Jean-Christophe Journey's End Part 17

There were moments when both Jacqueline and Olivier almost fancied that such thoughts were in the other's mind. And they were in the mind of neither: but it was bad enough that they should attribute them to each other, as Jacqueline did at night when she would lie feverishly awake and tell herself that her husband was the stronger, and that he was wearing her down gradually, and would soon triumph over her.... The monstrous delirium of a crazy heart and brain!--And to think that in their heart of hearts, with all that was best in them, they loved each other!...

Olivier bent beneath the weight of it, and made no attempt to fight against it; he held aloof and dropped the rudder of Jacqueline's soul.

Left to herself with no pilot to steer her, her freedom turned her dizzy: she needed a master against whom to revolt: if she had no master she had to make one. Then she was the prey of a fixed idea. Till then, in spite of her suffering, she had never dreamed of leaving Olivier.

From that time on she thought herself absolved from every tie. She wished to love, before it was too late:--(for, young as she was, she thought herself an old woman).--She loved, she indulged in those imaginary devouring pa.s.sions, which fasten on the first object they meet, a face seen in a crowd, a reputation, sometimes merely a name, and, having laid hold of it cannot let go, telling the heart that it cannot live without the object of its choice, laying it waste, and completely emptying it of all the memories of the past that filled it; other affections, moral ideas, memories, pride of self, and respect for others. And when the fixed idea dies in its time for want of anything to feed it, after it has consumed everything, who can tell what the new nature may be that will spring from the ruins, a nature often without kindness, without pity, without youth, without illusions, thinking of nothing but devouring life as gra.s.s smothers and devours the ruins of monuments!

In this case, as usual, the fixed idea fastened on a creature of the type that most easily tricks the heart. Poor Jacqueline fell in love with a philanderer, a Parisian writer, who was neither young nor handsome, a man who was heavy, red-faced, dissipated, with bad teeth, absolutely and terribly heartless, whose chief merit was that he was a man of the world and had made a great many women unhappy. She had not even the excuse that she did not know how selfish he was: for he paraded it in his art. He knew perfectly what he was doing: egoism enshrined in art is like a mirror to larks, like a candle to moths. More than one woman in Jacqueline's circle had been caught: quite recently one of her friends, a young, newly-married woman, whom he had had no great difficulty in seducing, had been deserted by him. Their hearts were not broken by it, though they found it hard to conceal their discomfiture from the delight of the gossips. Even those who were most cruelly hurt were much too careful of their interests and their social interests not to keep their perturbation within the bounds of common sense. They made no scandal. Whether they deceived their husbands or their lovers, or whether they were themselves deceived and suffered, it was all done in silence. They were the heroines of scandalous rumors.

But Jacqueline was mad: she was capable not only of doing what she said, but also of saying what she did. She brought into her folly an absolute lack of selfish motive, and an utter disinterestedness. She had the dangerous merit of always being frank with herself and of never s.h.i.+rking the consequences of her own actions. She was a better creature than the people she lived with: and for that reason she did worse. When she loved, when she conceived the idea of adultery, she flung herself into it headlong with desperate frankness.

Madame Arnaud was alone in her room, knitting with the feverish tranquillity with which Penelope must have woven her famous web. Like Penelope, she was waiting for her husband's return. M. Arnaud used to spend whole days away from home. He had cla.s.ses in the morning and evening. As a rule he came back to lunch. Although he was a slow walker and his school was at the other end of Paris, he forced himself to take the long walk home, not so much from affection, as from habit, and for the sake of economy. But sometimes he was detained by lectures, or he would take advantage of being in the neighborhood of a library to go and work there. Lucile Arnaud would be left alone in the empty flat. Except for the charwoman who came from eight to ten to do the cleaning, and the tradesmen who came to fetch and bring orders, no one ever rang the bell.

She knew n.o.body in the house now. Christophe had removed, and there were newcomers in the lilac garden. Celine Chabran had married Andre Elsberger. elie Elsberger had gone away with his family to Spain, where he had been appointed manager of a mine. Old Weil had lost his wife and hardly ever lived in his flat in Paris. Only Christophe and his friend Cecile had kept up their relations with Lucile Arnaud: but they lived far away, and they were busy and hard at work all day long, so that they often did not come to see her for weeks together. She had nothing outside herself.

She was not bored. She needed very little to keep her interest in things alive: the very smallest daily task was enough, or a tiny plant, whose delicate foliage she would clean with motherly care every morning. She had her quiet gray cat, who had lost something of his manners, as is apt to happen with domestic animals who are loved by their masters: he used to spend the day, like herself, sitting by the fire, or on the table near the lamp watching her fingers as she sewed, and sometimes gazing at her with his strange eyes, which watched her for a moment and then closed again. Even the furniture was company to her. Every piece was like a familiar face. She took a childlike pleasure in looking after them, in gently wiping off the dust which settled on their sides, and in carefully replacing them in their usual corners. She would hold silent conversations with them. She would smile at the fine Louis XVI.

round-topped bureau, which was the only piece of old furniture she had.

