Nooks and Corners of Old Paris Part 7

b.a.l.l.s were held on the site of the Bastille. Wine flowed, fiddles were sc.r.a.ped, and printed calicoes of that period show us the ruins of the old Parisian citadel surmounted with this inscription: "Dancing here."

The huge s.p.a.ce left vacant by the demolition had to be filled up.

Napoleon I., whose artistic conceptions were sometimes disconcerting, had constructed there, in 1811, by Alavoine, a strange sort of fountain of bizarre appearance: it was a colossal elephant, twenty-four metres high, which spouted water from its trunk. Built temporarily in plaster and mud, the elephant quickly crumbled away under the action of weather and rain; and soon became a lamentable debris surrounded with disjointed planks. The urchins of the district made it the scene of Homeric struggles; but the real familiars were the rats that had made their home inside the structure, so that, when the demolition began, regular _battues_ had to be organised with men and dogs; and, for months, these dreaded rodents infested the terrorised quarter. In 1840, the present column was erected; since then, the genius of Liberty has poised over Paris his airy foot, and Barye's fine lion watches over the repose of the victims of 1830 that are interred within the crypt of the monument.

[Ill.u.s.tration: THE SENS MANSION ABOUT 1835 _From a lithograph by Rouargue_]

The Rue Saint-Antoine contains certain handsome mansions: the Cosse mansion, where Quelus died; the Mayenne and Ormesson mansion, built by du Cerceau on the remains of the Saint-Paul mansion and Germain Pilon's studio; the Sully mansion, whose n.o.ble front was not long ago mutilated.

Hard by, at the corner of the Rue du Figuier and the picturesque Rue de l'Hotel de Ville, which latter used to be the Rue de la Mortellerie, stands what is left of the Sens mansion, the only specimen, together with the Cluny Museum, of what private architecture was in the fifteenth century. After being inhabited by Princes of the Church, Bishops, Cardinals, and also by Marguerite de Valois (Queen Margot), the Sens mansion fell on evil days. It became the "Diligence Office"; and from its courtyard is said to have started the famous courier whose murder was attributed to Lesurques, the unfortunate Lesurques popularised by the well-known drama performed at the Ambigu, which caused so many tears to flow.

In more recent times, the Hotel de Sens derogated further still. It became a manufactory of sweets!

At No. 5 of the Rue du Figuier, we meet with a draw-well, the top of which is finely sculptured; the spot brings back the memory of Rabelais, the admirable Rabelais, who died quite near, in the Rue des Jardins. At No. 15, opened the sixteenth-century door through which the actors of the ill.u.s.trious theatre established on the ancient site of the Jeu de Paume de la Croix-Noire, proceeded to their private stage-room. It was before this door that Moliere was arrested and taken to the Chatelet, because he owed "142 livres to Antoine Fausseur, master-chandler, his purveyor of light."

Let us cross the Place de la Bastille and go down the Rue du Faubourg-Saint-Antoine. There, at No. 115, in front of an old eighteenth-century house, the Deputy Baudin was killed against a barricade, on the 3rd of December 1851. At No. 303, in the reign of Napoleon I., stood Dr. Dubuisson's private hospital, where General Malet was confined. There he hatched the prodigious plot the disconcerting history of which we intend shortly to relate. Farther on, near the Rue de Montreuil, we pa.s.s by the remains of Reveillon's wall-paper stores, pillaged on the 17th of April 1789; it was one of the preludes of the Revolution.

Last of all, at No. 70, in the Rue de Charonne, Dr. Belhomme's private hospital stood, which was used as a special prison under the Revolution.

Only those were admitted who could pay and pay well. The irrefutable memoirs of Monsieur de Saint-Aulaine reveal to us a Belhomme familiar, cynical, exacting his fees and thouing d.u.c.h.esses short of money who haggled with him on the question of their life. The most amiable of historians, my excellent friend G. Lenotre, whom it is always necessary to quote when facts of the Revolutionary epoch are in question, has reconst.i.tuted the terrible and surprising story of the Belhomme inst.i.tution where they laughed, danced, or even flirted under the dread eye of Fouquier-Tinville; and has related, with his habitual doc.u.mentation, the bizarre liaison of the d.u.c.h.ess of Orleans, widow of Louis-Philippe Egalite, with Rouzet, the Conventional, buried later at Dreux under the name of the "Count de Folmon" in the Orleans family vault.

