The Foolish Lovers Part 42

"Well, at least a grocer does not look upon human beings merely as consumers of sugar!"

"I could have been a grocer if I'd wanted to," John continued. "My mother wanted me to be a clergyman!"

"What put it into your head to turn scribbler?"

"I just wanted to write a book. I can't make you out, Hinde. One minute you're advising me to go on a paper, and the next minute you're telling me a journalist isn't a man!..."

"When you know more of us," Hinde interrupted, "you'll know that all journalists belittle journalism. It's the one consolation that's left to them. Unless you're prepared to a.s.sociate only with journalists, Mac, you'd much better keep out of Fleet Street. Newspaper men always feel like fish out of water when they're in the company of other men.

They must be near the newspaper atmosphere ... they can't breathe without the stink of ink in their nostrils!..."

"All the same I'll have a try at the life," said John.

X

But at the end of his first month in London, John had no more to his account than this, that he had begun but had not completed a music-hall sketch, that he had begun but had not made much progress with a tragedy, that he had tried to obtain employment on the staff of the _Daily Sensation_ and had failed to do so, and, worst of all, that he had fallen in love with Eleanor Moore but could not find her anywhere. His novel supplied the one element of hope that lightened his thoughts on his month's work. He wished now that he had asked Hinde to read it before it had been sent to the publisher. Perhaps it would redeem the month from its dismal state.

THE FOURTH CHAPTER

I

It was Hinde who brought the good news to John. Mr. Clotworthy, the editor of the _Daily Sensation_, had met Hinde in Tudor Street that afternoon and when he had heard that John and Hinde were living together, he said, "Tell him I'll take him on the staff if he'll promise to keep the Truth well under control!" and had named the following morning for an appointment.

"It's a queer thing," said Hinde as he related the news to John, "that I'm advising you to take the job when I was telling you the other night that journalism's no work for a man; but that only shows what a journalist I am. No stability ... carried off my feet by any excitement. And mebbe the life'll disgust you and you'll go home again!..."

"With my tail between my legs?" John demanded. "No, I'll not do that.

I'd be ashamed to go home and admit I hadn't done what I set out to do.

What time does Mr. Clotworthy want me?"

Hinde told him.

"I'll write to my mother at once," said John, "and tell her he's sent for me. That'll impress her. Sh.e.l.l be greatly taken, with the notion that he sent for me instead of me running after him!..."

"The great fault in an Ulsterman," said Hinde, "is his silly pride that won't let him acknowledge his mistake when he's made one. You'll get into a lot of bother, John MacDermott, if you go about the world letting on you've done right when you've done wrong, and pretending a mistake is not a mistake!"

"I'll run the risk of that," John replied.

II

Mr. Clotworthy spoke very sharply to him. "You understand," he said, "that you're here to write what we want you to write, and not to write what you think. If you start any of your capering about Truth and Reforming the world, I'll fire you into the street the minute I catch you at it. You're here to interest people. That's all. You're not here to elevate their minds or teach them anything. You're here to keep up our sales and increase them if you can. D'you understand me?"

"I do," said John.

"Well?"

"I'll try the job for a while and see how I like it!"

Mr. Clotworthy sat back in his chair and rubbed his gla.s.ses with his handkerchief. "You've a great nerve," he said, smiling. "I don't know whether you talk like that because you're sure of yourself or just stupid!"

"I always knew my own mind," John replied.

Mr. Clotworthy turned him over to Mr. Tarleton, the news-editor, who was instructed to give him hints on his work and introduce him to other members of the staff.

For two days John did very little in the office, beyond finding his way about, but on the third day of his employment, Tarleton suddenly called him into his room and told him that the musical critic had telephoned to say he was unwell and would not be able to attend a concert at the Albert Hall that evening.

"You'll have to go instead," said Tarleton.

"But I don't know anything about music," John protested.

"What's that got to do with it?"

"Well, I thought one was supposed to know something about music before you wrote a criticism of it!"

"Look here, young fellow," said Tarleton. "Let me give you a piece of advice. Never admit that there's anything in this world that you don't know. A _Daily Sensation_ man knows everything! ..."

"But I have no ear for music. I hardly know a minim from a semi-quaver!..."

"Well, that doesn't matter. Get a programme. Mark on it the songs and pieces that get the most applause. Those are the best things. See?

Anybody can criticise music when he knows a tip or two like that. If the singer is a celebrated person, like Melba or Tetrazzini, you say she was in her usual brilliant form. If the singer isn't celebrated, just say that she shows promise of development!..."

"But supposing I don't like her?"

"Then say nothing about her. If we can't praise people on this paper, we ignore them. Get your stuff in before eleven, will you? Here's the ticket!"

Tarleton thrust the card into John's hand and, a little dazed and a little excited, John went out of the room. This was his first important job. Words that he had written would appear in print in the morning, and hundreds of thousands of people would read them. The _Daily Sensation_ had an enormous circulation ... a million people bought it every morning, so Tarleton said, and that meant, he explained, that about three or four million people read it. Each copy of a paper was probably seen by several persons. The thought that some judgment of his would be read by a million men and women in the morning caused John to feel tremendously responsible. He must be careful to give his praise judiciously. All of the persons present at the concert that night, but more especially the singers and instrumentalists, would turn first of all to his notice. There might be a great political crisis or a sensational murder reported in the morning's news, but these people would turn first to his notice to see what he had said about the music.

And it would not do to let them have a wrong impression about the concert. Tarleton had told him not to dispraise anything ... "it'll be cut out if you do" ... but at all events he would take care that his praise was justly given. He would send copies of the papers, marked with blue pencil, to his mother and Mr. McCaughan and Mr. Cairnduff. He could imagine the talk there would be in Ballyards about his criticism of the concert. The minister and the schoolmaster would be greatly impressed when they realised that the paper with the largest circulation in the world had asked him to say what he thought of Madame Tetrazzini. Mr. McCaughan had never heard anything greater than a cantata sung by the church choir in the church room, and he had been deeply impressed by the statements made about it by a reporter from the _North Down Herald_ who declared that the rendering of the sacred work reflected great credit on all concerned in it, but particularly on the Reverend Mr. McCaughan to whose sterling instruction in the principles of true religion, the young people engaged in singing the cantata clearly owed the sincerity and fervour with which they sang their parts. If he were so greatly impressed by a report in the _North Down Herald_, would he not be overwhelmed by the fact that one of his congregation had been chosen to p.r.o.nounce judgment on the greatest singer in the world in the greatest newspaper in the world ...

for John was now satisfied that the _Daily Sensation_ was enormously more important than any other paper that was published. He went to a tea-shop in Fleet Street where he knew he could hope to meet Hinde, and found him sitting in a corner with a friend who, soon after John's arrival, went away.

"You needn't go to the concert if you're not desperately keen on it,"

Hinde said when John had told him of his job. "You can write your notice now!..."

"Write it now! ... But I haven't been to the concert!"

"I wouldn't give much for the man who couldn't write a criticism of a concert without going to it," Hinde contemptuously replied. "Say that Tetrazzini's wonderful voice enthralled the audience and that there were scenes of unparalleled enthusiasm as the diva graciously responded to the clamorous demands for encores. Add a few words about the man who played her accompaniments and the number of floral tributes she received, and there you are. That's all that's necessary!"

"I couldn't do it," said John. It wouldn't be honest!"

"Don't be a prig," Hinde exclaimed.

"Prig! Is it being a prig to do your work fairly?"

"No, but it's being a prig to treat a thing as important that isn't important at all. I wanted you to come to a music-hall with me to-night!"