The Harry Bosch Novels Vol I Part 60

In a few minutes he was in line for the crossing at the border. He noticed how the U.S. Customs and Border Patrol building where incoming traffic was handled dwarfed its Mexican counterpart. The message was clear; leaving this country was not a difficulty; coming in, though, was another matter entirely. When it was Bosch's turn at the gate he held his badge wallet open and out the window. When the Mexican officer took it, Harry then handed him the Calexico P.D. receipt.

"Your business?" the officer asked. He wore a faded uniform that had been Army green once. His hat was sweat-stained along the band.

"Official. I have a meeting at the Plaza Justicia."

"Ah. You know the way?"

Bosch held up one of the maps from the seat and nodded. The officer then looked at the pink receipt.

"You are unarmed?" he said as he read the paper. "You leave your forty-four behind, huh?"

"That's what it says."

The officer smiled and Bosch thought he could see disbelief in his eyes. The officer nodded and waved his car on. The Caprice immediately became engulfed in a torrent of automobiles that were moving on a wide avenue with no painted lines denoting lanes. At times there were six rows of moving vehicles and sometimes there were four or five. The cars made the transitions smoothly. Harry heard no horns and the traffic flowed quickly. He had gone nearly a mile before a red light halted traffic and he was able to consult his maps for the first time.

He determined he was on Calzado Lopez Mateos, which eventually led to the justice center in the southern part of the city. The light changed and the traffic began moving again. Bosch relaxed a little and looked around as he drove, careful to keep an eye on the changing lane configuration. The boulevard was lined with old shops and industrial businesses. Their pastel-painted facades had been darkened by exhaust fumes from the pa.s.sing river of metal and it was all quite depressing to Bosch. Several large Chevrolet school buses with multicolor paint jobs moved on the road but they weren't enough to bring much cheer to the scene. The boulevard curved hard to the south and then rounded a circular intersection with a monument at its center, a golden man upon a rearing stallion. He noticed several men, many wearing straw cowboy hats, standing in the circle or leaning against the base of the monument. They stared into the sea of traffic. Day laborers waiting for work. Bosch checked the map and saw that the spot was called Benito Juarez Circle.

In another minute Bosch came upon a complex of three large buildings with groupings of antennas and satellite dishes on top of each. A sign near the roadway announced AYUNTAMIENTO DE MEXICALI AYUNTAMIENTO DE MEXICALI.

He pulled into a parking lot. There were no parking meters or attendant's booth. He found a spot and parked. While he sat in the car, studying the complex, he couldn't help but feel as though he were running from something, or someone. The death of Porter shook him. He had been right there. It made him wonder how he had escaped and why the killer had not tried to take him as well. One obvious explanation was that the killer did not want to risk taking on two targets at once. But another explanation was that the killer was simply following orders, a hired a.s.sa.s.sin instructed to take down Porter. Bosch had the feeling that if that were so, the order had come from here in Mexicali.

Each of the three buildings in the complex fronted one side of a triangular plaza. They were of modern design with brown-and-pink sandstone facades. All the windows on the third floor of one of the buildings were covered from the inside with newspaper. To block the setting sun, Bosch a.s.sumed. It gave the building a shabby look. Above the main entranceway to this building chrome letters said POLICIA JUDICIAL DEL ESTADO DE BAJA CALIFORNIA POLICIA JUDICIAL DEL ESTADO DE BAJA CALIFORNIA. He got out of the car with his Juan Doe #67 file, locked the car door, and headed that way.

Walking through the plaza, Bosch saw several dozen people and many vendors selling food and crafts, but mostly food. On the front steps of the police building several young girls approached him with hands out, trying to sell him chewing gum or wristbands made of colorful threads. He said no thanks. As he opened the door to the lobby a short woman balancing a tray on her shoulder that contained six pies almost collided with him.

Inside, the waiting room contained four rows of plastic chairs that faced a counter on which a uniformed officer leaned. Almost every chair was taken and every person watched the uniform intently. He was wearing mirrored gla.s.ses and reading a newspaper.

Bosch approached him and told him in Spanish that he had an appointment with Investigator Carlos Aguila. He opened his badge case and placed it on the counter. The man behind it did not seem impressed. But he slowly reached under the counter and brought up a phone. It was an old rotary job, much older than the building they were in, and it seemed to take him an hour to dial the number.