Pursuing our way and pa.s.sing by the Church of Sainte Marguerite, in which Louis XVIII. was interred ... or his double, we reach the barrier of the Throne (the Throne overthrown, people said in 1793). The scaffold, which had temporarily quitted the Revolution Square, was put up here during the most terrible period of the Terror, and the "great batches" were executed upon it. In six weeks, 1300 victims perished, among them, Andre Chenier, the Baron de Trenck, the Abbess of Montmorency, Cecile Renaud, Madame de Sainte-Amaranthe, the poet Roucher, and many others. The bodies of these unfortunate people, stripped of their clothing, were loaded each evening on covered waggons, with their severed heads between their legs; and the horrible vehicle, dripping with blood along the road, was tipped into some pit dug at the bottom of the Picpus Convent Gardens, where still exists the cemetery of those that were executed during the Revolution.

Retracing our steps, we arrive at No. 9 of the Rue de Reuilly; here was once the Hortensia Tavern, kept in 1789 by the famous Santerre, a major in the National Guard. The house has not much changed; at present, however, it is a girls' boarding-school which occupies the large rooms where the thundering General organised those terrible descents on Paris and launched those dreadful battalions of the faubourg that terrorised even the Convention itself.

On the other side of the Place de la Bastille, in the Rue Saint-Antoine, near Saint Paul's Church, is the Charlemagne Pa.s.sage, most picturesque by reason of the old souvenirs it contains and the strange population it harbours: chair-menders, mattress-carders, milk-women, open-air flower-women gather round the ruin of the charming mansion which, under Charles V., was the sumptuous abode of the provost, Hugues Aubryot.

The front, which is still remarkable and fine-looking, is an astonis.h.i.+ng contrast to the poor, low houses that huddle round it. Fowls peck at the foot of the fifteenth-century turrets, which enclose a handsome staircase; and patched linen dries on iron wire stretched between the caryatide windows of the seventeenth century, replacing those behind which once mused the Duke d'Orleans and the Duke de Berri, as also, in 1409, Jean de Montaigu, beheaded for sorcery! who were formerly ill.u.s.trious guests in this elegant dwelling.

[Ill.u.s.tration: THE PROVOST HUGUES AUBRYOT'S MANSION CHARLEMAGNE'S COURTYARD AND Pa.s.sAGE IN 1867 _Drawn by A. Maignan_]

And now, let us stop at the Vosges Square on the other side of the Bastille. It is another rare nook of our old City, which, through the centuries, has preserved its ancient character very nearly intact. The houses there, in Louis XIII. style, have not changed. The scenery has remained the same. The _Precieuses_ could take their favourite walks there; and those punctilious in honour might draw their sword, as in the time of Richelieu and the Edict-malcontents; only the public of spectators would be quite different. The fine ladies of the country hight Tender, the Cydalises and Aramynthas, the lords once living in those n.o.ble dwellings, they who, on the 16th of March 1612, were present at the tournament given by the Queen Regent, Marie de Medici, in honour of the peace concluded with Spain, or they who proceeded in grand coaches to the fair Marion de Lorme's or to Madame de Sevigne's, are to-day replaced by petty annuitants, modest shopkeepers retired from business and pensioned-off officers. Humble charwomen work at their tasks in the spots where Mazarin's nieces paused in their sedan-chairs; and the numerous Jews that live in the quarter meet there on Sat.u.r.days.

It is a curious spectacle to see these men and women of strongly marked type betaking themselves to the Synagogue, which is near a partially subsisting eighteenth-century mansion still bearing delicate decorations, but at present occupied by a butcher, in the Rue du Pas-de-la-Mule. Not a few old men wear the long gaberdine, their hair in corkscrew curls, and earrings in their ears. Velvet-eyed girls coifed with bands, wonderfully handsome and peculiarly dressed, a.s.semble there on certain religious feast-days. It is a strange evocation; 'twould seem that in these peaceful quarters biblical traditions have been preserved in some Jewish families.

