A Prisoner in Fairyland Part 32

And those who were good shall be happy.

They shall sit in a golden chair; They shall splash at a ten-league canvas With brushes of comets' hair.

They shall have real saints to paint from-- Magdalene, Peter, and Paul; They shall work for an age at a sitting And never get tired at all.

And only the Master shall praise them, And only the Master shall blame; And no one shall work for money, And no one shall work for fame; But each for the joy of the working, And each in his separate star, Shall draw the thing as he sees it For the G.o.d of things as they are, R. KIPLING.

And meanwhile, as May ran laughing to meet June, an air of coloured wonder spread itself about the entire village. Rogers had brought it with him from that old Kentish garden somehow. His journey there had opened doors into a region of imagination and belief whence fairyland poured back upon his inner world, transfiguring common things. And this transfiguration he unwittingly put into others too. Through this very ordinary man swept powers that usually are left behind with childhood. The childhood aspect of the world invaded all who came in contact with him, enormous, radiant, sparkling, charged with questions of wonder and enchantment. And every one felt it according to their ability of reconstruction. Yet he himself had not the least idea that he did it all. It was a reformation, very tender, soft, and true.

For wonder, of course, is the basis of all inquiry. Interpretation varies, facts remain the same; and to interpret is to recreate. Wonder leads to wors.h.i.+p. It insists upon recreation, prerogative of all young life. The Starlight Express ran regularly every night, Jimbo having constructed a perfect time-table that answered all requirements, and was sufficiently elastic to fit instantly any scale that time and s.p.a.ce demanded. Rogers and the children talked of little else, and their adventures in the daytime seemed curiously fed by details of information gleaned elsewhere.

But where? The details welled up in one and all, though whence they came remained a mystery. 'I believe we dream a lot of it,' said Jimbo.

'It's a lot of dreams we have at night, comme fa.' He had made a complete map of railway lines, with stations everywhere, in forests, sky, and mountains. He carried stations in his pocket, and just dropped one out of the carriage window whenever a pa.s.senger shouted, 'Let's stop here.' But Monkey, more intellectual, declared it was 'all Cousinenry's invention and make-up,' although she asked more questions than all the others put together. Jinny, her sister, stared and listened with her puzzled, moth-like expression, while Mother watched and marvelled cautiously from a distance. In one and all, however, the famished sense of wonder interpreted life anew. It named the world afresh--the world of common things. It subdued the earth unto itself.

What a mind creates it understands. Through the familiar these adventurers trace lines of discovery into the unfamiliar. They understood. They were up to their waists in wonder. There was still disorder, of course, in their great reconstruction, but that was where the exciting fun came in; for disorder involves surprise. Any moment out might pop the unexpected--event or person.

Cousin Henry was easily leader now. While Daddy remained absorbed with his marvellous new story, enthusiastic and invisible, they ran about the world at the heels of this 'busy engineer,' as Jane Ann ent.i.tled him. He had long ago told them, with infinite and exaccurate detail, of his journey to the garden and his rediscovery of the sprites, forgotten during his twenty years of business life. And these sprites were as familiar to them now as those of their own childhood. They little knew that at night they met and talked with them. Daddy had put them all into the Wumble Book, achieving mediocre success with the rhymes, but amply atoning with the ill.u.s.trations. The Woman of the Haystack was evidently a monster pure and simple, till Jinny announced that she merely had 'elephant.i.tis,' and thus explained her satisfactorily. The Lamplighter, with s.h.i.+ning feet, taking enormous strides from Neuchatel to a London slum, putting fire into eyes and hearts _en route_, thrilled them by his radiant speed and ubiquitous activity, while his doggerel left them coldly questioning. For the rhymes did _not_ commend themselves to their sense of what was proper in the use of words. His natural history left them unconvinced, though the anatomy of the drawing fascinated them.

He walked upon his toes As softly as a saying does, For so the saying goes.

That he 'walked upon his toes' was all right, but that he 'walked softly as a saying' meant nothing, even when explained that 'thus the saying goes.'

