Some Girls_ My Life In A Harem Part 1

Some girls : my life in a Harem.

by Jillian Lauren.

prologue.

The Shah's wife was unfaithful to him, so he cut off her head and summarily declared all women to be evil and thereby deserving of punishment. Every night the Shah's grand vizier brought him a new virgin to marry and every morning the Shah had the woman executed. After too many of these b.l.o.o.d.y sunrises, the vizier's eldest and favorite daughter asked to be brought to the Shah as that night's offering. The grand vizier protested, but his daughter insisted, and this daughter was known throughout the kingdom for her powers of persuasion. At the end of the day, the Shah married the vizier's daughter while the vizier wept in his chambers, unable to watch.

At first, the daughter's wedding night was indistinguishable from the wedding nights of the other ill-fated virgins who had married the Shah before her, but as morning approached, the Shah's newest wife began to tell him a story. The story had not yet reached its conclusion when the pink light of dawn crept around the edges of the curtains. The Shah agreed to let the woman live for just one more day, because he couldn't bear to kill her before he learned the story's end.

The next night the woman finished that story, but before the sun rose over the dome of the palace mosque, she began another, equally as compelling as the last. The following one thousand and one nights each concluded with an unfinished story. By the end of this time, the Shah had fallen in love with the woman, and he spared her life, his heart mended and his faith in women restored.

This is, of course, the story of Scheherazade. It's the story of the storyteller. We lay our heads on the block and hope that you'll spare us, that you'll want another tale, that you'll love us in the end. We're looking for the story that will save our lives.

One thousand and one nights-nearly three years. That's about the span of this story. Will you listen? It's almost morning.

chapter 1.

The day I left for Brunei I took the subway uptown to Beth Israel, schlepping behind me a green flowered suitcase. The last time I had used the suitcase was when I left my room in NYU's Hayden Hall for good, dragged all my c.r.a.p out of the elevator and onto the sidewalk, and cabbed it down to the Lower East Side, where a friend of a friend had a room for rent. The time before that, my mother had helped me unpack from it my college-y fall clothes, labeled jammies, and ziplock bags full of homemade chocolate-chip cookies. Each time I unzipped that suitcase it contained a whole different set of carefully folded plans. Each time I packed it back up I was on the run again.

I heaved the suitcase up three steps, rested, then heaved again until the rectangle of light at the top of the staircase opened out onto the bright buzz of Fourteenth Street. Underneath my winter overcoat the back of my s.h.i.+rt was damp with sweat. I hadn't thought I'd packed so much. I'd stood in front of my closet for hours wis.h.i.+ng the perfect dress would magically materialize in a flurry of sparkles, would soar through the door, held aloft by a host of bluebirds. I was going to a royal ball, G.o.ddammit. I was traveling to meet a prince. Was my fairy G.o.dmother really going to leave me with such a lousy selection of clothes to choose from? Apparently she was.

In the end, I'd settled for packing two tailored skirt suits, three fifties prom dresses, an armful of vintage underwear-c.u.m-outerwear, two hippie sundresses, a pair of leather hot pants, and some glittery leg warmers. All those not-quite-right clothes weighed too much. Or maybe it was the anvil of guilt I was carrying around for the act of desertion I was about to commit by abandoning my sick father in favor of an adventure in a foreign country. Either way, I'd yet to learn how to pack light. I pointed myself toward the hospital, merged into the stream of pedestrian traffic, and allowed the collective sense of purpose to pull me along.

My father was being operated on for a paraesophageal hiatal hernia, a condition in which part of the stomach squeezes through an opening in the diaphragm called the hiatus, landing it next to the esophagus. The danger is that the stomach can be strangled, cut off from its blood supply. Hiatal hernias occur most often in overweight people and people with extreme stress levels, both of which apply in my father's case. In 1991, the surgery for a hiatal hernia was dangerous and invasive, requiring a major incision that would travel from his sternum around to his back. I had originally told my mother I would be there to help out in any way that I could, but when the Brunei job came around, I changed my mind.

