Stories from Everybody's Magazine Part 16

But, after all, to decide how the vast heavenly bodies move in s.p.a.ce is easy compared with finding out how to make a sewing machine go. For a needle to thread itself and then rapidly proceed to sew without the help of fingers calls for the discovery of more "hows" than are needed to explain Laplace's "Mecanique celeste." Ma.s.s and gravity suffice for the one, but only a Yankee's mind could have created the other.

We have now come to a great word--"create." A creator is a being who gives origin to things which would not exist but for his intelligent purpose and design. Now, man has simply filled this earth with his own creations, all due to himself alone and to none other, and all again by pondering the question, "How?" He began, for instance, by putting a hole through a flint hatchet, and ended with putting a hole through the Alps. In this last, an engineer stood at the foot of the great mountain and asked himself how he could tunnel it for nations to pa.s.s through. He saw a small stream das.h.i.+ng down the mountainside and at once found his desired "how," for he made that stream work big drills by compressed air, till the everlasting rocks themselves had to give in.

But man is an infinite creator--by which we mean that his creative capacity is limitless and inexhaustible. No sooner does he create one thing than he turns to create another thing totally different from it. A locomotive thundering past with a long train has no resemblance to a telegraph line, nor that, in turn, to a great printing press. Man coolly sets at defiance the most fundamental laws of physical science.

Thus, a heavy load of pa.s.sengers, sitting in no less heavy cars, if put on a smooth inclined plane must slide down faster and faster to the bottom, or Vulcan would be confounded. But man strings a thin wire overhead, which would snap instantly if the load gave it one pull; but something which, some "how," man causes to pa.s.s along that wire, makes the trolley with its live freight go uphill faster than a horse can run.

THE ETHER ENSLAVED

And what about that mysterious ether? It can neither be seen, heard, felt, handled, smelt, nor tasted. Nevertheless, man has learned so much about its "how" that he is turning it into as menial a servant, obedient to his wishes, as he has made of electricity, the cause of sublime thunder; for man bids the ether carry his stock quotations or any other message of his to the ends of the earth.

These are great doings, but really no greater than his small doings, for the least of these is just as impossible for other earthly creatures as are an Alpine tunnel or a battles.h.i.+p. A large convention of chimpanzees could not combine to make one pin or one sleeve-b.u.t.ton, if they tried.

All this is because man is native to the world of relations, which no other earthly beings are, because they cannot go beyond the information provided by their bodily senses. Man, on the contrary, gains infinitely more knowledge than his bodily senses can afford. By studying the relations of abstract points to abstract lines, he becomes a mathematician. Following up the many "hows" of chemistry, he talks about molecules, atoms, and ions as fluently as: if he had seen or handled them.

MAN IS INVISIBLE

This explains how man can and does create. Every great invention existed first in the mind of the inventor. So the great engineer who made the Brooklyn Bridge never had to handle one of the materials used in its construction, for every stone, wire, and bolt was provided for in that engineer's mind before any part of that tremendous ma.s.s of matter could be seen on the earth.

Moreover, this great human creator is as invisible as the Divine Creator Himself. People are continually saying that they will not believe in a thing till they can see it, thus pinning their faith to the testimony of that one of our senses which makes more mistakes than do all our other senses put together. When a man six feet high is a mile off, it says that he is only six inches high. The eye can see nothing of the vast microscopic living world which lies within six inches of the eyeball, and so we have had to invent a microscope to make up for this serious deficiency. But what would the Russian Witte not have given if he could have telegraphed to St. Petersburg that he had actually SEEN the j.a.panese Komura while they were talking about making peace at Portsmouth, New Hamps.h.i.+re, and that he knew just what the courteous j.a.p thought and proposed! All that he saw was the Asiatic's smiling face and other things of his outside. Every human personality belongs to the real world, the world of the Unseen, and cannot be known except as he chooses to reveal himself.

