Mysterious Psychic Forces Part 11

3. Not only was the curtain puffed out, forming a big pocket, but the perpendicular edge of the curtain that touched the window moved automatically aside and drew back as if it were pushed by an invisible curtain holder, making nearly this kind of a movement.

4. The curtain, inflated anew, took the form of a nose or of an eagle's beak, projecting above the table about eight or ten inches.

This shape was visible for several seconds.

5. We heard behind the curtain the noise of a chair rolling over the floor; by a first push it arrived as far as I was; a second push turned it upside down, its feet in the air, in the position shown. It was a heavy stuffed chair. Succeeding pushes moved it again, lifted it up, and made it turn somersaults; it finally came to a standstill almost in the place where it had fallen over.

[Ill.u.s.tration]

6. We heard the noise of two or three objects falling to the floor (I mean objects behind the curtain upon the centre-table). The curtain parted in the middle, and in the dim light the little violin appeared.

Sustained in the air by an invisible hand, it came gently forward above our table, whence it settled down upon my hand and upon that of my neighbor on the left.[25]

On two separate occasions the violin rose from the table and at once fell back again, making a vigorous leap, like a fish flopping upon the sand. Then it glided down to the floor, where it remained motionless until the end of the sitting.

7. A new rolling noise was heard behind the curtain. This time it was the centre-table. A preliminary effort, quite vigorous, enabled it to rise half-way to the top of our table. By a second effort it got clear on top and rested upon my fore-arm.

8. Several times I distinctly felt light blows upon my right side, as if made with the point of a sharp instrument. But the truth compels me to declare that these blows were no longer given after Eusapia's feet were held under the table by M. Bloch. I note this correlation of things without drawing from it any presumption against Eusapia's loyalty. I have so much the less reason to suspect her in that her left foot did not leave my right foot during the whole sitting.

Report of M. Victorien Sardou

(_Seance of November 19_)

(There were present at this seance, besides the hosts of the evening, M. V. Sardou, M. and Mme. Brisson, M. A. de Rochas, M. Prof. Richet, M. G. de Fontenay, M. Gaston Mery, Mme. Fourton, M. and Mlle. des Varennes).

I shall only relate here phenomena controlled by myself personally in the seance of last Sat.u.r.day. Consequently, I say nothing of the arrangement of the apartment, of the experimenters, nor of the events which were first produced in the dark and which all the partic.i.p.ants were able to authenticate,--such as cracking sounds in the table, levitations, displacements of the table, raps, etc., as well as the blowing out of the curtain over the table, the bringing on of the violin, of the tambourine, and so forth.

Eusapia having invited me to take the place at her side which had been vacated by M. Brisson, I sat down on her left, while you preserved your place on her right. I took her left hand in my right hand, while my left hand placed upon the table was in contact with that of my neighbor, the medium insisting on this several times in order that the chain might not be broken. Her left foot rested upon my right foot.

All through the experiment I never let go her hand for a single second. She grasped my hand with a strong pressure, and it followed her through all her movements. In the same way her foot always kept in contact with mine. My foot always kept touch with hers in all her foot sc.r.a.pings on the floor, her s.h.i.+ftings of place, shrinkings, twitchings, etc., which never had anything suspicious in them, nor were they of such a nature as to explain the events which took place at my side, behind me, around me, and upon me.

In the first place, and in less than a minute after I had been placed on the left of the medium, the curtain nearest to me was puffed out and brushed against me, as if impelled by a gust of wind. Then three times I felt upon my right side a pressure which lasted but for a moment, yet was very marked. At that moment we were in a very dim light, yet enough to make the faces and the hands of all who were present distinctly visible. After Eusapia's violent nervous contractions, struggles, and energetic pushes (precisely like those which I had seen in similar cases elsewhere and which only astonish those who have slightly studied these phenomena), suddenly the curtain nearest to me was blown forward with an astonis.h.i.+ng propulsive power between Eusapia and me, in the direction of the table, entirely concealing from me the face of the medium; and the violin, which, with the tambourine, had, before my introduction, been replaced in the dark chamber, was hurled to the middle of the table, as if by an invisible arm. To accomplish this, the arm must have lifted the curtain and drawn it along with it.

After this the curtain returned to its first position, but not completely; for it still remained puffed out a little between Eusapia and me, one of its folds remaining upon the edge of the table at my side.

