The Almighty Part 5

'Two hundred of them,' said McAllister, 'and the newsroom is over an acre.' He scanned the room.

He pointed. 'Look down this row to the left. About the tenth one down. You can't miss it - it's the only clean desk on the floor. That's the metropolitan section, where we'll probably start you, where you can drop anchor. Now go to lunch, Victoria.'

Feeling that she belonged, she clutched the strap of her shoulder bag and strolled along the nearest row of desks, boldly meeting the stares and smiles of young male reporters along the way, until she arrived at her desk. It was a brown metal desk bearing a telephone, some phone directories, an 'In'

and 'Out' paper tray, and a word processor on a stand beside it.

Satisfied that she had found her place, she was ready for lunch, for an apartment, and for the elusive Nick Ramsey.

Victoria was back at her desk at the Record by two-thirty, hoping Nick Ramsey had returned early.

But he had not appeared.

She had rushed through her lunch break. She had gulped down a hamburger, found a taxi, and hurried up to West Seventy-third Street where a female college friend was waiting to show her the vacant apartment. It consisted of a small living room with a sofa bed and small kitchen, was furnished in contempo modern and had just been cleaned. Victoria quickly signed a rental agreement and gave the landlady a deposit.

Now, breathless at her desk, she sought Nick Ramsey in the vast newsroom, not having the faintest idea of what he looked like, and at last knowing that he would eventually find her. Settled down, she filled out a requisition for supplies. Then she dug her compact out of her purse and freshened her makeup. Finally, she began to read this morning's edition of the New York Record, which she had taken from a pile at the foyer entrance to the newsroom.

She skipped the Mideast news and other foreign dispatches, skimmed the national news from Was.h.i.+ngton, D.C., (noting the mention of her father's name in one story, and reminding herself to call him after work) and concentrated on the metropolitan news. The major attraction playing in New York, it appeared, was crime, mainly murder. The monotony of this mayhem was relieved only by a few pieces about graft in the city government.

She had become engrossed in this seemingly endless parade of the sordid when she felt a hand on her shoulder. She heard him before she saw him. 'Ms. Nellie Bly, I presume?' His voice carried a lilt of mockery.

Victoria's head came back, and she looked up as he added, 'I'm Nick Ramsey, at your service.'

She scrambled to her feet, somewhat surprised and disconcerted by his good looks. She had expected Armstead's best investigative reporter to resemble an aggressive ferret or a mole. Instead, he resembled an aging collegian who still did

26.

well with the young girls. He was certainly six feet tall, with poor posture, rounded shoulders. His face was somewhat narrow, sunken, craggy, and it wore a faint air of amused cynicism. His dark hair was combed sideways - a recalcitrant strand in back stood up - and he had gray eyes, absolutely marvelous gray eyes meant to make women weak-kneed. He wore a maroon pullover and cord slacks. Middle to maybe late thirties, Victoria guessed.

And he smelled of breath spray.

'I'm Vicky - Vicky Weston,' she said, trying to regain her poise.

'Oh, not Nellie,' he said. 'Incidentally, she never carried one.'

'What?' she asked, truly bewildered.

'A gun. Nellie Bly never carried a gun. And you won't either, unless you like to shoot stray cats. I'm told you've been hired on as an investigative reporter, junior grade. Well, you won't have to confront anything more ferocious than Ma Bell. The telephone's the weapon we use. My orders are to break you in this afternoon.'

'I have a good telephone voice. Will that help, Mr. Ramsey?'

'It'll get you a lot of dates. First step in breaking you in: my name's Nick.'

'Okay, Nick.'

'Now you're broken in.' He looked at his watch. 'We've got two hours. I guess we can best use it by me showing you around - where the ladies' room is, where the c.o.ke machine can be found, and how to get to your desk without being seen when you've come in late with a hangover.'

'Sounds great.'

'You don't have to walk close to me,' he said. 'I can see you can't stand the breath spray. Let's have an open relations.h.i.+p. I've been drinking, and I had too much.'

