Goodness. Part 7

I tell her: 'Look, s.h.i.+rley, if Hilary wasn't here, I'd be happy to have another child. We could adopt one. I do believe we would be happy.'

'What do you mean, "wasn't here"?'

She knows perfectly well what I mean. Nevertheless, I say: 'If she went into a home.'

'But we've been over that a million times. She wouldn't get any attention. She'd make no progress.'

'She's not making any progress as it is.'

'Yes she is.'

My own inclination is to be honest about these things, however brutal it may seem. All the same, I say: 'If she were being looked after, you could get a job.'

'I don't want a job.'

'But you must want to get out of the house sometimes. Don't you?'

'Of course I do, but I can't and that's that, so what's the point of moaning about it.'

'You're denying yourself.'

'Yes.'

'For a creature who has no hope, no future.'

She pauses. She bites her lip. 'Not perhaps in the narrow way you define those concepts.'

'So how does s.h.i.+rley Harcourt define them.'

'I don't. I just get on with things, that's life.'

'Oh, mysterious life again.'

'Right.'

Then she says: 'Anyway, what future do you have, George Crawley?'

'Oh come on.'

'You see.'

'I'm sorry, but I don't.'

'And didn't George kill the dragon to save the damsel, not vice versa.'

'What on earth is that supposed to mean?'

'I've seen your sc.r.a.pbook,' she says, 'okay? And it's inhuman what you're thinking.'

I turn away. 'Only too human to go by what's written in those articles.'

I persuade her, after the ten consultants, at least to go and look at a home. Check it out. We drive up to the Penelope Hardwick State-a.s.sisted Charity School for the Severely Handicapped in Enfield. In the car she says chattily: 'I honestly can't understand what's eating you so much. I'm doing everything with her now. You have all the time in the world to do whatever you want. Leave earlier in the morning if you like, come home later. Work weekends. The world's your oyster, George. Go get it.'

I realise she is telling the truth. I mean about not understanding. She can't understand. This is the crux, she can't understand me. Otherwise she wouldn't say these things.

'And if you want some fun at least get yourself snipped so we can make love. I could do with some action too, you know. Then we could go out occasionally if you want. Your Mum is willing to babysit. So's Charles, though I'm not sure I could trust him.'

'I don't want to see my mother any more than is necessary.'

She says not to be such a big baby. What does it matter if she knows we screwed around?

She doesn't understand.

'You're hung up,' she tells me then.

'Perhaps I am. But at least one should be able to count on one's wife to respect one's hang-ups.'

And when Enfield's one-way system at last allows us to find it, the home really is pretty awful. One storey, yellow brick, the windows blue metal-framed, black lino floors, walls green to waist height, white above, firedoors at regular intervals down an interminable corridor reeking of disinfectant; in short, the s.p.a.ces, shape and general utilitarian meanness of any inst.i.tution, rendered poignant in this case by worse than usual childish scribblings pinned on the walls, by a background smell beneath the disinfectant of s.h.i.+t, by the cluttering paraphernalia of the handicapped: wheelchairs, walking frames, lifting devices in the bathroom. And then, inhabiting this ersatz fluorescent-lit environment, the fifty hopeless, slavering, contorted, clamouring, spastic, clumsily-dressed, unkempt basket cases. I know, I know, but what else do you want me to call them? Do we have to be pious? Except that sometimes the eyes are so intelligent, the gaze so piercingly clear as they register your panic. One little Asian boy in particular. A tiny, horribly deformed monkey with huge gorgon eyes. Amused. He laughs when he sees me in my suit and tie.

But Hilary is not one of those. Her eyes don't see.

The white-coated staff are kind, bored, complacent, addressing the children with the same slightly sharp, patronising voice one might use for untrained pets or for the senile. Irritation, one senses, is kept at bay only by professional resignation. How else could it be? Much fl.u.s.tering to get a certain overweight Thomas to renounce a pen he is in danger of jabbing in his eye. 'Come on, Tommy, you've been such a good boy this morning.' Judging by his bulk, he's at least eleven, ugly and belligerent.

s.h.i.+rley smiles readily. She doesn't seem to have the same difficulty simply looking that I have. Her manner reminds me of our pre-natal courses; she's fresh, gregarious. Immediately she plunges into earnest conversation with one of the younger 'teachers' on the kinds of handicaps, the types of treatment. How many hours of this and that do they do, staff/children ratio, frequency of parental visits. 'This child has Horner's syndrome.' As if we were connoisseurs. 'Yes, it's so exciting to see the progress they make, the way they come out.' What were they like before? A spastic boy, wrists unnaturally twisted, is incessantly fingering pouted lips, his face blank in front of a morning TV programme showing how tennis b.a.l.l.s are made. The TV is high up on the wall, out of harm's way. In the corner a boy with only flippers protruding from his shoulders is trying to turn the pages of a comic book.

