The Harry Bosch Novels Vol Ii Part 7

It was a woman's voice. Bosch felt immediately embarra.s.sed.

"Yes?"

"Detective Bosch?"

"Yes, I'm sorry, I thought it was someone else."

"Like who?"

"Who is this?"

"It's Dr. Hinojos."

"Oh." Bosch closed his eyes and the anger came back. "What can I do for you?"

"I was just calling to remind you that we have a session tomorrow. Three-thirty. You will be there?"

"I don't have a choice, remember? And you don't have to call to remind me about our sessions. Believe it or not, I have an appointment calendar, a watch, an alarm clock, all of that stuff now."

He immediately thought he had gone over the top with the sarcasm.

"Sounds like I caught you at a bad time. I'll let-"

"You did."

"- you go. See you tomorrow, Detective Bosch."

"Good-bye."

He snapped the phone closed again and dropped it on the seat. He started the car. He took Ocean Park out to Bundy and then up toward the 10. As he approached the freeway overpa.s.s he saw the eastbound cars on top weren't moving and the on-ramp was jammed with cars waiting to wait.

"f.u.c.k it," he said out loud.

He went by the freeway ramp without turning and then under the overpa.s.s. He took Bundy up to Wils.h.i.+re and then headed west into downtown Santa Monica. It took him fifteen minutes to find street parking near the Third Street Promenade. He had been avoiding multilevel parking garages since the quake and didn't want to start using them now.

What a walking contradiction, Bosch thought as he prowled for a parking spot along the curb. You live in a condemned house the inspectors claim is ready to slide down the hill but you won't go into a parking garage. He finally found a spot across from the p.o.r.no theater about a block from the Promenade.

Bosch spent the rush hours walking up and down the three-block stretch of outdoor restaurants, movie theaters and shops. He went into the King George on Santa Monica, which he knew was a hangout for some of the detectives out of West L.A. Division, but didn't see anybody he knew. After that, he ate pizza from a to-go joint and people-watched. He saw a street performer juggling five butcher knives at once. And he thought he might know something about how the man felt.

He sat on a bench and watched the droves of people pa.s.s him by. The only ones who stopped and paid attention to him were the homeless, and soon he had no change or dollar bills left to give them. Bosch felt alone. He thought about Katherine Register and what she had said about the past. She had said she was strong but he knew that comfort and strength could come from sadness. That was what she had.

He thought about what she had done five years ago. Her husband dead, she had taken stock of her life and found the hole in her memories. The pain. She had sent him the card in hopes he might do something then. And it had almost worked. He had pulled the murder book from the archives but hadn't had the strength, or maybe it was the weakness, to look at it.

After it got dark he walked down Broadway to Mr. B's, found a stool at the bar and ordered a draft with a Jack Daniels depth charge. There was a quintet playing on the small stage in the back, the lead on tenor saxophone. They were finis.h.i.+ng up "Do Nothing Till You Hear from Me" and Bosch got the idea he had come in at the end of a long set. The sax was draggy. It wasn't a clean sound.

Disappointed, he looked away from the group and took a large swallow of beer. He checked his watch and knew he'd have clear driving if he left now. But he stayed. He picked the shot up and dropped it into the mug and drank deeply from the brutal mix. The group moved into "What a Wonderful World." No one in the band stepped up to sing the words but, of course, n.o.body could touch Louis Armstrong's vocals if they tried. It was okay, though. Bosch knew the words.

I see trees of green Red roses, too I see them bloom For me and you And I think to myself What a wonderful world

The song made him feel lonely and sad but that was okay. Loneliness had been the trash can fire he huddled around for most of his life. He was just getting used to it again. It had been that way for him before Sylvia and it could be that way again. It would just take time and the pain of letting her go.

In the three months since she had left, there had been the one postcard and nothing else. Her absence had fractured the sense of continuity in his life. Before her, his job had always been the iron rails, as dependable as the sunset over the Pacific. But with her he had attempted to switch tracks, the bravest jump he had ever made. But somehow he had failed. It wasn't enough to keep her and she was gone. And now he felt he had run clear off the tracks. Inside, he felt as fragmented as his city. Broken, it seemed at times, at every level.

He heard a female voice from nearby singing the words of the song. He turned to see a young woman a few stools away, her eyes closed as she sang very softly. She sang only to herself but Bosch could hear.

