When She Was Bad Part 11

7.

This is ridiculous, Irene decided as the car pulled up in front of the director's residence after a journey of fifty, maybe seventy-five yards from the hospital around the corner. It was such a pleasant midsummer evening, after all, with the smell of new-mown gra.s.s in the air. Al Corder's going to open the door, Irene told herself, look at us like what the h.e.l.l? and there we'll be, standing on the doorstep with egg on our faces.

But the house was dead quiet and the curtains and blinds drawn upstairs and down. No response when Irene rang the bell, though she and Pender could hear the pretentious, two-toned chimes resounding through the house-Bing-bong, bing-bong. "They're not answering," she said, unnecessarily.

"See if it's locked."

The k.n.o.b turned easily in her hand, the st.u.r.dy, handsomely bra.s.s-bound oak door swung open under the Happy Birthday banner. "Age before beauty," said Pender, shouldering past Irene with a humorless smile. "Wait here, okay? Just til we know what's what."

She understood he was trying to protect her, but even knowing there was something in her personality that both appreciated and elicited that behavior from him, she resented it, and hurried after him.

But he'd only gone as far as the arched, crepe paper-festooned entrance to the Corder's living room. "Oh, dear G.o.d," she said, looking away quickly-but not quickly enough to prevent the sight from burning itself into her memory. For Al and Cheryl Corder were propped up back-to-back beneath the cheerful birthday bunting and bobbing balloons, bound with coils of rope, their clothes and bodies slashed and shredded, minced flesh and shockingly white bone visible through tatters of b.l.o.o.d.y cloth, and their faces unrecognizable, so gashed and gouged the features had been all but obliterated. And so much blood-the furniture, the walls, the fireplace, the inside of the curtains, the once-beige carpet, now a Jackson Pollock in crimson and black; even some of the crepe-paper streamers were spattered with gore. Kinch, she mouthed-she'd intended to say it aloud, but no sound emerged.

Pender heard the noise first: an insistent, rhythmic thumping somewhere overhead. He touched a forefinger to his lips, then pointed to the ceiling. When she realized that something or someone was still up there, still inside the house, Irene was torn between a powerful urge to flee and an equally powerful, almost physical need to stick close to Pender.

But it was no contest, really, not with Maxwell back in her world. The first few months after her kidnapping Irene had kept all the shades drawn in her home, even on the second floor, because she couldn't pa.s.s an outside window without imagining his grinning face popping up like a jack-in-the-box. Mirrors were no good either-for a while there, she couldn't even sit at her vanity for fear she'd see him in the mirror, over her shoulder-and dark rooms were totally unacceptable: her PG&E bill had nearly doubled by the time autumn rolled around. And all that despite knowing Maxwell was locked up in a maximum security facility and couldn't possibly get at her.

So what was the prognosis for PTSD patients who find themselves back in a war zone? Irene asked herself as she hurried after Pender, who had already started up the stairs, moving quietly on his rubber-soled Hush Puppies.

She caught up to him on the second floor landing and followed him so closely down the dusky hallway that she could smell his aftershave. The thumping emanated from behind a closed door with a sign reading My Room, My Mess, My Business. Pender gestured for Irene to step away. With his back against the wall to the side of the doorway, he reached around, turned the k.n.o.b, and threw the door open.

Inside, the thumping grew more frenzied. Pender peered around the doorjamb, saw a girl's bedroom with posters of the U.S. Women's World Cup soccer team on the pale pink walls and stuffed animals crowding the bedspread. On the floor next to the bed a teenage girl lay on her back, her wrists and ankles bound with adhesive tape. Another strip of tape covered her mouth completely-her taut bare midriff jerked spasmodically as she fought to draw breath through nostrils bubbling with snot. A few more minutes and she'd almost certainly have suffocated, Pender thought with a shudder as he knelt beside the girl. What a nightmarish way to go.

Irene had followed him into the room. Call nine-one-one, he mouthed to her over his shoulder. She fished her cell phone out of her purse, took it out into the hall, and closed the door behind her-she didn't want Alison to have to listen to her telling the police about the bodies downstairs.

"It's okay, honey, you're safe now," Pender crooned soothingly to the girl as he scooped her up in his arms and set her down gently on the bed. "n.o.body's going to hurt you. Bet you'd like to get this d.a.m.n thing off toot sweet, though."

Alison nodded. Pender gave her a big clownish wink, pinched her earlobe hard with one hand to distract her, then yanked the tape free with his other hand while she was still in mid-yelp. "Here, blow," he said, handing her his handkerchief. When she was done blowing, she gave it back to him; he wrinkled his lumpy nose and held it out at arm's length. "Call in the Haz-Mat team," he said.

