Bella Donna Part 14

Isaacson did not know in detail what Nigel's past had been. He imagined it, from the man's point of view, to have been unusually pure. But he did not suppose it stainless. His keen eyes of a physician read the ardour of Nigel's temperament. He made no mistake about his man. Nigel ought to have married. That he had never done so was due to a sorrow in early life, the death of a girl whom he had loved. Isaacson knew nothing of this, and sometimes he had wondered why no woman captured this nature so full of impulse and of sympathy, so full of just those qualities which make good women happy. If Mrs. Chepstow should capture it, the irony of life would be in flood.

Would she win the love as well as the pity and the chivalry of Nigel, which she already had? Would she awaken the flesh of this man as well as the spirit, and through spirit and flesh would she attain his soul?

And then?

Isaacson's sincerity was sorely tested by his friends.h.i.+p at this period.

Original though he was, and full of the sensitive nature's distaste for marching with the mob, he was ranged with the mob against Nigel in this affair of Mrs. Chepstow. Yet Nigel claimed him as an ally, a kindred spirit. He was not explicit, but in their fugitive intercourse he was perpetually implying. It was "You and I," and the rest of the world shut out. Pity was working within him, chivalry was working, the generosity of his soul, but also its fighting obstinacy. There was something in Nigel which loved to have its back against the wall. He wanted to put Isaacson into the same pugnacious position, facing the overwhelming odds. But the overwhelming odds were on the same side as the Doctor. On the whole, Isaacson was not sorry that he had so few hours to spare. For he did not know what to do. Professional secrecy debarred him from telling Nigel what Mrs. Chepstow had said of herself. What others said of her would never set Nigel against her, but would always incline him towards her.

So far Mrs. Chepstow and he were acquaintances. But already the moment had come when Nigel was beginning to want of her more than mere acquaintances.h.i.+p, and, because of this driving want of more, to ask himself whether he should require less. His knowledge of the world might, or might not, have told him that with Mrs. Chepstow an unembarra.s.sed friends.h.i.+p would be difficult. That would have been theory. Practice already taught him that the difficulty would probably prove insurmountable even by his enthusiasm and courage. Were they friends? Could they ever be friends?

Even while he asked himself the question, a voice within him answered, "No."

Women who have led certain lives lose the faculty for friends.h.i.+p, if they ever possessed it. Events have taught them, what instinct seems to teach many women, to look on men as more physical even than they are.

And such women show their outlook perpetually, in word, in look, in action, and in the indefinable _nuances_ of manner which make a person's atmosphere. This outlook affects men, both shames them and excites them, acting on G.o.d and brute. Neither shamed G.o.d nor brute with lifted head is in the mood for friends.h.i.+p.

Mrs. Chepstow had this instinctive outlook on male creation, and not even her delicate gifts as a _comedienne_ could entirely disguise it.

At last Nigel reached a crisis of restlessness and uncertainty, which warned him that he must drift and delay no longer, but make up his mind quite definitely what course he was going to take. He was not a man who could live comfortably in indecision. He hated it, indeed, as an attribute of weakness.

He must "have it out" with himself.

It was now July. The season would soon be over. And his acquaintance with Mrs. Chepstow? Would that be over too? It might come to an end quite naturally. He would go into the country, presently to Scotland for the shooting. And she--where would she go? This question set him thinking, as often in these last days--thinking about her loneliness, a condition exaggerated and underlined by her to make an impression on him. She did not seem to dwell upon it. She was far too clever for that.

But somehow it was always cropping up. When he paid her a visit, she was scarcely ever out. And if she was in, she was invariably alone.

Sometimes she wore a hat and said she had just come in. Sometimes, when he left her, she would say she was going out. But always the impression created was of a very lonely woman, with no engagements and apparently no friends, who pa.s.sed the long summer days in solitude, playing--generally "Gerontius"--upon the little rosewood piano, or reading "The Scarlet Letter," or some sad or high-minded book. There was no pose apparent in all this. Indeed, sometimes Mrs. Chepstow seemed slightly confused, almost ashamed, at being so unoccupied, so unclaimed by any society or any bright engagements. And more than once Nigel suspected her of telling him white lies when she spoke of dining out with "people" in the evening, or of joining a "party" for the play. For he noticed that when she made such statements it was generally after some remark, some little incident, which had indicated his pity. And he divined the pride of a well-bred woman stirring within her, the desire to conceal or to make the least of her unfortunate situation. Far from posing to gain his pity, he believed her to be "playing up," if possible, to avoid it. And this belief, not unnaturally, rendered it far more keen. So he fell in with her intention.