'Are you all right?'

'Too much breath spray,' he said. 'But under your cool and upright gaze, I'm sobering quickly.' He took her arm. 'Let's start our fateful odyssey here in the newsroom - where the life of a big city paper throbs, as the doc.u.mentaries say. Ready, Vicky?'

She adored him. 'I'm ready, Nick.'

He walked her about the endless newsroom, introducing her to a blur of receptive editors and reporters, mostly male, as he tried to explain the organization of the newsroom. Very little of what he said was new to Victoria. It was similar to the organization of her suburban Chicago paper, only there was more of it, much more.

Ramsey pointed out the location of the desks of the metropolitan editors, national editors, foreign editors, and the part.i.tioned offices holding the sports desks, financial desks, culture desks. Victoria lingered with him beside the copydesks, formed in the shape of a horseshoe. They watched editors sorting publicity releases and going through folders containing leads to future news events. Victoria followed Ramsey into the wire room where thirty-five teleprinters pounded out news from around the world - most of this from the Record's own special correspondents, the rest of it from a.s.sociated Press, Reuters, Dow Jones, and other agency sources.

27.

The flood of words pouring in dazed Victoria. 'How many words come in here every day?' she wondered.

'You mean just on the wires? Or from their local reporters, police headquarters, city hall, and in general?'

'From everywhere.'

'About a million and three-quarters words every twenty-four hours. We print about 125,000 of those words.'

Victoria groaned. 'How'll I ever get a word in edgewise?'

' It's not how much you get in, but what you get in,' Ramsey told her. 'If you make it as an investigative reporter, your words will get in, plenty of them. Don't worry.'

After that, Victoria trailed Ramsey through one department and office after another - advertising with its staff of 250, the morgue with its rows and rows of clipping files, the reference library with its thousands of books, the picture editor's offices and finally the composing room, where each story came out in computerized strips that were cut up, pasted onto boards, converted into plates that were photographed electronically.

Leaving the composing room, Ramsey gave Victoria a long look. 'You must be wiped out,' he said.

He studied his watch. 'Almost six. I have to leave you now anyway. I have a business date - got to be at the Oak Bar of the Plaza in fifteen minutes.'

'Thank you for the Grand Tour, Nick.'

Lighting a cigarette before leaving her, he hesitated. 'What are you going to do now?'

'I guess I'll do some grocery shopping and lug it back to my new apartment and make myself something to eat.'

'I think you can do better than that your first night as a gainfully employed person in Manhattan.'

'Like what?'

'Like having dinner with your mentor. I'll be free if you are.'

Her face brightened. 'I'd like that, if it can be Dutch treat.'

'Since I intend to have some drinks, let's make it Armstead's treat. See you at eight-thirty. Oak Room, the Plaza. Don't bring a notebook. This'll be strictly holding hands.'

They had not held hands at all.

It would have been impossible, Victoria knew, because each of his hands had been otherwise occupied during the hour in which they had been sitting at a scheduled rear table in the Oak Room.

Ramsey's right hand had not once been without a gla.s.s of gin and tonic, and his left hand had been permanently busy holding a cigarette, one lit off another.

28.

She had nursed her drink while he finished three. She felt faint with famine, and was about to tell him so when he opened the menu and ordered dinner for both of them without consulting her. But she was grateful, and then concerned when she heard him order a fourth drink.

She had been nervous but stimulated in the presence of this attractive stranger. He was definitely dissolute and definitely cynical, the real-life embodiment of Sydney Carton, a fictional hero of her youth. Her tension was heightened by the belief that he would make a pa.s.s at her, and she was not certain how she would react. But Ramsey had made no pa.s.s at her, had not even sat close to her, and she knew that she was disappointed.

