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Elixir. Part 14

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Vince looked at him with those unreadable black eyes. "I'm listening."

"But it's not legal."

"Now we're home."

The waiter came with a second Chivas. Quentin took sip then explained. "I'm thinking a deep-pocket clientele would pay serious money for an endless supply of Elixir. People who like their privacy."

"Howard Hughes is dead."



"I mean your Consortium."

The suggestion hung in the air. Vince sipped his tea patiently.

"Well, I'm thinking that maybe you and Antoine can approach them with the idea... a chance to live indefinitely, and what they would pay for it."

Vince lay his gla.s.s on the table. "The Consortium is not a club for rich hermits," he said. "What happens when the kid who used to drive your limo meets you twenty years later and he's forty-five and you're the same? You tell him you're taking some secret youth potion?"

"By then we'll have worked the bugs out, and the stuff would be on the market. I mean in the meantime. Like, you know, now."

Vince thought that over. "How long to get the bugs out?"

"Three years, four the most."

"Sounds like a trap, if you ask me."

"How's it a trap?"

"Say the Consortium is interested. They'll want a guarantee they can still get the stuff without any hitches or sudden price inflation."

"We'll give them written guarantees."

"Enforced by what authorities?"

Quentin looked at him without an answer.

"Another thing: Say you run out of raw materials again, or the Feds find out you're dealing in illegal pharmaceuticals and shut you down. What happens to your clientele? It's not like some junkie's supplier runs dry and they can tap another. People want peace of mind."

"We can work out some foolproof trust."

"No such thing." Vince removed a single almond from the dish of nuts and chewed it, all the while turning something over in his head. "You say Elixir still works on the primates as long as they get a constant supply?"

"Yes."

"Before you go looking for takers, you might want to see if it works on real human beings. Otherwise n.o.body's interested."

"That's the problem. We can't just walk into a clinic and ask who wants to volunteer for a longevity study that ends in death."

"Volunteers can be appointed."

Quentin looked at him blankly as the words sunk in. "I see."

"The real problem is at your end-getting people to make the stuff without the FDA finding out."

"Subcontractors," Quentin said. He had already worked that out. Outside jobbers would manufacture the compound-and n.o.body would know its purpose, and n.o.body would ask questions. And no worry about protocol.

Vince nodded as Quentin explained. "What about your lab people? Any problems there?"

Quentin finished his drink and ordered a third. "That's something I think we should talk about."

Adam blew a bubble, and Wendy laughed joyously.

It was two days before Christmas, and she was bathing him in the kitchen sink, thinking how full of love she was for her baby boy, who was giddy with laughter as she rubbed the washcloth across his pink little body. It was a small moment among the millions of her life but one she wished she could freeze forever.

She knew, of course, the notion was silly. If you could freeze such moments, how would they remain blissful? Joy was an experience defined by contrasts to lesser moments. Besides, there would be others.

As she dressed Adam for bed, she felt Elixir coil around her mind like a snake. At moments like these, she understood its allure.

She could hear Chris's words: "The trouble with life is that it's 100 percent fatal."

And: "I've never died before, Wendy, and I don't want to learn how."

And: "Think how many books you could write if you had another fifty or hundred years. You could be the Dorothy Sayers of the twenty-first century.

There was almost no escaping it. One night a few weeks ago, they watched a rerun of The Philadelphia Story. Before a commercial break, a young, handsome Jimmy Stewart turned to twenty-two-year-old Katherine Hepburn and said, "There's a magnificence in you, Tracy that comes out of your eyes and your voice and the way you stand there and the way you walk. You're lit from within...." While Chris got up for another beer, he wondered aloud how painful it must be for the eighty-year-old Hepburn, now wrinkled and palsied, to see herself in reruns. She probably didn't watch them, he concluded. Wendy's response was that Kate Hepburn was supposed to grow old and die. Painful as it was, she had no doubt accepted that. As we all must.

It was a good response, like her usual caveats about tampering with Nature, or her old standby: "'Death is the mother of Beauty.'"

With Adam in her arms, Wendy felt that the Stevens line never made better sense. Such moments were beautiful because they didn't freeze. Besides, all the animals had died from withdrawal, which meant it would be years before human testing, maybe never. She could only hope.

The telephone rang, jarring her out of the moment. Her first thought was Chris. He was at a two-day conference on cell biology in Philadelphia. But it was Quentin Cross.

"Chris said you were having trouble landing accommodations in the Caribbean."

"That's what happens when you make plans at the last minute," Wendy said. "Everything's been booked for months."

"Well, coincidentally, we've got a time-sharing condo at La Palmas on the east coast of Puerto Rico that's free for the first two weeks in February, if that interests you. Margaret and I go down every year, but with Ross's retirement and all the things going on, we're going to have to pa.s.s this time around. But you guys can go in our place," he said.

"Are you serious?"