Once or twice when, in mental colloquies, he played, as he supposed, the part of the ordinary man of the world arguing out the question with the impulsive, chivalrous man, he said, and insisted strongly, that a woman such as Mrs. Chepstow, justifiably famous for beauty and scandalously famous for very different reasons, if she sought to deceive--and of course the man of the world thought such women compact of deception--would try to increase her attraction by representing herself as courted, desired, feted, run after by men. Such women always did that. Never would she wish it to be known that she was undesired, that she was abandoned. Men want what other men want. But who wants the unwanted? The fact that Mrs. Chepstow allowed him to see and to realize her solitude, so simply and so completely, proved to Nigel her almost unwise unworldliness. The man of the world, so sceptical, was convinced.

And as to the enthusiast--he bowed down.

Nigel made the mistake of judging Mrs. Chepstow's capacity by the measure of his own shrewdness, which in such a direction was not great.

What seemed the inevitable procedure of such a woman to Nigel's amount of worldly cleverness, seemed the procedure to be avoided to Mrs.

Chepstow's amount of the same blessing. She seldom took the obvious route in deception, as Isaacson had realized almost from the first moment when he knew her. She paid people the compliment of crediting them with astuteness, and thought it advisable to be not only more clever than they were stupid, but more clever than they were clever.

And so Nigel's pity grew; and now, when he was "having it out" with himself, he felt that when the season was over Mrs. Chepstow must miss him, not because she had picked him out as a man specially attractive to her, but simply because he had brought the human element into a very lonely life. In their last conversation he had spoken of the end of the season, of the exodus that would follow it.

"Oh--yes, of course," she had said, rather vaguely.

"Where are you going?"

She had sat for a moment in silence, and he had believed he followed the movement of her thought. He had felt certain that she was considering whether she would tell him a lie, recount some happy plan invented at the moment to deceive him. Feeling this certainty, he had looked at her, and his eyes had asked her to tell him the truth. And he had believed that she yielded to them, when at length she said:

"I haven't any special plans. I dare say I shall stay on quietly here."

She had not given him an opportunity of making a rejoinder, but had at once turned the conversation to some quite different topic. And again he had divined pride working busily within her.

She must miss him.

She must miss any one who occasionally stepped in to break her solitude.

Sometimes he had wondered at this solitude's completeness. He wondered again now. Everybody had their friends, their intimates, whether delightful or preposterous. Who were hers? Of course the average woman had "dropped" her long ago. But there are other women in London besides the average woman. There are brilliant women of Bohemia, there are clever women even belonging to society who "take their own way," and know precisely whom they choose, whoever interests or attracts them.

And--there are friends, faithful through changes, misfortunes, even disasters. Where were Mrs. Chepstow's? He did not dare to ask.

He recalled his first visit to her, not with any maudlin sentimentality, but with a quiet earnestness: the empty room looking to the river, the open piano and the music upon it, the few roses, and the books. He recalled "The Scarlet Letter" bound in white, and her partial quotation from the Bible in explanation of its binding. Abruptly she had stopped, perhaps suddenly conscious of the application to herself. At tea she had said of the cakes that were so good, "I ordered them specially for you and our little festivity." There was a great simplicity in the words, and in her voice when she had said them. In her loneliness, a cup of tea drunk with him was a "festivity." He imagined her sitting alone in that room in August, when the town is parched, dried up, and half deserted.

How would she pa.s.s her days?

He compared his life with hers, or rather with a life he imagined as hers. And never before had he realized the brightness, even the brilliance, of his life, with its mult.i.tudinous changes and activities, its work--the glorious sweating with the brown labourers in the sand flats at the edge of the Fayyum--its sport, its friends.h.i.+ps, its strenuous and its quiet hours, so dearly valued because they were rather rare. It was a good life. It was almost a grand life. London now, Scotland presently; then the late autumn, the train, the sight of the sea, the cry of the siren, the throbbing of the engines, and presently--Egypt! And then the winter of suns.h.i.+ne, and the songs of his workmen, his smiling fellahin, and the reclaiming of the desert.

The reclaiming of the desert!

Nigel was alone in his bedroom in the Savoy. It was late at night. He was in pajamas, smoking a cigar by the open window. He looked down to the red carpet on which his bare feet were set in their red babouches, and suddenly he realized the beauty of what he was doing in the Fayyum.

He had never really thought of it before in this way--of the reclaiming of the desert; but now that he did think of it, he was glad, and his heart bounded, looking forward in affection to the winter.

And her winter? What would that be like?

What an immense difference one honest, believing, and therefore inspiring affection must make in a lonely life! Only one--that is enough. And the desert is reclaimed.

He saw the brakes of sugar-cane waving, the tall doura swaying in the breeze, where only the sands had been. And his brown cheeks glowed, as a hot wave of blood went through them.

Progress! He loved to think of it. It was his pa.s.sion. That grand old Watts's picture, with its glow, its sacred glow of colour, in which was genius! Each one must do his part.

