Silent On The Moor Part 3

Brisbane was busy at a basin set upon the deep windowsill. He had stripped off his blood-streaked s.h.i.+rt and was naked to the waist, scrubbing at his hands and forearms until the water went quite red. I had first seen him partially undraped in a boxing match on Hampstead Heath. The effect was still rather striking, and I cleared my throat.

"I am glad you are not hurt," I said, motioning to the impressive breadth of his chest. He was muscular as any statue I had seen in my travels in Italy, and yet there was a sleekness to his flesh that no cold marble could hope to match. Black hair spread from his collarbones to his hips, and I put my hands behind my back lest I be tempted to touch it. High on one shoulder there was a round scar, still fresh, from a bullet he had taken quite deliberately to save another. A different man might have worn the scar as a badge of honour. To Brisbane it was simply a mark of his travels, a souvenir of his buccaneer ways.

He reached for a thin linen towel and wiped at his face. "I might have known it would take more than a closed door to keep you out."

"Yes, you might have." I closed the door behind me and moved to the chair. I did not sit, but the back of it was st.u.r.dy and gave me something solid to hold.

I waved at him. "Do carry on. Nothing I have not seen before," I said brightly.

"Do not remind me," he returned with a touch of asperity. "My conduct toward you has been ungentlemanly in every possible respect," he added, turning away.

I blinked rapidly. "Surely you do not reproach yourself? Brisbane, whatever has happened between us has been as much my doing as yours."

"Has it?" he asked, curling his thin upper lip. He moved to the travelling trunk that sat at the foot of his narrow bed. He threw back the lid and reached for a clean s.h.i.+rt. It was a mark of his fastidious ways that he knew precisely where to find one.

I tipped my head to one side and began to enumerate on my fingers. "You did partially disrobe me to question me about the circ.u.mstances at Grey House, although I should add that you asked permission first. You kissed me on Hampstead Heath, but as I kissed you back, you can hardly count that amongst your crimes. You gave me a piece of jewellery, highly inappropriate, but I kept it, which is equally inappropriate. We have been together unchaperoned, both at your lodgings and mine, upon numerous occasions. I have seen you in a state of dishabille more than once, but on none of those occasions was I specifically invited to view your nakedness. If anything, my misbehaviours quite outnumber yours. I would say we have compromised each other thoroughly. Steady, Brisbane," I finished. "You are about to tear that s.h.i.+rt."

He muttered under his breath as he pulled on his s.h.i.+rt, and I looked away to afford him a chance to settle his temper. When I looked back, he was as tidily dressed as any valet could have managed, his cuffs and collar perfectly smooth, a black silk neckcloth tied neatly at his throat.

"You astonish me, Brisbane. I should not have thought you bothered by the conventions of gentlemanly behaviour."

He turned to face me, his expression betraying nothing but deep fatigue. "Every man should have something impossible to which he aspires."

"You look tired, Brisbane. What takes you abroad on windy nights and leaves you covered in blood that is not your own?"

He canted his head, his eyes searching my face.

"Sheep. I was a.s.sisting a ewe at a difficult lambing. Quite a comedown, isn't it? I am a sheep farmer now."

He crossed his arms over his chest, immobile as any sculpture of antiquity.

I shrugged. "Any man of property who owns livestock could say the same. It is a very great change from your investigations in London, but I do not see why you think it objectionable."

He gave a short, mirthless laugh, sharp and unpleasant. "You do not see. No, you do not. You will see a great deal more when the sun comes up. Folk in the village say this place is accursed, and I am beginning to wonder if they are right."

"Nonsense," I said briskly. "Of course, it is a little remote-"

He laughed again. "Remote? Julia, I do not want you here, and I cannot even compel you to leave because I have no means of sending you back to the village. No carriage can manage these heights, and there isn't even a farm cart left here. The entire property is in shambles. Only the faaade of the east wing remains; the rest of it has crumbled to dust. The gardens are overgrown to wildness. Everything of value has been stripped from the house and sold. There is nothing left here except ruin."

"And you," I said, emboldened by his excuses. Brisbane was more determined and more capable than any man I had ever known. Had he really wanted me to leave, he would have carried me to Lesser Howlett on his back and put me on the first train back to London. His pretexts told me everything I ought to know: Brisbane needed me.