After a moment, the desk officer began speaking rapid-fire Spanish into the phone. Harry could make out only a few words. Captain. Gringo. Yes. LAPD. Investigator. He also thought he heard the desk man say Charlie Chan. The desk officer listened for a few moments and then hung up. Without looking at Bosch he jerked his thumb toward the door behind him and went back to his newspaper. Harry walked around the counter and through the door into a hallway that extended both right and left with many doors each way. He stepped back into the waiting room, tapped the desk officer on the shoulder and asked which way.

"To the end, last door," the officer said in English and pointed to the hallway to the left.

Bosch followed the directions and came to a large room where several men milled around standing and others sat on couches. There were bicycles leaning on the walls where there was not a couch. There was a lone desk, at which a young woman sat typing while a man apparently dictated to her. Harry noticed the man had a Barretta 9mm wedged in the waistband of his double-knit pants. He then noticed that some of the other men wore guns in holsters or also in their waistbands. This was the detective bureau. The chatter in the room stopped when Bosch walked in. He asked the man closest to him for Carlos Aguila. This caused another man to call through a doorway at the back of the room. Again, it was too fast but Bosch heard the word Chan and tried to think what it meant in Spanish. The man who had yelled then jerked his thumb toward the door and Bosch went that way. He heard quiet laughter behind him but didn't turn around.

The door led to a small office with a single desk. Behind it a man with gray hair and tired eyes sat smoking a cigarette. A Mexican newspaper, a gla.s.s ashtray and a telephone were the only items on the desk. A man with mirrored aviator gla.s.ses - what else was new? - sat in a chair against the far wall and studied Bosch. Unless he was sleeping.

"Buenos dias," the older man said. In English he said, "I am Captain Gustavo Grena and you are Detective Harry Bosch. We spoke yesterday."

Bosch reached across the desk and shook his hand. Grena then indicated the man in the mirrors.

"And Investigator Aguila is who you have come to see. What have you brought from your investigation in Los Angeles?"

Aguila, the officer who had sent the inquiry to the Los Angeles consulate, was a small man with dark hair and light skin. His forehead and nose were burned red by the sun but Bosch could see his white chest through the open collar of his s.h.i.+rt. He wore jeans and black leather boots. He nodded to Bosch but made no effort to shake his hand.

There was no chair to sit down on so Harry walked up close to the desk and placed the file down. He opened it and took out morgue Polaroids of Juan Doe #67's face and the chest tattoo. He handed them to Grena, who studied them a moment and then put them down.

"You also look for a man, then? The killer, perhaps?" Grena asked.

"There is a possibility that he was killed here and his body taken to Los Angeles. If that is so, then your department should look for the killer, perhaps."

Grena put a puzzled look on his face.

"I don't understand," he said. "Why? Why would this happen? I am sure you must be mistaken, Detective Bosch."

Bosch shook his shoulders. He wasn't going to press it. Yet.

"Well, I'd like to at least get the identification confirmed and then go from there."

"Very well," Grena said. "I leave you with Investigator Aguila. But I have to inform you, the business you mentioned on the phone yesterday, EnviroBreed, I have personally interviewed the manager and he has a.s.sured me that your Juan Doe did not work there. I have saved you that much time."

Grena nodded as if to say his efforts were no inconvenience at all. Think nothing of it.

"How can they be sure when we don't have the ID yet?"

Grena dragged on his cigarette to give him time to think about that one. He said, "I provided the name Fernal Gutierrez-Llosa to him. No such employee at any time. This is an American contractor, we must be careful.... You see, we do not wish to step on the toes of the international trade."

Grena stood up, dropped his cigarette in the ash tray and nodded to Aguila. Then he left the office. Bosch looked at the mirrored gla.s.ses and wondered if Aguila had understood a word of what had just been said.

"Don't worry about the Spanish," Aguila said after Grena was gone. "I speak your language."

CHAPTER 21

Bosch insisted that he drive, saying he did not want to leave the Caprice - it wasn't his, he explained - in the parking lot. What he didn't explain was that he wanted to be near his gun, which was still in the trunk. On their way through the plaza, they waved away the children with their hands out.

In the car, Bosch said, "How're we going to make the ID without prints?"

Aguila picked the file up off the seat.

"His friends and wife will look at the photos."

"We going to his house? I can lift prints, take 'em back to L.A. to have someone take a look. It would confirm it."

"It is not a house, Detective Bosch. It is a shack."

