The Proof House Part 9

A sally-port in the main door swung open. 'Adjutant's expecting you,' said a voice from under a deep, sodden hood. 'Across the courtyard, third staircase from the right, fourth floor, left at the head of the stairs then right, sixth left, fourth door down on the left. Ask if you get lost.'

The hood darted away into a niche in the gatehouse wall, and Bardas, who was in no mood to stand about, scuttled across the courtyard, which had been baked earth but was now a thick grey mud the consistency of mortar; it sucked at his boots as he crossed it. In pa.s.sing he noticed a series of ma.s.sive timber A-frames, in pairs, linked by crossbars; they could have been anything from component parts of siege engines to production-line gibbets. There was n.o.body else to be seen, and all the windows overlooking the yard were shuttered.

The building on the other side of the yard was a half-hearted attempt at a tower; it was square, ten storeys tall, with a dozen staircases opening on to the yard. On either side of it were galleries, shuttered windows and no doors, like the galleries that ran along the other three sides; two storeys, or else one highceilinged storey and a loft. He counted off three from the right and started to climb the tightly curled spiral staircase. It was dark, slippery underfoot (how the rain was managing to get through he couldn't see), the pitch of the stairs was disconcertingly steep and there was no rail or rope to steady himself by; not the sort of stairs you'd want to meet anybody on, unless you relished the prospect of walking backwards down to the floor below. There was a certain similarity to the mines that wasn't lost on him (except, of course, that about the only way you couldn't die in the mines was by falling backwards down a flight of stairs).

Left, right, sixth left, fourth door left; he caught himself mumbling it under his breath like some protective spell, such as the hero in a fairy tale uses to get past the gatekeepers of the kingdom of the dead. He chided himself for thinking negative thoughts: Don't be so silly, he told himself, it'll probably turn out to be a whole lot of fun once you're settled.

There were lights in the corridors; little oil-lamps that flickered shyly in deep alcoves in the walls and provided almost enough light to see the way by. It was more reliable, Bardas found, to use the sappers' method of closing your eyes and finding a turn by waiting for the tickle of a draught on your face. Just one of the many useful skills I've learned since I've been in the army, he reflected, ducking just in time to avoid an invisible low doorframe.

There was a problem with finding the fourth door on the left: there were only three doors. He knocked on the third door, and waited. Just when he'd reached the conclusion that he'd come the wrong way after all, the door opened and he found himself looking up at a very tall, broad-shouldered, rather round-faced man, a Son of Heaven with wispy white hair on either side of a bald head and a little tuft of beard just under the curl of his lower lip.

'Sergeant Loredan,' the man said. 'Come in. I'm Asman Ila.'

The name was completely unfamiliar, but Bardas didn't mind that. He followed the man into a narrow, dark room, no wider than the corridor he'd just left. What light there was came from four tiny oil-lamps on a spindly iron frame that stood about as tall as his shoulder; there was a window at the far end of the room, but it was shuttered and barred from the inside. Three of the walls were bare; on the fourth, above the bare plank desk, hung what was probably a breathtakingly lovely Colleon tapestry, if only there'd been enough light to see the colours.

'From the spoils of Chorazen,' the man said (Bardas had never heard of Chorazen before). 'My grandfather commanded the sixth battalion. Daylight fades it, so I keep the shutter closed.'

'Ah,' Bardas said, trying to sound as if he'd just been given a full explanation. 'Reporting for duty,' he added.

Asman Ila indicated a small three-legged stool with a delicate gesture. It tipped alarmingly when Bardas sat on it; one leg was markedly shorter than the others. 'From Ap' Seudel,' said Asman Ila, 'before the fire. My first posting. The local rosewood, with a charming niello inlay. Welcome to Ap' Calick.'

'Thank you,' Bardas said.

Asman Ila sat down - his chair looked even more uncomfortable than the stool, but if there was a provenance to it, Bardas didn't get to hear it. 'So,' he said, 'you're the hero of Ap' Escatoy. A remarkable achievement, by all accounts.'

'Thank you.'

'A fascinating city,' Asman Ila went on. 'I spent some time there - what, thirty years ago. I'll never forget the quite outstanding carved ivory furniture in the viceroy's state apartments - quite distinctive, nothing remotely like it anywhere else in the world, though of course they try to copy it in Ilvan. It's easy enough to tell, though; you can almost feel the clumsiness as soon as you walk into the room. A cousin of mine in the provincial office has promised me one of the triptych audience screens from the main reception chamber; too much to hope for the pair, of course.'