This compulsion of mine to be forever on the move may have been a genetic inevitability. My birth mother named me Mariah, after the song "They Call the Wind Mariah," from the Broadway musical Paint Your Wagon. Paint Your Wagon. Maybe she knew I'd soon sail away from her in the airborne cradle of a 747. The name didn't stick. My adoptive mother renamed me Jill Lauren after nothing at all; she just liked it. An amateur thespian herself, she thought Lauren could serve as a stage name if I ever needed one, and so it has. Maybe she knew I'd soon sail away from her in the airborne cradle of a 747. The name didn't stick. My adoptive mother renamed me Jill Lauren after nothing at all; she just liked it. An amateur thespian herself, she thought Lauren could serve as a stage name if I ever needed one, and so it has.

I may have been named for the wind, but I am a triple fire sign, a child of heat and sun. I was born mid-August 1973 in Highland Park, Illinois. Roe v. Wade Roe v. Wade was decided on January 22, 1973, which would have placed my biological mother at nearly three months pregnant, still swaddled under the layers of down that insulated her from the Chicago winter. I don't know if she considered an abortion as her slim dancer's body morphed into something c.u.mbersome and out of control, as her flighty boyfriend took their car and headed east one day and never came home again, as the wind off the water turned the slushy streets to sheets of ice and bit at any inch of exposed skin, made more raw and vulnerable with the pregnancy. was decided on January 22, 1973, which would have placed my biological mother at nearly three months pregnant, still swaddled under the layers of down that insulated her from the Chicago winter. I don't know if she considered an abortion as her slim dancer's body morphed into something c.u.mbersome and out of control, as her flighty boyfriend took their car and headed east one day and never came home again, as the wind off the water turned the slushy streets to sheets of ice and bit at any inch of exposed skin, made more raw and vulnerable with the pregnancy.

Seven hundred miles away, in the not-so-posh apartments across from Saint Barnabas Hospital in West Orange, New Jersey, a young stockbroker and his wife despaired of their childless state. It was a time rife with shady adoptions, sealed files, and what my father has referred to as "gray-market" transactions. My parents contacted a lawyer who knew of someone who knew of someone who knew of a pregnant girl in Chicago looking to give her baby up for adoption. That lawyer was later disbarred and imprisoned for his role in many such adoptions because you're not supposed to arrange for babies to be bought and sold.

Gray-market babies didn't come cheap. My parents were not yet wealthy, but they were desperate for a family. They ate inexpensive food and wore old shoes and waited. They waited as the neighbors filled their plastic kiddie pools. They waited while my mother graciously attended baby shower after baby shower, tossing the little candy-filled baby-bottle favors into the trash on her way home. My parents waited and avoided the subject, talking instead about the stock market, tennis, the neighbors, until the lawyer finally called them and told them to get on a plane because their daughter had been born. My mother was a social worker at the time and she swears that she was at home to hear the phone because she had called in sick that day with an unexplained stomachache, psychic labor pains.

We lived together in that crowded one-bedroom for two years, until my father's stockbroking business picked up and my parents were able to buy a house in a neighboring town with a desirable zip code and good public schools. I grew up in the kind of town in which orthodonture was mandatory and getting a nose job as a gift for your sweet sixteen was highly recommended.

Those very early years were a love affair of sorts between my father and me. My father was a man who was most pleased by good looks and accomplishments, so I worked at being precociously bright, athletic, musical-anything to impress him. And whenever I wasn't, I cheated or I faked it. My father was wild about his little sidekick and to me, he was the king of the world. I waited each day at the top of the steps to hear the rumble of the garage door so I could run to greet him when he emerged, so important in his s.h.i.+ny shoes and Brooks Brothers suits.

My parents told me only one thing about my birth mother. They told me that she was a ballerina. In my fantasy, my birth mother was a life-size version of the tiny dancer twirling inside my satin-lined music box. My plastic ballerina had the smallest brushstroke of red hair and limbs the width of toothpicks. She never lost her balance; she never had to let her arms down. I imagined my birth mother posed in a perpetual arabesque, swathed in white tulle, with a tiara of sparkling snowflakes in her hair.

