The Harry Bosch Novels Vol I Part 67

"Perhaps," Aguila said.

Bosch realized he had insulted him. These were the best seats in the house.

"Carlos, this is great. We'll see everything from here."

It was also loud in the concrete box and in addition to the smells from the ring there was the pervasive odor of spilled beer. The little room seemed to reverberate with a thousand steps as the stadium above them filled. A band played from seats high up in the stadium. Bosch looked out into the ring and saw the toreros being introduced. He felt the growing excitement of the crowd and the echo in the room grew louder with the cheers as the matadors bowed.

"I can smoke in here, right?" Bosch asked.

"Yes," Aguila said as he stood. "Cervesa?" "Cervesa?"

"I like that Tecate if they have it."

"Of course. Lock the door. I will knock."

Aguila nodded and left the room. Harry locked the door and wondered if he was doing it to protect himself, or simply to keep uninvited observers out of the box. He realized once he was alone that he did not feel protected in the fortresslike surroundings. It was not like a pillbox after all.

He held the binoculars up and viewed the openings into the other boxes across the ring. Most of these were still empty and he did not see anyone among those already in place who he believed was Zorrillo. But he noticed that many of these boxes were customized. He could see shelves of liquor bottles or tapestries on the back walls, padded chairs. These were the shaded boxes of the regulars. Soon Aguila knocked and Bosch let him in with the beers. And the spectacle began.

The first two fights were uneventful and uninspired. Aguila called them sloppy. The matadors were heartily booed by those in the arena when their final sword thrusts into each bull's neck failed to kill and each fight became a prolonged, b.l.o.o.d.y display that had little resemblance to art or a test of bravery.

In the third fight, the arena came alive and the noise thundered in the box where Bosch and Aguila sat when a bull black as pitch - except for the whitish Z branded on its back - charged violently into the side of one of the picadors' horses. The tremendous power of the beast pushed the horse's padded skirt up to the rider's thigh. The horseman drove his iron-pointed lance down into the bull's back and leaned his weight on it. But this seemed only to enrage the beast further. The animal found new strength and made another violent lunge into the horse. The confrontation was only thirty feet from Bosch, but still he lifted the binoculars for a closer look. In what was like a slow-motion tableau captured in the scope of the binoculars' frame, he saw the horse rear against its master's rein and the picador topple off into the dust. The bull continued its charge, its horns impaling the padded skirt and the horse went over on top of the picador.

The crowd became even louder, cheering wildly, as the banderilleros flooded the ring, waving capes and drawing the bull's attention from the fallen horse and rider. Others helped the picador to his feet and he limped to the ring gate. He then shrugged their hands away, refusing any further help. His face was slick with sweat and red with embarra.s.sment and the cheers of the arena had a jeering quality. With the binoculars, Bosch felt as though he was standing next to the man. A pillow came down from the stands and glanced off the man's shoulder. He did not look up, for to do that would be to invite more.

The bull had won this crowd and in a few minutes they respectfully cheered its death. A matador's sword deeply embedded in its neck, the animal's front legs buckled and its huge weight collapsed. A torero, a man who was older than all the other players, quickly moved in with a short dagger and stabbed it into the base of the bull's skull. Instant death after the prolonged torment. Bosch watched the man wipe the blade on the dead animal's black coat and then walk away, replacing the dagger in a sheath strapped to his vest.

Three mules in harness were brought into the ring, a rope was looped around the black bull's horns and the body was dragged around in a circle and then out. Bosch saw a red rose fall from above and hit the dead beast as it made a flattened path in the ring's dirt floor.

Harry studied the man with the dagger. Applying the coup de grace seemed to be his only role in each fight. Bosch couldn't decide if his job was administering mercy or more cruelty. The man was older; his black hair was streaked with gray and his face had a worn, impa.s.sive look. He had soulless eyes in a face of worn brown stone. Bosch thought of the man with three tear drops on his face. Arpis. What look did he have when he choked the life out of Porter, when he held the shotgun up to Moore's face and pulled the trigger?

"The bull was very brave and beautiful," Aguila said. He had said little through the first three fights other than to p.r.o.nounce the skills of the matadors as expert or sloppy, good or bad.

"I guess Zorrillo would have been very proud," Bosch said, "if he had been here."

It was true, Zorrillo had not come. Bosch had found himself checking the empty box Aguila had pointed out but it had remained empty. Now, with one fight to go, it seemed unlikely that the man who bred the bulls for this day's fights would arrive.

"Do you wish to leave, Harry?"

"No. I want to watch."

"Good, then. This match will be the finest and most artful. Silvestri is Mexicali's greatest matador. Another cervesa? cervesa?"

"Yeah. I'll get this one. What do you -"

"No. It is my duty, a small means of repaying."

"Whatever," Bosch said.

"Lock the door."

He did. Then he looked at his ticket, on which the names of the bullfighters were printed. Cristobal Silvestri. Aguila had said he was the most artful and bravest fighter he had ever seen. A cheer went up from the crowd as the bull, another huge black monster, charged into the ring to confront his killers. The toreros began moving about him with green and blue capes opening like flowers. Bosch was struck by the ritual and pageantry of the bullfights, even the sloppy ones. It was not a sport, he was sure of this. But it was something. A test. A test of skills and, yes, bravery, resolve. He believed that if he had the opportunity he would want to go often to this arena to be a witness.