BRAIN NOT THE MAN

Some persons might object here that the brain is both visible and tangible in man, and that man is in his brain, and, therefore, the brain is man. Medical science, however, shows that the brain no more thinks than the hand and foot do, but is simply the instrument of the invisible thinker. The proof of this is that we have two brains, just as we have two eyes and two ears, but that only one of our two brain hemispheres is the instrument for talking, thinking, or knowing. Which one of the two hemispheres will be the mental one will depend altogether on how it has been TAUGHT by the invisible thinker, who will begin to teach the left hemisphere if he is right-handed, or the right hemisphere if he is left-handed. He will leave the other hemisphere in each case wholly speechless or thoughtless, and concerned only with the business of governing the muscles or receiving the bodily sensations of its corresponding side. If brain matter really itself thought, we should have two thinking and speaking hemispheres--and this the first case of loss of speech by an apoplectic clot would disprove.

"By thy words thou shalt be judged." This means that man is to be judged by his own creations, for it is only men who create words.

By their words they show what is in them, both intellectually and morally. We have demonstrated that the being who can ask the question, "How?" naturally belongs to the universe. Already he knows what stuff inconceivably distant stars are made of; and the "how" to know that he found in a small gla.s.s prism.

THE MORAL "HOW"

It would seem, therefore, as if it were by some temporary accident that he is held to this little material speck of matter called the earth. And this impression grows upon us as we study the greatest facts of human life. We enter this world knowing nothing and not nearly so well equipped to take care of ourselves as are other animals. There is no helplessness like that of a babe. But wonderfully early he begins to ask the question, "How?"

A little boy will ask more questions in a day than his father will ask in a week; nor can he be stopped or deceived, because the question, "Why?" you can answer as you please, but not "How?"

He who can ask "How?" can be a learner as long as he exists, whether here or hereafter. In his life here he may become either a great financier or a great statesman, but certainly not either unless he knows how. Any education, in fact, is simply learning how.

What is true in the intellectual world is still more true in the moral world. Whenever a question bearing on morals enters, every one should stop and ask, "How?" A mistake here is like entering the wrong gate in a large railroad station. The longer you stay in its corresponding train, the farther it will take you from where you should go. For example, there are some who say that the human will is not free, but that our actions are all, in the last a.n.a.lysis, according to our make-up. In other words, we are machines which must go as they are made to go. There is, therefore, no right nor wrong in human conduct, for machines cannot be held responsible for conduct or the way they go--there can be no sinful automobile or wicked windmill.

According to these reasoners, therefore, when human law punishes one who has robbed a widow of all she had, or has seduced the daughter of a friend, or committed a cold-blooded murder, the law is wholly illogical in punis.h.i.+ng him, because, since he is a machine, his punishment is like throwing a clock out of a window if it does not keep good time. The only answer to such a talker should be, "Get out!" with particular emphasis on the "out."

----WHO WOULD BE A YOUNG LADY

By SARAH N. CLEGHORN

1830

Sister walks past the garden wall In monstrous hoop, and slippers small, And polonaise, and sash, and all, To join the Dorcas Circle.

She'll sit indoors, and st.i.tch, and moon, And sip her tea, and clink her spoon, This whole blue, breezy afternoon!

For so do all Young Ladies.

Come, Poll, come, Bet! Escaped from school, We'll wade across the shallows cool Of Roaring Tom and Silver Pool, And climb the pines of Randal.

Far up the mountain path we'll go, And leave the Raven Rocks below, And creep inside the caves of snow, To hear their echoes thunder!

Let briers scratch, let brambles tear Our oft-patched frocks--we shall not care: Green are the woods, and fresh the air; Then who would be a Young Lady?

Vol. XXIII No.2 AUGUST 1910

INSTEAD OF AN ARTICLE {page 209-214} About Pittsburg and, Incidentally, about Editing a Magazine

Important articles in magazines of the type of "COLLIER'S,"

"MCCLURE'S," the "AMERICAN," and "EVERYBODY'S," like plays, are rewritten rather than written. Too begin with, there must be the idea, then to find the man or woman best able to embody it. That settled, the author must steep himself in his subject. When he acquires mastery, his findings are written down and submitted to the editor. This may take months; it often requires years.

It has happened that the editor did not know what he wanted until he read this first draft. Now he has the subject spread before him by an authority. His a.s.sociates all read it and criticise.