Then you took the violin and held it out at such a distance from the two curtains that it was wholly visible to the company; and you invited the occult agent to take it.

This was done, the mysterious agent taking it back with him into the dark closet, with as much good will as he had shown in bringing it on.

The violin then fell upon the floor behind the curtains, or portieres.

One of these which was nearest to me resumed its vertical position, and for a time I heard upon my right upon the floor behind the curtains a kind of scrimmage between the violin and the tambourine, which were displaced, pulled about, and lifted, clas.h.i.+ng and resounding at a great rate; and yet it was impossible to attribute any of these manifestations to Eusapia, whose foot never moved, but remained firmly pressed against my own.

A little after, I felt against my right leg, behind the curtain, the rubbing of a hard body which was trying to climb upon me, and I thought it was the violin. And so it was, in fact; and, after an unsuccessful effort to climb higher than my knee, this apparently living creature fell with a bang upon the floor.

Almost immediately I felt a new pressure upon my right hip, and mentioned the circ.u.mstance. You disengaged your left hand from the chain, and, turning toward me, twice made in the air the gesture of the director of an orchestra moving his baton to and fro. And each time, with perfect precision, I felt upon my side the repercussion of a blow exactly tallying your gesture, which reached me after the delay of a second more or less, and which seemed to me to correspond exactly to the time necessary for the transference of a billiard ball or a tennis ball from you to me.

Some one, Dr. Richet, I believe, having spoken at that time of strokes upon the shoulders of the sitters in which the action and shape of a human hand was very marked, I will mention as a proof of his remark that I received in succession three blows upon the left shoulder (that is to say, the one most distant from the curtain and from the medium), more violent than the preceding ones; and this time the heavy pressure of the five fingers was very evident. Then a last blow with the flat of the hand, applied in the small of the back, without hurting me at all, was strong enough to make me lean forward, in spite of myself, toward the table.

Some moments after, my chair, moving under me, glided over the floor, and was s.h.i.+fted in such a way as to leave my back turned a little in the direction of the dark closet.

I leave to other witnesses the task of telling the results of their personal observations,--how, for example, the violin, having been picked up by you from the floor and replaced upon the table, was held out by Mme. Brisson, as you had already done, and lifted up in the same way in the sight of all, while I held the left hand of Eusapia, you her right hand, and with the hand which remained free you pressed the wrist of her left hand.

Nor do I say anything of a hand-pressure through the opening in the curtain, having seen nothing of this myself.

But that which I did see very well indeed was the sudden appearance of three very vivid little lights between my neighbor and myself. They were promptly extinguished and seemed like a kind of will-o'-the-wisp, similar to electric sparks coming and going with great rapidity.

In short, I can only repeat here what I have said during the course of these experiments, "If I had not been convinced forty years ago, I should be this evening."

Report of M. Jules Claretie.

(_Seance of November 25_)

(There were present at this sitting, in addition to the hosts of the occasion, M. Jules Claretie and his son, M. Brisson, M. Louis Vignon, Mme. Fourton, Mme. Gagneur, M. G. Delanne, M. Rene Baschet, M. and Mme. Basilewska, M. Mairet, photographer.)

I note only the impressions I received after the moment when Eusapia, who had taken my hand at the time when M. Brisson was still seated by her, asked me to replace him. I am certain that I did not let go of Eusapia's hand during all the experiments. Every moment I felt the pressure of her foot upon mine, the heel being especially perceptible.

I do not believe that I relaxed my fingers for a moment, nor released the hand that I held. I was struck with the throbbing of the arteries at the end of Eusapia's fingers: the blood bounded feverishly through them.

I sat next the curtain. It goes without saying that it was drawn from right to left or from left to right just as it happened. That which I can't understand is that it could swell out until it floated over the table like a sail inflated by the wind.

I felt at first a little light blow on my right side. Then, _through the curtain_, two fingers seized me and pinched my cheek. The pressure of the two fingers was evident. A blow more violent than the first hit me on the right shoulder, as if it came from a hard, square body. My chair was twice moved and turned, first backward, then forward.

Those two fingers which pinched my cheek I had already felt--before I took my place at Eusapia's side--when I was holding over against the curtain the little white book which M. Flammarion had given me. This book was seized by _two naked fingers_ (I say naked, because the folds of the curtain did not cover them) and then disappeared. I did not see these fingers: I touched them, or they touched me, if you will. My son held out and handed over also a leather cigar-holder, which was grabbed in the same way.