I would wind the key tightly and the opening notes of Swan Lake Swan Lake would chime double time at first, then more slowly, until they would plink to a stop. But somewhere in between, the little plastic figurine would turn at just the right speed. That was when I would raise my arms in the air and twirl along with her. Somewhere between too fast and too slow, we would be in perfect sync. would chime double time at first, then more slowly, until they would plink to a stop. But somewhere in between, the little plastic figurine would turn at just the right speed. That was when I would raise my arms in the air and twirl along with her. Somewhere between too fast and too slow, we would be in perfect sync.

In my memory of that time, my adoptive mother is a blur with long red fingernails. She is the hand applying zinc oxide to my nose, the bearer of pretzels and Twinkies, Sisyphus in the kitchen. This may be the fate of mothers in memory-to be relegated to the ordinary and therefore condemned to invisibility. I think of this now as I watch my friends chase down their kids poolside wielding bottles of chemical-free sunblock.

I'm sure it's not entirely the truth, but the way I remember it, it was my father who responded to the screams of my night terrors, who toweled the sweat off me and scratched my head until I fell back asleep. It was my father who avidly coached my soccer and softball teams. It was my father who took me to see Swan Lake Swan Lake at Lincoln Center and showed me a world in which girls floated along as bright as snowflakes. at Lincoln Center and showed me a world in which girls floated along as bright as snowflakes.

I watched the ballerinas glow blue-white in the spotlights and ached to be where they were. I watched the ballerinas and imagined that I understood why my birth mother had given me up for adoption. You had to lose something to be that light. It was reason enough to give your baby away-you could always be that luminous, that free.

The crowd spat me out at the entrance of Beth Israel. If I didn't have a fairy G.o.dmother who gave me dazzling ball gowns, at least I had one who gave me courage. Ever since I was sixteen and I'd first heard Easter Easter and decided that Patti Smith was the barometer of all things cool and right, when faced with tough decisions, I would ask myself, What would Patti Smith do? It was the yardstick by which I measured what was the authentic choice, the b.a.l.l.s-out choice. When faced with the decision of taking the job in Brunei, I had weighed my options: Should I stay or should I go? What would Patti Smith do? She would go. She would board the plane to exotic lands and she would never once look back. As I walked through the hospital doors, in my mind I was already settling back in my airplane seat and watching the city recede beneath me. and decided that Patti Smith was the barometer of all things cool and right, when faced with tough decisions, I would ask myself, What would Patti Smith do? It was the yardstick by which I measured what was the authentic choice, the b.a.l.l.s-out choice. When faced with the decision of taking the job in Brunei, I had weighed my options: Should I stay or should I go? What would Patti Smith do? She would go. She would board the plane to exotic lands and she would never once look back. As I walked through the hospital doors, in my mind I was already settling back in my airplane seat and watching the city recede beneath me.

The lobby was actually quite posh as far as hospitals go, but my eye was drawn to every sad detail-the forced cheeriness of the gift-shop daisies, the seam of elusive grime where the floor met the wall. In truth, I'd always had a walnut of trepidation in my gut, a pinch of anxiety between my shoulder blades, when going to see my father, even at his healthiest.

By the time I was twelve years old, my love affair with my father had, like most, ended in heartbreak. We spent my high school years and beyond locked in a constant battle for control that sometimes ended in violence. When I was in high school, my father ate and ate until he was an obese freight train of rage, and I, in turn, starved myself until I was the smallest possible target for his invectives. Years of therapy helped him to forgive himself, though he quit before he got to the part about not holding everyone else eternally accountable for his misery. In the great tradition of Jewish parents, his dearest belief is that when he's dead I'll spend the rest of my life regretting my callous behavior toward him. His emblematic song for this sentiment is "Something Wonderful," from The King and I. The King and I.

He called me the night before his surgery.

"Hi, honey. I was just sitting here on the couch in front of the fire and watching The King and I The King and I and Lady Thiang was singing 'Something Wonderful' and it made me think of me." and Lady Thiang was singing 'Something Wonderful' and it made me think of me."