Of course these people must be looked after.

We are invited to stay to watch the children eat their lunch. I quickly invent a business appointment.

Silence in the car. I don't even bother persuading. s.h.i.+rley is kind enough not to say told you so. What she does do though is whistle as we inch down Ponder's End High Street. She doesn't often whistle. I recognise: 'New every morning is the love'. She has recently joined the choir at St Barnabas. Apparently she sits at one end of the stalls with Hilary in her special chair on the chancel steps to the right. It is one of her illusions that Hilary appreciates music.

Finally she says: 'What heroes.'

I say: 'Yes, I was wondering why my mother never thought of it.'

Good Thick Foil-Wrapped Chocolate The first faith-healer I try operates from a semi-bas.e.m.e.nt flat off the Fulham Road. She is not a big name. I go to this woman because the MD, Johnson, and his wife have been enthusing about her for months. Margaret, the wife, in her early fifties, is intelligent, upper-cla.s.s, well-educated; a sceptical type I would have thought. For more than fifteen years she has suffered intermittently from severe back pains which sometimes make it impossible for her even to stand up. After innumerable medical examinations, tests, X-rays, scans, drugs, ma.s.sage, acupuncture and even an exploratory operation, she was finally persuaded by a friend to try Miss Whittaker. In just three 'sessions' she was healed. She hasn't had the pain for months. So what did Miss Whittaker actually do? Nothing more than lay her hands on Margaret Johnson in a darkened room.

Normally of course I would take this kind of story with the very large pinch of salt it probably deserves. Menopausal women are famous for their psychosomatic problems. I've always given faith-healing about the same credibility rating as flying saucers and abominable snowmen. Things we'd like to believe in, good newspaper fodder. But at a price of 12.50 a session it is surely worth a whirl.

At the back of all my calculation there is always that faint, that constantly suppressed but in the end indomitable craving for a miracle, that residual part of me which is still a little boy kneeling in a cold church clutching at a thread of faith. Surely this is normal. The fact is I have made a sort of promise that I will become religious, Christian even, if a miracle occurs. 'Master, we would see a sign from thee,' I remember the verse from Sunday school. Who was it? The Pharisees? And what could be fairer? People have been doing these deals for centuries. If He wants my soul (if I have a soul), let Him show me a sign.

So I casually mention to Neil, the MD, who any day now will be inviting me to be a director (I have seen an exchange of memo's between himself and one of the non-executive partners), that my mother also has a back problem. (I have never told anyone at work that I have a handicapped child. Somehow I know it would be unwise.) Having thus w.a.n.gled address and phone number, I then have to persuade the fabled Miss Whittaker to give me an appointment on Sat.u.r.day afternoon. Soft-spoken, the woman has the irritating habit of leaving long pauses on the telephone. She doesn't usually 'receive' on Sat.u.r.day. She goes to see her mother in Richmond. I offer to pay double and to drive her on to Richmond afterwards if that would help. Politely, she says she is not interested in money. Then I remember that what I must say with this kind of person is, 'please'. 'Please, Miss Whittaker, please, I'm desperate, and I really can't come any other day.' The appointment is arranged.

Now it's merely a question of getting s.h.i.+rley to let me have Hilary for the afternoon. Because I don't want s.h.i.+rley to know. Lourdes is one thing, huge, inst.i.tutional, traditional, respectable. Everybody tries Lourdes. You'd be amazed how many common-or-garden, middle-cla.s.s protestants have been there with their chronic arthritis, low sperm counts, dyslexic children and miscellaneous cancers. Lourdes is respectable. But a faith-healer off the Fulham Road is something else altogether. The trouble being that the more I try to solve the problem, to save Hilary rather than just leave be, the more bizarre the gestures I make, so the closer s.h.i.+rley believes I'm getting to doing something drastic.

A certain macabre suspicion has crept into our relations.h.i.+p. She keeps her eye on me.