As his eyes became accustomed to the gloom, Bardas could make out the shapes of chairs, chests, book-boxes, lecterns, stools and any number of other small, portable items; they were stacked on top of each other up against the walls, covered in dull grey sheets. 'My duties,' Bardas prompted him hopefully, but Asman Ila appeared to have forgotten that he was there.

'Nearly everything in this room,' he said eventually, 'comes from fallen cities, places I or my ancestors captured in war. Unique, I should imagine, some of them; the lamp-stand, for example. I believe it's the only piece of Cnerian wrought iron left in existence. The city is gone, but part of its heritage lives on, here with me. Now then, your duties. It's all perfectly straightforward. '

Far away, Bardas could still just about hear the clacking of hammers, faint, only just loud enough to be intrusive. 'I'm ashamed to admit it,' Bardas said, 'but I've only got a very general idea of what you do here. I don't know if it's possible-'

Asman Ila wasn't listening; he was looking at the door. 'Mostly,' he said, 'you're here to supervise, which is where your extensive experience in the trade will prove so useful; of course, I can't so much as peen over a rivet or knock a nail in straight, and needless to say, they take advantage. Theft from the stores is our worst problem, followed by fluctuations in demand. There are times when I wonder whether the provincial office even knows the meaning of the term phased sourcing.'

Bardas s.h.i.+fted a little in his seat, which was rickety and appeared to have been made for a much smaller man, possibly even a child. He wondered if there would be any point in mentioning that he knew absolutely nothing about armoury work, and decided that there wouldn't.

'But,' the Son of Heaven went on, 'we cope. We're fortunate in having so many highly skilled tradesmen here at Ap' Calick; it means we have the flexibility. Are your quarters adequate for your needs? If you have any problems or queries, feel free to ask me, or the captain of operations. After all, there's no point being uncomfortable unnecessarily.'

Bardas, who didn't even know where his quarters were, nodded appreciatively. 'Thank you,' he said, and wondered what he could say to make the adjutant let him go. The stool was starting to get excruciatingly painful, and he had the feeling that a sudden movement would probably break it.

'On the technical side,' Asman Ila went on, carefully stifling a yawn, 'you can always consult the foreman, Maj. I can't say he's entirely trustworthy, though I dare say he's no worse than most, but he seems to know what he's doing. He repaired a set of candlesticks for me; Riciden ware, missing the scrolled finials and the dished base. You can hardly tell the difference, except in a strong light. My great-grandfather took them from the library at Coil, so it's hardly surprising they were damaged.'

A strong light, Bardas reflected. No danger of that here. 'Thank you,' he said. 'Will that be all?'

Asman Ila sat perfectly still for a few moments, staring at something above and just to the left of Bardas' head. 'And remember,' he said suddenly, 'my door is always open. Far better to deal with a problem when it arises than to try to hide it away until everything starts going wrong. After all,' he added, 'we're all on the same side, aren't we?

'Maj,' Bardas shouted for the third time. The man shook his head.

'Never heard of him,' he shouted back. 'Why don't you ask the foreman?'

Bardas shrugged, smiled and walked away. Going to have to find some way of coping with this noise, he thought, as he threaded his way between the benches, doing his best to stay out of the reach of the machines and the swinging hammers. Anyway, it makes a change after the mines.

Eventually he found the foreman (who was called Haj, not Maj); he was curled up in a little niche in the gallery wall, fast asleep. Haj turned out to be a short, stocky man in his early sixties, with long, bony forearms and the largest hands Bardas had ever seen. His right shoulder was higher than his left, and his hair was bristly and white.

'Bardas Loredan,' Haj repeated. 'The hero. Right, follow me.'

Haj moved quickly, taking lots of short steps; he ducked and threaded his way through the crowded workshop without apparently looking where he was going, leaving the more cautious Loredan far behind, so that twice Haj had to stop and wait for him to catch up. Like everybody Bardas had seen in the workshop, Haj wore a long leather ap.r.o.n that started under his chin and ended just above his ankles; he wore big military boots with steel caps over the toes, and the pocket of his ap.r.o.n was stuffed full of small tools and bunches of rag.

'You coming, then?'

'Sorry,' Bardas said.