My father may be the only man in the world who would call to tell you he heard a song that made him think of himself. I hated him for making those ridiculous phone calls, in which he foisted on me the sentiment he wished I had for him. "Something Wonderful" is a love ballad to an imperfect but charming king, and it's a risky song to hang your hopes on. Unless you own a country and can waltz like Yul Brynner, it's never a safe bet to count on your enduring charm to redeem you from acting like a big a.s.shole. If my father most identified in that pivotal moment with "Something Wonderful," I suppose I would have picked "There Are Worse Things I Could Do" from Grease Grease.

There were worse things than taking a job that required I leave for Brunei on the day of my father's surgery. The Southeast-Asian sultanate of Brunei was a country I had only recently even heard of. My job description was elusive at best, but I fantasized that I might arrive and find a wild adventure, a pile of money, and an employer who was no less than Prince Charming. This was my opportunity to shake off my bohemian mantle and reimagine myself as an enigmatic export, maybe a royal mistress or the heroine of a spy novel. More realistically, I suspected I had signed on to be an international quasi-prost.i.tute. There are worse things I could do.

I had prepared my parents for the fact that I was leaving town that day. I told them that I had gotten an important acting role in a movie, but that it was shooting in Singapore and I had to leave right away. When they later asked about my big break, I planned to tell them that my role had been cut. I justified my lies to my parents by imagining that I would make them come true and they would no longer be lies. Okay, the fantasy movie in Singapore probably wouldn't happen, but my soon-to-be stardom would overshadow it and all of this would be rendered irrelevant.

My parents believed in my acting career and had stoically received the news that I was leaving. Before I even got on the plane that day, they had already begun the process of accepting my absence. I would become the prodigal daughter, always off on an exotic adventure that few in my parents' world could ever fathom. That day at Beth Israel, they began their wait for my repentant return.

I hung out with my mother and my aunt in the bucket seats of the waiting room outside the ICU, our coats draped over the backs of the chairs. My aunt is a wild-haired ex-hippie who spent the sixties in acid-soaked communes and sleeping on European rooftops-a prodigal daughter in her own right. When my aunt and I get together, it's usually a nonstop talking marathon, but that day we were unable to think of anything to say. We focused instead on the Jeopardy Jeopardy answers coming from the TV mounted in the corner near the ceiling. My relatives were all answers coming from the TV mounted in the corner near the ceiling. My relatives were all Jeopardy Jeopardy fiends. I loved fiends. I loved Jeopardy Jeopardy's Zen premise: All the answers are really questions. When she was dying of cancer, my grandmother could easily clear a board, even in her morphine haze. My aunt and I held hands and answered in unison.

"Who is Thomas Mann?"

"What is the Panama Ca.n.a.l?"

My brother, Johnny, was notably absent, off at yet another boarding school and probably engaged at that very moment in a scheme to grow his own psychedelic mushrooms or to break out of his dorm and hitchhike to the nearest Phish concert. My mother sat quietly reading. Her hair was styled into a tastefully highlighted wedge, her diamond earrings twinkling under the hospital fluorescents. My mother s.h.i.+nes in a crisis-hospitals, funerals, support groups. She is the lady you want around when things go way south. This is not to say that she wasn't worried about my father; just that worried is her natural habitat. When my grandmother was dying, my mother taught me that you have to make yourself at home in hospitals, have to know where they keep the ice, have to keep track of your own medication schedule, have to make friends with the nurses. If you sit around and wait for someone else to bring you a gla.s.s of water, you're bound to get very thirsty.

The three of us went to eat sweaty lasagna in the hospital cafeteria. We sat with poor posture, like the rest of the people there, who huddled in groups around their lukewarm food. Laughter cut through the room from a table of doctors in scrubs. I couldn't imagine having to eat in that place every day. My father's doctor, Dr. Foster, was standing next to the table where the doctors were laughing. He was a handsome, young guy with a shock of black hair and tortoisesh.e.l.l gla.s.ses. He glanced around the room; his eyes rested on us for a second, then moved on without an acknowledgment. It is the unique province of doctors to be in the same room with the family of a man whose internal organs he was just handling and not even nod h.e.l.lo.

I watched Dr. Foster walk away. When we had talked after the surgery, I had noted a flirtatiousness to his manner. (I know, cla.s.sy timing.) There had even been a vague but unmistakable suggestion that we should have a drink later in the week. At any moment in time, I imagined, a parallel-universe Jill could make a different choice, could turn a fraction of an inch to the left and step onto a different path.