[Ill.u.s.tration: THE PLACE ROYALE ABOUT 1651 (NOW THE VOSGES SQUARE) _Israel, del._]

The old-time animation, however, is an exception. The Vosges Square, once the Place Royale, where Richelieu lived and Fronsac, Chabannes, Marshal de Chaulnes, Rohan-Chabot, Rotrou, Dangeau, Canillac, the Prince de Talmont and Mademoiselle du Chatelet, where Madame de Sevigne was born, where the tragic actress Rachel dwelt, and Theophile Gautier and Victor Hugo, is to-day completely neglected; and this delightful Paris nook, where so much wit was spent, such fine ladies rivalled in grace and elegance and so many exquisites drew their swords, is now nothing but a large, lonely garden, provincial and melancholy, frequented almost exclusively by the pupils of neighbouring boarding-schools, who play there at prisoners' base, and leap-frog, beneath the debonair shadow of Louis XIII.'s statue, with its philosophic frame of a Punch-and-Judy show and a chair-woman's stall.

In the ancient Rue Culture-Sainte-Catherine (at present called the Rue de Sevigne) on the site now occupied by No. 11, formerly stood the Marais theatre, built with money provided by Beaumarchais. In 1792, the _Guilty Mother_ was performed there, for the benefit, said the play-bill, "of the first soldier who shall send citizen Beaumarchais an Austrian's ear." The modern building is a modest private-bath establishment, with a small garden in front in which grow some spindle-trees--in boxes, and which is adorned with silvered b.a.l.l.s. The huge wall, all grim and grey, backing the slightly-built bath establishment, is the old wall of the Force Prison, where, on a post at the corner of the Rue des Balais, Madame de Lamballe was executed, where also Madame de Tallien was transferred, and Princess de Tarente was confined, the latter, the grandmother of the kind, courteous and learned Duke de la Tremolle, who had only to dip into his incomparable family archives to give us the most precious doc.u.ments of French history, and to whom we are indebted for those picturesque and exciting "Souvenirs of Madame de Tarente," one of the most valuable narrations by an eye-witness of the Revolutionary period.

The Carnavalet mansion, Madame de Sevigne's "dear Carnavalette," is close by, as also the ancient Le Peletier-Saint-Fargeau mansion, to-day the City of Paris Library. It is a fine, large building of n.o.ble appearance, which contains wonderful books, maps, plans and ma.n.u.scripts.

The written history of Paris is there; and all workers know the pretty, sculpture-ornamented room of Monsieur le Vayer, the erudite, obliging Curator of these fine collections. Messieurs Poete, Beaurepaire, Jacob, Jarach and Wilhem, in the Library; Messieurs Petre and Stirling in the History room are the wise and welcoming hosts of this admirable Parisian Library.

All this Marais quarter, indeed, contains sumptuous mansions, not one of which, alas! has been respected. All are given over to business and manufacturing. The Lamoignon mansion is occupied by gla.s.s-polishers and garden-seatmakers; the Albret mansion by a bronze lamp-dealer; those of Tallard, Maulevrier, Sauvigny, Brevannes, Epernon, &c., are still standing, but in what a state! The Rue des Nonnains-d'Hyeres offers us its curious ba.s.s-relief, in painted stone, representing a knife-grinder in eighteenth-century costume. In 1748, a Madame de Pannelier kept a "wit-office" in this same street; Lalande, Sautereau, Guichard, Leclerc de Merry used to attend meetings there. They were held on Wednesdays, and were preceded by an excellent dinner. The tradition has happily been preserved in Paris.

In the Rue Francois-Miron, one sees a s.p.a.cious, handsome mansion with circular pediment, escutcheons and garlands. It is the Beauvais mansion, built by Le Pautre in 1658.