And in that great hotel, how many were working consciously for the cause?

Excitement woke in him. He thought of the rows and rows of numbered doors in the huge building, and within, beyond each number, a mind to think, a heart to feel, a soul to prompt, a body to act. And beyond his number--himself! What was he doing? What was he going to do? He got up and walked about his room, still smoking his cigar. His babouches shuffled over the carpet. He kicked them off, and went on walking, with bare, brown feet. Often in the Fayyum he had gone barefoot, like his labourers. What was he going to do to help on the slow turning of the mighty wheel of progress? He must not be a mere talker, a mere raver about grand things, while accomplis.h.i.+ng nothing to bring them about. He despised those windy talkers who never act. He must not be one of them.

That night, when he sat down "to have it out" with himself, he had done so for his own sake. He had been an egoist, had been thinking, perhaps not solely but certainly chiefly, of himself. But in these lonely moments men are generally essentially themselves. Nigel was not essentially an egoist. And soon himself had been almost forgotten. He had been thinking far more of Mrs. Chepstow than of himself. And now he thought of her again in connection with this turning of the great wheel of progress. At first he thought of her alone in this connection, then of her and of himself.

It is difficult to do anything quite alone, anything wholly worth the doing. That was what he was thinking. Nearly always some other intrudes, blessedly intrudes, to give conscious, or unconscious, help. A man puts his shoulder to the wheel, and in front of him he sees another shoulder.

And the sight gives him courage.

The thought of strenuous activity made him think of Mrs. Chepstow's almost absolute inactivity. He saw her sitting, always sitting, in her room, while life flowed on outside. He saw her pale face. That her face was carefully made pale by art did not occur to him. And then again he thought of Mrs. Browning and of the mountain peaks.

What was he going to do?

He made a strong mental effort, as he would have expressed it, to "get himself in hand." Now, then, he must think it out. And he must "hold up"

his enthusiasm, and just be calm and reasonable, and even calculating.

He thought of the girl whom he had loved long ago and who had died.

Since her death he had put aside love as a pa.s.sion. Now and then--not often--a sort of travesty of love had come to him, the spectre of the real. It is difficult for a young, strong man in the pride of his life never to have any dealing either with love or with its spectre. But Isaacson was right. Nigel's life had been much purer than are most men's lives. Often he had fought against himself, and his own natural inclination, because of his great respect for love. Not always had he conquered. But the fights had strengthened the muscles of his will, and each fall had shown him more clearly the sadness, almost the horror, imprinted on the haggard features of the spectre of the real.

Mrs. Chepstow for years had been looking upon, had been living with, that spectre, if what was said of her was true.

And Nigel did not deceive himself on this point. He did not sentimentally exalt a courtesan into an angel, as boys so often do. Mrs.

Chepstow had certainly lived very wrongly, in a way to excite disgust, perhaps, as well as pity. Yet within her were delicacy, simplicity, the pride of breeding, even a curious reserve. She had still a love of fine things. She cared for things ethereal. He thought of his first visit to her, the open piano, "Proficiscere, anima Christiana," "The Scarlet Letter," and her quotation. What had she been thinking while she played Elgar's curiously unearthly music, while she read Hawthorne's pitiful book? She had been using art, no doubt, as so many use it, as a means of escape from life. And her escape had been not into filth or violence, not into the salons of wit, or into the salons where secrets are unveiled, but into the airy s.p.a.ces with the angel, into the forest with Hester and little Pearl.

Why could they not continue friends?

His body spoke in answer, and he laid the blame for the answer entirely on himself. He condemned himself at that moment, was angry with himself, cursed himself. And he cursed himself, not because he was morbid, but because he was healthy-minded, and believed that his evil inclinations had been aroused by his knowledge of Mrs. Chepstow's past. And that fact was a beast, was something to be stamped on. He would never allow himself comfortably to be that sort of man. Yet he was, it seemed, enough that sort of man to make friends.h.i.+p with Mrs. Chepstow difficult, perhaps impossible. If love had led him to such an inclination, he would, being no prude, have understood it as a perfectly natural and perfectly healthy thing. But he did not love Mrs. Chepstow. He would never love, really love, again. For years he had said that to himself, and had believed it. He said it again now. And even if he could renew that strange power, to love, he could not love a woman who was not pure.

He felt certain of that. He thought of the dead girl and of Mrs.

Chepstow. But to-night he could not recall the dead girl's figure, face, look, exactly. Mrs. Chepstow's he could, of course, recall. He had seen her that very day. And the girl he had loved had been dead for many years. She lived in his memory now rather as a symbol of purity and beauty than as a human being.

Mrs. Chepstow, of course, would never find a man sincerely to love her now.