'I just thought I'd take her off your back for an afternoon. Give you a chance to relax.'

s.h.i.+rley is indeed worn out. Who wouldn't be? It's been a week of ear infection again. Hilary can't take regular antibiotics because of the additives they have. She is likewise allergic to the solution most drops come in.

'Of course if you don't want me to get close to my daughter . . .'

She concedes.

And as I prepare Hilary for the trip I sense again how right I am to insist on finding some kind of solution that will truly be a solution, on not accepting this miserable situation as permanent. For just getting a coat and hat on the girl is a hopeless, wearing, heartbreaking task. Her arms won't go in the holes. The elbows don't bend properly. She wriggles and moans, arching her little body fiercely, unnaturally, backwards, eyeb.a.l.l.s rolling away so that the iris is almost gone.

I try so hard to be gentle. I force a hand into a sleeve. Then she scratches herself quite badly behind an ear. There's blood.

s.h.i.+rley says I haven't the knack.

I say the girl's nails shouldn't be allowed to get so long. Briefly I reflect on the quite endless occasions for discord.

I carry her down the back steps to the garage tossed over my shoulder like a sack of potatoes. She has no muscle-tone. She can't cling to me like a normal child would. But sensing, from the changes in sound, smell and light, that we must be going out, she begins to gurgle happily. Then cries again as we go through the business of getting her into the car and into some kind of acceptable position on the car seat where I can strap her in. Leaving her crying, I hurry back to the house for nappies, creams, her special two-ton pushchair.

I tell s.h.i.+rley I'm taking her to hear the band in St James's Park. It's a pleasant spring afternoon. Open air and music are two of the few things she is capable of enjoying, aren't they? s.h.i.+rley is touched now and embraces me. We would both like not to argue, to be close. 'George,' she mutters. 'Thanks, really.'

In the car when I look in the mirror, my daughter's head is lolling heavily to one side, a beatific smile on her face which gradually smooths out into sleep. At least I get the fun of the drive.

I suppose I'm expecting somebody thin, drawn, spiritual, mysterious, perhaps dressed in black. I have in mind a medium I saw on some up-market TV drama with dull, glazed, at once unseeing and all-seeing eyes. A make-up job probably. Instead, having humped the sleeping Hilary down a flight of cement steps and negotiated my way past a line of bins and a.s.sorted pots with geranium cuttings, I am greeted by a woman who surprises me by her likeness to my mother when she was younger. It is the florid, matronly wholesomeness of the round middle-aged face that strikes me, the clear, kind eyes.

'You must be Mr Crawley. Do come in. Is this your little daughter?'

Miss Whittaker's dumpy body is dressed cheaply and sensibly in patterned skirt and synthetic pink sweater. I am disappointed. Far from a mysterious place of healing, her flat might be any of the more middle-cla.s.s variety one sees when visiting colleagues from work: stuffy, cleanly-kept, unexciting. Photographs of relatives and so on. Though plentiful flowers do give a sense of repose.

'Mrs Johnson told me about you.'

She wrinkles her forehead and frowns: 'Mrs Johnson? I've got a head like a sieve I'm afraid.'

'She had a bad back and . . .'

'Oh, yes, right. It's better now of course.'

'Yes, it is.'

'I am glad. And what can I do for you?'

Catching a faint twinkle in her clear eyes I realise that she is aware of, and rather amused by, my sense of disappointment. She is intelligent.

As I begin to mumble my story she walks me through to a small back bedroom where floral curtains and a ma.s.s of potted plants are allowing only a dim green light to filter onto spartan furnis.h.i.+ngs: divan bed, armchair, chair, bookcase. There is none of the religious bric-a-brac I had imagined. Not even the texts my mother invariably hangs on bedroom walls ('They shall rise up on wings as eagles: they shall run and not faint'). Perhaps it's not going to be the performance I expected.

'Ah, the girl. No, don't tell me anything, Mr Crawley. No medical details, please. It only interferes. Just lay her on the bed then, will you.'

Naturally as I try to slip her coat off, for the room is over-heated, Hilary wakes with a heart-stopping howl that freezes thought. Her mouth opens wide, wide, wide. She wails. Under my breath I involuntarily mutter, 'b.l.o.o.d.y h.e.l.l!' And immediately, startlingly, I sense that although it is surely impossible with the volume of that howling, Miss Whittaker has somehow heard me. I turn quickly to find her smiling at me with sympathy, but also with a certain sternness. Again I am reminded of my mother.

