A Pale Horse Part 1

A Pale Horse.

by Charles Todd.

1.

BERKs.h.i.+RE.

Early April 1920.

It was nearing the full moon, and the night seemed to s.h.i.+mmer with light.

He walked down the lane and turned to look up at the hillside.

The graceful white horse cut into the chalk by ancient Britons galloped across the green slope without stirring from its place.

He couldn't see it without remembering. That was the only reason he had chosen to live in this G.o.dforsaken place. To torment himself until he couldn't bear it any more.

The horses had died too, in that first gas attack. It wasn't just the men. The poor beasts couldn't know what the low-lying mist wafting toward them brought in its wake.

An eyewitness had likened the cloud to a great horse moving across a barren meadow, ambling toward the barn for its dinner. Not hurrying, not drifting, just moving steadily, without apparent purpose, without apparent design, following the wind as the horse followed the scent of its stall and the fresh hay heaped in the manger. But like the pale horse of the Apocalypse, on his back rode Death. And h.e.l.l had truly followed them.

He smiled grimly at the imagery.

He hadn't been there when the Germans unleashed the chlorine attack against the Allies at Ypres. Yet it had changed his life in ways no one could have foreseen.

He wished he'd never heard the name of that medieval Belgian town. He wished the Germans had never reached it. Or that the British had left well enough alone and let them have the wretched place.

There was a silver flask of brandy in his pocket, and he felt for it, uncapped it, lifted it to his lips, then paused.

What if he drank it to the dregs and crawled into the ruins of Wayland's Smithy to die, like a wounded animal hiding itself away until it either healed or breathed its last?

Would anyone care?

A shadow was coming up the road toward him. It was Andrew Slater, the smith. It was impossible not to recognize him, even at this distance. Andrew was built like a church tower, tall and broad and solid. But the man didn't turn at the lane. He pa.s.sed by without speaking, as if sleepwalking, moving on toward the Smithy. Like to like.

It would be crowded inside with the two of them there, he told himself with black humor. Not counting whatever ghosts lingered in that narrow Stone Age tomb.

I envy Andrew Slater, he thought, there in the darkness. He He lives only in the present, while I have only the past. lives only in the present, while I have only the past.

He drank a little of the brandy, for courage, saluting the pale horse with his flask. Then he turned and trudged back to his cottage and turned up all the lamps for comfort.

2.

LONDON.

Late April 1920.

Ian Rutledge walked into his flat and sat down in the darkness. He was too tired to deal with the lamps. It had been a long and trying day. The hours he'd spent searching for a murderer had ended in the man's attempt to leap through the tenement window on the wild chance he could still elude capture. It had taken Rutledge and two constables to prevent it, and all three of them bore bruises to show for their efforts. Rutledge's shoulder ached, and the top of his left thigh felt as if it had been kicked by a horse. But then desperation had lent strength to the man.

In the darkness the voice of Hamish MacLeod answered him. A dead man's voice, but for nearly four years now it had seemed to Rutledge as real as his own. He had never grown used to hearing it, and yet with time he had come to terms of a sort with it. It was either that or madness. And he feared madness more.

"Ye nearly went out yon window with him."

It was true, he'd been faster than the stunned constables, and got there first. He'd read the flare of intent in the man's eyes, and reacted to that just as the man's muscles had tightened to turn his back on them and race for the cas.e.m.e.nt.

"A better death than hanging," Rutledge said, "if he'd succeeded. But he'd have gone scot-free if he'd been lucky enough to land on that shop roof just below and to the left. I couldn't chance it. He'd have killed again. It was in his nature."

Rutledge let the silence wrap him, closing his eyes and resting his head on the back of his chair, waiting for jangled nerves to find solace if not peace.

He had nearly let himself drift into a shallow sleep when there was a knock at his door.

Shaking off the torpor of exhaustion, he got up reluctantly and crossed the room. When he opened the door, he found his sister Frances standing there.

"Ian? Are you all right?" Her gaze went beyond him to the dark flat, and that sixth sense of hers seemed to catch the atmosphere like a sleek cat scenting danger.

"Tired, that's all. Come in. I've yet to turn up the lamps. I haven't been home long."

"Well, I'm here to dig you out of your cave. I'm meeting friends for dinner, and I need an escort."

"Frances. There must be half a hundred men who would gladly take you anywhere, including Paris. What's happened to them? They can't all have decided to throw themselves off Westminster Bridge in despair."

Laughing, she followed him into the flat and waited as he lit the lamps and made the shadows retreat. Those in the room, she found herself thinking, as well as those of the spirit. Her instincts to come here had been right.

"Yes, well, they're none of them as handsome as you, Ian, and I might as well take the veil. It's hopeless."

Beneath the humor, her voice betrayed her. Either she was lying, or there was something wrong that she wasn't ready to talk about.

"Is there truly a dinner party?" he asked quietly.

"As a matter of fact, there is. You remember the Farnums. They're taking Maryanne Browning out to dinner, invited me, and included a friend of yours. At least I think you count her among your acquaintances if not your friends."

Maryanne was a widow, her husband Peter a victim not of the war but of the Spanish flu. Rutledge had spent New Year's Eve at her house, at a party that he didn't care to remember.

"You aren't matchmaking, are you?"

"Good G.o.d, no! I'm truly fond of Maryanne, but I'm harboring no hopes in that direction. We've been trying to keep her busy, Ian, rather than leaving her to mope. And so all of us in her circle take it in turns seeing to it that she's not forgotten. Or left out of things."

He believed her. It was a kindness Frances would think of-and do.

"I'm tired, I told you. Do you really need me to make up your numbers?"

He caught something in her expression as she said offhandedly, "Simon can't come tonight. He's in Scotland."