When Irene returned, Alison was sitting up and asking for water-her throat was raw from screaming into the gag. Irene said she'd get it, and went back out into the hall to find the bathroom.

The first door she tried was a linen closet, its neatly folded sheets and towels lightly scented with lilac water. But the second door opened onto a s.p.a.cious bathroom, nearly as large as Alison's bedroom. Inside, the body of a heavyset woman with a mullet hairdo lay jackknifed over the rim of the bathtub, head down, a.s.s up; the acrid, new-penny smell of blood filled Irene's nostrils and brought tears to her eyes.

A few minutes later one of the first cops to arrive on the scene discovered Wally's body on the floor outside the downstairs bathroom, and the body count was complete.

Part Two

Mama's Place

CHAPTER SIX.

1.

The undersides of the fluffy clouds to the east were dawn-pink, the tops in bruised shadow as Lilith, stiff and sore after driving all night, trudged up an asphalt driveway so steep she felt like she should have been roped to something.

Her destination was a pink ranch house with a s.h.i.+ngled roof and dormer windows, which appeared to have been airlifted from some 1950s-era suburb complete with hissing lawn sprinklers and little kids riding fat-tired bikes with bells and streamers on the handlebars, then plunked down precariously on the western slope of this scrubby hillside in the boondocks north of Redding.

Lilith paused on the front doorstep, trying to decide whether it was too early to ring the doorbell. Out of the corner of her eye she saw the living-room curtains rustling. She rapped lightly on the green door. "It's me," she called. "It's Lilith-open up."

The man-or was it a troll?-who opened the door was short, dark, and stocky, s.h.i.+rtless under Ben Davis overalls, with matted hair and beard, and a nose so flat and eyes set so far apart that his broad face seemed vaguely unfinished, like an underdone gingerbread man.

"Hey, L'il T.," said Lilith.

"Whaddaya want?" He kept one hand out of sight, behind the door.

Before she could reply, a woman's voice behind him cried out, "Well I'll be dipped in s.h.i.+t."

"Mama Rose?"

"No, honey, it's f.u.c.king Cher. I couldn't stand them d.i.c.kless Hollywood phonies no more, so I come up here for a break."

Next thing Lilith knew, a six-foot-tall, orange-haired, two-hundred-pound white woman had shoved the troll out of the way, yanked her inside, and hugged her to an enormous bosom that smelled of cigarettes and cold pizza. "Hope you ain't still p.i.s.sed off about...Weed," she whispered. "I'll tell you later how it went down-for right now, as far as anybody else is concerned the story is that you run into some folks you recognized, and split with 'em. Okay?"

"But-"

"Later." Mama Rose held Lilith at arm's length, looked urgently into her eyes. "Please?"

Lilith shrugged. "Yeah, sure, what the f.u.c.k."

Mama Rose pressed her palms against the girl's temples, drew her close again, planted a wet kiss on her forehead. "Mmm-wwa! Now let's get some breakfast into you, we'll catch up on old times, how's that sound?"

"We should probably get my car off the road first. The sooner we get it to the shop, the better." Referring to Carson's chop shop, where a surprisingly large percentage of Northern California's stolen vehicles were either parted out or given new ident.i.ties.

Mama Rose licked her forefinger, touched it to an imaginary stove and made a sizzling sound, then raised her eyebrows inquisitively. When Lilith nodded, Mama Rose caught L'il T.'s eye and nodded toward the driveway. He asked Lilith for the keys.

"They're in the ignition," she said, adding hastily: "The thing is, though, I'm not exactly, you know...alone."

2.

Why was Lily so angry at him all the time? Lyssy had asked himself repeatedly, during the course of the long drive. Only angry wasn't exactly the right word-it seemed more like she was disgusted or disappointed with him.

But if that was the case, why had she suddenly changed her mind and insisted he leave with her? "Are we escaping?" he'd asked her.

"Well, duh! Unless maybe you're looking forward to being locked up for the rest of your life."

Freedom, Lily: it was everything Lyssy had wished for, stretching out in front of him like the rainbow highway in the bonus round of the "Super Mario Kart" video game. He couldn't help thinking that deep down, even though he'd never be able to admit it to anybody, Dr. Al would secretly be happy for him.

So Lyssy had done as he was told (not exactly a novel experience for someone who'd been virtually raised in an inst.i.tution): changed into the clothes Lily had found for him-baggy white T-s.h.i.+rt and b.u.t.ton-fly Levi's with the cuffs turned up-then made himself small on the floor in the back of the big black Land Rover in the Corders's garage, covered himself with a scratchy, olive-green blanket, and kept his mouth shut unless he was spoken to.