Quentin chuckled good-naturedly. "Yes, and it's on us, free of charge."

"Oh, Quentin, I'm speechless. How generous of you!"

"The only catch is that you have to book with the airlines today. I hope you don't mind, but, just in case, I took the liberty of making reservations in your names. All you have to do is call Eastern and confirm. But it has to be today. What do you think?"

"My G.o.d, yes, we'll take it!" Wendy said. "And thank you, Quentin. Thank you so much. Wow!"

"Well, think of it as a little token of appreciation for what Chris has done for us-and you, for standing by him all the way."

Thrilled, Wendy thanked him again. After she hung up, she called Eastern and confirmed their reservation, thinking, How considerate of Quentin. Maybe Chris had misjudged him.

13.

JANUARY 29.

Every morning at five, Betsy Watkins would drive to the Cambridge Y and swim fifty laps in the pool before going to work.

At forty-eight years of age, she would do her regimen in forty leisurely minutes, letting her mind free-play, while her body kicked into autopilot, guided by the lane lines.

At that hour, especially in the winter, the place was nearly empty but for the lifeguard. By six-thirty a few people would dribble in. But this morning with a sleeting rain, she did her laps alone.

As she swam, she thought about the new position she was taking at the National Cancer Inst.i.tute in two weeks. She would have started the day after Jimbo's death had Chris not pleaded for her to delay her departure so he could find a replacement. She agreed on the condition that no more animals be sacrificed. Chris swore to it, and no more animals were withdrawn.

At the NCI she intended to study how tabulone deprived cancer cells of the telomerase enzyme, which was not the interest at Darby. And before she left, she would approach Ross again in hopes of getting him to agree to a watchdog agency coming in to monitor the development of Elixir. Quentin was dead set against that, but Ross would appreciate the need for the a.s.surance of ethical practice and accountability. Prolongevity was frontier science fraught with frontier dangers.

On lap forty-four, she thought about her approach to Ross should he stonewall her. It was not beyond her to let the FDA in on what they were doing.

She also thought about Chris-how he was a good man and fine scientist torn between ethical considerations and a near-personal appeal of Elixir. His wife held the opposite sentiment, yet they seemed very much in love. Betsy would miss Chris and those wonderful two-tone eyes.

On lap forty-five, she looked up to see the lifeguard step out for a coffee refill. She flashed the okay.

On lap forty-six, at midpool, she noticed some movement out of the corner of her goggles. Another swimmer was in the other lane moving toward her on a return lap. A man wearing a white bathing cap, snorkle and fins. Betsy preferred swimming una.s.sisted.

On lap forty-seven, she felt a sudden blow to the top of her head. The pain was blinding, and instantly she slipped into thras.h.i.+ng confusion, sucking in water and feeling arms embrace her legs like an anaconda and pull her down. A flash of the white cap. Under the pain and choking anguish was utter disbelief. She was being attacked underwater.

On what would have been lap forty-eight, her mind cleared for a split second. She saw the bottom of the pool rise up, while her diaphragm wracked for air and her arms flapped against the grip.

On lap forty-nine, bubbles rose up around her... so many bubbles... and panic filled her chest... and the weight on her leg... so heavy... all so heavy and dark, and her lungs burning for oxygen against the water filling her throat... and a face in a mask... eyes staring back at her... and the glint of chrome from a SCUBA regulator... black hoses and bubbles... the leaden weights of her limbs... her mind filling with dark water... and she kept swimming... swimming... toward a man with two large black eyes...

On lap fifty, she was dead.

14.

LONG ISLAND, NY.

JANUARY 29, 1988.

Vince Lucas handed Quentin a Chivas on the rocks as he stepped inside his Hampton estate-a building that the designers had fas.h.i.+oned after Monticello.

Dressed in an elegant double-breasted suit with a white s.h.i.+rt and white silk tie, Vince led Quentin inside where a large crowd of people spread throughout the rooms. At the far end of a large and opulent ballroom, a jazz combo played. Waiters and waitresses in black and white worked their way through the crowds with champagne and hors d'oeuvres.

Quentin kept his briefcase gripped in his right hand as he made his way. Every so often he would spot someone he recognized from magazines and television-athletes, entertainers, New York politicians.

At the rear of the building, under a gla.s.s ceiling, lay a serpentine pool in small groves of palm and other tropical plants-all fed by fountains and waterfalls that emanated from rock-garden formations leading off to a poolside bar at one end. It looked like a jungle-movie set. Several men and women cavorted in the water while patio guests sat in lounge chairs as waiters moved about with drinks and food. In the distance through the rear gla.s.s wall spread the vast black Atlantic, whitewashed by a full December moon.

Quentin had a drink and met some people, then at ten o'clock he was taken to a back room where they entered a private elevator that took them two flights down to a sub-bas.e.m.e.nt where the sounds of the band and revelry could not be heard. They made their way down a corridor with several rooms including a mirrored gym full of exercise machines. At the end was a heavy oak door that Vince unlocked.