I see skies of blue And clouds of white The bright blessed day The dark sacred night And I think to myself What a wonderful world

She wore a short white skirt, a T-s.h.i.+rt and a brightly colored vest. Bosch guessed she wasn't older than twenty-five and he liked the idea that she even knew the song. She sat straight, her legs crossed. Her back swayed with the music of the saxophone. Her face was framed by brown hair and was turned upward, her lips slightly apart, almost angelic. Bosch thought she was quite beautiful, so totally lost in the majesty of the music. Clean or not, the sound took her away and he admired her for letting it. He knew that what he saw in her face was what a man would see if he made love to her. She had what other cops called a getaway face. So beautiful it would always be a s.h.i.+eld. No matter what she did or what was done to her, her face would be her ticket. It would open doors in front of her, close them behind her. It would let her get away.

The song ended and she opened her eyes and clapped. No one else had applauded until she began. Then everyone in the bar, Bosch included, joined in. Such was the power of the getaway face. Bosch turned and flagged the bartender for another shot and beer. When it was down in front of him he took a glance over at the woman, but she was gone. He turned and checked the bar's door and saw it closing. He'd missed her.

Chapter 8

On the way home he worked his way up to Sunset and took that all the way into the city. Traffic was spa.r.s.e. He had stayed out later than he had planned. He smoked and listened to the all-news channel on the radio. There was a report about Grant High finally reopening in the Valley. It was where Sylvia had taught. Before going to Venice.

Bosch was tired and guessed that he probably wouldn't pa.s.s a breath test if stopped. He dropped his speed to below the limit as Sunset cut through Beverly Hills. He knew the cops in BH wouldn't cut him a break and that would be all he'd need on top of the involuntary stress leave.

He turned left at Laurel Canyon and took the winding road up the hill. At Mulholland he was about to turn right on red when he checked the traffic from the left and froze. He saw a coyote step out of the brush of the arroyo to the left of the roadway and take a tentative look around the intersection. There were no other cars. Only Bosch saw this.

The animal was thin and ragged, worn by the struggle to sustain itself in the urban hills. The mist rising from the arroyo caught the reflection of the street lights and cast the coyote in almost a dim blue light. And it seemed to study Bosch's car for a moment, its eyes catching the reflection of the stoplight and glowing. For just a moment Bosch believed that the coyote might be looking directly at him. Then the animal turned and moved back into the blue mist.

A car came up behind him and honked. Bosch had the green light. He waved and made the turn onto Mulholland. But then he pulled to the side. He put the car in park and got out.

It was a cool evening and he felt a chill as he walked across the intersection to the spot where he had seen the blue coyote. He wasn't sure what he was doing but he wasn't afraid. He just wanted to see the animal again. He stopped at the edge of the drop-off and looked down into the darkness below. The blue mist was all around him now. A car pa.s.sed behind him and when the noise receded he listened and looked intently. But there was nothing. The coyote was gone. He walked back to his car and drove on Mulholland to Woodrow Wilson Drive to home.

Later, as he lay in his bed after more drinks and with the light still on, he smoked the last cigarette of the night and stared up at the ceiling. He'd left the light on but his thoughts were of the dark, sacred night. And the blue coyote. And the woman with the getaway face. Soon all of those thoughts disappeared with him into the dark.

Chapter 9

Bosch got little sleep and was up before the sun. The last cigarette of the night before had nearly been his last for all time. He had fallen asleep with it between his fingers, only to be jolted awake by the searing pain of the burn. He dressed the wounds on two fingers and tried to return to sleep, but it wouldn't take him. His fingers throbbed and all he could think of was how many times he had investigated the deaths of hapless drunks who had fallen asleep and self-immolated. All he could think of was what Carmen Hinojos would have to say about such a stunt. How was that for a symptom of self-destruction?

Finally, as dawn's light began to leak into the room he gave up on sleep and got up. While coffee brewed in the kitchen he went into the bathroom and rebandaged the burns on his fingers. As he taped the fresh gauze on, he glanced at himself in the mirror and saw the deep lines under his eyes.

"s.h.i.+t," he said to himself. "What's going on?"