Bosch nodded and started the car. Aguila directed him farther south to Boulevard Lazaro Cardenas on which they headed west for a short while before turning south again on Avenida Canto Rodado.

"We go to the barrio," Aguila said. "It is know as Ciudad de los Personas Perdidos. City of Lost Souls."

"That's what the tattoo means, right? The ghost? Lost Souls?"

"Yes, that is correct."

Bosch thought a moment before asking, "How far is it from Lost Souls barrio to Saints and Sinners?"

"It is also in the southwest sector. Not far from Lost Souls. I will show it to you if you wish."

"Yeah, maybe."

"Is there a reason you ask?"

Bosch thought of Corvo's admonition not to trust the local police.

"Just curious," he said. "It's another case."

He immediately felt guilty at not being truthful with Aguila. He was a cop and Bosch felt he deserved the benefit of the doubt. But not according to Corvo. They drove in silence for a while after that. They were moving away from the city and the comfort of buildings and traffic. The commercial businesses and the shops and restaurants gave way to more shacks and cardboard shanties. Harry saw a refrigerator box near the side of the road that was somebody's home. The people they pa.s.sed, sitting on rusted engine blocks, oil drums, stared at the car with hollow eyes. Bosch tried to keep his eyes on the dusty road.

"They called you Charlie Chan back there, how come?"

He asked primarily because he was nervous and thought conversation might distract him from his uneasiness and the unpleasantness of the journey they were making.

"Yes," Aguila said. "It is because I am Chinese."

Bosch turned and looked at him. From the side, he could look behind the mirrors and see the slight rounding of the eyes. It was there.

"Partly, I should say. One of my grandfathers. There is a large Chinese-Mexican community in Mexicali, Detective Bosch."

"Oh."

"Mexicali was created around 1900 by the Colorado River Land Company. They owned a huge stretch of land on both sides of the border, and they needed cheap labor to pick their cotton, their vegetables," Aguila said. "They established Mexicali. Across the border from Calexico. Like mirror images, I suppose, at least according to plan. They brought in ten thousand Chinese, all men, and they had a town. A company town."

Bosch nodded. He had never heard the story but found it interesting. He had seen many Chinese restaurants and signs on his drive through the city but did not recall seeing many Asians.

"They all stayed - the Chinese?" he asked.

"Most of them, yes. But like I said, ten thousand Chinamen. No women. The company wouldn't allow it. Thought it would take away from the work. Later, some women came. But most of the time the men married into Mexican families. The blood was mixed. But as you probably have seen, much of the culture was preserved. We will enjoy some Chinese food at siesta, okay?"

"Sure, okay."

"Police work has largely remained the domain of the traditional Mexicans. There are not many like me in the State Judicial Police. For this reason I am called Charlie Chan. I am considered an outsider by the others."

"I think I know how you feel."

"You will reach a point, Detective Bosch, where you will be able to trust me. I am comfortable waiting to discuss this other case you mentioned."

Bosch nodded and felt embarra.s.sed and tried to concentrate on his driving. Soon Aguila directed him onto a narrow, unpaved road that cut through the heart of a barrio. There were flat-roofed concrete-block buildings with blankets hung in open doorways. Additions to these buildings were constructed of plywood and sheets of aluminum. There was trash and other debris scattered about. Haggard, gaunt-looking men milled around and stared at the Caprice with California plates as it went by.

"Pull to the building with the painted star," Aguila instructed.

Bosch saw the star. It was hand-painted on the block wall of one of the sad structures. Above the star was painted Personas Perdidos. Scrawled beneath it were the words Honorable Alcade y Sheriff.

Bosch parked the Caprice in front of the hovel and waited for instructions.

"He is neither a mayor or sheriff, if that's what you may be thinking," Aguila said. "Arnolfo Munoz de la Cruz is simply what you would call a peacekeeper here. To a place of disorder he brings order. Or tries. He is the sheriff of the City of Lost Souls. He brought the missing man to our attention. This is where Fernal Gutierrez-Llosa lived."

Bosch got out, carrying the Juan Doe file with him. As he walked around the front of the car, he again rubbed his hand against his jacket, where it hung over his holster. It was a subconscious move he made every time he got out of the car and was on the job. But this time, when the comforting feel of the gun beneath was not there, he became acutely aware that he was an unarmed stranger in a strange land. He could not retrieve his Smith from the trunk while in the presence of Aguila. At least not until he knew him better.

