A Breath of Prairie and other stories Part 38

At first he had worked to forget, and, in self-defence; but Nature had been kind, and with years memory touched him softly, as though it were the past of another.

Then a new incentive came to him: an incentive more potent than the former, and which grew so slowly he did not recognize it, until he met it unmistakably face to face. Again into his life and against his will had crept a woman, and this woman's name was Mary Philipse. He met her now on her own ground, but still, as of old, with honors even. She had changed little since he first saw her. As often as he called, he met the same frank smile, and the brown eyes still regarded him with the same old candid, unreserved interest.

Ellis was, as the town would have said, successful. He had risen from a man-of-all-work to the State bar, and an office of his own. He had pa.s.sed the decisive line and his rise was simply a question of time.

He was in a position where he could do as he chose. He appreciated that Mary Philipse was the incentive that had put him where he was.

She appealed to the best there was in his nature. She caused him to do better work, to think better thoughts. He unselfishly wished her the best there was of life. Just how much more he felt he did not know--at least this was sufficient.

He would ask her to marry him. It was not the mad, dazzling pa.s.sion of which poets sing; but he was wiser than of yore. Of Mary he was uncertain. That he was not the only man who went often to old Jumel mansion he was well aware, and with the determination to learn certainties, there came a tenderer regard than he had yet known.

Jumel was gay that night. There would be few more such scenes, for the owner was no longer young; but of this the throng in brocade and broadcloth and powder, who filled the s.p.a.cious mansion, were thoughtless. Everywhere was an atmosphere of welcome; from the steady light of lanterns festooned on facade and lawn, to the sparkle of countless candles within.

It was that night that Ellis drew Mary Philipse aside and told her the tale that grew pa.s.sionate in the telling. Fortune was kind, for he told it to the soft accompaniment of wine gla.s.ses ringing, and the slow music of the stately minuet.

Mary Philipse heard him through without a word, an expression on her face he had never seen before. Then their eyes met in the same frank way they had hundreds of times before, and she gave him her answer.

"I've expected this, and I've tried to be ready; but I'm not. I can't say no, and I can't say yes. I wouldn't try to explain to any one else, but I think you'll understand. Forgive me if I a.n.a.lyze you a little, and don't interrupt, please."

She pa.s.sed her hand over her face slowly, a shade wearily.

"There are times when I come near loving you: for what you are, not for what you are to me. You are natural, you're strong; but you lack something I feel to be necessary to make life completely happy--the ability to forget all and enjoy the moment. I have watched you for years. It has been so in the past, and will be so in the future. Other men who see me, men born to the plane, have the quality--call it b.u.t.terfly if you will--to enjoy the 'now.' It appeals to me--I am of their manner born." Their eyes met and she finished slowly, "It's injustice to you, I know; but I can't answer--now."

They sat a moment side by side in silence. The dancers were moving more swiftly to the sound of the Virginia reel.

Ellis reached over and took her hand, then bent and touched it softly with his lips.

"I will wait--and abide," he said.

THE CUP THAT O'ERFLOWED: AN OUTLINE

I

In a room, half-lighted by the red rays of a harvest moon, a woman lay in the shadow; face downward, on the bed. It was not the figure of youth: the full lines of waist and hip spoke maturity. She was sobbing aloud and bitterly, so that her whole body trembled.

The clock struck the hour, the half, again the hour; and yet she lay there, but quiet, with face turned toward the window and the big, red harvest moon. It was not a handsome face; besides, now it was tear-stained and hard with the reflection of a bitter battle fought.

A light foot tapped down the hallway and stopped in front of the door.

There was gentle accompaniment on the panel to the query, "Are you asleep?"

The woman on the bed opened her eyes wider, without a word.

The step in the hall tapped away into silence. The firm, round arm in its black elbow-sleeve setting, white, beautiful, made a motion of impatience and of weariness; then slowly, so slowly that one could scarce mark its coming, the blank stupor that comes as Nature's panacea to those whom she has tortured to the limit, crept over the woman, and the big brown eyes closed. The moon pa.s.sed over and the night-wind, murmuring lower and lower, became still. In the darkness and silence the woman sobbed as she slept.

In the lonely, uncertain time between night and morning she awoke; her face and the pillow were damp with the tears of sleep. She was numb from the drawing of tight clothing, and with a great mental pain and a confused sense of sadness, that weighed on her like a tangible thing.