'This way,' said Haj; and a moment later he vanished. Bardas stood for a second or two, trying to work out where he'd gone; then he saw a little, low archway in the gallery wall, nearly invisible in the dim light. He had to bend almost double to get under it.

The archway led to a short, very narrow pa.s.sageway that ended in another steep, scary staircase that spiralled four turns and emerged on to a plank catwalk, high above the shop floor. There was no handrail. Fancy that, Bardas reflected, glancing down. Presumably I've been afraid of heights all my life and never realised it till now. He fixed his eyes on the door at the end of the catwalk, which led into the back wall of the gallery. Unless Haj had fallen to his death or turned into a bird, he was beyond that door somewhere. Bardas sucked in a long, deep breath and followed, his hands clasped behind his back, taking care not to look at his feet.

Beyond the door there was another narrow corridor, which turned a right angle and then stretched on into the darkness. Doors opened off it at frequent intervals; one of them was open, and Bardas went in.

'There you are,' said Haj's voice in the gloom. 'Well, this is it. Nice room.'

Bardas felt his way along the wall with his hands until something blocked his way. He reached out and felt rough wood; flat planks and a bar. He lifted the bar, which slipped through his fingers and fell on the floor, then groped around until he found a handle, and pulled. The room flooded with light as the shutter swung back, revealing what looked depressingly like a prison cell. There was a shelf projecting out of the wall, with a single folded blanket and a single yellowing pillow; another ledge under the window, on which stood a plain brown pottery jug and a white-enamelled tin bowl. That was it.

'Thank you,' Bardas said.

Haj sniffed. 'You don't like it, I can tell,' he said.

'No, no,' Bardas said, 'it's fine. At least, I've lived in worse.'

'Really?' Haj said. 'Most of us sleep on the roof, or under our benches in the shop in the wet season.' He looked round, as if daring Bardas to criticise further. 'Has anybody told you what you're meant to be doing?' he said.

'Not really,' Bardas replied. 'The adjutant said something about supervising, but-'

Haj smiled. 'You don't want to bother too much about anything he says. It's the foremen who run this place, which is how it should be, of course.'

'I see,' Bardas said. 'And what am I? A foreman?'

Haj shook his head. 'Really, you haven't got a job,' he said. 'They do this from time to time, send us people they can't find places for anywhere else. Doesn't do any harm, usually, so long as they keep out of everybody's road. Basically, you do what the h.e.l.l you like, just don't interfere, that's all. Let's see, pay call's last day of the month; you lose two quarters kit and uniform levy, three quarters wounds and burial club, two quarters retentions, and the rest of it's yours to spend, though if you've got any sense you'll keep it in the big safe in the back of the stockroom, like the rest of them do. Good rule of thumb: don't leave anything lying about unless you don't care if it gets stolen. Lot of light-fingered types here; nothing else to do, see. Right, mess call's an hour after each s.h.i.+ft; you're ent.i.tled to use the officers' mess in the tower bas.e.m.e.nt, but that comes expensive, a quarter a day not including wine or beer. Otherwise, you can muck in with the rest of us in the canteen; ask anybody and they'll show you where it is.'

Bardas nodded. 'Thank you,' he said. 'What's retentions? '

'Retentions,' Haj repeated. 'Two quarters a month. Don't you know what retentions are?'

'Sorry,' Bardas said. 'Not something we had in the sappers, or at any rate we didn't call it that.'

Haj sighed a little. 'Retentions is what's stopped out of everybody's pay for their demob. You know,' he added, 'when you leave the army. It's for your old age, that sort of thing; you get back what you put in, plus your gratuity, less stoppages, fines, levies, exemptions, stuff like that. Didn't you have that in the mines?'

'No,' Bardas said. 'I suppose the chance of any of us having an old age was too small to warrant the extra work.'

'Whatever,' Haj said. 'Well, we got it here. Now, is there anything else I've got to tell you? Don't think so. Anything you don't understand, just ask somebody, all right?'

'That's fine,' Bardas said. 'Thank you.'

Haj nodded. 'Right,' he said. 'Now I've got to get back down there, before the whole section grinds to a halt.'

When he'd gone, Bardas sat on the bed for a while, staring at the opposite wall, listening to the sound of hammers. Just the ticket, he told himself cheerfully; no problem at all staying out of trouble. I'm going to like it here. It didn't work. Above all, he could hear the pecking of the hammers; when he put his hands over his ears, he could feel them just as clearly. It's higher up than the mines, he tried hopefully. And there's n.o.body trying to kill me; now that's got to be worth something.