Quentin stepped into a room full of men and women around a huge oval conference table-people he had seen upstairs, some from the island.

"Long time no see." Antoine Ducharme.

Quentin shook his hand, thinking that if it weren't for Elixir Antoine would have eliminated Quentin and his family. Now they were partners again.

They chatted for a moment as the place settled down. Quentin asked how Lisa was, and Antoine made a rueful smile. After the bombing of Apricot Cay, she had left him for another man. "The flesh is weak," he added cryptically.

On the far wall was a screen for the slide and video projectors. They had discussed the proceedings several times, yet Quentin's heart was doing a fast trot. Some 30 billion dollars sat around the table. He knew very little about individual Consortium members except that they embodied an exclusive international coterie of power brokers-financiers, foreign government officials, sheiks, retired oil execs, and the like-people whose word could send ripples throughout the stockmarkets around the world or incite international incidents. An untouchable elite who got where they were by being consummate opportunists. And here they were a.s.sembled for the ultimate conquest.

Vince's job had been to a.s.semble them with just enough bait. Quentin's job was to sell them the goods with everything he had. And he was well prepared. He stepped up to the small lectern and described Elixir, taking the group through the various stages. He showed them slides of medical charts and procedures, and a video of the mice and the monkeys. The crowd was amazed at the before-and-after scenes of once infirm elderly primates suddenly jumping around as if transported back in time. Quentin explained how the animals could go on indefinitely. About the consequences of withdrawal, Quentin was forthright-or nearly so. As with any patient dependent upon medication, the animals would eventually suffer adverse symptoms leading to death. He did not go into detail.

What sold the group was the video that Antoine had brought.

Vince dimmed the lights, and the screen came alive. The locale was not immediately clear, but several people were shown sitting in a room. Most were black. All of them were in their seventies or older. At first it appeared to be a hospital, but a quick pan of the camera revealed barred windows. An off-camera male spoke in a crisp Caribbean accent. Each of the eight patients wore a first-name tag around the neck. A large woman sat in a wheelchair. They were all dressed in white T-s.h.i.+rts and shorts to reveal their physical condition.

The narrator asked each patient to walk across the room. Three men were bald, one with a full white bush. Some had missing teeth. Skin was loose and wrinkled, eyes discolored and rheumy. Two women were quite frail; one large white woman could barely walk for arthritis and remained in her wheelchair. The rest hobbled a few times around the room as best they could. Two used canes. "Very good, very nice," said the narrator.

To doc.u.ment the dates, the camera zoomed in on that day's New York Times. The first day was December 16. The patients were told to sit again. Without showing his face, a man in white injected a clear liquid into each patient's arms. Before the fadeout, the voice asked each how he or she felt, and all mumbled that they were fine.

The screen went to black for a moment, then lit up on a tight focus of The New York Times.

December 30. The same featureless room. The same elderly group in chairs against the wall. The same clean white outfits. Some stared blankly, a couple smiled. At first, nothing seemed different. But as the camera moved, subtle differences were discernible. The dark wrinkled man named Rodney seemed a bit more alert; his eyes were clearer and more open. He was also sitting straighter, as were two others. When asked, the frail woman named Francine said she felt better than the last time.

January 11. Same room. Same group of eight. But what summoned a response from the Consortium was the appearance of Alice, the fat, wheelchaired woman. She was on her feet and shuffling around the room. When asked about the arthritis in her feet, she said that her feet were "much happier." Likewise, the others circled the room with posture more upright and greater agility. Ezra and Hyacinth, who had previously used canes, now walked una.s.sisted. The camera tightened on their faces which looked smoother and tighter. According to the narrator, each was feeling considerably better, more energetic. Two also remarked that their memories had improved.

January 19. This time their spirits were visibly high. Chatting and laughing, the eight of them walked their circles with smooth, steady gaits-including Alice, now with a cane. She had lost weight, and her face was thinner, her eyes wider. The camera s.h.i.+fted to Robert arm-wrestling with Rodney, the others cheering them on.

January 27. The group of eight was in the middle of the floor dancing to a reggae tape. The transformation was astounding, and the Consortium gasped in astonishment. In a matter of six weeks, each patient had regressed a decade or more. All laughed and swayed to the music, including Alice, who was on her feet una.s.sisted, her hair neatly brushed, her face made up and smiling brightly.

When Vince flicked on the lights, the place exploded in cheers. One Frenchman asked where he could get a liter of the stuff tonight, and pulled out a checkbook. Others had the same response.

Quentin was peppered with questions.

Somebody asked about the fate of the patients, and Antoine said that they were being well cared for, and secure-an answer that satisfied the Consortium. An answer far from the truth.

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Elixir. Part 14 summary

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