Every day she would feel the same joy in seeing it. She was always absorbed in going over her linen, and she would spend hours standing on a chair, with her hands and arms deep in the great country cupboard, looking and arranging, while the cat, whose curiosity was roused, would spend hours watching her.

But her real happiness came when, after her work was done and she had lunched alone, G.o.d knows how--(she never had much of an appet.i.te)--and had gone the necessary errands, and her day was at an end, she would come in about four and sit by the window or the fire with her work and her cat. Sometimes she would find some excuse for not going out at all; she was glad when she could stay indoors, especially in the winter when it was snowing. She had a horror of the cold, and the wind, and the mud, and the rain, for she was something of a cat herself, very clean, fastidious, and soft. She would rather not eat than go and procure her lunch when the tradespeople forgot to bring it. In that case she would munch a piece of chocolate or some fruit from the sideboard. She was very careful not to let Arnaud know. These were her escapades. Then during the days when the light was dim, and also sometimes on lovely sunny days,--(outside the blue sky would s.h.i.+ne, and the noise of the street would buzz round the dark silent rooms; like a sort of mirage enshrouding the soul),--she would sit in her favorite corner, with her feet on her ha.s.sock, her knitting in her hands, and go off into day-dreams while her fingers plied the needles. She would have one of her favorite books by her side: as a rule one of those humble, red-backed volumes, a translation of an English novel. She would read very little, hardly more than a chapter a day; and the book would lie on her knees open at the same page for a long time together, or sometimes she would not even open it: she knew it already, and the story of it would be in her dreams. So the long novels of d.i.c.kens and Thackeray would be drawn out over weeks, and in her dreams they would become years. They wrapped her about with their tenderness. The people of the present day, who read quickly and carelessly, do not know the marvelous vigor irradiated by those fine books which must be taken in slowly.

Madame Arnaud had no doubt that the lives of the characters in the novels were not as real as her own. There were some for whom she would have laid down her life: the tender jealous creature, Lady Castlewood, the woman who loved in silence with her motherly virginal heart, was a sister to her: little Dombey was her own dear little boy: she was Dora, the child-wife, who was dying: she would hold out her arms to all those childlike souls which pa.s.s through the world with the honest eyes of purity: and around her there would pa.s.s a procession of friendly beggars and harmless eccentrics, all in pursuit of their touchingly preposterous cranks and whims,--and at their head the fond genius of dear d.i.c.kens, laughing and crying together at his own dreams. At such times, when she looked out of the window, she would recognize among the pa.s.sers-by the beloved or dreaded figure of this or that personage in that imaginary world. She would fancy similar lives, the same lives, being lived behind the walls of the houses. Her dislike for going out came from her dread of that world with its moving mysteries. She saw around her hidden dramas and comedies being played. It was not always an illusion. In her isolation she had come by the gift of mystical intuition which in the eyes of the pa.s.sers-by can perceive the secrets of their lives of yesterday and to-morrow, which are often unknown to themselves. She mixed up what she actually saw with what she remembered of the novels and distorted it. She felt that she must drown in that immense universe.

And she would have to go home to regain her footing.

But what need had she to read or to look at others? She had but to gaze in upon herself. Her pale, dim existence--seeming so when seen from without--was gloriously lit up within. There was abundance and fullness of life in it. There were memories, and treasures, the existence of which lay unsuspected.... Had they ever had any reality?--No doubt they were real, since they were real to her.... Oh! the wonder of such lowly lives transfigured by the magic wand of dreams!