His expression was bitter. "I? I am the most ruined thing of all." He turned to face the fire, and for a long moment I watched the play of light over the sharp planes of his face. There was something new in his expression, something careworn and bedevilled that I did not like.

"How did you come to be here?" I asked at length. "I thought you were to receive the viscountcy of Wargrave from the Prime Minister."

I trembled to hear the answer. I had interfered with Brisbane's investigation at Bellmont-interfered so badly it had taken tremendous work on his part to salvage the situation. He had been engaged in business for the government, and the t.i.tle had been offered as incentive for his involvement. When the promised viscountcy had not materialised, I had blamed myself.

He rubbed at the dark shadow at his jaw. From the look of it, he had not shaved in some days. "Prime Minister was perfectly willing to give me the viscountcy. Then I discovered this property was available. When the previous owner, Sir Redwall Allenby, died, his mother and sisters were forced to sell. Lord Salisbury pointed out that the income from this estate was not sufficient to support the style of a viscount, but when I offered to take the estate in lieu of the viscountcy, he made the arrangements to purchase the property on my behalf."

"But why would you want this place at the expense of the Wargrave t.i.tle?"

He gave me a long, level stare. "Because it suited me."

That he was concealing something, I had no doubt. But Brisbane could be solitary as an oyster when it pleased him.

"And the Allenby ladies? I presume you have extended your hospitality to them because they have nowhere else to go?"

"Something like that," he said, his eyes flickering away from mine.

Silence stretched between us and I glanced around, noticing for the first time the delicate frieze painted upon the walls. Stylised palms and lilies reached toward the ceiling, and here and there a bird took flight, its wings gilded with a touch of gold paint.

"It is an interesting room," I offered. "The decoration is most unusual."

"Sir Redwall was an Egyptological scholar. His rooms were decorated to suit his tastes."

"Very pretty," I remarked. I drew in a deep breath and moved closer to him. The firelight flickered over his face, casting shadows and lifting them again, making his expression impossible to read. I could see the lines etched at the corners of his mouth, lines I knew too well. I put out a fingertip to trace one.

"You have been in pain. The migraines?" He did not brush my finger away. He closed his eyes a moment, then shook his head.

"I have kept them at bay, but not for much longer I think. I can feel one circling on wings. There is a blackness at the edge of my vision."

"All the time?"

"Most." This time he did brush my finger away, but gently.

"What do you take? Do you still smoke the has.h.i.+sh?"

He shook his head. "Too much trouble to procure it here. Nothing but a gla.s.s of whisky before bed."

I clucked at him. "That will never serve. You require something far stronger than that."

"Don't fuss, Julia," he said, but his tone was soft.

I put out my hand again, cupping his cheek. He exhaled sharply, but did not move.

"Brisbane," I murmured. "If you really want me to leave you, tell me now and I will go and you will never see me again. Just one word, that's all, and I will remove myself. Forever."

I stepped closer still. He closed his eyes again and covered my hand with his own. "You smell of violets. You always smell of violets," he said. "You've no idea how many times I have walked these moors and smelled them and thought you were near. On and on I walked, following the scent of you, and you were never there. When I saw you in the hall tonight, I thought I had finally gone mad."

He opened his eyes, and I saw a world of heartbreak there I had never expected. My own eyes filled with tears, and his image s.h.i.+mmered before me.

"You should leave," he said finally, his voice thick. "It would be so much the better for you if you did." His hand tightened over mine.

"But do you want me to go? Will you send me away?"

"No."

I sagged against him in relief, and his arm came around to catch me close to him. I could feel the beat of his heart under my ear and it was the pulse of all the world to me.

Suddenly, he drew back and slid a finger under the chain at my neck. He tugged gently, and a pendant slid out from under my gown, a coin struck with the head of Medusa and incised with a code Brisbane had chosen at the end of our first investigation. Those few strokes of the engraver's steel told me everything about Brisbane's regard for me that the man himself could not. He turned the pendant over in his hand, then slid it back under the neckline of my gown, his finger warm against my flesh.

"You will regret it," he said finally. "You will be sorry you stayed, and you will come to blame me."

I stepped back and shook my head. "You said the last time we met I was more your equal than any woman you had ever known. Whatever is amiss here, I am equal to it as well. Good night, Brisbane."

He did not bid me good-night, but as he turned to the fire, I heard him murmur, "Forgive me."

And I wondered to which of us he was speaking.

THE FOURTH CHAPTER.