That moment I imagined a parallel Jill stayed in New York and altered the course of her days not by seeking fame and fortune but rather by succ.u.mbing to the dictates of her upbringing. She takes Dr. Foster up on that drink. She winds up the wife of a doctor, with shapely calves, a standing tennis date, and a two-carat diamond on her finger. She finds fulfillment in her children and in volunteer work. She reads design magazines and gourmet magazines and she does things like making homemade pasta and then indulging in only a few bites. She weekends in the Hamptons and takes two-week Caribbean vacations every year.

My mother radiated the calm of a martyr marching to the stake. She had surrendered to her fate. I never once saw her try to get out of her marriage to a domineering man who persistently demeaned her. I wondered where her parallel selves lived. Did she scroll back to each cross-roads of her life and wonder, or did she feel that something higher was guiding the needle of her compa.s.s, that she was fated to be living out her life exactly as it was?

When we returned from lunch, a slab of cheese congealing in my stomach, my father was waking up from the anesthesia. A nurse informed us that only one person could go into the ICU at a time, so my mother went first. She emerged after about fifteen minutes looking unshaken, saying only that I should go next because he was asking for me.

My father hovered somewhere between conscious and unconscious. A hundred tubes and wires traveled in and out of him. He had lost more than fifty pounds and lost it so quickly that his skin had failed to shrink to his new body. It hung off him like excess fabric. He looked shriveled.

I have a picture of my father and me when I was a baby. He is lying on the bed and I am sleeping across his round belly. He was so big to me then, a mountain. I feel like I remember the moment. I know it's a trick of memory, a conflation of photographs and reality, because I was only an infant. But I could swear I remember what it was like to lay my head so close to his heart.

His bloodshot blue eyes scanned the room wildly.

"It hurts," he said, his voice small and labored.

"You're going to get better now."

"I didn't know it would hurt this much."

I stood next to him, holding his hand, conscious of my teeth in my mouth, my toes in my shoes, the watch on my wrist reading ten minutes past the time I needed to leave to make my plane. I talked about my impressive new movie job. It seemed to cheer him up.

"Look at you," he said.

I could have simply not shown up at the airport, could have stayed for that drink with Dr. Foster, but I wasn't going to. I was unsure of my destiny, but I could tell you with absolute certainty that it did not lie there. I told my father that I'd telephone from Singapore every day. Then I kissed his cheek and left.

My father called after me in a whisper, "Grab your star and ride it to the top, Jilly."

I was a liar. And I left. I cried in the elevator for my dad, for all that was lost between us, for my own alarming recklessness. But my eyes dried up the minute my a.s.s. .h.i.t the vinyl cab seat. All my regrets and reservations were overshadowed by the fact that it felt so good to be moving-green flowered suitcase in the trunk, thirty dollars to my name, car window open to the unseasonably warm winter day.

As he has mellowed and grown older, my father has rewritten our history together and, with it, his opinion of me. He tears up and greets every milestone, from my marriage to my master's degree, by saying, "My daughter took the road less traveled by, and that has made all the difference."

With one hackneyed phrase he manages both to praise me and to brand me forever the outsider. Read the poem for real, I want to tell him, and you'll see that the roads are about the same. The traveler only imagines that one is less trodden than the other.

Nevertheless, two roads diverged. I picked the one that seemed a tiny bit wilder. Because that was who I wanted to be.

chapter 2.

With overnight stays in Los Angeles and Singapore, I spent three days en route to Brunei. The long hours in the air provided me an opportunity for reflection.

These days, my life has taken on a slower pace and it seems that the moon can wax and wane and wax again and the time has marked my life in only subtle ways-the slight deepening of the marionette lines around my mouth, the easing of a yoga posture, the straining of a friends.h.i.+p, perhaps, or the birth of a new one. I embark on endless attempts to break bad habits, to acquire new, healthier ones. I usually fail at both, but not to any major detriment. Not anymore. Sometimes I buy a plane ticket. There is a birth, a death, a celebration, a tragedy. But when I sat on that plane to Singapore, I had much to reflect on and even more to hope for. At the time, the barreling truck that was my life hopped the divider and changed directions every five minutes or so.