He had black coffee on the back deck while watching the silent city come awake. There was a crisp chill in the air and the earthy smell of eucalyptus was rising from the tall trees down in the pa.s.s. The marine fog layer had filled the pa.s.s and the hills were just mysterious silhouettes in the mist. He watched the morning begin for nearly an hour, fascinated by the show he had from his deck.

It wasn't until he went back inside for a second cup that he noticed the red light flas.h.i.+ng on his phone machine. He had two messages that had probably been left the day before and that he hadn't noticed after coming in last night. He pressed the play b.u.t.ton.

"Bosch, this is Lieutenant Pounds calling on Tuesday at three thirty-five. I have to inform you that while you are on leave and until your, uh, status with the department is decided, you will be required to return your vehicle to the Hollywood Division garage. I have here that it is a four-year-old Chevrolet Caprice, tag number one-adam-adam-three-four-zero-two. Please make arrangements immediately to have the car turned in and checked out. This order is per Standard Practices Manual citation three dash thirteen. Violation could result in suspension and/ or dismissal. Again, this is an order from Lieutenant Pounds, now three thirty-six on Tuesday. If there is any part of this message that you do not understand, feel free to contact me at the office."

The machine reported the message had actually been left at 4 P.M P.M. Tuesday, probably right before Pounds had gone home for the day. f.u.c.k him, Bosch thought. The car's a piece of s.h.i.+t anyway. He can have it.

The second message was from Edgar.

"Harry, you there? It's Edgar ... Okay, listen, let's forget about today, okay? I mean it. Let's just say I was a p.r.i.c.k and you were a p.r.i.c.k and we're both p.r.i.c.ks and forget it. Whether it turns out you are my partner or you were my partner, I owe you a lot, man. And if I ever act like I forgot that, hit me alongside the head like you did today. Now, to the bad news. I checked everything on this Johnny Fox. I got exactly nothing, man. That's from the NCIC, DOJ, DPP, Corrections, National Warrants, everything. I ran the works on him. Looks like this guy is clean, if he's alive. You say he doesn't even have a DL so that makes me think maybe you got a phony name there or maybe this guy ain't among the living. So, that's that. I don't know what you're up to but if you want anything else, give a call ... Oh, and hang in there, buddy. I'm ten-seven after this so you can reach me at home if-"

The message cut off. Edgar had run out of time. Bosch rewound the tape and poured his coffee. Back on the deck he mulled over the whereabouts of Johnny Fox. When he had gotten nothing on the DMV trace, Bosch had a.s.sumed Fox might be in prison, where driver's licenses weren't issued or needed. But Edgar had not found him there nor had he found his name on any national computer that tracks criminals. Now Bosch guessed that Johnny Fox had either gone straight or, as Edgar had suggested, was dead. If Bosch was betting, he'd take the latter. Men like Johnny Fox didn't go straight.

Bosch's alternative was to go down to the Los Angeles County Hall of Records and look for a death certificate but without a date of death it would be a needle in the haystack search. It might take him days. Before he'd do that, he decided, he'd try an easier way, the L.A. Times. L.A. Times.

He went back inside to the phone and dialed a reporter named Keisha Russell. She was new on the cop beat and still struggling to find her way. She had made a subtle attempt to recruit Bosch as a source a few months earlier. The way reporters usually did that was to write an inordinate number of stories on a crime that did not merit such intense attention. But the process put them in constant contact with the detectives on the case and that allowed them the chance to ingratiate themselves and hopefully procure the investigators as future sources.

Russell had written five stories in a week about one of Bosch's cases. It was a domestic violence case in which a husband had disregarded a temporary restraining order and gone to his separated wife's new apartment on Franklin. He carried her to the fifth-floor balcony and threw her off. He went over next. Russell had talked to Bosch repeatedly during the stretch of stories. The resultant dispatches were thorough and complete. It was good work and she began to earn Bosch's respect. Still, he knew that she hoped that the stories and her attention would be the building blocks of a long reporter/ investigator relations.h.i.+p. Since then not a week had gone by that she didn't call Bosch once or twice to bulls.h.i.+t, pa.s.s along departmental gossip she had picked up from other sources, and ask the one question all reporters live and die by: "Anything going on?"

She answered on the first ring and Bosch was a little surprised she was in so early. He was planning on leaving a message on her voice mail.

"Keisha, it's Bosch."

"Hey, Bosch, how you doing?"

