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"Oh, no," said Elma, "that's one of the funny parts. Mr. Sturgis doesn't approve of freehand drawing at all. He says it's anything but freehand, he says it's--it's--oh! I mustn't say it."
"Say it," said Miss Annie cheerfully.
"He says it's rotten," said Elma.
There was something of a pause after this.
"And it's so funny with Mabel," said Elma. "Mabel never practises a scale unless mamma goes right into the room and hears her do it. But Mabel can read off and play Chopin. And papa takes me to hear Liszt Concertos, and I can't play one of them."
"You can't stretch the chords yet, dearie," said Miss Grace.
"No, but it's very demor--what was it I said?" she asked Miss Annie anxiously.
"Demoralizing," said Miss Annie.
"And there's paralyzing too," said Elma gratefully. "That's exactly how I feel."
She sat nursing one of her knees in a hopeless manner, until it struck her that neither Miss Annie nor Miss Grace liked to see her in this att.i.tude. Nothing was ever said on these occasions, but invariably one knew that in order not to get on the nerves of Miss Annie, one must sit straight and not fidget. Elma sat up therefore and resumed conversation.
"Mabel says it is nothing to play a Liszt Concerto," said Elma hopelessly.
"Is Mabel playing Liszt?" asked Miss Grace in astonishment.
"Mabel plays anything," sighed Elma.
"That is much better than being prettier than Miss Dudgeon," said Miss Annie.
She took up a little book which lay near her. It was bound in white vellum and had little gold lines tooled with red running into fine gold clasps. Two angel heads on ivory were inserted in a sunk gold rim on the cover. Miss Grace saw a likeness in the blue eyes there to the round orbs fastened on it whenever Elma had to listen to the wisdom of the white book. The t.i.tle, _The Soul's Delineator_, fascinated her by its vagueness. She had never cared to let Miss Annie know that in growing from the days when she could not even spell, the word "delineator" had remained unsatisfactory as a term to be applied to the soul. There was The Delineator of fas.h.i.+ons at home--a simple affair to understand, but that it should be applied to the "ivory thoughts" of Miss Annie seemed confusing. Miss Annie moved her white fingers, sparkling with the future d.u.c.h.ess's rings, in and out among the gilt-edged pages. Then she read.
"The resources of the soul are quickened and enlivened, not so much by the education of the senses, as by the encouragement of the sensibilities, i.e. these elements which go to the making of the character gentle, chivalrous, kind; in short, the elements which provoke manners and good breeding."
Miss Annie paused. Her voice had sustained a rather high and different tone, as it always did when she read from the white book.
"Mabel has very nice manners, hasn't she?" asked Elma anxiously.
"Do you know that you have said nothing at all about the Story Book Girls to-day, and everything about Mabel," said Miss Annie. "I quite miss my Story Books."
Elma's eyes glowed.
Miss Annie had marked the line where the dream life was becoming the real life. Elma, in two days, had transferred her _mise en scene_ of the drama of life from four far-away people to her own newly grown-up sister. It was a devotion which lasted long after the days of dreaming and imagining had pa.s.sed for the imaginative Elma, this devotion and admiration for her eldest sister.
In case she should not entertain Miss Annie properly, she ran back a little, and told her how it was that Mabel had got a blue gown after all. It was delightful to feel the appreciation of Miss Annie, and to watch the wrinkles of laughter at her eyes.
Exactly at five o'clock however Miss Grace began to look anxiously at Miss Annie, and Miss Annie's manner became correspondingly languid.
"You tire your dear self, you ought not to pour out tea," said Miss Grace in the concerned tone with which she always said this sentence at five o'clock in the afternoon.
Saunders came noiselessly in to remove, and Elma bade a mute good-bye.
"You tire yourself, dear," said Miss Grace to Miss Annie once more, as she and Elma retired to the door.
"I must fulfil my obligations, dear," said Miss Annie.
She nodded languidly to Elma, and Elma thought once again how splendid it was of Miss Annie to be brave like this, and wondered a trifle in her enthusiastic soul why for once Miss Grace did not pour out tea for her sister.
CHAPTER III
The Flower Show Ticket
"I call it mean of Mabel."
Jean sat in a crinkled heap on her bedroom floor, and pulled bad-temperedly with a wire comb at straight unruly hair. It had always annoyed Mabel that Jean should use a wire comb, when it set her "teeth on edge even to look at it."
Mabel however was out of the way, well out of it, they decided, and Elma and Betty had invaded the room belonging to the elder two in order to condole with Jean.
"Mabel could easily have got another ticket--and said she didn't want it! Didn't want it, when we're dying to go! And then off she goes, looking very prim and grown-up, with Cousin Harry."
Jean threw her head back, and began to gather long heavy ends in order for braiding.
"Just wait till I grow up! I shall soon take it out of Mabel," she said.
"Oh, girls, girls!"
Mrs. Leighton's voice at the door was very accusing.
"Well, mummy, it was mean. We've always gone together before, and now Mabel won't go with one of us."
"Not if you behave in this manner," said Mrs. Leighton. "I do not like any of my girls to be spiteful, you know."
"Spiteful!" exclaimed Jean. She ran rapid fingers in and out the lengthening braid of hair, till long ends were brought in front. She put these energetically in her mouth, while she hunted for the ribbon lying by her.
"Oh, Jean," said Mrs. Leighton, "I've asked you so often not to do that."
"Sorry, mummy," said Jean, disengaging the ends abruptly.
Mrs. Leighton sat down rather heavily on a chair.
"You didn't say you were sorry for being spiteful," she remarked gravely.
"Well, mummy, are we spiteful, that's the question?"
Elma sat on a bed, looking specially tragic.
"It's _awful_ to be left out of things now by Mabel," she said.