Jean-Christophe Journey's End Part 26

"Really?"

"Really."

He said it only out of generosity. But, as soon as he had said it, he began to believe it.

They stayed still and did not speak. They could not see each other.

Outside the night was so fair, so sweet!... The little cripple murmured:

"How good it will be when one is dead!"

He could hear Rainette's soft breathing.

He said:

"Good-night, little one."

Tenderly came Rainette's voice:

"Good-night."

He went away comforted. He was glad that Rainette had forgiven him. And, in his inmost soul, the little sufferer was not sorry to think that he had been the cause of suffering to the girl.

Olivier had gone into retirement once more. It was not long before Christophe rejoined him. It was very certain that their place was not with the syndicalist movement: Olivier could not throw in his lot with such people. And Christophe would not. Olivier flung away from them in the name of the weak and the oppressed; Christophe in the name of the strong and the independent. But though they had withdrawn, one to the bows, the other to the stern, they were still traveling in the vessel which was carrying the army of the working-cla.s.ses and the whole of society. Free and self-confident, Christophe watched with tingling interest the coalition of the proletarians: he needed every now and then to plunge into the vat of the people: it relaxed him: he always issued from it fresher and jollier. He kept up his relation with Coquard, and he went on taking his meals from time to time at Amelie's. When he was there he lost all self-control, and would whole-heartedly indulge his fantastic humor: he was not afraid of paradox: and he took a malicious delight in pus.h.i.+ng his companions to the extreme consequences of their absurd and wild principles. They never knew whether he was speaking in jest or in earnest: for he always grew warm as he talked, and always in the end lost sight of the paradoxical point of view with which he had begun. The artist in him was carried away by the intoxication of the rest.

In one such moment of esthetic emotion in Amelie's back-shop, he improvised a revolutionary song, which was at once tried, repeated, and on the very next day spread to every group of the working-cla.s.ses. He compromised himself. He was marked by the police. Manousse, who was in touch with the innermost chambers of authority, was warned by one of his friends, Xavier Bernard, a young official in the police department, who dabbled in literature and expressed a violent admiration for Christophe's music:--(for dilettantism and the spirit of anarchy had spread even to the watchdogs of the Third Republic).

"That Krafft of yours is making himself a nuisance," said Bernard to Manousse. "He's playing the braggart. We know what it means: but I tell you that those in high places would be not at all sorry to catch a foreigner--what's more, a German--in a revolutionary plot: it is the regular method of discrediting the party and casting suspicion upon its doings. If the idiot doesn't look out we shall be obliged to arrest him.

It's a bore. You'd better warn him."

Manousse did warn Christophe: Olivier begged him to be careful.

Christophe did not take their advice seriously.

"Bah!" he said. "Everybody knows there's no harm in me. I've a perfect right to amuse myself. I like these people. They work as I do, and they have faith, and so have I. As a matter of fact, it isn't the same faith; we don't belong to the same camp.... Very well! We'll fight. Not that I don't like fighting. What would you? I can't do as you do, and stay curled up in my sh.e.l.l. I must breathe. I'm stifled by the comfortable cla.s.ses."

Olivier, whose lungs were not so exacting, was quite at his ease in his small rooms with the tranquil society of his two women friends, though one of them, Madame Arnaud, had flung herself into charitable work, and the other, Cecile, was entirely taken up with looking after the baby, to such an extent that she could talk of nothing else and to n.o.body else, in that twittering, beatific tone which is an attempt to emulate the note of a little bird, and to mold its formless song into human speech.

His excursion into working-cla.s.s circles had left him with two acquaintances. Two men of independent views, like himself. One of them, Guerin, was an upholsterer. He worked when he felt so disposed, capriciously, though he was very skilful. He loved his trade. He had a natural taste for artistic things, and had developed it by observation, work, and visits to museums. Olivier had commissioned him to repair an old piece of furniture: it was a difficult job, and the upholsterer had done it with great skill: he had taken a lot of time and trouble over it: he sent in a very modest bill to Olivier because he was so delighted with his success. Olivier became interested in him, questioned him about his life, and tried to find out what he thought of the working-cla.s.s movement. Guerin had no thought about it: he never worried about it. At bottom he did not belong to the working-cla.s.s, or to any cla.s.s. He read very little. All his intellectual development had come about through his senses, eyes, hands, and the taste innate in the true Parisian. He was a happy man. The type is by no means rare among the working people of the lower middle-cla.s.s, who are one of the most intelligent cla.s.ses in the nation: for they realize a fine balance between manual labor and healthy mental activity.