Her edginess had made her talk more than she normally did. The moment they took their seats she started to tell him about paying the rent and the security deposit for her new apartment before getting the key from the landlady. There hadn't been much time to do anything else, yet she recited to him the details of unpacking her single suitcase and garment bag; the jubilant call to her father in Was.h.i.+ngton, D.C., to tell him that she had got the job on the Record; a more contained call to her mother in Evanston to repeat the news of the job (an irritating exchange in which her mother had said, 'Well, I suppose I am happy you're pleased, but I really had hoped you'd get out of that miserable newspaper business') and to ask her mother to arrange with a s.h.i.+pper to pack her clothes and books and other effects and send them on to New York; a quick bath and change of clothes before finding a taxi to the Plaza.

Ramsey's only reaction to her inane, compulsive recital had been to say, 'You don't sound as if you like your mother very much.'

'Oh, I like her, of course. You've got to like your mother. But not "very much." She resents me because she thinks I take after my father.'

'Do you?'

'I hope so,' she said sincerely.

'Well, your mother's right about one thing.'

'What?'

'That the newspaper business is miserable, no place for a decent young lady. It makes you devious, hypocritical, immoral. It makes you forget people are human beings with feelings. It makes you warp truth for stories. How in the h.e.l.l did you get into this jungle?'

Taken back by the anger underlying his easygoing manner, she began to cover her upset by compulsively going into the highlights of her autobiography. Her father, his exploits, his cronies had, of course, been major influences. But even beyond that, she had always been fascinated by newspapermen, by their memorable scoops, by the romance of reporting. She had spent five years at Northwestern University, had served on the college newspaper where she was the best on the staff, and upon receiving her master of science from the Medill School of Journalism had landed a job on a weekly paper. She had worked in newsrooms ever since.

29.

'Did you have time for a love life?' he had asked. 'It's none of your business, but I certainly did.'

'With newspapermen-1'

'No, but -'

'But don't,' he had said.

Why not?'

'Like actors, reporters are too self-involved. As Wilson Mizner once put it, "Some of the greatest love affairs I've known involved one actor, una.s.sisted.'"

She wondered what it would be like to have a love affair with a newspaperman, someone with her own kind of mentality, maybe someone like Nick Ramsey. She'd had four affairs - what might have been called affairs at the time, although each was of short duration - in her life. The first, in high school, had been to get it over with, to lose her virginity. The second and third had been in college, to find out if it could be fun (in one case it had been, a little, while they were in bed, but he hadn't been much fun otherwise). The last affair, the one she'd mentioned to her father, was with a married lawyer she had interviewed for her paper. He had offered her his total love and promised that he would leave his wife, but he was impossibly selfish and had never intended to get a divorce.

No matter what Nick Ramsey said, could a newspaperman be worse?

At that point the waiter had come with Ramsey's fresh drink. Ramsey took it and lifted it as if in a toast to Victoria.

"Again, as Wilson Mizner put it, "I am a stylist, and the most beautiful sentence I have ever heard is, 'Have one on the house.'"'

He ignored the Caesar salads being placed before them, and devoted himself to an almost nonstop swallow of his drink. Victoria, who had been prepared to ravage her salad, now had less stomach for it.

Fork in hand, she asked weakly, 'Who was Wilson Mizner?'

Who was Wilson Mizner?' Ramsey repeated, a bit dimly, slightly drunkenly. 'Now there's a question that - that's hard o answer. He was a writer and gambler and lots of other dungs. He was mostly a wit. He was mostly cynical, which is why I like him. He never lived up to his potential, which is another reason I like him. He once said to a small, no-goodnik guy, "You're a mouse studying to be a rat."'

Victoria couldn't help but laugh.

Recovering, she considered her plate once more. 'You asked something,' she said, 'so I guess I can ask it, too. What about your love life?'

'No comment.'

30.

'Not fair.'

'I have no love life,' he said, 'only a s.e.x life. In my lexicon, love is a four-lettered word. Don't ask me to explain my troubled past. If you ever regard me as a love object, forget it.'

'Don't grow old worrying about that.'