'You don't believe, do you, Mr Crawley?'

'No, I'm afraid I don't.'

'You don't believe I have any power.'

She talks sweetly without any hint of challenge.

'Well, I . . .'

And all the while I'm trying to stop poor b.l.o.o.d.y Hilary from rolling off the bed. She is unusually agitated.

'So may I ask why you came?'

With sudden and I know rude belligerence, I say, 'Why shouldn't I come? I've got nothing to lose.'

She doesn't react. On the contrary, there is something irritatingly demure about the way she stands with her fleshy white hands folded in front of her. 'I think I understand,' she says. 'In any event it surely doesn't help if you curse and swear over your child, does it?' She raises her eyebrows. We exchange a brief glance, during which I again have the impression that she is coolly aware of what I am thinking: that she is a pious fraud.

'Do you want me to undress her?' I ask. The child is crying softly now.

'No, no, you just relax and sit in the armchair for a little, will you?'

I had been afraid I might be asked to pray or something. She waits for me to move away and then goes to the bed and strokes Hilary's hair. Immediately the child quietens and begins to gurgle softly.

'What a pretty little girl,' Miss Whittaker murmurs. 'What a pretty pink ribbon Mummy has put in your hair. What pretty clothes. Someone's mummy and daddy think a lot of them, don't they? Someone's a very lucky little girl.'

Curiously, she is right. We do think a lot of her.

I sit in the chair watching the woman's squat back. Hilary is lying quite still and calm, despite the strange place, the strange voice. This is very unusual. A good sign. So, do I sense the faintest ray of hope? It's quickly quelled. How can this woman even know what's wrong with my daughter? There's nothing to be seen without taking her clothes off. She's not obviously spastic or mongoloid. The charlatan doesn't know what I brought her for.

Kneeling on a cus.h.i.+on, Miss Whittaker runs her small podgy hands the length of the child's body, letting them slide lightly over her clothes. Minutes pa.s.s. She has stopped talking now, her hands move back and forth, not hypnotically or even rhythmically, but more with a questing motion, stopping here and there, hovering, moving back, coming quietly to rest: on her head for a full minute, above her knees, her ankles, which below her socks, I know, are fierce with scars. Hilary lies still, eyes blindly open, breathing soft. She doesn't even move when a plump hand covers her face, gently pressing the eyelids. Leaning over her, Miss Whittaker blows very lightly on her forehead. Then repeats the whole rigmarole.

I watch, biting a nail. Fifteen minutes. It's hard keeping still frankly. I fidget. I feel tense. It's farcical. For of course, now I'm here, I don't expect anything. In the end I would have done a lot better by myself and Hilary if I'd gone to St James's Park. s.h.i.+rley would think I'd lost my marbles.

Another ten minutes before at last Miss Whittaker rises slowly to her feet, then sits on the bed and strokes Hilary's hair in what is now an entirely normal way. Immediately the child begins to smile and gurgle again.

'Poor little lovey.' Then she turns to me. She says: 'Well, apart from some small irritation or infection which I may have been able to help, your child is really perfectly healthy, Mr Crawley, and beautifully, beautifully innocent. Don't you see how her smiles s.h.i.+ne?'

What? Is the 'session' over? Is that her verdict? But she holds up a hand to stop my protest. 'As for the question of what she is, I mean the form in which she was sent into this world, I'm afraid it is far, far beyond my humble powers to alter that.'

After a moment's awkward silence in this dimly-lit room, I decide the best thing to do is cut my losses. Only 12.50 after all. A joke. I stand up to go, reaching for my wallet.

She smiles her sad smile, so similar to any sympathetic, middle-cla.s.s smile an older woman might give you waiting in a long queue at supermarket or post office. She is still stroking Hilary's hair. For the first time, standing above her now as she moves her legs, crosses her ankles, I think of her as feminine, ample, faintly perfumed, a woman. They are always women. And she says calmly: 'Perhaps I could help you, though, Mr Crawley.'

'I'm sorry, I beg your pardon.'

'Perhaps I could help you more than your child.'

'Oh I'm fine.' Caught by surprise, I automatically a.s.sume my jocular office persona. 'As terminal patients go I mean.' I laugh falsely. I'm never ready for people's extraordinary presumption.

She raises her eyebrows. 'In some ways you may be less healthy than your daughter.'

'That,' I tell her emphatically, dropping any attempt at humour, 'is patently non-sense. Anyway, I'm in a hurry.'