Olivier's other acquaintance was a man of a more original kind. He was a postman, named Hurteloup. He was a tall, handsome creature, with bright eyes, a little fair beard and mustache, and an open, merry expression.

One day he came with a registered letter, and walked into Olivier's room. While Olivier was signing the receipt, he wandered round, looking at the books, with his nose thrust close up to their backs:

"Ha! Ha!" he said. "You have the cla.s.sics...."

He added:

"I collect books on history. Especially books about Burgundy."

"You are a Burgundian?" asked Olivier.

_"Bourguignon sale, L'epee au cote, La barbe au menton, Sante Bourguignon,"_

replied the postman with a laugh. "I come from the Avallon country. I have family papers going back to 1200 and something...."

Olivier was intrigued, and tried to find out more about him. Hurteloup asked nothing better than to be allowed to talk. He belonged, in fact, to one of the oldest families in Burgundy. One of his ancestors had been on crusade with Philippe Auguste: another had been secretary of State under Henri II. The family had begun to decay in the seventeenth century. At the time of the Revolution, ruined and despairing, they had taken the plunge into the ocean of the people. Now they were coming to the surface again as the result of honest work and the physical and moral vigor of Hurteloup the postman, and his fidelity to his race. His greatest hobby had been collecting historical and genealogical doc.u.ments relating to his family and their native country. In off hours he used to go to the Archives and copy out old papers. Whenever he did not understand them he would go and ask one of the people on his beat, a Chartist or a student at the Sorbonne, to explain. His ill.u.s.trious ancestry did not turn his head: he would speak of it laughingly, with never a shade of embarra.s.sment or of indignation at the hardness of fate. His careless st.u.r.dy gaiety was a delightful thing to see. And when Olivier looked at him he thought of the mysterious ebb and flow of the life of human families, which for centuries flows burningly, for centuries disappears under the ground, and then comes bubbling forth again, having gathered fresh energy from the depths of the earth. And the people seemed to him to be an immense reservoir into which the rivers of the past plunge, while the rivers of the future spring forth again, and, though they bear a new name, are sometimes the same as those of old.

He was in sympathy with both Guerin and Hurteloup: but it is obvious that they could not be company for him: between him and them there was no great possibility of conversation. The boy Emmanuel took up more of his time: he came now almost every evening. Since their magical talk together a revolution had taken place in the boy. He had plunged into reading with a fierce desire for knowledge. He would come back from his books bewildered and stupefied. Sometimes he seemed even less intelligent than before: he would hardly speak: Olivier could only get him to answer in monosyllables: the boy would make fatuous replies to his questions. Olivier would lose heart: he would try not to let it be seen: but he thought he had made a mistake, and that the boy was thoroughly stupid. He could not see the frightful fevered travail in incubation that was going on in the inner depths of the boy's soul.

Besides, he was a bad teacher, and was more fitted to sow the good seed at random in the fields than to weed the soil and plow the furrows.

Christophe's presence only served to increase the difficulty. Olivier felt a certain awkwardness in showing his young protege to his friend: he was ashamed of Emmanuel's stupidity, which was raised to alarming proportions when Jean-Christophe was in the room. Then the boy would withdraw into bashful sullenness. He hated Christophe because Olivier loved him: he could not bear any one else to have a place in his master's heart. Neither Christophe nor Olivier had any idea of the love and jealousy tugging at the boy's heart. And yet Christophe had been through it himself in old days. But he was unable to see himself in the boy who was fas.h.i.+oned of such different metal from that of which he himself was made. In the strange obscure combination of inherited taints, everything, love, hate, and latent genius, gave out an entirely different sound.

The First of May was approaching. A sinister rumor ran through Paris.

The bl.u.s.tering leaders of the C.G.T. were doing their best to spread it.

