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*37 In Lectures on Russian Literature, Lectures on Russian Literature, 1981. 1981. Return to text. Return to text.
PERMISSIONS.
Grateful acknowledgment is made to the following for permission to reprint previously published material: Farrar, Straus, and Giroux, LLC: Excerpt from "Songs for a Colored Singer," from Excerpt from "Songs for a Colored Singer," from The Complete Poems 19271979 The Complete Poems 19271979 by Elizabeth Bishop. Copyright 1979, 1983 by Alice Helen Methfessel. Reprinted by permission of Farrar, Strauss, and Giroux, L.L.C. by Elizabeth Bishop. Copyright 1979, 1983 by Alice Helen Methfessel. Reprinted by permission of Farrar, Strauss, and Giroux, L.L.C.
Grove Atlantic, Inc.: Excerpt from "What the Doctor Said," from Excerpt from "What the Doctor Said," from A New Path to the Waterfall, A New Path to the Waterfall, by Raymond Carver. Copyright 1989 by the Estate of Raymond Carver. Used by permission of Grove/Atlantic, Inc. by Raymond Carver. Copyright 1989 by the Estate of Raymond Carver. Used by permission of Grove/Atlantic, Inc.
Jalma Music: Excerpt from "Big in j.a.pan," by Tom Waits. Copyright 1999 by Jalma Music (ASCAP). Reprinted by permission of Jalma Music. Excerpt from "Big in j.a.pan," by Tom Waits. Copyright 1999 by Jalma Music (ASCAP). Reprinted by permission of Jalma Music.
Andrew Marlatt: Excerpt from "Angered by Snubbing, Libya, China, Syria Form Axis of Just as Evil," by Andrew Marlatt from Satirewire.com. Copyright 2002 by SatireWire, LLC. Used by permission of Andrew Marlatt, Oligarch of SatireWire and author of Excerpt from "Angered by Snubbing, Libya, China, Syria Form Axis of Just as Evil," by Andrew Marlatt from Satirewire.com. Copyright 2002 by SatireWire, LLC. Used by permission of Andrew Marlatt, Oligarch of SatireWire and author of Economy of Errors Economy of Errors (Broadway Books, 2002). (Broadway Books, 2002).
W. W. Norton & Company, Inc.: Excerpt from "First Part, #7," from Excerpt from "First Part, #7," from Sonnets to Orpheus Sonnets to Orpheus by Rainer Maria Rilke. Copyright 1942 by W. W. Norton & Company, Inc., renewed 1970 by M.D. Herter Norton. Used by permission of W. W. Norton & Company, Inc. by Rainer Maria Rilke. Copyright 1942 by W. W. Norton & Company, Inc., renewed 1970 by M.D. Herter Norton. Used by permission of W. W. Norton & Company, Inc.
W. W. Norton & Company, Inc.: "A Villanelle," from "A Villanelle," from The Country Without a Post Office, The Country Without a Post Office, by Agha Shahid Ali. Copyright 1997 by Agha Shahid Ali. Used by permission of W. W. Norton & Company, Inc. by Agha Shahid Ali. Copyright 1997 by Agha Shahid Ali. Used by permission of W. W. Norton & Company, Inc.
The Orion Publis.h.i.+ng Group: Excerpts from "The Ancients of the World" and "Those Others," from Excerpts from "The Ancients of the World" and "Those Others," from Collected Poems Collected Poems by R. S. Thomas, published by J. M. Dent, 1993. Reprinted by permission of the Orion Publis.h.i.+ng Group. by R. S. Thomas, published by J. M. Dent, 1993. Reprinted by permission of the Orion Publis.h.i.+ng Group.
Rogers, Coleridge & White Ltd.: "Ithaca" and "Waiting for the Barbarians," from "Ithaca" and "Waiting for the Barbarians," from Poems, Poems, by C. P. Cavafy, translated by John Mavrogordato. Translation copyright 1951 by John Mavrogordato. Reproduced by permission of Rogers, Coleridge & White Ltd., 20 Powls Mews, London W11 1JN. by C. P. Cavafy, translated by John Mavrogordato. Translation copyright 1951 by John Mavrogordato. Reproduced by permission of Rogers, Coleridge & White Ltd., 20 Powls Mews, London W11 1JN.