Madame Arnaud would go back through the years to her childhood: each of the little frail flowers of her vanished hopes sprang silently into life again.... Her first childish love for a girl, whose charm had fascinated her at first sight: she loved her with the love which is only possible to those who are infinitely pure: she used to think she would die at the touch of her: she used to long to kiss her feet, to be her little girl, to marry her: the girl had married, had not been happy, had had a child which died, and then she too had died.... Another love, when she was about twelve years old, for a little girl of her own age, who tyrannized over her: a fair-haired mad-cap, gay and imperious, who used to amuse herself by making her cry, and then would devour her with kisses: she laid a thousand romantic plans for their future together: then, suddenly, the girl became a Carmelite nun, without anybody knowing why: she was said to be happy.... Then there had been a great pa.s.sion for a man much older than herself. No one had ever known anything about it, not even the object of it. She had given to it a great and ardent devotion and untold wealth of tenderness.... Then another pa.s.sion: this time she was loved. But from a strange timidity, and mistrust of herself, she had not dared to believe that she was loved, or to let the man see that she loved him. And happiness pa.s.sed without her grasping it.... Then.... But what is the use of telling others what only has a meaning for oneself? So many trivial facts which had a.s.sumed a profound significance: a little attention at the hands of a friend: a kind word from Olivier, spoken without his attaching any importance to it: Christophe's kindly visits, and the enchanted world evoked by his music: a glance from a stranger: yes, and even in that excellent woman, so virtuous and pure, certain involuntary infidelities in thought, which made her uneasy and feel ashamed, while she would feebly thrust them aside, though all the same--being so innocent--they brought a little suns.h.i.+ne into her heart.... She loved her husband truly, although he was not altogether the husband of her dreams. But he was kind, and one day when he said to her: "My darling wife, you do not know all you are to me; you are my whole life," her heart melted: and that day she felt that she was one with him, wholly and forever, without any possibility of going back on it. Each year brought them closer to each other, and tightened the bond between them. They had shared lovely dreams: of work, traveling, children. What had become of them?... Alas!... Madame Arnaud was still dreaming them. There was a little boy of whom she had so often and so profoundly dreamed, that she knew him almost as well as though he really existed. She had slowly begotten him through the years, always adorning him with all the most beautiful things she saw, and the things she loved most dearly.... Silence!...

That was all. It meant worlds to her. There are so many tragedies unknown, even the most intimate, in the depths of the most tranquil and seemingly most ordinary lives! And the greatest tragedy of all perhaps is:--_that nothing happens_ in such lives of hope crying for what is their right, their just due promised, and refused, by Nature--wasting away in pa.s.sionate anguish--showing nothing of it all to the outside world! Madame Arnaud, happily for herself, was not only occupied with herself. Her own life filled only a part of her dreams. She lived also in the lives of those she knew, or had known, and put herself in their place: she thought much of Christophe and his friend Cecile. She was thinking of them now. The two women had grown fond of one another. The strange thing was that of the two it was the st.u.r.dy Cecile who felt most need to lean on the frail Madame Arnaud. In reality the healthy, high-spirited young woman was not so strong as she seemed to be. She was pa.s.sing through a crisis. Even the most tranquil hearts are not immune from being taken by surprise. Unknown to herself, a feeling of tenderness had crept into her heart: she refused to admit it at first: but it had grown so that she was forced to see it:--she loved Olivier.

His sweet and affectionate disposition, the rather feminine charm of his personality, his weakness and inability to defend himself, had attracted her at once:--(a motherly nature is attracted by the nature which has need of her).--What she had learned subsequently of his marital troubles had inspired her with a dangerous pity for Olivier. No doubt these reasons would not have been enough. Who can say why one human being falls in love with another? Neither counts for anything in the matter, but often it merely happens that a heart which is for the moment of its guard is taken by surprise, and is delivered up to the first affection it may meet on the road,--As soon as she had no room left for doubt as to her state of mind, Cecile bravely struggled to pluck out the barb of a love which she thought wicked and absurd: she suffered for a long time and did not recover. No one would have suspected what was happening to her: she strove valiantly to appear happy. Only Madame Arnaud knew what it must have cost her. Not that Cecile had told her her secret. But she would sometimes come and lay her head on Madame Arnaud's bosom. She would weep a little, without a word, kiss her, and then go away laughing. She adored this friend of hers, in whom, though she seemed so fragile, she felt a moral energy and faith superior to her own. She did not confide in her. But Madame Arnaud could guess volumes on a hint. The world seemed to her to be a sad misunderstanding. It is impossible to dissolve it. One can only love, have pity, and dream.

And when the swarm of her dreams buzzed too loudly, when her thoughts stopped, she would go to her piano and let her hands fall lightly on the keys, at random, and play softly to wreathe the mirage of life about with the subdued light of music....

But the good little creature would not forget to perform her everyday duties: and when Arnaud came home he would find the lamp lit, the supper ready, and his wife's pale, smiling face waiting for him. And he would have no idea of the universe in which she had been living.

The great difficulty was to keep the two lives going side by side without their clas.h.i.+ng: her everyday life and that other, the great life of the mind, with its far-flung horizons. It was not always easy.

Fortunately Arnaud also lived to some extent in an imaginary life, in books, and works of art, the eternal fire of which fed the flickering flames of his soul. But during the last few years he had become more and more preoccupied with the petty annoyances of his profession, injustice and favoritism, and friction with his colleagues or his pupils: he was embittered: he began to talk politics, and to inveigh against the Government and the Jews: and he made Dreyfus responsible for his disappointments at the university. His mood of soreness infected Madame Arnaud a little. She was at an age when her vital force was upset and uneasy, groping for balance. There were great gaps in her thoughts. For a time they both lost touch with life, and their reason for existence: for they had nothing to which to bind their spider's web, which was left hanging in the void. Though the support of reality be never so weak, yet for dreams there must be one. They had no sort of support. They could not contrive any means of propping each other up. Instead of helping her, he clung to her. And she knew perfectly well that she was not strong enough to hold him up, for she could not even support herself.