Which hadn't been often. Around midnight Lily had asked him if he knew how to drive. He said he didn't think so; she said she hadn't thought so, either. And a few hours later she told him to stay out of sight and keep perfectly still under the blanket-they were stopping for gas. When he told her he had to pee she told him to hold it-it was another agonizing hour or so before she pulled over to the side of a deserted stretch of road so he could relieve himself.

But never mind, Lyssy had promised himself-sooner or later he'd win her over, just like he'd won over all the nurses and psych techs at the Inst.i.tute. And who knows, maybe there'd even be a fire or a flood or a rabid dog he could save her from.

Eventually, despite the jouncing he was taking, Lyssy had fallen asleep. When he awoke again the Rover had stopped-which was probably what had awakened him-and for once Lily hadn't barked at him to stay down. Instead she ordered him to wait for her in the car. "They don't take real well to strangers showing up uninvited," she'd told him. "Lemme just give 'em a little advance notice-and Lyssy?"

"Yes?"

"When you do meet them, don't say anything stupid."

When Lyssy said that wasn't very likely because, as Dr. Al had once told him, his IQ was so high it was practically off the charts, Lily rolled her eyes. "On second thought, maybe you shouldn't say anything at all."

"Very funny," he called after her-it had taken a few seconds to think up the retort. The sky was beginning to lighten; he could hear the birds starting to whistle and chirp, just like they did in the arboretum at dawn. Only this wasn't the arboretum, Lyssy reminded himself, closing his eyes to hear them better-it was the real thing. Awesome! as the ODDs and CODs used to say back on 2-East. Su-weeeeeet!

"Hey!"

Startled, Lyssy opened his eyes-a grotesque-looking creature with matted hair and beard, a flattened nose, and wide-set, off-kilter eyes was tapping on the car window. "Oh-hi."

The hairy stranger opened the driver's door and climbed in. "They said for you to go on up-I'll take care of the vee-hicle."

"Up there?" Lyssy pointed toward the pink house on the hillside.

"Good guess, Einstein." It was the only building within sight.

Openness, the astonis.h.i.+ng absence of walls, the unsettling weight of the borderless sky-Lyssy's shoulders were hunched as he started up the asphalt mountain, as though he were expecting a giant roc to swoop down on him from that enormous, unprecedented firmament.

The climb, he estimated, was the equivalent of mounting the j.a.panese footbridge in the arboretum around twenty times. He was limping badly by the time he reached the front doorstep; several seconds went by before he realized the door was not going to slide open automatically. "Raised in captivity, released into the wild," he intoned, in the voice of a Discovery Channel announcer. "Can this magnificent creature adapt? Will he survive?"

It was Lily who answered the door, once he'd solved the dilemma of the doorbell. She led him back to the kitchen and introduced him to Mama Rose, the big redhead at the stove, who told him her casa was his casa, complimented Lily on having plucked a ripe one from the cutie-pie tree, then asked Lyssy if he was hungry.

"Starving," he said, taking a seat at the beat-up, burn-scarred kitchen table.

Mama Rose slid a chipped dinner plate heaped with scrambled eggs and bacon in front of him, filled a mug with steaming coffee. "Thanks." He lightened the coffee with half-and-half from a cow-shaped creamer and dumped in a few heaping teaspoons of sugar.

From the back of the house, they heard a toilet flus.h.i.+ng loud enough to wake the dead. "One of these days we gotta get that fixed," said Mama Rose apologetically.

"The prodigal daughter returns," drawled a male voice from the doorway a few seconds later. A lanky man, handsome in a narrow-eyed Clint Eastwood sort of way, wearing flip-flops, a ratty bathrobe, and a khaki bush hat with the brim pinned up on one side, entered the kitchen, saw Lyssy for the first time, and turned back to Lilith. "Who the f.u.c.k's that? You know better than to-"

"Hi Carson." Lilith hurried over and threw her arms around him. He hugged her reluctantly, still glaring over her shoulder at the intruder. "That's my friend Lyssy. We were in kind of a jam, we thought maybe we could hole up here for a couple days."

Carson pushed Lilith away-but gently-and turned his glare from Lyssy to Mama Rose. In the way of old married couples everywhere, they exchanged a good deal of information in glance and gesture, the gist being: M.R.: Be cool for now, we'll talk about this later. C: G.o.dd.a.m.n right we will.