After an hour alone in his quarters, Bardas carefully picked his way back along the corridors, over the catwalk and down the stairs into the gallery. He stood for a moment, letting the noise overwhelm him, trying to savour it instead of shut it out. Then he marched over to the nearest workbench, where a man was cutting shapes out of a sheet of steel with a heavy-grade bench shear.

'I'm Bardas Loredan,' he shouted. 'I'm the new-' He searched his mind frantically for something that would sound authentic. 'The new deputy inspector. Tell me exactly what you're doing here.'

The man looked at him as if he was mad. 'Cutting out,' he replied. 'What does it look like?'

Bardas clenched his face into a frown. 'That's not the sort of att.i.tude I want to see around here,' he said. 'Describe your working method.'

The man shrugged. 'I get the plates from the layout section,' he said, 'with the patterns scribed out and marked up with blue. I cut them out and put them in this tray here. When the tray's full, someone comes down and takes it over there.' He indicated the far side of the shop with a nod of his head. 'That's it,' he concluded.

Bardas pursed his lips. 'All right,' he said. 'Now let me see you do one.'

'Why?'

'I want to see if you're doing it right.'

'Suit yourself.' The man hefted another sheet, laid it face down on the bench and turned it round. Gripping the sheet with one hand and the long lever of the shear in the other, he fed the sheet into the cutting jaws and drew down the handle. The cut seemed to take far less effort than Bardas had imagined; it looked for all the world like cutting cloth, except that one jaw of the scissors was bolted down to the bench. To make the curves, he moved over to another tool mounted on the other side; this one had the same long handle, but instead of the top blade of the scissors there was a circular cutter with serrations round the edge of the blade.

'All right so far?' the man asked.

'It'll do,' Bardas grunted. 'Carry on.'

The man didn't quite smirk, but he didn't have to. 'So you don't want to see the third step, then?'

'What? Oh, well, yes, why not?'

The man took the cut-out pieces and clamped them in an enormous bench-vice, lining the edge up carefully along the line of the jaw so that only the edge, left slightly ragged by the shear, was exposed; then he picked a big, wide chisel out of the rack next to the vice, laid it level on the top of the leading jaw, right at the edge and at right angles to the sheet, and started whacking the back of the chisel with a huge square wooden mallet. The ragged edge was sliced away, leaving a smooth, perfect edge.

'Well?' he said.

'Do another one.'

The man did another one; and another, and then two more. 'There,' he said, 'that's a trayful. Did I pa.s.s?'

Bardas made the most noncommittal noise he could manage. 'All right,' he said. 'What else do you do?'

'Come again?'

'What else do you do?' Bardas repeated. 'Other procedures, stages in the operation.'

Again, the man looked at him as if he was gibbering. 'That's all,' he said. 'I cut out ta.s.set-lame blanks. Why, am I supposed to be doing something else as well? n.o.body's ever said.'

Bardas picked up the tray. 'Carry on,' he said, and headed for the area the man had pointed to.

In the far corner, a man was feeding bits of metal that looked like the bits in the tray into a large contraption that was basically three long, thick rollers laid horizontally in a ma.s.sive wrought-iron frame. One roller revolved as the man turned a handle; this drew the steel plate under the other two rollers (whose pitch and settings could be adjusted by turning the large set-screws at either end) and fed it out the other side, by which point it had been turned from a straight strip into a shallow, even curve, the shape of one of the small plates that made up an a.s.sembly of shoulder armour; which, presumably, was what the term 'ta.s.set lame' actually meant. After rolling each piece he held it up to a curved piece of wood on a stand, the idea apparently being that if it fitted snugly against the wood, he added it to the pile of completed pieces; otherwise it went back under the rollers, and the man fiddled with the set-screws until it came out sufficiently curved to fit the wooden pattern.

Taking a deep breath, Bardas walked up to this man, put the tray of steel bits down on the nearest bench and went through the deputy-inspector routine again. This man seemed marginally less sceptical (or else he cared even less); he carried on with his work as if Bardas wasn't there, until his tray was full.

'Right,' Bardas said. 'Now where do these go?'