She speaks, yet she says nothing.

-William Shakespeare.

Romeo and Juliet.

"I am afraid there is no other suitable chamber," Miss Allenby apologised when she showed us up. "I have given you my sister Hilda's room. She can share with me, and there is a little closet where Mr. Valerius can be accommodated."

She meant closet in the medieval sense of the word, a small, panelled room with a narrow bed fitted into the wall and a tiny tiled stove for warmth. Valerius gave me an evil look and slammed the door behind him. He had already shown little grace in carrying up the bags, and I decided to leave him be. Perhaps a good night's sleep would smooth his ruffled temper.

Portia and I demurred politely at Miss Allenby giving up her sister's room to us, but she shook her head. "Oh, but you must have Hilda's room. It has a pretty view over the moor, and the bed is bigger than mine. We have so little, but we must make you as comfortable as possible." There was a gentle dignity about her, even as she admitted that the family had fallen on hard times. She showed us to the room, and I was relieved to see it was pa.s.sable-more heavy, dark oak panelling with furniture to match, what little of it there was. The room appeared to have been stripped of its furnis.h.i.+ngs save the bed, an enormous monstrosity far too large to fit through either the door or cas.e.m.e.nt. Some long-ago estate carpenter had doubtless a.s.sembled it in situ, never dreaming anyone would wish to remove it. There was a small chest beneath the window, and a handful of books stood propped upon the sill, leaning haphazardly against one another. I brushed a fingertip over the first, a heavy volume of green kid.

It was a compendium of Egyptian hieroglyphics, and rather an advanced one from the look of it. Miss Allenby smiled. "My sister is a devotee of Egyptian history," she explained. "It is not a very ladylike pastime, but so long as she does not read her books in front of Mama, no one troubles her."

"Indeed," Portia remarked kindly, "Julia's literary tastes are far more shocking, I a.s.sure you."

I pulled a face at her, but Miss Allenby said nothing. She was already moving to the fireplace where a fire had been laid in the cold hearth. A warming pan was procured, and Morag heaped it with coals from the kitchen fire and thrust it between the sheets. Within minutes clouds of steam were billowing from the bed, and Miss Allenby had the grace to look abashed.

"It is difficult to air things properly. It can be rather damp on the moor," she murmured. She left us then, and it was just as well. I would have hated a stranger to hear the imprecations uttered by Morag when she inspected the tiny adjoining room and realised she would have to share with Minna.

"Do be quiet, Morag," I instructed. "I am far too tired to listen to you tonight. Finish the unpacking and I promise you may abuse me as long as you like in the morning."

She yanked a gown from my trunk and spun slowly on her heel, surveying the near-empty room. "And where do you suggest I unpack to, my lady?"

I sighed. "Very well, I take your point. Not so much as a peg to hang a hat upon. Just fling me my nightdress and go to bed. We will sort it out in the morning."

She snorted and did as she was bid, banging the connecting door to register her displeasure. Minna had already retired, having done twice the work in half the time, and Portia and I were left alone. We made our preparations hastily and scrambled into bed.

"It reminds me of the Great Bed of Ware," Portia observed in ominous tones.

"Not quite so large, but certainly as forbidding," I agreed. "At least the bed curtains are still in evidence. We should freeze otherwise."

She looked around the room, shaking her head slowly. "Steaming beds, no paraffin lamps, and I do not like to look under the bed to make certain, but I believe that is a chamber pot."

"Do not speak of it, I beg you," I said faintly.

We stared at each other a long moment. "It is like something out of the Middle Ages. I had no idea people actually lived like this anymore."

"Hush," I warned. "I should not like Miss Allenby to hear you. She has been most hospitable. Clearly, their means are reduced. I am certain it is not their fault."

She pressed her lips together. "Just because they are in res angusta doesn't mean the rest of us have to endure it."

There was no possible reply to that, so I did not attempt one. Portia blew out the candle and I drew the bed curtains, shutting out the pale, tattered remnants of moonlight. We huddled together for warmth, careful to keep our toes well clear of the steaming bed warmer.

"Are you going to tell me what he said?" my sister whispered into the darkness.

"No. But we are staying."

"For how long?"

"I cannot say. As long as he needs me, I suppose. Or until I grow tired of bas.h.i.+ng my head against the wall."

