Eileen Reed - Ground Zero Part 20

"No record, and no guards. We could ask the guard at the gate if he saw any particular car that was driving too fast."

"Call him. Not that phone," Eileen added as Blaine headed toward the television room. "I'm in contact with my a.s.sisting officer on that line."

"Someone else?" Blaine said.

"Detective Rosen. He's tracking down each of the Gamers to see if they have alibis."

"I was thinking," Blaine said slowly. "The murder was done at change of s.h.i.+ft. Eleven is when the night s.h.i.+ft arrives and the swing s.h.i.+ft leaves. That's why he killed Art at eleven. He drove out of here with a hundred other cars. He went through those scanners with hundreds of people."

"Clever," Eileen said grimly. "He or she."

"Yes," Blaine said. "I'll call the guard anyway, just to check. Do you want coffee or a pop?"

"Coffee," Eileen said.

"Yes, I'm going to get some. I'll get a cup for you too." As Blaine left, the phone rang again.

"Reed speaking."

"This is Rosen. I'm mobile. No contact with Nelson Atkins. I'll be trying his house first to see if he's home."

"You got a.s.sistance?"

"I'm with Officer Hetrick."

"Would Sh.e.l.ly turn me in if I said, 'Be very careful'?"

"You mean because I'm a girl, girl?" Sh.e.l.ly Hetrick came over the line, her voice bright and sarcastic.

"Well, yes."

"I'm turning you in," Hetrick said.

"Look for fresh blood. I think the perp got splashed. Okay?"

"Clear. I'll carry my parasol, dear."

"Thanks. Out."

Eileen hung up the phone, smiling. Sh.e.l.ly Hetrick was deadly. Eileen would worry less about Sh.e.l.ly than she would about Rookie Rosen. The door beeped, and Eileen heard the familiar voice of Dr. Rowland.

"At least this time I knew it would take forever to get here," he grumbled as he entered the room. Rowland was dressed in his uniform, but his hair was flattened on one side and hastily combed. The SID unit followed. The fingerprint people were different, but the photographer was the same. The photographer looked fresh and alert with the bright energy of a night owl. Eileen envied him.

Rowland looked at Art, looked at Eileen.

"Didn't catch him quick enough, eh?" he said, then grimaced. "Sorry. Not your fault. No clues. Any motive for this one?"

"Maybe he found out who it was," Eileen said. Rowland nodded, and put down his bag.

"I sent the autopsy report to you this evening," he said, bending down and examining Art. "I'll try to be quicker on this one."

Eileen walked away from the camera flash and the bustle of activity. She followed the blood trail that went back to Art's console. The blood spray on the carpet was consistent with a blow to the throat after Art rose from his chair. The chair was tipped on its back. The console was still logged on to the system. There were windows open and flas.h.i.+ng with lights and color. Eileen looked at the big screens. They were dark and empty. The windows on the console looked like the War Game simulation Art had showed Eileen that afternoon.

Eileen stood in front of Art's console. What was Art doing on the computer? He was obviously running some kind of simulation, but there were no graphic displays. The big screens were dark. Art's console was doing something, though.

"Detective," Rowland called. Eileen looked over at Rowland, who was squatting by the body and beckoning with one gloved hand.

Eileen started to walk over, and the console beeped shrilly behind her. She turned to see one of the little screens flas.h.i.+ng the word "Found" over and over in red letters.

"Found?" Eileen said. "Found what?" She crouched over the console, trying to see if there was a name in any of the windows. Suddenly the whole console flashed and went white. Eileen jerked her hands back and away, but she was sure she hadn't touched anything.

"Time Limit Exceeded." The words scrolled across the screen. "No Interaction. Logging out ABAILEY at 0123 hours."

The screen went dark, taking whatever Art found with it into blackness.

20.

Central Intelligence Agency, Langley, Virginia.

"The Medical Examiner's notes are on-line now," Lucy Giometti said tersely. She'd finished reading Terry Guzman's autopsy earlier that morning, a report that had been typed in half a continent away by the concise Dr. Rowland. The autopsy report had briefly pushed aside her inquiry about Johann Wulff. Lucy intended to get back to Wulff as soon as she could. Wulff had a taste about him that made Lucy feel certain he was the key to Tabor's death.

The FBI special agent in Colorado Springs, Fred Nguyen, was on the phone that was socked against her left ear. Nguyen was a second-generation Vietnamese, child of a large family that made it out before the fall of Saigon. He spoke perfect English accented with more than a touch of California. Lucy had called up his picture from the FBI files, and the mental image of the blond football player that went along with the voice disappeared when she saw the thin Asian face. His eyes in the picture were black and small and expressionless.

"So, hey, I'm not saying these are related to this George Tabor dude," the cheerful voice sounded in her ear, "but I don't know why they're happening at the same time. It's weird, man."

"Fred, my friend, I don't know either. I know we've got nothing on Arthur Bailey. He's salt of the earth. Clear all the way back to grade school. Never even been out of the country."

"Yeah, that's what my reports say too. I think maybe Tabor just got spooked and ran, is all. d.a.m.n. It would've been great if we'd been able to grab him alive. We'd been tracking this guy for a long time."

"Well, if anything more comes up, I'll let you know," Lucy said. "Thanks."

"Thanks, Lucy. I'll get in touch if I find something juicy."

Lucy hung up the phone and pulled open her desk drawer for the fortieth time that morning.

"No, no, no," she said to herself.

The phone rang. It was Mills.

"What's up?" Lucy said, her eyes still wandering over the stacked cookies and pastries in the drawer.

"We've got an appointment at the Pentagon," Mills said, and the bafflement and fear were plain in his voice.

"At the Pentagon?" Lucy said.