'Poor old Daddy,' was Jinny's judgment; 'he's got to write something.

You see, he is an author. Some day he'll get his testimonial.'

It was Cousin Henry who led them with a surer, truer touch. He always had an adventure up his sleeve--something their imaginations could accept and recreate. Each in their own way, they supplied interpretations as they were able.

Every walk they took together furnished the germ of an adventure.

'But I'm not exciting to-day,' he would object thirsting for a convincing compliment that should persuade him to take them out. Only the compliment never came quite as he hoped.

'Everybody's exciting somewhere,' said Monkey, leading the way and knowing he would follow. 'We'll go to the Wind Wood.'

Jimbo took his hand then, and they went. Corners of the forest had names now, born of stories and adventures he had placed there--the Wind Wood, the Cuckoo Wood, where Daddy could not sleep because 'the beastly cuckoo made such a noise'; the Wood where Mother Fell, and so on. No walk was wholly unproductive.

And so, one evening after supper, they escaped by the garden, crossed the field where the standing hay came to their waists, and climbed by forest paths towards the Wind Wood. It was a spot where giant pines stood thinly, allowing a view across the lake towards the Alps. The moss was thick and deep. Great boulders, covered with lichen, lay about, and there were fallen trees to rest the back against. Here he had told them once his vision of seeing the wind, and the name had stuck; for the story had been very vivid, and every time they felt the wind or heard it stirring in the tree-tops, they expected to see it too. There were blue winds, black winds, and winds--violent these--of purple and flaming scarlet.

They lay down, and Cousinenry made a fire. The smoke went up in thin straight lines of blue, melting into the sky. The sun had set half an hour before, and the flush of gold and pink was fading into twilight.

The glamour of Bourcelles dropped down upon all three. They ought to have been in bed--hence the particular enjoyment.

'Are you getting excited now?' asked Monkey, nestling in against him.

'Hus.h.!.+' he said, 'can't you hear it coming?'

'The excitement?' she inquired under her breath.

'No, the Night. Keep soft and silent--if you can.'

'Tell us, please, at once,' both children begged him instantly, for the beauty of the place and hour demanded explanation, and explanation, of course, must be in story or adventure form. The fire crackled faintly; the smell crept out like incense; the lines of smoke coiled upwards, and seemed to draw the tree-stems with them. Indeed they formed a pattern together, big thick trunks marking the uprights at the corners, and wavy smoke lines weaving a delicate structure in between them. It was a kind of growing, moving scaffolding. Saying nothing, Cousin Henry pointed to it with his finger. He traced its general pattern for them in the air.

'That's the Scaffolding of the Night beginning,' he whispered presently, feeling adventure press upon him.

'Oh, I say,' said Jimbo, sitting up, and pretending as usual more comprehension than he actually possessed. But his sister instantly asked, 'What is it--the Scaffolding of the Night? A sort of cathedral, you mean?'

How she divined his thought, and s.n.a.t.c.hed it from his mind always, this nimble-witted child! His germ developed with a bound at once.

'More a palace than a cathedral,' he whispered. 'Night is a palace, and has to be built afresh each time. Twilight rears the scaffolding first, then hangs the Night upon it. Otherwise the darkness would simply fall in lumps, and lie about in pools and blocks, unfinished--a ruin instead of a building. Everything must have a scaffolding first.

Look how beautifully it's coming now,' he added, pointing, 'each shadow in its place, and all the lines of grey and black fitting exaccurately together like a skeleton. Have you never noticed it before?'

Jimbo, of course, _had_ noticed it, his manner gave them to understand, but had not thought it worth while mentioning until his leader drew attention to it.

'Just as trains must have rails to run on,' he explained across Cousinenry's intervening body to Monkey, 'or else there'd be accidents and things all the time.'

'And night would be a horrid darkness like a plague in Egypt,' she supposed, adroitly defending herself and helping her cousin at the same time. 'Wouldn't it?' she added, as the shadows drew magically nearer from the forest and made the fire gradually grow brighter. The children snuggled closer to their cousin's comforting bulk, s.h.i.+vering a little. The woods went whispering together. Night shook her velvet skirts out.