To look at it now, old and in a dull street, one would hardly think that the coaches of Louis XIV.--King Sun--had pa.s.sed under the dark vault of the entrance gate and that, from the top of the central pavilion balcony, Queen Anne of Austria, in company with the Queen of England, Cardinal Mazarin, Marshal de Turenne and other ill.u.s.trious n.o.bles, had watched her son Louis XIV. and her daughter-in-law, the new Queen Marie-Therese of Austria, go by as they made, through Saint-Antoine's Gate, their solemn entry into Paris on the 26th of August 1660![3]

On account of its picturesque aspect and the fine mansions it contains, the Rue Geoffroy-l'Asnier is one of the most curious in Paris. At No. 26 stands the Chalons-Luxembourg mansion, with its monumental door and wonderful knocker. At the bottom of the courtyard is an exceedingly elegant Louis XIII. pavilion in brick and stone, and of delicate proportions. The mansion was built for the second Constable of Montmorency, and though it is quite lost in this gloomy quarter, it maintains its proud bearing.

After the Revolution, this street, whence nearly all the owners of houses had emigrated, if they had not been guillotined, was completely stripped of its former splendour. Petty annuitants, small clerks, and poor people took up their abode in the abandoned buildings. Gra.s.s grew in the streets; many of the dwellings had been sold as national property; and the Rue Geoffroy-l'Asnier underwent the common fate; it became democratic.

[Ill.u.s.tration: THE RUE GRENIER-SUR-L'EAU IN 1866 _Drawn by A. Maignan_]

Between this street and the neighbouring Rue des Barres, one is surprised to see a sort of fissure so narrow that two persons would find it difficult to walk abreast through it, a sort of corridor along which the wind sweeps past dilapidated, leaning houses on either side. It is the Rue Grenier-sur-l'Eau, wretched and dirty enough, but quaint, with the glorious tower of Saint-Gervais-Saint-Protais in the background, rising and standing out against the sky.

The proper moment to take a look at the sinister little Rue des Barres is on a stormy night, behind the church of Saint-Gervais. It is then easy to imagine what this quiet quarter must have been like when, on the 9th of Thermidor, about eleven in the evening, 'mid torch-lights, calls to arms, the noise of the tocsin and shouts of the mult.i.tude, the dead body of Lebas was brought thither, and, on a chair, Augustin Robespierre, who had broken his thighs in leaping from one of the Town Hall windows. The dead man and the dying man were dragged to the Barres mansion transformed into a Sectional Committee Tribunal. On the morrow Lebas was buried, and Robespierre was carried before the Committee of Public Safety, who sent him to the scaffold.

[Ill.u.s.tration: THE SAINT-PAUL PORT _Water-colour by Boggs_ (G. Cain Collection)]

The Rue des Barres descends to the Seine, near the old Town Hall Quay, where the big, flat boats laden with apples, stones, or sand take their moorings. Into it opens one of the exits of the charming Church of Saint-Gervais, whose fine painted windows, masterpieces of Pinaigrier and Jean Cousin, were almost totally destroyed twenty years ago by an explosion of dynamite. Against the church walls, in the laicised ruins of an ancient chapel, a sweet manufacturer has installed his alembics and copper pans; and it is a curious sight to see the lighted fires of this strange kitchen beneath these antique Gothic arches, between these blackened pillars still bearing traces of the candles that once burned in front of the holy images, on a ground formerly used for burying and even now concealing bones. The out-offices of the old church still remain, wonderfully picturesque, and open into the Rue Francois-Miron, No. 2, on the left of the entrance portal of the church, between a laundress's establishment and a furniture-remover's premises!

[Ill.u.s.tration: THE BARBETT MANSION The Rue Paradis-des-Francs-Bourgeois and the Rue Vieille-du-Temple in 1866 _Drawn by A. Maignan_]

On one side, the little Rue de l'Hotel-de-Ville brings us to the Rue Vieille-du-Temple, where we can admire, at No. 47, what is left of the quaint mansion of the Dutch Amba.s.sadors, where "Monsieur Caron de Beaumarchais and Madame his spouse," as an almanac of 1787 called them, established in 1784 a Provident Inst.i.tution for poor nursing mothers.