Lilith intercepted enough of the message to understand she and Lyssy were out of danger for the time being. She hurried back to Lyssy, stood behind him with her hand on his shoulder. "Lyssy, this is Carson-he and Mama Rose saved my a.s.s up in Sturgis."

"Pleased to meet you," said Lyssy.

"That G.o.dd.a.m.n well better not be the last of the bacon," was Carson's greeting. Lyssy quickly transferred the surviving bacon strips from his plate onto a paper napkin, which he handed to Carson.

"Sir, you are a scholar and a f.u.c.king gentleman," Carson said grandly, rolling the bacon up in the napkin, then gnawing sideways at the protruding strips as he pulled a chair out with his free hand, twirled it around, and straddled it backward, facing the table. "Any friend of Lilith's...had better watch his a.s.s."

Sounded like humor; Lyssy forced a chuckle. He was more interested in why Carson had called her Lilith. It might have been a slip of the tongue, Lyssy told himself, or maybe a memory glitch-or perhaps Lilith was her real name, and Lily her add-a-Y nickname, like Wally for Walter, or Lyssy for Ulysses.

But deep down, he knew better. Because there was yet another explanation, one that accounted for all the discrepancies he'd been pretending not to notice and trying not to think about for the last twelve hours or so. Such as how the timid fawn he'd shown around the arboretum only a few days ago had been transformed into a bossy, fearless, outgoing, self-a.s.sured young woman with the vocabulary of a longsh.o.r.eman.

"Lilith," he echoed, from around a mouthful of scrambled eggs. "Lilith, Lilith, Lilith."

"That's my name," she said, glaring daggers at him across the table. "Don't f.u.c.king wear it out."

3.

On Thursday morning, Irene Cogan awoke disoriented, in a strange room. She heard snoring, looked over and saw, huddled under the covers of the queen-size bed next to hers, a mound that from the size and sound of it could only have been Pender-or possibly a hibernating bear. But this morning, unlike yesterday, everything came flooding back to her, from the hours under the spotlight at TPP Productions, to the slashed corpses in the living room, to the heartening discovery of the uninjured Corder girl, and the shock of finding the female psych tech's body draped over the rim of the bathtub.

She and Pender had missed their flight, of course. Naturally the police wanted to debrief them, and poor Alison had begged them to stay with her until her aunt and uncle arrived-they may have been strangers to her but they were all she had. The newly orphaned girl had clung especially close to Pender, who gentled her like a horse whisperer, encouraging her to talk when she wanted to and sob when she needed to. It was Pender who'd first learned that the girl believed Lily had saved her life, spiriting her upstairs when Lyssy (as Alison still thought of him) went berserk with his knife.

But there were so many questions still unanswered. Lily or Lilith? Accomplice or victim? If she was Maxwell's knowing accomplice, why had she bothered to save the girl from him? If not, why had she left Alison tied up on the floor of her closet instead of simply freeing her? And had she left voluntarily with Maxwell, or had he taken her captive? For Irene Cogan, who knew far too well what it meant to be abducted by Ulysses Maxwell, that was the most important question of all.

Rather than wait with Alison in the middle of a crime scene-a wet crime scene, in the cop lexicon-Irene and Pender had accompanied her to police headquarters. It had been close to midnight by the time her aunt and uncle arrived to pick her up; the girl hugged Pender good-bye so tightly he had to peel her off him like a limpet.

After dining, if such a grand word applies to a meal at an all-night Burger King, Pender and Irene had shared a room in the Holiday Inn Express near the airport. No thought of hanky-panky, of course-Irene was still half in shock from the horrors she'd witnessed, and worried to distraction about Lily-but even having to listen to Pender snoring all night seemed preferable to spending the night alone knowing Maxwell was at large again.

The snoring broke off with a choked snort. Pender took off his sleep mask and popped out his earplugs, then sat up, naked to the waist, his barrel-like chest surprisingly firm, his belly slopping over the covers like a slag heap that had reached the angle of repose. His torso was white as paper, but both arms were tan from the biceps down-a golfer's tan.

When he saw Irene looking over at him, he sang out a few bars of "Good Morning Stars.h.i.+ne" in his surprisingly sweet tenor voice, then segued into "A Day in the Life" as he padded into the bathroom wearing only his pajama bottoms. As one of his old friends used to say of the man who was rumored to know the lyrics of every pop song recorded between 1955 and 1980: "Pender doesn't just live his life, he also provides the sound track."

In the first half-decade of the new century, motel chains were still vying to see which could provide the biggest complimentary continental breakfast spread. Irene had coffee and orange juice and nibbled at a bagel with cream cheese, while Pender, humming "Food, Glorious Food," all but decimated the buffet.