The man didn't say anything, but he nodded his head sideways in the direction of the west end of the gallery. Resting the tray against his chest (it was no lightweight; forty or so curved sections, neatly stacked together in concentric semicircles, like the flaky cross-section flesh of a slice of overcooked salmon) Bardas tottered across the shop, once again hoping he'd recognise someone working with something similar before he'd made a complete and utter fool of himself. Fortunately, the next stage in the process was reasonably easy to spot: a man with a hammer and a small hole-punch, knocking rivet-holes into a batch of sections identical to the ones he was carrying.

'Easy as pie,' explained the hole-puncher, who was more than happy to explain every aspect of his job to the deputy inspector. 'You look for the punch-marks where the layout boys have marked out where the holes've got to go; then you take the work in your left hand, like so, and press it against the bench so; then you get your punch in your left hand and your hammer in your right, and -' (clink, went the hammer) '- there you are. Simple, isn't it?'

Bardas nodded. 'Yes,' he said, because it was.

'Another thing; it's not only simple, it's f.u.c.king boring.'

'What?'

The man looked at him. 'You know how long I was supposed to be doing this for? Two weeks, until the new man came and I got moved on to planis.h.i.+ng, like I was trained for. And you know how long I've been here now? Six years. Six years, dammit, doing this pathetically simple job over and over and over-' The man took a deep breath. 'Look,' he said, 'you're the deputy inspector, see if you can't put a word in for me, all right? I mean, the bloke who had your job before, he promised he'd put in a word for me, but that was two years ago and did anything come of it? Did it h.e.l.l as like; and if I stay here much longer-'

'All right,' Bardas said quickly. 'Leave it with me, I'll see what I can do.'

'You will?' The man's face lit up with joy, then clouded over with suspicion. 'If you remember, is what you mean; if you remember and you can be bothered. Well, all I can say is, I've heard that one before and all I can say about that is, I won't be holding my breath-'

'I'll see what I can do,' Bardas repeated, taking a step back. 'Just leave it with-'

'You haven't even asked me my name,' the man called after him, angrily, but Bardas was far enough away by now that he didn't have to look back; he could pretend not to have heard. He walked away quickly, as if he knew where he was going, until he tripped over a large wooden block and had to grab hold of a workbench to stop himself falling.

'Watch it,' said the man behind the bench. 'I could have smashed my thumb, you doing that.'

Bardas looked up. The man was holding a piece of steel in one hand and a hammer of sorts in the other. It didn't look like an ordinary hammer; instead of a steel head, it had a tightly wound roll of rawhide jammed into a heavy iron tube, set at right angles to the handle. 'Sorry,' Bardas replied. 'It's my first day.'

The man shrugged. 'All right,' he said. 'But look where you're going next time.' On the bench in front of him was another block of wood, maybe a little larger than the one Bardas had just barked his s.h.i.+n on. In the middle of the block - Bardas recognised it as oak - was a square hole, in which sat an iron stake topped by an iron ball slightly smaller than a child's head. The piece of metal the man was holding over this ball was roughly triangular and looked like a shallow dish; it was a panel for a four-piece conical helmet, the old-fas.h.i.+oned kind that was still issued to some of the auxiliary cavalry units.

The man noticed that Bardas was staring. 'Do you want something?' he asked.

'I'm the new deputy inspector,' Bardas replied. 'Tell me about what you're doing.'

'Planis.h.i.+ng,' the man replied. 'You know what planis.h.i.+ng means?'

'You tell me. In your own words,' Bardas added.

'All right.' The man grinned. 'They send you people out here, don't they, and you haven't got a b.l.o.o.d.y clue. No skin off my nose, though. Right, planis.h.i.+ng is where we hammer the outside of the nearly finished article to take out the b.u.mps and dents, get it smooth for the polishers. All the actual shaping, see, that's done from the inside; so to finish off, we just go over it lightly from the outside, not enough to move any metal, really it's just to leave it looking nice. I wouldn't tell you that if you were a real inspector, or else I'd be out of a job. You want to watch how I do this?'

Bardas nodded, and the man carried on with what he'd been doing, angling the work down on to the ball and smoothing the marks out of it with a series of crisp, even taps, letting the hammer fall in its own weight and bounce back off the surface of the metal. 'The trick is not to bash,' the man explained. 'Bas.h.i.+ng gets you nowhere fast, you just let the mallet drop and the weight does all the work. That's why I'm holding it just so, trapped between my middle finger and the base of my thumb, look.' He held up his right hand to demonstrate. 'Here, you want a go?'

Bardas hesitated. 'All right,' he said, and held out his hand for the hammer. 'Is that right?'