Sony/ATV Music Publis.h.i.+ng: Excerpt from "Revolution," by Lennon/McCartney. Copyright 1968 (renewed) by Sony/ATV Tunes LLC. All rights administered by Sony/ATV Music Publis.h.i.+ng, 8 Music Square West, Nashville, TN 37203. All rights reserved. Used by permission. Excerpt from "Revolution," by Lennon/McCartney. Copyright 1968 (renewed) by Sony/ATV Tunes LLC. All rights administered by Sony/ATV Music Publis.h.i.+ng, 8 Music Square West, Nashville, TN 37203. All rights reserved. Used by permission.
ACKNOWLEDGMENTS.
In addition to those journals and inst.i.tutions already acknowledged during the course of this book, I must particularly thank Gloria B. Anderson and her team at The New York Times, The New York Times, who syndicated all the columns collected in Part III; and who syndicated all the columns collected in Part III; and The New Yorker, The New Yorker, where nine of these pieces first appeared in print: "Out of Kansas" (also published as a British Film Inst.i.tute booklet, "The Wizard of Oz"); "In Defense of the Novel, Yet Again"; "Reservoir Frogs"; "Heavy Threads"; "On Leavened Bread"; "Crash"; "The People's Game"; "Damme, This Is the Oriental Scene for You!"; and "A Dream of Glorious Return." "Step Across This Line" was written for, and first delivered as, the 2002 Tanner Lectures on Human Values at Yale. "In the Voodoo Lounge" originally appeared in where nine of these pieces first appeared in print: "Out of Kansas" (also published as a British Film Inst.i.tute booklet, "The Wizard of Oz"); "In Defense of the Novel, Yet Again"; "Reservoir Frogs"; "Heavy Threads"; "On Leavened Bread"; "Crash"; "The People's Game"; "Damme, This Is the Oriental Scene for You!"; and "A Dream of Glorious Return." "Step Across This Line" was written for, and first delivered as, the 2002 Tanner Lectures on Human Values at Yale. "In the Voodoo Lounge" originally appeared in The Observer, The Observer, and "U2" was first published in the and "U2" was first published in the Sunday Times. Sunday Times. "The Best of Young British Novelists" and "Beirut Blues" appeared in "The Best of Young British Novelists" and "Beirut Blues" appeared in The Independent on Sunday. The Independent on Sunday. "On Being Photographed" appeared (in French translation) in "On Being Photographed" appeared (in French translation) in Egoiste. Egoiste. Many thanks to Richard Avedon and to Nicole Wisniak, publisher and editor of Many thanks to Richard Avedon and to Nicole Wisniak, publisher and editor of Egoiste, Egoiste, for allowing the Avedon portrait of me to be reproduced in this book. And to Article 19, especially Frances D'Souza and Carmel Bedford, who led the Rushdie Defence Campaign; to all those who partic.i.p.ated in the Rushdie Defence Committees in various countries, to all those writers, publishers, booksellers, readers, politicians, diplomats, security officers, and well-wishers who joined us in the struggle, I offer deeper grat.i.tude than I have words to express. for allowing the Avedon portrait of me to be reproduced in this book. And to Article 19, especially Frances D'Souza and Carmel Bedford, who led the Rushdie Defence Campaign; to all those who partic.i.p.ated in the Rushdie Defence Committees in various countries, to all those writers, publishers, booksellers, readers, politicians, diplomats, security officers, and well-wishers who joined us in the struggle, I offer deeper grat.i.tude than I have words to express.
S.R.
ABOUT THE AUTHOR.
SALMAN R RUSHDIE is the author of eight novels: is the author of eight novels: Grimus, Midnight's Children Grimus, Midnight's Children (for which he won the Booker Prize and the "Booker of Bookers"), (for which he won the Booker Prize and the "Booker of Bookers"), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, and and Fury, Fury, and one work of short stories, and one work of short stories, East, West East, West. He has also published four works of nonfiction: The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, and and Mirrorwork Mirrorwork.
ALSO BY SALMAN RUSHDIE.
FICTION.
Grimus Midnight's Children Shame The Satanic Verses Haroun and the Sea of Stories East, West The Moor's Last Sigh The Ground Beneath Her Feet Fury NONFICTION.
The Jaguar Smile Imaginary Homelands SCREENPLAY.
Midnight's Children PLAYS.
Haroun and the Sea of Stories (with Tim Supple and David Tus.h.i.+ngham) Midnight's Children (with Tim Supple and Simon Reade) ANTHOLOGY.
Mirrorwork (co-editor)