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A Poor Man's House Part 20

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Whilst the train was drawing up at the platform, I noticed the people moving and looking downwards as if dogs were running wild amongst them.

Then I saw two whitish heads bobbing about in the crowd. It was Jimmy and another boy come to meet me.

We gave the luggage to the busman, and walked on down.

"Tommy's gone tu Plymouth."

"What for?"

"They'm going to cut his eyes out an' gie 'en spectacles."

"When did he go?"

A rather sulky silence....

Then: "Us thought 'ee was going to ride down. Dad said as yu'd be sure tu."

"'Tisn't far to walk, Jimmy...."

"Us be tired."

Alack! I had done the wrong thing. Their little festivity, that was to have made them the envy of 'all they boys tu beach,' had fallen flat.

They had expected to ride down 'like li'l gentry-boys.' However, we bought oranges, and then I was taken to see yesterday's fire, and was told how Tony had rushed into the blazing house to rescue a carpet 'an'

didn' get nort for it.'

Tony himself came downstairs from putting away an hour in bed. "I'd ha'

come up to meet 'ee," he said sleepily, "if anybody'd a reminded me o'it. Us an't done nort to the fis.h.i.+ng since you went away."

"An' yu an't chopped up to-morrow morning's wude nuther!" added Mrs Widger.

Grannie Pinn came in at tea-time. We invited her to sit down and have a cup. "Do 'ee think I an't got nothing to eat at home?" she asked.

"Well, I have, then!--Ay," she continued, bobbing her head sententiously, "yu got a mark in Seacombe, else yu wuden't be down yer again so sune. That's what 'tis--a mark! I knows, sure nuff. Come on!

who be it now? What's her like, eh?"

She cannot understand how any young unmarried man can be without his sweetheart. Everybody according to her, must have a mark, or be in search of one. I told her with the brutality which delights her factual old mind, that if she herself had been a little less antique and poverty-stricken....

"There! if I don't come round and box yer yers. Yu'm al'ays ready wi'

yer chake."

[Sidenote: _A MARK_]

Then I offered her five _per cent._ of the lady's fortune, if she would find me a mark with unsettled money. Though she laughed it off, she was not a little scandalized by my levity. The Tough Old Stick has not outlived her memory of romance. Indeed, I think she holds to it all the tighter for her hardheadedness in every-day affairs.

Midway through tea, Straighty crept into the kitchen. "What do _yu_ want?" shouted Grannie Pinn. "Bain't there enough kids yer now?"

Straighty stood in the centre of the kitchen, sucking three fingers and looking shyly at me from beneath her tousled tow-coloured hair.

"You've not forgotten me, Straighty?" I asked. "You're not frightened of me, are you?"

"Go an' speak to 'en proper," commanded Grannie Pinn. "Wer's yer manners, Dora?"

"_Yu_ didn' speak to me proper, Grannie Pinn! Wer's yours?"

"Aw, my dear soul! Now du 'ee shut up wi' yer chake!"

Straighty remained sucking her fingers in the middle of the kitchen.

She seemed about to cry. Quite suddenly, her eyes brightened. She glided over to me, put her wet fingers round my neck ("Dora!" from Mrs Widger), and gave me a big kiss on the chin. Then she told me all about everything, sitting with her head on my shoulder in the old courting chair.

A tiny little episode, I grant; but very sweet.

"That's your mark?" Grannie Pinn shouted. "You'll hae tu wait for she!"

Straighty is established as my mark, and takes her duties, as she has learnt to conceive them, with amusing seriousness. She will not let me go out through the Square without being told where I am off to, nor let me return in house until I tell her where I have been. At the beginning of every meal we hear her creeping up the pa.s.sage; see her yellow hair against the door-post. By the end of the meal she has summoned up courage to claim a kiss. "Now be off tu your mother!" says Mrs Widger.

2

Mrs Widger has let the back bedroom to a young married couple possessed of a saucer-eyed baby that cries l.u.s.tily whenever its mother is out of its sight. How they succeed in living, sleeping, baby-tending and doing their minor cookery in the one pokey little room, already half filled by the bedstead, is difficult to understand. They do it. We see little of them, except just when we had rather see nothing at all.

For dinner and the subsequent cup o' tay, Mam Widger allows one hour.

But usually, before even the pudding is out of the oven, first one of us, then another, glances round to make sure that the kettle is well on the fire.