"Okay, I guess. I guess you heard about me."

"Not everything, but I heard you went on temporary leave. But n.o.body would tell me why. You want to talk about it?"

"No, not really. I mean, not now. I have a favor to ask. If it works out, I'll give you the story. That's the deal I've made in the past with other reporters."

"What do I have to do?"

"Just walk over to the morgue."

She groaned.

"I mean the newspaper morgue, right there at the Times. Times."

"Oh, that's better. What do you need?"

"I've got a name. It's old. I know the guy was a dirtbag in the fifties and at least the early sixties. But I've lost track of him after that. Thing is, my hunch is that he's dead."

"You want an obit?"

"Well, I don't know if this is the type of guy the Times Times would write an obituary on. He was strictly small time, near as I can tell. I was thinking that there might be a story, you know, if his death was sort of untimely." would write an obituary on. He was strictly small time, near as I can tell. I was thinking that there might be a story, you know, if his death was sort of untimely."

"You mean like if he got his s.h.i.+t blown away."

"You got it."

"Okay, I'll take a look."

She seemed eager, Bosch sensed. He knew that she thought that by doing this favor she would be cementing their relations.h.i.+p in place and it would only pay dividends in the future. He said nothing that would dissuade her of this.

"What's the name?"

"His name is John Fox. He went by Johnny. Last I have a trace on him is 1961. He was a pimp, general piece of trash."

"White, black, yellow or brown?"

"General piece of white trash, you could say."

"You have a birth date? It will help narrow it down if there's more than one Johnny Fox in the clips."

He gave it to her.

"Okay, where you going to be?"

Bosch gave her his portable phone number. He knew that would set the hook. The number would go right onto the source list she kept in her computer like gold earrings in a jewelry box. Having the number where he could be reached at almost any time was worth the search in the morgue.

"Okay, listen, I've got a meeting with my editor- that's the only reason I'm in this early. But after, I'll go take a look. I'll call you as soon as I have something."

"If there is something."

"Right."

After Bosch hung up he ate some Frosted Flakes from a box he took out of the refrigerator and turned on the news radio. He had discontinued the newspaper after the earthquake in case Gowdy, the building inspector, happened by early and saw it out front, a clue that someone was inhabiting the uninhabitable. There was nothing much in the top of the news summary that interested him. No homicides in Hollywood, at least. He wasn't missing out on anything.

There was one story after the traffic report that caught his attention. An octopus on display at a city aquarium in San Pedro had apparently killed itself by pulling a water circulation tube out of its tank fitting with one of its tentacles. The tank emptied and the octopus died. Environmental groups were calling it suicide, a desperate protest by the octopus against its captivity. Only in L.A., Bosch thought as he turned the radio off. A place so desperate even the marine life was killing itself.

He took a long shower, closing his eyes and holding his head directly under the spray. As he was shaving in front of the mirror after, he couldn't help but study the circles under his eyes again. They seemed even more p.r.o.nounced than earlier and fit nicely with the eyes cracked with red from his drinking the night before.

He put the razor down on the edge of the sink and leaned closer to the mirror. His skin was as pale as a recycled paper plate. As he appraised himself, the thought he had was that he had once been considered a handsome man. Not anymore. He looked beaten. It seemed that age was gripping him, beating him down. He thought that he resembled some of the old men he'd seen after they were found dead in their beds. The ones in the rooming houses. The ones living in refrigerator boxes. He reminded himself more of the dead than the living.

He opened the medicine cabinet so the reflection would go away. He looked among the various items on the gla.s.s shelves and chose a squeeze bottle of Murine. He put in a heavy dose of the eye drops, wiped the excess spill off his face with a towel and left the bathroom without closing the cabinet and having to look at himself again.

He put on his best clean suit, a gray two-piece, and a white b.u.t.ton-down s.h.i.+rt. He added his maroon tie with gladiator helmets on it. It was his favorite tie. And his oldest. One edge of it was fraying but he wore it two or three times a week. He'd bought it ten years earlier when he was first a.s.signed to homicide. He pegged it in place on his s.h.i.+rt with a gold tie tack that formed the number 187- the California penal code for homicide. As he did this, he felt a measure of control come back to him. He began to feel good and whole again, and to feel angry. He was ready to go out into the world, whether or not it was ready for him.