstantial evidence. "We have," he said, "gone through a large number of facts. Of these there is not one that does not go directly to the proof of poisoning, and that can only be explained on the supposition of poisoning; whereas, if the theory of the defence be admitted, all these facts, from the first to the last, become meaningless and absurd. They can only be refuted by arguments or explanations that are childish and ridiculous."

Castaing was defended by two advocates--Roussel, a schoolfellow of his, and the famous Berryer, reckoned by some the greatest French orator since Mirabeau. Both advocates were allowed to address the jury. Roussel insisted on the importance of the corpus delicti. "The delictum," he said, "is the effect, the guilty man merely the cause; it is useless to deal with the cause if the effect is uncertain," and he cited a case in which a woman had been sent for trial, charged with murdering her husband; the moral proof of her guilt seemed conclusive, when suddenly her husband appeared in court alive and well. The advocate made a good deal of the fact that the remains of the draught prescribed by Dr.

Pigache, a spoonful of which Castaing had given to Auguste Ballet, had been a.n.a.lysed and showed no trace of poison. Against this the prosecution set the evidence of the chemist at Saint Cloud, who had made up the prescription. He said that the same day he had made up a second prescription similar to that of Dr. Pigache, but not made out for Auguste Ballet, which contained, in addition to the other ingredients, acetate of morphia. The original of this prescription he had given to a friend of Castaing, who had come to his shop and asked him for it a few days after Ballet's death. It would seem therefore that there had been two bottles of medicine, one of which containing morphia had disappeared.

M. Roussel combatted the suggestion that the family of Castaing were in a state of indigence. He showed that his father had an income of 10,000 francs, while his two brothers were holding good positions, one as an officer in the army, the other as a government official. The mistress of Castaing he represented as enjoying an income of 5,000 francs.

He protested against the quant.i.ty of hearsay evidence that had been admitted into the case. "In England," he said, "when a witness is called, he is asked 'What have you seen?' If he can only testify to mere talk, and hearsay, he is not heard." He quoted the concluding paragraph of the will of Auguste Ballet as showing his friendly feeling towards Castaing: "It is only after careful reflection that I have made this final disposition of my property, in order to mark the sincere friends.h.i.+p which I have never for one moment ceased to feel for MM.

Castaing, Briant and Leuchere, in order to recognise the faithful loyalty of my servants, and deprive M. and Mme. Martignon, my brother-in-law and sister, of all rights to which they might be legally ent.i.tled on my death, fully persuaded in soul and conscience that, in doing so, I am giving to each their just and proper due." "Is this,"

asked M. Roussel, "a doc.u.ment wrested by surprise from a weak man, extorted by trickery? Is he not acting in the full exercise of his faculties? He forgets no one, and justifies his conduct."

When M. Roussel came to the incident of the noisy cats and dogs at Saint Cloud, he was as ingenious as the circ.u.mstances permitted: "A serious charge engrosses public attention; men's minds are concentrated on the large, broad aspects of the case; they are in a state of unnatural excitement. They see only the greatness, the solemnity of the accusation, and then, suddenly, in the midst of all that is of such tragic and surpa.s.sing interest, comes this trivial fact about cats and dogs. It makes an unfavourable impression, because it is dramatically out of keeping with the tragedy of the story. But we are not here to construct a drama. No, gentlemen, look at it merely as a trivial incident of ordinary, everyday life, and you will see it in its proper light." M. Roussel concluded by saying that Castaing's most eloquent advocate, if he could have been present, would have been Auguste Ballet.

"If Providence had permitted him to enter this court, he would cry out to you, 'Save my friend's life! His heart is undefiled! He is innocent!'"

M. Roussel concluded his speech at ten o'clock on Sunday night, November 16. The next morning Berryer addressed the jury. His speech in defence of Castaing is not considered one of his most successful efforts. He gave personal testimony as to the taste of acetate of morphia. He said that with the help of his own chemist he had put a quarter of a grain of the acetate into a large spoonful of milk, and had found it so insupportably bitter to the taste that he could not keep it in his mouth. If, he contended, Ballet had been poisoned by tartar emetic, then twelve grains given in milk would have given it an insipid taste, and vomiting immediately after would have got rid of the poison. Later investigations have shown that, in cases of antimonial poisoning, vomiting does not necessarily get rid of all the poison, and the convulsions in which Auguste Ballet died are symptomatic of poisoning either by morphia or antimony. In conclusion, Berryer quoted the words addressed by one of the Kings of France to his judges: "When G.o.d has not vouchsafed clear proof of a crime, it is a sign that He does not wish that man should determine it, but leaves its judgment to a higher tribunal."

The Avocat-General, in reply, made a telling answer to M. Roussel's attempt to minimise the importance of the cats and dogs: "He has spoken of the drama of life, and of its ordinary everyday incidents. If there is drama in this case, it is of Castaing's making. As to the ordinary incidents of everyday life, a man buys poison, brings it to the bedside of his sick friend, saying it is for experiments on cats and dogs, the friend dies, the other, his sole heir, after foretelling his death, takes possession of his keys, and proceeds to gather up the spoils--are these ordinary incidents of every-day life?"

It was nine o'clock at night when the jury retired to consider their verdict. They returned into court after two hours' deliberation. They found the prisoner "Not Guilty" of the murder of Hippolyte Ballet, "Guilty" of destroying his will, and "Guilty" by seven votes to five of the murder of Auguste Ballet. Asked if he had anything to say before judgment was given, Castaing, in a very loud voice, said "No; but I shall know how to die, though I am the victim of ill-fortune, of fatal circ.u.mstance. I shall go to meet my two friends. I am accused of having treacherously murdered them. There is a Providence above us! If there is such a thing as an immortal soul, I shall see Hippolyte and Auguste Ballet again. This is no empty declamation; I don't ask for human pity"

(raising his hands to heaven), "I look to G.o.d's mercy, and shall go joyfully to the scaffold. My conscience is clear. It will not reproach me even when I feel" (putting his hands to his neck). "Alas! It is easier to feel what I am feeling than to express what I dare not express." (In a feeble voice): "You have desired my death; you have it!"

The judges retired to consider the sentence. The candles were guttering, the light of the lamps was beginning to fade; the aspect of the court grim and terrible. M. Roussel broke down and burst into tears. Castaing leant over to his old schoolfellow: "Courage, Roussel," he said; "you have always believed me innocent, and I am innocent. Embrace for me my father, my mother, my brothers, my child." He turned to a group of young advocates standing near: "And you, young people, who have listened to my trial, attend also my execution; I shall be as firm then as I am now.

All I ask is to die soon. I should be ashamed to plead for mercy." The judges returned. Castaing was condemned to death, and ordered to pay 100,000 francs damages to the family of Auguste Ballet.