[Sidenote: _MRS PERKINS_]

Nowadays, however, when the kettle is beginning to sing, Mrs Perkins, the baby in her arms, comes downstairs and proceeds to cook for her husband a couple of small chops or a mess of meat-shreds and bubble and squeak. She stirs and chatters; she holds forth on the baby's beauty and goodness, its health, its father's love of it--and, in short, she talks to us as if we were delighted to see her and her baby. Tony's good manners triumph comically over his desire to get his cup o' tay and put away an hour up over. (He likes to take every chance of making up for wakeful nights at sea.) We all wish she would go quickly.

Meanwhile, we feign an interest in what blousy, skirt-gaping, slop-slippered, enthusiastic maternity has to say.

And when she does go, it is with a most joyful haste that we move the kettle to the very hottest part of the fire.

3

The family hubbub over Tommy's stay in the Plymouth Eye Infirmary has hardly died down yet. Recognizing with uncommon good sense that his double squint would bar him from the Navy or Army (he shows an inclination towards the latter), Mrs Widger took him to Plymouth; and on hearing that an operation would cure him, she did not hesitate, did not bring him home to think about it; she left him there. Then.... What a buzz! The child is to return very thin. Mrs Widger's cousin declares loudly that she would rather lead her boy about blind (he squints excessively) than let him go to one o' they places. Tony says, "Aye!

they may feed 'en on food of a better quality like, after the rate, but he won't get done like he is at home." Several times daily he wants to know how long they will keep Tommy there, and when Mrs Widger replies, six weeks, he asks in a woe-begone voice: "Do 'ee think 'er'll know his dad when 'er comes home again?"

All of which is easy to laugh at.

No doubt hospitals are a G.o.dsend to the poor, immediately if not ultimately. At the same time, it cannot be said that the prejudice against them is wholly unreasonable. Poor people declare that they are starved in hospital, and it is, in fact, now recognized in dietetics that comparatively innutritious food, eaten with gusto, is better a.s.similated than the most scientifically chosen but unpalatable nutriment. A man, a poor man especially, can be half starved or at all events much thinned, on good food, who would do well on the habitual coa.r.s.e fare that he enjoys. His life is a long adventure in a land where every other turning leads to starvation, but his adventurousness seldom extends to new sorts of food.

[Sidenote: _HOSPITALS_]

No one is so depressed by strange surroundings as the average poor man or woman. (Children get on much better.) Very likely he has never been alone, has never slept away from some relative or friend, the whole of his life. The unfamiliarity and precise routine of hospitals, the faces and ways all strange, are capable not only of greatly intensifying a man's sufferings, but even of r.e.t.a.r.ding his recovery.

Hospitals must necessarily be governed by two main conditions:--(1) The need of doing the greatest good to the greatest number; (2) The advancement of medical science and experience. Under (1) the overpressure on medical skill and time is bound to diminish tact and sympathy. Under (2) the serious or interesting cases are apt--as everyone who has mixed with hospital staffs knows very well--to receive attention not disproportionate to the nature of the malady, but disproportionate to the bodily, and particularly to the mental, suffering. The poor man can appreciate sympathy better than skill. He may not know how ill he is, but he knows how much he suffers. He is quick to detect and to resent preferential treatment. From the point of view of the independent poor, hospitals are far from what they might be. They are last straws for drowning men, useful sometimes, but best avoided.[17]

[17] I trust I make it plain that these statements imply no general disparagement of hospitals. Whether or no they do the best possible under the circ.u.mstances is not to be discussed shortly or by the present writer. Since penning the above, it has fallen to me to take a patient to the out-department of one of the great London hospitals. We had some time to wait, with very many others, on long wooden benches. I cannot express the almost unbearable depression, the sense of ebbing vitality, the feeling of being jammed in a machine, which took possession of me, who was quite well. And I wish I could adequately express my admiration of the visiting surgeon's manipulation of his delicate instruments and his management of the patient.

[Sidenote: _JACKS THE RIPPER_]

Jacks is a very energetic young country surgeon. He is keen on his work and will procure admission to the hospital for any operative case. But he finds it by no means easy to get his patients there; for he is so keen on his work that he treats their feelings carelessly; hustles them through an operation; pooh-poohs their fear of anaesthetics and the knife. Jacks is well disliked by the poor. He has to live, and therefore he has to cultivate a professional manner and to dance attendance on wealthy hypochrondriacal patients whom otherwise he would probably send to the devil. The poor people have told him to his face that he runs after the rich and cuts about the poor; and they have nicknamed him _Jacks the Ripper_.

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A Poor Man's House Part 20 summary

You're reading A Poor Man's House. This manga has been translated by Updating. Author(s): Stephen Sydney Reynolds. Already has 522 views.

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