There was a knock on the door and Bosch got up to let Aguila in. But when he opened the door there were two men waiting. One he did not recognize. The other he did but it took him a few moments to place him. It was Grena, the captain of investigations. From what little he could see past their two figures, there was no sign of Aguila.

"Senor Bosch, may we come in?"

Bosch stepped back but only Grena entered. The other man turned his back as if to guard the doorway. Grena closed and locked it.

"So we won't be disturbed, yes?" he said as he scanned the room. He did this at length, as if it were the size of a basketball court and needed careful study in determining there was no one else present.

"It is my custom to come for the last fight, Senor Bosch. Particularly, you see, when Silvestri is in the ring. A great champion. I hope you will enjoy this."

Bosch nodded and casually looked out into the ring. The bull was still lively and moving about the ring while the toreros sidestepped and waited for it to slow.

"Carlos Aguila? He has gone?"

"Cervesa. But you probably already know that, Captain. So why don't you tell me what's up?"

"What is 'up'? How do you mean?"

"I mean what do you want, Captain. What are you doing here?"

"Ah, si, si, you want to watch our little pageant and do not wish to be bothered by business. Get to the point, is the way it is said, I believe." you want to watch our little pageant and do not wish to be bothered by business. Get to the point, is the way it is said, I believe."

"Yeah, that works."

There was a cheer and both men looked out into the ring. Silvestri had entered and was stalking the bull. He wore a white-and-gold suit of lights and he walked in a regal manner, his back straight and his head canted downward, as he sternly studied his adversary. The bull was still game as it charged about the ring, whipping the blue and yellow banderillas stuck in its neck from side to side.

Bosch pulled his attention back to Grena. The police captain was wearing a black jacket of soft leather, its right cuff barely covering his Rolex.

"My point is I want to know what you are doing, Senor Bosch. You don't come down here for bullfights. So why are you here? I am told identification of Senor Gutierrez-Llosa has been made. Why do you stay? Why do you bother Carlos Aguila with your time?"

Bosch was not going to tell this man anything but he did not want to endanger Aguila. Bosch would be leaving eventually, but not Aguila.

"I am leaving in the morning. My work is completed."

"Then you should leave tonight, eh? An early start?"

"Maybe."

Grena nodded.

"You see, I have had an inquiry from a Lieutenant Pounds of the LAPD. He is very anxious at your return. He asked me to tell you this personally. Why is that?"

Bosch looked at him and shook his head.

"I don't know. You would have to ask him."

There was a long silence during which Grena's attention was drawn to the ring again. Bosch looked that way, too, just in time to see Silvestri leading the charging bull past him with his cape.

Grena looked at him for a long time and then smiled, probably the way Ted Bundy had smiled at the girls on campus.

"You know the art of the cape?"

Bosch didn't answer and the two just stared at each other. A thin smile continued to play across the captain's dark face.

"El arte de la muleta," Grena finally said. "It is deception. It is the art of survival. The matador uses the cape to fool death, to make death go where he is not. But he must be brave. He must risk himself over the horns of death. The closer death comes, the braver he becomes. Never for a moment can he show fear. Never show fear. To do so is to lose. It is to die. This is the art, my friend."

He nodded and Bosch just stared at him.

Grena smiled broadly now and turned to the door. He opened it and the other man was still there. As he turned to reclose the door he looked at Bosch and said, "Have a good trip, Detective Harry Bosch. Tonight, eh?"

Bosch said nothing and the door was closed. He sat there for a moment but his attention was drawn by the cheers to the ring. Silvestri had dropped to one knee in the center of the ring and had lured the bull to a charge. He remained stoically fixed in position until the beast was on him. He then moved the cape away from his body in a smooth flow. The bull rushed by within inches and Silvestri was untouched. It was beautiful and the cheers rose from the stadium. The unlocked door to the box opened and Aguila stepped in.

"Grena, what did he want?"

Bosch didn't answer. He held the binoculars up and checked Zorrillo's box. The pope wasn't there but now Grena was, staring back at him with the same thin smile on his lips.

Silvestri felled the bull with a single thrust of his sword, the blade diving deep between its shoulders and slicing through the heart. Instant death. Bosch looked over at the man with the dagger and thought he saw a trace of disappointment on his hardened face. His work wasn't needed.

The cheering for Silvestri's expert kill was deafening. And it did not let up as the matador made a circuit around the ring, his arms up to receive the applause. Roses, pillows, women's high-heeled shoes showered down into the ring. The bullfighter beamed in the adulation. The noise was so loud that it was quite some time before Bosch realized that the pager on his belt was sounding its call to him.

CHAPTER 28

At nine o'clock Bosch and Aguila turned off Avenida Cristobal Colon onto a perimeter road that skirted Rodolfo Sanchez Taboada Aeropuerto Internacional. The roadway pa.s.sed several old quonset-hut hangars and then a larger grouping of newer structures. On one of these was a sign that said Aero Carga. The huge bay doors had been spread a few feet and the opening was lit from the inside. It was their destination, a DEA front. Bosch pulled into the lot in front and parked near several other cars. He noticed that most of them had California plates.