'Yes, everything has its pattern,' he answered, 'from the skeleton of a child or a universe to the outline of a thought. Even a dream must have its scaffolding,' he added, feeling their shudder and leading it towards fun and beauty. 'Insects, birds, and animals all make little scaffoldings with their wee emotions, especially kittens and b.u.t.terflies. Engine-drivers too,' for he felt Jimbo's hand steal into his own and go to sleep there, 'but particularly little beasties that live in holes under stones and in fields.

When a little mouse in wonder Flicks its whiskers at the thunder,

it makes a tiny scaffolding behind which it hides in safety, shuddering. Same with Daddy's stories. Thinking and feeling does the trick. Then imagination comes and builds it up solidly with bricks and wall-papers....'

He told them a great deal more, but it cannot be certain that they heard it all, for there were other Excitements about besides their cousin--the fire, the time, the place, and above all, this marvellous coming of the darkness. They caught words here and there, but Thought went its own independent way with each little eager mind. He had started the machinery going, that was all. Interpretation varied; facts remained the same. And meanwhile twilight brought the Scaffolding of Night before their eyes.

'You can see the lines already,' he murmured sleepily, 'like veins against the sunset.... Look!'

All saw the shadowy slim rafters slip across the paling sky, mapping its emptiness with intricate design. Like an enormous spider's web of fine dark silk it bulged before the wind. The trellis-work, slung from the sky, hung loose. It moved slowly, steadily, from east to west, trailing grey sheets of dusk that hung from every filament. The maze of lines bewildered sight. In all directions shot the threads of coming darkness, spun from the huge body of Night that still hid invisible below the horizon.

'They're fastening on to everything ... look!' whispered Cousin Henry, kicking up a shower of sparks with his foot. 'The Pattern's being made before your eyes! Don't you see the guy ropes?'

And they saw it actually happen. From the summits of the distant Alps ran filmy lines of ebony that knotted themselves on to the crests of the pines beside them. There were so many no eye could follow them.

They flew and darted everywhere, dropping like needles from the sky itself, sewing the tent of darkness on to the main supports, and threading the starlight as they came. Night slowly brought her beauty and her mystery upon the world. The filmy pattern opened. There was a tautness in the lines that made one feel they would tw.a.n.g with delicate music if the wind swept its hand more rapidly across them.

And now and again all vibrated, each line making an ellipse between its fastened ends, then gradually settling back to its thin, almost invisible bed. Cables of thick, elastic darkness steadied them.

How much of it all the children realised themselves, or how much flashed into them from their cousin's mind, is of course a thing not even a bat can tell.

'Is that why bats fly in such a muddle? Like a puzzle?'

'Of course,' he said. The bats were at last explained.

They built their little pictures for themselves. No living being can lie on the edge of a big pine forest when twilight brings the darkness without the feeling that everything becomes too wonderful for words.

The children as ever fed his fantasy, while he thought he did it all himself. Dusk wore a shroud to entangle the too eager stars, and make them stay.

'I never noticed it before,' murmured Monkey against his coat sleeve.

'Does it happen every night like this?'

'You only see it if you look very closely,' was the low reply. 'You must think hard, very hard. The more you think, the more you'll see.'

'But really,' asked Jimbo, 'it's only--_crepuscule, comme ca,_ isn't it?' And his fingers tightened on his leader's hand.

'Dusk, yes,' answered Cousin Henry softly, 'only dusk. But people everywhere are watching it like ourselves, and thinking feather thoughts. You can see the froth of stars flung up over the crest of Night. People are watching it from windows and fields and country roads everywhere, wondering what makes it so beautiful. It brings yearnings and long, long desires. Only a few like ourselves can see the lines of scaffolding, but everybody who thinks about it, and loves it, makes it more real for others to see, too. Daddy's probably watching it too from his window.'