Their papers were announcing the coming of the great day, mobilizing the forces of the working-cla.s.ses, and directing the word of terror upon the point in which the comfortable cla.s.ses were mostly sensitive--namely, upon the stomach.... _Feri ventrem_.... They were threatening them with a general strike. The scared Parisians were leaving for the country or laying in provisions as against a siege. Christophe had met Canet, in his motor, carrying two hams and a sack of potatoes: he was beside himself: he did not in the least know to which party he belonged: he was in turn an old Republican, a royalist, and a revolutionary. His cult of violence was like a compa.s.s gone wrong, with the needle darting from north to south and from south to north. In public he still played the part of chorus to the wild speeches of his friends: but he would have taken _in petto_ the first dictator who came along and swept away the red spectre.

Christophe was tickled to death by such universal cowardice. He was convinced that nothing would come of it all. Olivier was not so sure.

His birth into the burgess-cla.s.s had given him something of the inevitable and everlasting tremulation which the comfortable cla.s.ses always feel upon the recollection or the expectation of Revolution.

"That's all right!" said Christophe. "You can sleep in peace. Your Revolution isn't going to happen to-morrow. You're all afraid. Afraid of being hurt. That sort of fear is everywhere. In the upper-cla.s.ses, in the people, in every nation, in all the nations of the West. There's not enough blood in the whole lot of them: they're afraid of spilling a little. For the last forty years all the fighting has been done in words, in newspaper articles. Just look at your old Dreyfus Affair. You shouted loud enough: 'Death! Blood! Slaughter!'... Oh! you Gascons!

Spittle and ink! But how many drops of blood?"

"Don't you be so sure," said Olivier. "The fear of blood is a secret instinctive feeling that on the first shedding of it the beast in man will see red, and the brute will appear again under the crust of civilization: and G.o.d knows how it will ever be muzzled! Everybody hesitates to declare war: but when the war does come it will be a frightful thing."

Christophe shrugged his shoulders and said that it was not for nothing that the heroes of the age were lying heroes, Cyrano the braggart and the swaggering c.o.c.k, Chantecler.

Olivier nodded. He knew that in France bragging is the beginning of action. However, he had no more faith than Christophe in an immediate movement: it had been too loudly proclaimed, and the Government was on its guard. There was reason to believe that the syndicalist strategists would postpone the fight for a more favorable opportunity.

During the latter half of April Olivier had an attack of influenza: he used to get it every winter about the same time, and it always used to develop into his old enemy, bronchitis. Christophe stayed with him for a few days. The attack was only a slight one, and soon pa.s.sed. But, as usual, it left Olivier morally and physically worn out, and he was in this condition for some time after the fever had subsided. He stayed in bed, lying still for hours without any desire to get up or even to move: he lay there watching Christophe, who was sitting at his desk, working, with his back towards him.

Christophe was absorbed in his work. Sometimes, when he was tired of writing, he would suddenly get up and walk over to the piano: he would play, not what he had written, but just whatever came into his mind.

Then there came to pa.s.s a very strange thing. While the music he had written was conceived in a style which recalled that of his earlier work, what he played was like that of another man. It was music of a world raucous and uncontrolled. There were in it a disorder and a violence, and incoherence which had no resemblance at all to the powerful order and logic which were everywhere present in his other music. These unconsidered improvizations, escaping the scrutiny of his artistic conscience, sprang, like the cry of an animal, from the flesh rather than from the mind; and seemed to reveal a disturbance of the balance of his soul, a storm brewing in the depths of the future.

Christophe was quite unconscious of it: but Olivier would listen, look at Christophe, and feel vaguely uneasy. In his weak condition he had a singular power of penetration, a far-seeing eye: he saw things that no other man could perceive.

Christophe thumped out a final chord and stopped all in a sweat, and looking rather haggard: he looked at Olivier, and there was still a troubled expression in his eyes; then he began to laugh, and went back to his desk. Olivier asked him:

"What was that, Christophe?"

"Nothing," replied Christophe. "I'm stirring the water to attract my fish."

"Are you going to write that?"

"That? What do you mean?"

"What you've just said."

"What did I say? I don't remember."

"What were you thinking of?"