As soon as he stepped out of the Caprice he was approached by four DEA types in blue plastic windbreakers. He showed his ID and evidently pa.s.sed muster after one of them consulted a clipboard.

"And you?" the clipboard man said to Aguila.

"He's with me," Bosch said.

"We have you down as a solo entry, Detective Bosch. Now we have a problem."

"I guess I forgot to RSVP that I'd bring a date," Bosch said.

"It's not very funny, Detective Bosch."

"Of course not. But he's my partner. He stays with me."

Clipboard had a distressed look on his face. He was an Anglo with a ruddy complexion and hair that had been bleached almost white by the sun. He looked as though he had been watching the border a long time. He turned to look back at the hangar, as if hoping for direction on how to handle this. On the back of his windbreaker Bosch saw the large yellow DEA DEA letters. letters.

"Better get Ramos," Bosch said. "If my partner goes, I go. Then where's the integrity of the operation's security?"

He looked over at Aguila, who was standing stiffly with the three other agents around him like bouncers ready to toss somebody out of a nightclub on the Sunset Strip.

"Think about it," Bosch continued. "Anybody who's come this far has to go the distance. Otherwise, you got someone outside the circle. Out there and unaccounted for. Go ask Ramos."

Clipboard hesitated again, then told everybody to stay cool and took a radio from the pocket of his jacket. He radioed to someone called Staff Leader that there was a problem in the lot. Then everybody stood around for a few moments in silence. Bosch looked over at Aguila and when their eyes met he winked. Then he saw Ramos and Corvo, the agent from L.A., walking briskly toward them.

"What's this s.h.i.+t, Bosch," Ramos started before he got to the car. "Do you know what you've done? You've compromised the whole f.u.c.king operation. I gave explicit instru -"

"He's my partner on this, Ramos. He knows what I know. We are together on this. If he's out, then so am I. And when we leave, I go across the border. To L.A. I don't know where he goes. How will that hold with your theory on who can be trusted?"

In the light from the hangar, Bosch could see the pulse beating in an artery on Ramos's neck.

"See," Bosch said, "if you let him leave, you are trusting him. So, if you trust him, you might as well let him stay."

"f.u.c.k you, Bosch."

Corvo put his hand on Ramos's arm and stepped forward.

"Bosch, if he f.u.c.ks up or this operation in any way becomes compromised, I will make it known. You know what I mean? It'll be known in L.A. that you brought this guy in."

He made a signal across the car to the others and they stepped away from Aguila. The moonlight reflected on Corvo's face and Bosch saw the scar that split his beard on the right side. He wondered how many times the DEA agent would be telling the story of the knife fight tonight.

"And another thing," Ramos threw in. "He goes in naked. We only have one more vest. That's for your a.s.s, Bosch. So if he gets. .h.i.t, it's on you."

"Right," Bosch said. "I get it. No matter what goes wrong, it's my a.s.s. I got it. I also have a vest in my trunk. He can use yours. I like my own."

"Briefing's at twenty-two hundred," Ramos said as he walked back toward the hangar.

Corvo followed and Bosch and Aguila fell in behind him. The other agents brought up the rear. Inside the cavernous hangar Bosch saw there were three black helicopters sitting side by side in the bay area. There were several men, most in black jumpsuits, milling about and drinking coffee from white cups. Two of the helicopters were wide-bodied personnel transport craft. Bosch recognized them. They were UH-1Ns. Hueys. The distinctive whopwhop of their rotors would forever be the sound of Vietnam to him. The third craft was smaller and sleeker. It looked like a craft manufactured for commercial use, like a news or police chopper, but it had been converted into a guns.h.i.+p. Bosch recognized the gun turret mounted on the right side of the copter's body. Beneath the c.o.c.kpit another mount held an array of equipment, including a spotlight and night-vision sensor. The men in the black jumpsuits were stripping the white numbers and letters off the tail sections of the craft. They were preparing for a total blackout, a night a.s.sault.

Bosch noticed Corvo come up next to him.

"We call it the Lynx," he said, nodding to the smallest of the three craft. "Mostly use 'em in Central and South America ops, but we snagged this one on its way down. It's for night work. You've got total night vision set up - infrared, heat-pattern displays. It will be the in-air command post tonight."

Bosch just nodded. He was not as impressed with the hardware as Corvo was. The DEA supervisor seemed more animated than during their meeting at the Code 7. His dark eyes were darting around the hangar, taking it all in. Bosch realized that he probably missed fieldwork. He was stuck in L.A. while guys like Ramos got to play the war games.

"And that's where you're going to be, you and your partner," Corvo said, nodding at the Lynx. "With me. Nice and safe. Observers."

"You in charge of this show, or is Ramos?"

"I'm in charge."

"Hope so." Then, looking at the war chopper, Bosch said, "Tell me something, Corvo, we want Zorrillo alive, right?"

"That's right."