I listened to Talking Heads on my CD Walkman. And you may ask yourself, well . . . how did I get here? And you may ask yourself, well . . . how did I get here?

You may ask the same question. You know-what's a nice girl like you doing on her way to a harem like this? Allow me to back up a few paces.

How I got there started with a headlong sprint across the beach, well past midnight on an icy November evening in East Hampton. I broke into a flat run over the spotlit dunes, terror pasted across my face. The ground gave beneath my Reeboks and slowed me down as if I was running in a dream. The sand in front of me was strewn with elongated shadows. The only thing the director had told me before he called action was to hit three marks along my trajectory, each indicated with a barely visible sandbag. I wore a tear-away yellow and blue cheerleading costume that fastened with Velcro up the sides, and my chestnut hair was pulled into tight pigtails, each secured with a yellow satin bow. The salty air seared my windpipe and raised goose b.u.mps along my bare arms and legs. I had turned eighteen three months before; I could have been an actual cheerleader.

I hit the first sandbag at an awkward angle and my ankle twisted. As scripted, a ghostly hand reached out of the darkness and tore my s.h.i.+rt off. I let loose my best Janet Leigh scream and ran, topless now, toward my next mark, spears of pain shooting up my leg.

I was there. I was for real. I was Patti Smith in pigtails and I was screaming my heart out in front of a camera-finally, in front of a camera. Who gave a s.h.i.+t if it was some trashy vampire movie scheduled for video release in Florida? It was a movie. It was a start. It was a brief stone on the yellow-brick road to being all I ever wanted to be-a s.h.i.+ning star of stage and screen. My plan was to be so wholly and incontrovertibly loved that I would never again be left clinging to the outer orbits of anything.

This movie, this low, low rung on my ladder to success, was called Valerie. Valerie Valerie. Valerie was about a high school girl who was so obsessed with vampires that she magically turned into one and then proceeded to terrorize her school. Two weeks beforehand, I had responded to an ad in was about a high school girl who was so obsessed with vampires that she magically turned into one and then proceeded to terrorize her school. Two weeks beforehand, I had responded to an ad in Back Stage Back Stage that led me to the kind of brick townhouse in Newark where old Polish ladies live. This was different from most of my auditions, in which you wound up standing around a generic Midtown casting studio with a bunch of other girls who all face the wall and silently read the sides with their lips moving and their eyebrows going up and down. that led me to the kind of brick townhouse in Newark where old Polish ladies live. This was different from most of my auditions, in which you wound up standing around a generic Midtown casting studio with a bunch of other girls who all face the wall and silently read the sides with their lips moving and their eyebrows going up and down.

I knew Newark a little bit. My family is one of those old Newark Jewish families whose octogenarians are sought out for interviews by ethnohistorians. My great-great-grandfather and his siblings came on a boat from a shtetl in Poland and, washed in sepia tones, they started with a fruit cart and opened a grocery store that became a grocery chain. They started by delivering newspapers in exchange for pens and wound up writing prescriptions. They were doctors and dentists and business owners and real estate moguls. They helped to found the oldest synagogue in Newark, the same one where my brother and I were Bar and Bat Mitzvahed.

Ask my father and he'll tell you all about it: Our family helped build Newark. We love Newark. Long after he left home, his parents were the last white family living on their block for years. They moved only when my grandfather retired and he and my grandmother were too old to take care of the house anymore. Though my father lives in an affluent suburb about twenty minutes away now, he's quick to tell you that he's no fancy guy; he's just that same old kid from Newark. My father is a sentimental man and when I was a little girl he used to take me for rides in his white Cordoba and point out the old house on Lyons Avenue, Weequahic High School, the Jewish cemetery. He talked about it so much that the sidewalks of Newark felt like home, even though we never actually lived there or even really got out of the car.

So I felt like I almost recognized the townhouse when I arrived at the address that was written on a sheet of paper in my purse. I knocked on the door and the unctuous director of the movie, complete with thinning ponytail and high-waisted jeans, ushered me into a living room, where every surface was cobwebbed in lace doilies and every piece of furniture was ziplocked in plastic; probably his mother's house. The coffee table had been shoved to the side of the room and in its place was a tripod that held a video camera the size of a toaster.