Her mind groped uncertainly for a moment; then, with a great rush, the past night and the things before it returned to her.

"Oh, G.o.d, Thy injustice to us women!" she moaned.

The words roused her; and, craving companions.h.i.+p, she rose and lit the gas.

Back and forth she crossed the room, avoiding the furniture as by instinct--one moment smiling, bitter; the next with face moving, uncontrollable, and eyes damp: all the moods, the pa.s.sions of a woman's soul showing here where none other might see. Tired out, at last, she stopped and disrobed, swiftly, without a glance at her own reflection, and returned to bed.

Nature will not be forced. Sleep will not come again. She can only think, and thoughts are madness. She gets up and moves to her desk.

Aimlessly at first, as a respite, she begins to write. Her thoughts take words as she writes, and a great determination, an impulse of the moment, comes to her. She takes up fresh paper and writes sheet after sheet, swiftly. Pa.s.sion sways the hand that writes, and s.h.i.+nes warmly from the big, brown eyes. The first light of morning stains the east as she collects the scattered sheets, and writes a name on the envelope, a name which brings a tenderness to her eyes. Stealthily she tiptoes down the stairs and places the letter where the servant will see, and mail it in the early morning. A glad light, the light of relief, is in her face as she steals back slowly and creeps into bed.

"If it is wrong I couldn't help it," she whispers low. She turns her face to the pillow and covers it with a soft, white arm. One ear alone shows, a rosy spot against the white.

II

Nine o'clock at a down-town medical office. A man who walks rapidly, but quietly, enters and takes up the morning mail. A number of business letters he finds and a dainty envelope, with writing which he knows at sight. He steps to the light and looks at the postmark.

"Good-morning," says his partner, entering.

The man nods absently, and, tearing open the envelope, takes out this letter:

"MY FRIEND:--

"I don't know what you will think of me after this; anyway, I cannot help telling you what to-night lies heavy on my heart and mind. I've tried to keep still; G.o.d knows I've tried, and so hard; but Nature is Nature, and I am a woman. Oh, if you men only knew what that means, you'd forgive us much, and pity! You have so much in life and we so little, and you torture us so with that little, which to us is so great, our all; leading us on against our will, against our better judgment, until we love you, not realizing at first the madness of unrequited love. Oh, the cruelty of it, and but for a pastime.

"But I do not mean to charge you. You are not as other men; you are not wrong. Besides, why should I not say it? I love you.

Yes, you; a man who knows not the meaning of the word; who meant to be but a friend, my best friend. Oh, you have been blind, blind all the years since first I knew you; since first you began telling me of yourself and of your hopes. You did not know what it meant to such as I to live in the ambition of another, to hope through another's hope, to exult in another's success. I am confessing, for the first time--and the last time. Know, man, all the time I loved you. Forgive me that I tell you. I cannot help it. I am a woman, and love in a woman's life is stronger than will, stronger than all else together.

"I ask nothing. I expect nothing. I could not keep quiet longer.

It was killing me, and you never saw. I did not mean to tell you anything, till this moment--least of all, in this way. But it is done, and I'm glad--yes, happier than I have been for weeks. It is our woman's nature; a nature we do not ourselves understand.

"My friend, I cannot see you again. Things cannot go on as they were. It was torture--you know not what torture--and life is short. If you would be kind, avoid me. The town is wide, and we have each our work. Time will pa.s.s. Remember, you have done nothing wrong. If there be one at fault it is Nature, for only half doing her work. You are good and n.o.ble. Good-bye. I trust you, for, G.o.d bless you, I love you."

The letter dropped, and the man stood looking out with unseeing eyes, on the s.h.i.+fting street.

A patient came in and sat down, waiting.

He had read as in a dream. Now with a rush came thought,--the past, the present, mingled; and as by a great light he saw clearly the years of comradery, thoughtless on his part, filled as his life had been with work and with thought of the future. It all came home to him now, and the coming was of brightness. The coldness melted from his face; the very squareness of the jaw seemed softer; the knowledge that is joy and that comes but once in a lifetime, swept over him, warm, and his heart beat swift. All things seemed beautiful.

Without a word he took up his hat, and walked rapidly toward the elevator. A smile was in the frank blue eyes, and to all whom he met, whether stranger or friend, he gave greeting.

The patient, waiting for his return, grew tired and left, and leaving, slammed the office door behind him.

UNJUDGED