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even I recognize."
"A rock-and-roll countdown." Sitting on the edge of the desk, Michael
lit a cigarette. "I know when you figure the main motive for kidnapping
is money, most of these names don't fit. That's where Jane comes in. If
she planted the idea, she could have used blackmail, s.e.x, drugs, or any
other kind of hook to pressure someone into getting to Brian through
Daffen. She tried to get to him once through Emma, and all she got out
of it was money. She wanted more. What better way than through his
son?"
He pushed away from the desk to pace the office and try to figure it
out. "If she could have gotten into the house, she would have done it
herself But she was the one person who wouldn't have been welcome that
night. So she found someone else, used whatever lever worked best, and
got what she wanted."
"You sound like you understand her very well."
Michael thought of his brief, destructive affair with Angie Parks. "I
think I do. If we take her at her word that the kidnapping was her
idea, then we have to find the connection. She used someone on this
list."
"There were two people in the nursery that night."
"And one of them had to know their way around the house. He had to know
the layout of the rooms upstairs, the McAvoys' private s.p.a.ce. He had to
know the kids, the routine. So we look for someone connected to both
Jane and Brian."
"You're forgetting something, Michael." Lou leaned back to study his
son. "If you penciled your name on this page, how many lines would
connect you? Nothing clouds an investigation quicker than personal
involvement."
"And nothing motivates more." Michael tapped out his cigarette. "I'm not
sure I would be a cop today if it hadn't been for Emma. She came to the
house that time. You remember, it was around Christmas. She came to see
you."
"I remember."
"She was looking for help. There wasn't a lot anyone could give her,
but she came to you. It started me thinking. It wasn't all filling out
forms, making lists. It wasn't all shoot-outs and collars. It was
having people come to you because they knew you'd know what to do. We
went to the house in the hills, and I walked through it with her. I
understood that there have to be people who know what to do. Who care
enough about one small boy they've never met to keep trying."
Touched, Lou looked down at the papers on his desk. "It's going on
twenty years, and I haven't figured out what to do about this one."
"What color were Darren McAvoy's eyes?"
"Green," Lou answered. "Like his mother's."
Smiling a little, Michael rose. "You've never stopped trying. I've got
to pick Emma up at the airport. Can I leave this stuff with you? I
don't want her to see it."
"Yeah." He frilly intended to go over every word in his son's report.
"Michael." He glanced up as Michael paused at the door. "You've turned
out to be a pretty good cop."