Only a miracle could save her. She prayed for it to come. It came from the depths of her soul. In her solitary pious heart Madame Arnaud felt the irony of the sublime and absurd hunger for creation in spite of everything, the need of weaving her web in spite of everything, through s.p.a.ce, for the joy of weaving, leaving it to the wind, the breath of G.o.d, to carry her whithersoever it was ordained that she should go. And the breath of G.o.d gave her a new hold on life, and found her an invisible support. Then the husband and wife both set patiently to work once more to weave the magnificent and vain web of their dreams, a web fas.h.i.+oned of their purest suffering and their blood.

Madame Arnaud was alone in her room.... It was near evening.

The door-bell rang. Madame Arnaud, roused from her reverie before the usual time, started and trembled. She carefully arranged her work and went to open the door. Christophe came in. He was in a great state of emotion. She took his hands affectionately.

"What is it, my dear?" she asked.

"Ah!" he said. "Olivier has come back."

"Come back?"

"He came this morning and said: 'Christophe, help me!' I embraced him.

He wept. He told me: I have nothing but you now. She has gone."

Madame Arnaud gasped, and clasped her hands and said:

"Poor things!"

"She has gone," said Christophe. "Gone with her lover."

"And her child?" asked Madame Arnaud.

"Husband, child--she has left everything."

"Poor thing!" said Madame Arnaud again.

"He loved her," said Christophe. "He loved her, and her alone. He will never recover from the blow. He keeps on saying: 'Christophe, she has betrayed me.... My dearest friend has betrayed me.' It is no good my saying to him, 'Since she has betrayed you, she cannot have been your friend. She is your enemy. Forget her or kill her!'"

"Oh! Christophe, what are you saying! It is too horrible!"

'Yes, I know. You all think it barbaric and prehistoric to kill! It is jolly to hear these Parisians protesting against the brutal instincts which urge the male to kill the female if she deceives him, and preaching indulgence and reason! They're splendid apostles! It is a fine thing to see the pack of mongrel dogs waxing wrath against the return to animalism. After outraging life, after having robbed it of its worth, they surround it with religious wors.h.i.+p.... What! That heartless, dishonorable, meaningless life, the mere physical act of breathing, the beating of the blood in a sc.r.a.p of flesh, these are the things which they hold worthy of respect! They are never done with their niceness about the flesh: it is a crime to touch it. You may kill the soul if you like, but the body is sacred...."

"The murderers of the soul are the worst of all: but one crime is no excuse for another. You know that."

"I know it. Yes. You are right. I did not think what I was saying....

Who knows? I should do it, perhaps."

"No. You are unfair to yourself. You are so kind."

"If I am roused to pa.s.sion, I am as cruel as the rest. You see how I had lost control of myself!... But when you see a friend brought to tears, how can you not hate the person who has caused them? And how can one be too hard on a woman who leaves her child to run after her lover?"

"Don't talk like that, Christophe. You don't know."

"What! You defend her?"

"I pity her, too."

"I pity those who suffer. Not those who cause suffering."

"Well! Do you think she hasn't suffered too? Do you think she has left her child and wrecked her life out of lightness of heart? For her life is wrecked too. I hardly know her, Christophe. I have only seen her a few times, and that only in pa.s.sing: she never said a friendly word to me, she was not in sympathy with me. And yet I know her better than you.

I am sure she is not a bad woman. Poor child! I can guess what she has had to go through...."

"You.... You whose life is so worthy and so right and sensible!..."

"Yes, Christophe, I. You do not know. You are kind, but you are a man and, like all men, you are hard, in spite of your kindness--a man hard and set against everything which is not in and of yourself. You have no real knowledge of the women who live with you. You love them, after your fas.h.i.+on; but you never take the trouble to understand them. You are so easily satisfied with yourselves! You are quite sure that you know us.... Alas! If you knew how we suffer sometimes when we see, not that you do not love us, but how you love us, and that that is all we are to those we love the best! There are moments, Christophe, when we clench our fists so that the nails dig into our hands to keep ourselves from crying to you: 'Oh! Do not love us, do not love us! Anything rather than love us like that!'... Do you know the saying of a poet: 'Even in her home, among her children, surrounded with sham honors, a woman endures a scorn a thousand times harder to bear than the most utter misery'? Think of that, Christophe. They are terrible words."

"What you say has upset me. I don't rightly understand. But I am beginning to see.... Then, you yourself...."

"I have been through all these torments."

"Is it possible?... But, even so, you will never make me believe that you would have done the same as that woman."

"I have no child, Christophe. I do not know what I should have done in her place."