And that was the nub, of course. She was growing quite fond of Simon Barrington. She hadn't shown a preference for any of her suitors, not for years. Not since Richard, who never was her suitor, but possibly the only man she'd loved. She was clearly disappointed that Barrington was out of the city.

More than usually disappointed.

He made a mental note of it, then answered, "All right, I'll come, if you give me a quarter of an hour to change. Help yourself to a drink, if you like."

She gave him a swift embrace. "I knew I could count on you."

As he walked into his bedroom he called, "Who is the other person? You mentioned that I knew him?"

"It isn't a him-it's a her. Meredith Channing. She and Maryanne have become friends."

He stopped on the point of taking off his coat.

Meredith Channing...

An attractive woman who knew far too much for comfort. About him, about the war, about- He'd almost said Hamish, but he was nearly certain she hadn't read that nightmare in his mind. He'd blocked it for so many years now that it was habit to keep the Somme and Hamish and the firing squad shut firmly away where no one could find it.

Hamish said, "Don't go."

And Rutledge caught himself just in time, before he answered aloud. "I've already promised," he said silently. "I can't go back on it without explaining why. And that I shan't do."

3.

YORKs.h.i.+RE.

Late That Same Night Hugh Tredworth, the ringleader, possessed a goodly amount of charm. It was his stock-in-trade. Whispers claimed that his real father had been a Scottish tinker, but Hugh's grandfather had had the same red hair and wicked smile-and his auntie as well, come to that. As his mother was fond of pointing out. Hugh had also been cursed with older brothers, the b.u.t.t of their jokes and malicious tricks for as long as he could remember. These had sharpened his wits and taught him cunning, which he was careful to conceal.

At eleven, he was the eldest of his four cohorts. Johnnie and Bill, cousins, were ten, as was Tad. Robbie, only nine, tagged along because he had always been his brother Tad's shadow. They had fallen under Hugh's spell when he'd missed a year of schooling after complications of scarlet fever. Their sc.r.a.pes and escapades had never drawn blood, and for the most part their parents looked the other way.

This night-it was well on toward morning in point of fact-the five boys had tramped nearly five miles cross-country to reach their destination.

Robbie, tiring, lagged a little now, and Tad threatened to leave him by the wayside. Hugh hissed them to silence. "Hurry! Or we'll be too late."

Ahead lay the grounds of the estate and, beyond, the ruins of the great abbey. One of Hugh's neighbors had worked as undergardener there for a summer, regaling everyone with descriptions of all he'd seen. Only, everything appeared larger and harder to find in the dark. Or else Mr. Pritchert had been a liar and made up half his tales. Hugh moved his precious book from one hand to the other, unfamiliar nerves getting the better of him.

He'd purloined the book from the schoolmaster's shelf. The subject was alchemy, about which he knew nothing. But there were spells in these pages, and he intended to try them out.

Bill, the tallest, carried a sack with apples, a corner of cheese, and a heel of bread in it. Like Napoleon's army, he traveled on his stomach. They'd wanted to bring cider, but hadn't discovered a way to steal a stone jar for the night.

They skirted the grounds of the estate-Mr. Pritchert swore it had dogs that bit first and barked later-then threaded their way through a wood so dark the moon vanished. But soon enough they arrived at a point where they could see what lay ahead.

It was awe inspiring. An enormous complex of mellow stone stood before them. Ranges of monastic buildings jutting across the lawns, a square soaring tower, great arches running high into the moonlit sky, tall, haunted windows with no gla.s.s, doorways that opened into blackness unlike any they'd ever looked into.

"Gor!" Johnnie whispered, stopping short.

Robbie felt his bowels stir.

"It's naught but a ruin," Hugh scoffed. "At least, naught until we work the spells. Come on."

He started forward toward the nave, but when they didn't follow, he said in disgust, "I should have brought my sisters."

They crept at his heels then, hoping that whatever struck him down would spare them if they could only appear small enough. Bill, trying for bravado, said, "It's stood empty long enough for bones to rot."

Robbie squeaked.

An owl flew out of the empty west window above their heads, gliding on silent wings across the moonlit sward.

"I told you there were owls," Hugh whispered. "Has to be, if there's spirits here. And a black cat."

"We could have brought Cinders," Tad offered.

"And have Ma down on you like a thunderclap?" Robbie demanded. "He's her cat, not yours."

"Not to harm him, silly. Just to borrow."

"I thought people sacrificed to the Devil," Johnnie asked.

"Only if you want something. Do you?" Hugh retorted.

"No," Johnnie admitted, minding his footing as they went through the gaping door.

Now they were in the shadows cast by the ma.s.sive columns, in the long roofless nave with moonlight visible above. The moon was past the full, but it helped, a little, with the gloom. The high walls seemed to stretch forever, pinning them in the eye of G.o.d.

"We aren't desecrating the altar, are we?" Tad was an altar boy. "Vicar won't care for that."

Even Hugh was having second thoughts. "We'll begin in the cloister. There should be a way to it along there. n.o.body can say we didn't show respect."

With more relief than they cared to admit to, the other boys hurried after him in the direction of the doorway leading into the cloister.

There was brighter moonlight here, but the gallery was ominously dark. It seemed to be peopled with the unseen dead. Whispers of sound came to their ears, like monks walking to compline and condemning the souls of interlopers on sacred ground.

"The wind," Hugh told them when his followers stopped to listen. "See? Over there. We can use that stone in the center. It'll work a treat." He glanced up at the moon, then went sprawling. Scrambling to his feet, he looked down. But nothing he could see had tripped him up.

He'd have sworn a hand had caught at his ankle. The fingers had felt cold on his flesh.

Shaking off his own fears, he blamed them on his companions.