I stood in front of the camera and gave an audition, the entirety of which consisted of taking my top off and screaming. The director and his a.s.sistant furrowed their brows and took notes on a clipboard while s.h.i.+fting on the squeaking couch covers. They called me two days later to tell me I had been cast as Victim One. The director also told me that Butch Patrick, the guy who had played Eddie Munster, was his cousin, so there was a lot of potential for the project.

They say there are no small parts, only small actors, and since I hadn't yet figured out that this aphorism isn't true, I took the job.

I headed for my second mark, where a hand reached into the frame and yanked the skirt from my waist. This scream was less hearty, more winded. I ran the last leg of the gauntlet in only panties, sneakers, and ankle socks. When I hit the final sandbag, Maria the actress playing Valerie, stepped in front of me and blocked my path.

Scream.

Cut.

Maria was a clearly anorexic, haunted-looking blonde. Bruise-colored circles that even the white cake makeup couldn't completely cover shadowed her bruise-colored eyes. Wearing a tatty nightgown and backlit by the bright lights of the set, she looked like an alien, with her sylphlike body somehow supporting a skull that seemed huge in comparison. Why was this girl the star while I was Victim One?

While we waited for them to set up the next shot, Maria and I wrapped ourselves in a comforter pilfered from a nearby beachfront house that belonged to someone's parents. We huddled together for warmth and I could feel the sharp edges of her hip bones pressing into me, no insulation at all between her and the world. The crew bustled around us, setting lights and preparing our next scene together. It was my final scene. My Big Moment.

The director came over to talk to us as his DP set the camera for the shot.

He addressed Maria first.

"This is your first kill. You've finally given in to the bloodl.u.s.t you've been struggling against all this time. It's ecstatic. It's o.r.g.a.s.mic-the power as you overtake her. Savor it. Take your time. Especially with the bite."

He turned to me and simply said, "Fight her."

A mousy art-department girl wearing a down vest, a ski hat, and rubber gloves to her elbows mixed a bucketful of fake blood. In the first shot, Maria was meant to rip off the last thin barrier between my torso and the night-a pair of my own panties that were to be sacrificed for the occasion-and then wrestle me to the ground. The second shot was the h.o.m.oerotic kill, in which I would succ.u.mb to the vampire and end up doused in fake blood. The art-department girl stressed to us the necessity of nailing the scene in one take because there would be no way to clean me off again.

The fight scene was pitiful. Maria barely had enough strength in her hands to grip my wrists. I am shaped like a living replica of the fleshy cartoon girls drawn by R. Crumb, with their big a.s.ses, st.u.r.dy, round thighs, small waists, and pert B cups, which is to say that I could have reduced Marie's brittle bones to a pile of twigs with one shove. I wasn't about to let her frailty ruin my moment. Instead, I interlaced my fingers with hers and jerked her around like a Muppet, attempting to make it look like I was battling for my cheerleader life. Then I pitched myself backward and pulled her down on top of me. She looked shaken.

Scream.

Cut.

The next shot was the gore shot. The art-department girl had added a black rubber ap.r.o.n, completing her authentic butcher couture. The rest of the crew buried some clear tubing in the sand and arranged it to emerge from behind by neck. While they bustled around me, I lay back on the sand, closed my eyes, and tried not to hyperventilate. I drew back into myself and became strangely sleepy, my twisted ankle pulsing and hot. I wondered if I might be starting to freeze to death. Voices behind me discussed there being some concern about the blood flowing freely through the tubing because it had begun to thicken and form a Karo syrup ice floe. The script supervisor nudged the director and pointed to me on the ground.

He mobilized. "Okay. The kill. We gotta go now; we're losing our Victim. Places."

Maria positioned herself over me, her bloodshot eyes sunk with deep exhaustion and hunger. She checked that her fangs were secure. The butcher girl came over with a Dixie cup and filled my mouth with a foul Karo slus.h.i.+e that I was meant to spit out at the moment I surrendered.

Quiet on the set.

Rolling.