"I don't know what's going on. The Deputy Chief called me personally. This is getting pretty d.a.m.n hot, Lucy. Be in my office at one o'clock."

Lucy didn't realize for a moment he'd called her by her first name. Then it struck her. Mills must be really upset. And she still hadn't nailed Johann Wulff.

Lucy pulled a fruit pie out of the drawer and picked up the phone. She had a few hours. She'd have to use them well.

Colorado Springs.

"I have witnesses. I was in church."

'Berto sat on the couch in his apartment. His thick black hair was uncombed. He was wearing gray sweats and a black tank. He didn't look as if he'd slept much.

"I know you were in church," Eileen said. She didn't feel much better than 'Berto looked. The morning sun was just touching through 'Berto's blinds.

'Berto's apartment was small. Two or three days' worth of dishes were piled in the sink. The carpet was clean, although it was old. There were gym clothes on the floor and a few brightly colored ties hung over some chairs. The overstuffed armchair in front of the television was piled with newspaper. The table next to the chair was loaded with old pop cans and magazines. Eileen could see the corner of the bed at the end of the short hallway. The bed was unmade, but the room looked clean.

"Pretty small place."

"Small is all I need," 'Berto said. He got to his feet. "Coffee? How about some orange juice?"

"Coffee would be nice," Eileen said, and followed 'Berto into the kitchen. 'Berto pulled out some filters and a grinder and started to make coffee.

"I haven't been shopping, but I could make you something. You want breakfast? You going to haul me in?" 'Berto ran the words together and tossed the last line off lightly, but there was nothing light in his dark and miserable eyes.

"No."

The tough line of the shoulders slumped. For a moment 'Berto looked like a relieved, frightened little boy. Then he turned his face away and began rinsing the filter holder.

"So why are you here?"

"I want to talk some more. You can afford better than this, can't you?"

"Maybe," 'Berto said.

"You can afford a maid, though?" Eileen asked.

"I don't have a maid," 'Berto said, and finished a.s.sembling the coffee. He turned the switch to start the brew. "Looks like you have a maid."

"Okay, my cousin," 'Berto said. "She comes by once a week. She works as a maid, okay?"

"I'm not trying to say anything," Eileen said mildly. "I just thought you had a maid for a place like this, that was funny. A girlfriend would treat a place differently."

'Berto leaned back against the counter and folded his arms. He smiled faintly.

"You notice stuff, I guess. No girlfriend. Estelle, she comes by for a favor."

"A favor?" Eileen said, and eyed 'Berto. 'Berto s.h.i.+fted nervously. " 'Berto, look. You don't drive a hot car. You live in a dump. You don't have great clothes. But I've seen your salary. Why don't you live better? Are you being blackmailed?"

"I'm not being blackmailed!" 'Berto's shoulders rose. He seemed unsure whether to laugh or get angry. "I'm-look. Well, hey. I'll show you."

'Berto walked over to his cluttered coffee table. He rummaged around the newspapers and magazines stacked on top. He pulled out a photo alb.u.m.

"Ready for the sob story, eh?"

Eileen glanced at the coffeepot. It was nearly done. She opened the cabinet above the coffeemaker and the coffee cups were there, in the most logical place for them to be. She looked inside before she poured, but they were clean.

"So give me the sob story. You take milk?"

"Black is fine for me," 'Berto said. "I couldn't sleep last night. Nelson called me and told me about Art. I was thinking about Art. Terry too."

'Berto put his photo alb.u.m on the kitchen counter. He opened it. Eileen took a sip of his coffee and looked.

"This is my brother Luis. College. Tuition. Books. This, my sister Isabelle. Okay, no college for her. Two little ones, boy and girl. College for them. Eh?"

Eileen looked at Luis, a younger, thinner version of 'Berto. The slate-black eyes were smiling. The UCLA sweats.h.i.+rt was fresh and white. The sister Isabelle, chunky and plain, had two happy children in the circle of her arms. There were more pictures. Eileen flipped through the alb.u.m, sipping her coffee, seeing the signs of prosperity appear as the children grew. The bright spots of new lamps, a new carpet, new clothing. There were pictures of another woman, a thin beautiful girl with an angular, Spanish look to her face. She wasn't smiling in any of the pictures. She wore a lovely red dress, and looked almost embarra.s.sed, as though she knew she looked spectacular.

"Another sister?" Eileen asked. 'Berto smiled.

"Mi madre," he said proudly. "My mom. My dad was a cop, got killed a long time ago. She's beautiful?"

"Wow," Eileen said. "She sure is."

The sun, rising, laid a strip of brightness across the kitchen and picked up the glare of the picture film. Eileen closed the alb.u.m and refilled her cup.

"You support them all," she said. 'Berto shrugged.

"They know it, they knew it before I got all my clearances through. The government didn't mind that I send my money to my family. I don't think my investigating officer liked it, though."

"Your investigating officer?"

"Yeah, they send one out to interview the family, your friends, your professors. People from your last jobs. Sometimes they interview you, too. This one did. When you get this kind of clearance, they do a background check on you. This guy was a young white guy. Didn't like visiting the barrio. Didn't think I should be wasting money. A man with no family." 'Berto grimaced in disgust. "He doesn't understand."

"I know you have an alibi for last night," Eileen said quietly.

"I teach cla.s.ses, sure. My cousin is a priest. My father's sister, she's a nun. The Church is important to us. I'll have my cousin say a prayer for Art."

There was a little silence. Eileen looked at the slight steam that rose from her cup, then looked up at 'Berto. She knew there was more to 'Berto's story than he was telling her. Something about 'Berto's good looks, the misery in his eyes, urged her on.

"But no prayers for Terry."

'Berto was standing with an elbow on the kitchen counter, his other hand on the cover of the photo alb.u.m. He stood frozen.