One of the persons present saw a rather heavy little music-box disappear in the same way.

With hardly a moment's delay the box was removed from our side with some violence; and I can speak with the more feeling of the force of the projection and of the weight of the object, because it struck me under the eye, and this morning I still have upon my face the only too visible mark of it, and feel the pain of it. I don't understand how a woman seated by my side could have the strength to throw with such force a box which, so to speak, should have come from quite a distance.

I observe, however, that all the phenomena are produced on the same side of the curtain; namely, behind it, or through it, if you will. I saw leafy branches fall upon the table, but they came from the side of the said curtain. Some persons a.s.sert that they saw a green twig come in through the open window which gives upon Ca.s.sini Street. But I did not see that.

There was a little round table behind the curtain, very near me.

Eusapia takes my hand and places it, held in hers, upon the round table. I feel this table shaking, moving. At a given moment I believe that I perceive two hands near by and upon mine. I am not deceived; but this second hand is that of M. Flammarion, who, on his side, is holding the hand of the medium. The round table bestirs itself. It leaves the floor, it rises. I have the feeling of this at once. Then, the curtain having lifted and, as it were, spread itself over the table, I can distinctly see what pa.s.ses behind it. The round table moves; it rises; it falls.

Suddenly tipping partly over, it rises and comes toward me, upon me.

It is no longer vertical, but is caught between the table and me in a horizontal position. It comes with sufficient force to make me recoil, draw in my shoulders, and try to push back my chair to let this moving piece of furniture pa.s.s. It seems, like a living thing, to struggle between the table and me. Or, again, it seems like an animated being struggling against an obstacle, desiring to pa.s.s or move on and not being able to do so, being stopped by the table or by myself. At a given moment the round table is upon my knees, and it moves, it struggles (I repeat the word), without my being able to explain to myself what force is moving it.

This force is a formidable one. The little table literally pushes me back, and in vain I throw myself backward to let it pa.s.s.

Some of those present, M. Baschet among others, have said to me that at this moment it was upon two fingers. Two fingers of Eusapia push up the round table![26]

But I, who had not lost my hold on her left hand nor her foot,--I, who had by me the little round table (quite visible in the semi-obscurity to which we had accustomed ourselves), saw nothing, nor did I perceive any effort on the part of Eusapia.

I should like to have seen _luminous phenomena_ produced, visions of brilliant lights, of sudden gleams of fire. M. Flammarion hoped that we were going to see some of these. He asked for them. But Eusapia was evidently fatigued by this long and very interesting seance. She asked for "_un poco di luce_" ("a little light"). The lamps were relighted.

Everything was finished.

This morning I recall with a kind of anxious curiosity the least details of this very fascinating soiree. When we had returned to the observatory, on leaving our amiable hosts, I asked myself if I had been in a dream. But I said to myself, "We were present at the skilful performances of a woman prestidigitator; we witnessed only theatrical tricks." My son recalled to me the prodigies of skill of the brothers Isola. This morning, strange to say, reflection makes me at once more perplexed and less incredulous. We perhaps witnessed (we undoubtedly did witness) the manifestation of an unknown force which will hereafter be studied and perhaps one day utilized. I should no longer dare to deny the genuineness of Spiritualism. It isn't a question of animal magnetism: it is something else, I know not what; a _quid divinum_ (a divine something), although science will some day a.n.a.lyze it and catalogue it. That which perhaps astonished me the most was the curtain swelling out like a sail! Where did the puff of wind come from? A regular breeze would have been needed to put such life into it as that. However, I do not discuss: I give in my evidence. I have seen these things, observed them carefully. I shall think of them for a long time. I do not stop here. I shall seek an explanation. Possibly I shall find one. But this much is certain, that we ought to be modest in the presence of all that appears to us to be for the moment inexplicable, and that, before affirming or denying, we ought to wait, to reserve our judgment.

In the mean time, while feeling of my right maxillary tooth, which is a little sore, I think of that line of Regnard and allow myself to mangle it a little while recalling that hard music-box,--

"_Je vois que c'est un corps et non pas un esprit._"

(I see that it is a body and not a spirit.)