Aguila rang a clay bell that hung near the doorway of the structure. There was no door, just a blanket that was draped over a wood slat hammered across the top of the pa.s.sage. A voice inside called, "Abierto," and they went inside.

Munoz was a small man, deeply tanned and with gray hair tied in a knot behind his head. He wore no s.h.i.+rt, which exposed the sheriff's star tattooed on the right side of his chest, the ghost on the left. He looked at Aguila and then at Bosch, staring curiously at him. Aguila introduced Bosch and told Munoz why they had come. He spoke slowly enough so that Bosch could understand. Aguila told the old man that he needed to take a look at some photographs. This confused Munoz - until Bosch slipped the morgue shots out of the file and he saw that the photographs were of a dead man.

"Is it Fernal Gutierrez-Llosa?" Aguila inquired after the man had studied the photographs long enough.

"It is him."

Munoz now looked away. Bosch looked around for the first time. The one-room shack was very much like a large prison cell. Just the necessities. A bed. A box of clothes. A towel hung over the back of an old chair. A candle and a mug with a toothbrush in it on top of a cardboard box next to the bed. It had a squalid smell and he felt embarra.s.sed that he had intruded.

"Where was his place?" he asked Aguila in English.

Aguila looked at Munoz and said, "I am sorry for the loss of your friend, Mr. Munoz. It will be my duty to inform his wife. Do you know if she is here?"

Munoz nodded and said the woman was at her dwelling.

"Would you like to come with us to help?"

Munoz nodded again, picked a white s.h.i.+rt up off the bed and put it on. Then he went to the door, parted the curtain over the opening and held it for them.

Bosch first went to the trunk of the Caprice and got the print kit from his briefcase. Then they walked farther down the dusty street until they came to a plywood shack with a canvas canopy in front of it. Aguila touched Bosch on the elbow.

"Senor Munoz and I will deal with the woman. We will bring her out here. You go in and collect the fingerprints you need and do whatever else you need to do."

Munoz called out the name Marita and a few moments later a small woman peeked through the white plastic shower curtain hung across the doorway. When she saw Munoz and Aguila she came out. Bosch could tell by her face that she already knew the news that the men were there to deliver. Women were always that way. Harry thought of the first night he had seen Sylvia Moore. She knew. They all knew. Bosch handed the file to Aguila, in case the woman demanded to see the photos, and ducked into the room the woman and the Juan Doe had shared.

It was a room with spare furnis.h.i.+ngs. No surprise there. A queen-sized mattress lay on top of a wooden pallet. There was a single chair on one side of it and on the other a bureau had been made out of a wood and cardboard s.h.i.+pping crate. A few articles of clothing hung inside the box. The back wall of the room was a large piece of uncut aluminum with the Tecate beer trademark printed on it. Wood-slat shelves went across this, holding coffee cans, a cigar box and other small items.

Bosch could hear the woman crying quietly outside the shack and Munoz trying to console her. He looked around the room quickly, trying to decide which was a likely spot to lift prints. He was unsure if he even needed to do this. The woman's tears seemed to confirm the ident.i.ty.

He walked to the shelves and used a fingernail to flip open the cigar box. It contained a dirty comb, a few pesos and a set of dominoes.

"Carlos?" he called out.

Aguila stuck his head in past the shower curtian.

"Ask if she has handled this box lately. It looks like it was her husband's stuff. If it's his, I'll try some lifts on it."

He heard the questioning in Spanish outside and the woman said she did not touch the box ever because it was her husband's. Using his nails Harry put the box on top of the makes.h.i.+ft bureau. He opened the print kit and took out a small spray bottle, a vial of black powder, a sable-hair brush, a wide roll of clear tape and a stack of 3 x 5 cards. He laid all of these out on the bed and set to work.

He picked up the spray bottle and pumped four sprays of ninhydrin mist over the box. After the mist settled, he took out a cigarette, lit it and then moved the still-burning match along the edge of the box about two inches from the surface. The heat brought up the ridges of several fingerprints in the ninhydrin. Bosch bent over the table and studied them, looking for complete examples. There were two. He uncapped the vial of black powder and lightly brushed some onto the prints, clearly defining the ridges and bifurcations. He then unrolled a short length of tape, held it down on one of the prints and lifted it. He pressed the tape against a white 3 x 5 card. He did it again with the other print. He had two good prints to take back with him.

Aguila came into the room then.