Sometimes that first draft is flawless, but most often it is returned to the author with direction for reconstruction. The process may be repeated half a dozen times. Finally the ma.n.u.script is satisfactory, which means that it is valuable, simply expressed, and readable. It is in shape for publication.

It is put into type and sent around to outside experts who are the representative authorities on the subject.

In these days a magazine can afford to have its conclusions disputed, but its facts must be incontrovertible. Perhaps the trouble the big publications take to be right--and that means square and just, as well as accurate--explains such prestige and influence as they now enjoy in America.

At a women's club gathering in Mississippi, recently, Harris d.i.c.kson told his audience something about an article of his that had recently appeared in "EVERYBODY'S." He explained that a ma.n.u.script written by another man had been sent him to put in shape. The facts were there, and the moral, but the treatment was technical. It lacked carrying power. d.i.c.kson knew nothing of the other author, and so proceeded to get up the subject at first hand. He took not one of the facts for granted. After three months he returned the revised ma.n.u.script to the magazine. It was sent back, with specific directions for rewriting. In due course he again remailed it to the editor, who congratulated him on his achievement--for that is what it was. Then the article, having attained a satisfactory form (it was on Fraternal Insurance), was sent round among the experts. The first man who read it was a high official of one of the old line insurance companies, but a hearty believer in the fraternal system. He returned it with approval and an elaborate criticism. Then it was submitted to the chief insurance commissioner of a western state--the undoubted political authority on the subject. The approval and criticisms of both men, with the ma.n.u.script, were again forwarded to Mr.

d.i.c.kson. The necessary corrections having been incorporated, the ma.n.u.script was ready for the printer. To make a.s.surance doubly sure, proofs were sent out to prominent officials of leading fraternal organizations, who returned them with most commendatory letters. And then, and only then, did it appear in the magazine.

Mr. d.i.c.kson's audience, doubtless under the impression that magazines are produced by editors out of the contributions sent them by mail, expressed surprise that so much time, effort, and money should be devoted to what seemed a comparatively unimportant subject. Yet it involved a matter that concerned five million men and their families, and a tremendous controversy. Its appearance has made the controversy even keener, and of course the enemies of sanity and good order in fraternalism are now hurling bolts at us. However, when we have done our part and know we are right, we stay put.

Mr. d.i.c.kson told part of what to us is a familiar story. In this instance he knew nothing of the time and trouble the author and ourselves had taken just to get together the facts and place them in the right perspective. We began on this particular article in November, 1906, and during the interval it was being worked at or over by one of some dozen men. The same is true of most of our big series. "The Woman's Invasion" represented two and a half years of work. Fifteen months elapsed between the delivery of Judge Lindsey's first ma.n.u.script and the beginning of publication in the magazine. Trained writers, the best men we know about, are out investigating and gathering the facts for the articles we will print a year hence. This is the process of magazine making to-day. It is not peculiar to "EVERYBODY'S"; it is the rule with "COLLIER'S," "MCCLURE'S," the AMERICAN, and SUCCESS."

INSTEAD OF AN ARTICLE

This is all by way of introduction to the story of an article that was not written. About the time the Pittsburg flare-up began to show itself in the papers, it occurred to us that some exposition of the situation there would be of value and interest to our readers. Before going about it, we debated it very carefully. Some of us in the office (and this magazine is edited by all of us) were fairly familiar with the subject, and we believed it would subserve no useful purpose to tackle it along the "Shame of the Cities" lines. We agreed that the way to approach Pittsburg was to consider what had happened there, not as a sporadic outburst, but as an economic symptom. Whom could we get that was far enough from the controversies involved to treat the subject objectively and with a big perspective? Brand Whitlock. The Mayor of Toledo knows more about cities and their governments, and the evils that arise within them, than any other man, and he can write--with knowledge, with sympathy, with clarity. Also he knew Pittsburg. So we telegraphed to find if he was free to write an article, and, when he replied in the affirmative, the following letter was sent him:

April 1, 1910. DEAR MR. WHITLOCK:

The article we want is on Pittsburg. It is neither our purpose nor our desire merely to "muckrake" Pittsburg or any other city.

The eruption there is typical of similar conditions in other great civic centers throughout the country, and it seems to us it might be made the text of a diagnosis of the whole munic.i.p.al problem in America.