Indeed, it was for the benefit of this undertaking that the fiftieth performance of the _Mariage de Figaro_ was given. Farther on, to the right, at the corner of the Rue des Francs-Bourgeois, stands the pretty turret built about 1500 for Jean Herouet; and, last of all, the fine Rohan palace, which to-day is the National Printing House. This last is a n.o.ble and s.p.a.cious building which the elegant Cardinal that once lived in it took pleasure in sumptuously decorating. A masterpiece may be seen there, "the Horses of Apollo," in a wonderful ba.s.s-relief by Pierre Le Lorrain. The saloon of the Apes, by Huet, is charming, and the private room of Monsieur Christian, the witty and learned Director of the National Printing House, contains a beautiful Caffieri time-piece. Why must, alas! this fine palace be condemned soon to disappear? The Rohan mansion is to be demolished, and the State will commit the sacrilege!

May the endeavours of lovers of Paris succeed in preserving for us this precious vestige of a past that each day removes farther from us!

A cabman whose astonishment must have been great was a certain George who, on the 22nd of October 1812, at half-past eleven in the evening, amid a driving rain that turned the miry soil of Saint-Peter's pudding-bag (now the Villehardouin blind alley) into a veritable bog, saw get out of his cab, near the Rue Saint-Gilles, a completely naked man, with his uniform under his arm--a soldier whom, twenty minutes before, he had picked up in the Louvre Square. This strange pa.s.senger was Corporal Rateau, proceeding to the appointment made with him by General Malet, inside Dr. Dubuisson's private hospital and asylum, 303 Faubourg-Saint-Antoine, where the latter was confined by the authorities. In his haste to put on the fine uniform of an orderly officer, which was ready for him in exchange for his own, Rateau had undressed in the cab; and up the dark staircase of the gloomy house in the gloomy street he rushed with absolutely nothing on.

The little house still exists, wretched and dingy-looking, where Malet appointed to meet his accomplices, on the third floor in the abode of the Abbe Cajamanos, an old bewildered Spanish priest who had quitted the Bicetre asylum.

This adventure of General Malet's is both prodigious and disconcerting.

For, in 1812, at the moment when Napoleon seemed to be at the summit of his power, Malet, in a sort of dungeon, with the help of five or six obscure a.s.sistants, an old priest with hardly any knowledge of French, a half-pay officer, an almost illiterate sergeant and a few other hare-brained people, had been able, even while confined, watched and suspected, to combine everything, prepare everything, so that the report of the Emperor's death might be believed--the Emperor being absent in the icy steppes of Russia, and no news arriving from him. And his calculations were justified. All the Imperial functionaries, from Savary, the head of the police, down to Frochot, the Prefect of the Seine, accepted General Malet's allegations, without testing or discussing them. Especially, all believed his fine promises; and it is hard to say where the hoaxer would have stopped if an officer, simply obeying his orders, had not refused to be gained over with fine words, and asked for proofs. Malet, being taken aback, grew impatient, and replied with a pistol-shot. Major Doucet forthwith arrested him, and the comedy ended in a tragedy.

All the more haste was made to get rid of the organisers of this plot, which had so nearly succeeded, as it was necessary to suppress as quickly as possible their awkward testimony to such cowardice, lying, and compromise.

The poor dwelling in the Villehardouin blind alley was searched by all the Paris police; papers, uniforms, c.o.c.ked hats, and swords were fished out of the little well, still existing, into which they had been wildly thrown. In a few hours, Malet, Lahorie, Rateau, and Guidal were tried, condemned, and executed. The replies of the General to the Tribunal that so summarily judged him were home-thrusts. Asked (somewhat late) who were his accomplices: "All of you," he said, "if I had succeeded!"

Taken to the wall of evil memory in the plain of Grenelle, he insisted on giving the firing-order to the execution-platoon; and, as if he had been on the drill-ground, made the soldiers repeat the aiming movement, which had not been carried out with military precision. Rateau, who, as a matter of fact, had understood nothing of this strange drama, in which he had been one of the most picturesque confederates, is said to have died in crying: "Long live the Emperor!"