She reached out and took my hand, saying nothing. We had not slept in the same bed since we were children, and I had forgot what a comfort it could be to have a hand to hold in the dark. Just as I was dropping off to sleep I heard a door close nearby, and female voices-one raised in impatience, the other low and soothing. Ailith was telling her sister of the new arrivals, I surmised. At length they quieted, and I heard nothing more.

The next morning I rose early, feeling better than I had since I had left London. True, Brisbane was bedevilled, and the accommodations were far from comfortable, but the sun was s.h.i.+ning, Brisbane had not sent me away, and I had slept surprisingly well. I woke feeling rested and a little stiff from the chill of the room. Portia slept on and I slipped through the curtains, careful not to rouse her. The fire had died, but sunlight was streaming through the window. I pushed it open, breathing in great gusts of fresh moorland air. The moor stretched as far as the eye could see, green and brown, and purpled with heather in a few brave patches. There were dark shadows where the bogs lurked, but the moor had lost the sinister feeling of the previous night. Tufts of gra.s.ses spotted with tiny flowers rippled like waves, beckoning me out of doors, and I longed to explore. But first there was breakfast, and I was happily antic.i.p.ating a hearty meal-my first proper sustenance since we had left London.

The hygienic arrangements were primitive at best. I daubed a bit of cold water about my person and dressed in a warm costume of soft tweeds edged in crimson braid. The skirt was full enough to make walking easy, and there was a divine little pair of low-heeled kid boots-just the thing for scrambling over the moor, I thought. I felt very smart as I descended to breakfast, following the delectable smells to the kitchen. Mrs. b.u.t.ters was bustling from stove to table, bearing bowls of porridge and hot stewed fruits, racks of toast, and plates of hot, crispy sausages. Behind her scuttled a fey little creature, barely as tall as Mrs. b.u.t.ters, with an untidy nest of black hair and wide, childlike black eyes. She took one look at me and scurried to the corner where she sat on a tiny stool, peeping over the corner of her ap.r.o.n.

Mrs. b.u.t.ters leaned close, pitching her voice low. "Pay her no mind, my lady. Tha's Jetty, tha is. She's a halfwit, but a harder worker or a quicker hand you'll never find. Her father is a farmer over Lesser Howlett way. She comes to do the rough. She'll not speak to you, not at first. I pray you'll not take offence, for she means none. She's tha afraid of strangers, she is. But she is blessed in her own way, for the Lord does tell us that the meek shall inherit the earth," she finished firmly.

"Certainly, Mrs. b.u.t.ters." I glanced at the quivering girl, still staring over the edge of her ap.r.o.n. I gave her a small smile, but she merely threw the ap.r.o.n over her head entirely. I surrendered my efforts to encourage Jetty and turned my attention to breakfast.

"How delicious it all smells, Mrs. b.u.t.ters," I offered.

She smiled at me, wiping her hands on her ap.r.o.n. Dressed in a striped skirt and an old-fas.h.i.+oned cap, she looked like something out of a picture book. Her cheeks were flushed pink with the heat of the stove, and her little curls were tight from the steam.

"I would offer thee coffee or tea, but we've only tea, so tha must do."

"Tea is perfect, Mrs. b.u.t.ters. Thank you."

She motioned me to take a chair and I obeyed, charmed by the contrast between this humble kitchen breakfast and the elaborate morning meals I customarily took in London. The kitchen itself was tidy and well-organised, with a neat larder tucked to the side. Through the open door I could see row upon row of bottles, jewel-bright with fruits and vegetables put away against the winter. Although it was nearly spring, there was still a good supply of the previous year's harvest which spoke of good housewifery, in spite of the condition of the rest of the estate. It was a place to be proud of, and I wondered idly what the pantry in my London house had looked like before the place was burned down. It had never occurred to me to inspect it, and I made a mental note to be more diligent with my next home.

Mrs. b.u.t.ters brought a tray with pots of jam and little plates of b.u.t.ter, and a few other delights. "Thee'll be thinking this is very different from London."

I reached for a piece of toast. "I begin to think you must have a touch of the witch about you, Mrs. b.u.t.ters. I was indeed pondering that very thing."

She gave a little start. "Say no such thing, my lady! Witches indeed, such a thing is not to be borne. Has tha not read the Bible?"

I hastened to make amends. "It was simply a jest, Mrs. b.u.t.ters," I soothed. "This jam is quite delicious. Did you make it yourself?"