Between the Archives and the Rue Sainte-Croix-de-la-Bretonnerie, there was once a large monastery, which, in 1631, became the property of the Carmelite Billettes,--the name being derived from an ornament worn by these monks on their gowns. The Revolution suppressed the monastery; but the small cloister has come down to us with its charming proportions and its monastic cosiness. To-day, it is a Town School, and the neighbouring church is devoted to Protestant wors.h.i.+p.

[Ill.u.s.tration: THE RUE DE VENISE _Water-colour by Truffaut_ (Carnavalet Museum)]

The Rue de Venise, one of the most ancient Paris streets, is not far away. It is now a low, bad-smelling lane inhabited by vagabonds of both s.e.xes. Women, whose age it is impossible to tell, trail and traipse in front of alleys within which loom greasy, black staircases. Mended linen hangs from the windows; acrid smoke issues from between thick bars protecting old mansions now degenerated into mere dens, defended, however, by heavy doors studded with rusty nails.

It is hideous, yet quaint, as indeed all this quarter, which is made up besides of the Rue Pierre-au-Lard, the Rue Brise-Miche, and the Rue Taille-Pain; not forgetting Saint-Merri's cloister, the name being that of the old church whose tocsin so often sounded the alarm during the riots in the reign of Louis-Philippe.

At the least popular excitement, this inextricable labyrinth of small streets used to bristle with barricades. At the crossing of the Rue Saint-Martin and the Rue Aubry-le-Boucher was raised the terrible barricade defended by Jeanne and his intrepid companions. Following on the burial of General Lamarque, who died while pressing to his lips the sword offered to him by the Bonapartist officers of the Hundred Days, an immense revolutionary movement had galvanized Paris. The old soldiers of the Empire, the survivors of the Terror and those of 1830, allied in their common hatred of Louis-Philippe's government, had joined the malcontents of all parties and the members of the then numerous secret societies. In the evening of the 5th of June 1832, the centre of Paris was covered with barricades; and both troops and National Guard had been obliged to reconquer, one by one, the positions that had been lost.

Slaughter had been going on the whole night. When the dawn of the 6th of June tinged the house-roofs with pink, the large Saint-Merri barricade was seen to be holding out; its defenders, a handful of heroic men, had sworn to bury themselves under its ruins. Already they had repulsed ten furious a.s.saults; now they were awaiting death; and the loud tones of the Saint-Merri tocsin, unceasingly sounding above their heads, seemed to be tolling their funeral knell! Part of the Paris army had to be utilised to vanquish these dauntless insurgents. Firing went on from windows, cellars, the pavement. Round the barricades, dead bodies of National Guards and soldiers, riddled with b.a.l.l.s, crushed beneath blocks of stone hurled from roof-tops, testified to the frightful savagery of this intestine struggle. For long afterwards, the ground was red with blood! What numbers of b.a.l.l.s and bullets, what quant.i.ties of grapeshot all these old house-fronts have received in the haphazard of riots, frequent during the reign of Louis-Philippe.

The drums no sooner beat than the citizens armed and hurried to defend order ... or to attack it; anxious women, cowering behind closed shutters, watched for the biers.

Things resumed their ordinary course immediately the disorder was over; the insurgent hobn.o.bbed with the honest National Guard whom he had aimed his gun at on the day before. Sometimes, however, grudges remained.

[Ill.u.s.tration: THE RUE DU RENARD-SAINT-MERRY _Etching by Martial_]

My parents knew an old woman, living in the Rue Saint-Merri, who, for forty years after 1836, never pa.s.sed without trembling by the door of the tenant underneath her flat. As people were surprised at this persistent apprehension, she said: "If you only knew what happened to me!" and she related that, one evening when there was a riot and her husband had been absent all day firing in the ranks of the National Guard, she was in the house alone, mad with anxiety; suddenly, at the corner of the street, she saw a stretcher appear, covered with sacking, which the bearers deposited at her door. Was it her husband that they were bringing home dead? She rushed out, raised the edge of the cover and recognised in the person lying with smashed jaw, haggard eyes, bleeding from a ball in the cheek, the tenant underneath: "Ah, what a good thing!" she cried; "it's you, Monsieur Vitry!"