Let The Right One In Part 6

The restaurant owner was forced to flee China in conjunction with the cultural revolution, on account of his satirical caricatures of people in power. Now he has instead transferred his talents to his regulars. On the wall there are twelve tenderly drawn felt-pen sketches of them. All the guys. And Virginia. The pictures of the guys are close-ups, where the irregularities of their physiognomies have been exaggerated. Larry's lined, almost hollowed-out face, and a pair of enormous ears that stick straight out from his head, make him look like a friendly but starving elephant.

In Jocke's picture it is his large eyebrows that meet in the middle that have been emphasized and transformed into a rose bush and a bird, perhaps a nightingale. Because of his style, Morgan has been given features from the young Elvis. Big sideburns and a "Hunka hunka burnin looooove, baby" expression. The head is perched on a small body holding a guitar, in Elvis-pose. Morgan is more pleased with this picture than he wants to admit.

Lacke looks mostly worried. Here the eyes have been enlarged and given an intensified expression of suffering. He has a cigarette in his mouth and its smoke has gathered into a rain cloud above his head. Virginia is the only one who appears in full body. In an evening gown, s.h.i.+ning like a star in her sparkling sequins, posed with outstretched arms, surrounded by a flock of pigs gazing at her in bewilderment. At Virginia's request the restaurant owner has made a duplicate of this picture that Virginia has taken home.

Then there are a few others. Some who aren't part of the gang. Some who have stopped coming. A few who have died.

Charlie fell down the stairs in his building on his way home from the restaurant one night. Cracked his head on the mottled concrete. The Gherkin got cirrhosis of the liver and died of an internal hemorrhage. One evening a few weeks before he died he had pulled his s.h.i.+rt up and showed them a red spider's web of blood vessels branching out from his navel. "d.a.m.n expensive tattoo," he said, and he died soon thereafter. They had honored his memory by putting his picture on the table and making toasts to it all evening.

There is no picture of Karlsson.

This Friday night is going to be the last one they will ever have all together. Tomorrow one of them will be gone forever. One more picture will be nothing more than a memory. And nothing will ever be the same.

Larry lowered the newspaper, put his reading gla.s.ses on the table and sipped some beer from his gla.s.s. "I'll be d.a.m.ned. What's going on inside the head of a person like that?"

He showed them the paper with the headline CHILDREN IN SHOCK above a picture of the Vallingby school and a small inset of a middle-aged man. Morgan glanced at the paper, pointed.

"Is that the guy?"

"No, it's the princ.i.p.al."

"Looks like a murderer to me. Just the type."

Jocke stretched a hand out for the paper. Let me see.

Larry gave him the paper and Jocke held it at arm's length, studied the snapshot.

"Looks like a conservative politician to me, guys." Morgan nodded.

"That's what I'm talking about."

Jocke held up the newspaper to Lacke so he could see the photograph.

"What do you think?"

Lacke looked at it reluctantly.

"Ah, I don't know. I get creeped out by that kind of thing." Larry breathed on his gla.s.ses and polished them against his s.h.i.+rt.

"They'll get him. You don't get away with something like that." Morgan tapped his fingers on the table, stretched his hand out for the paper.

"How did a.r.s.enal do?"

Larry and Morgan switched to talking about the currently pathetic state of English soccer. Jocke and Lacke sat quietly, nursing their beers, lighting cigarettes. Then Jocke started in on the whole cod thing, how the cod was going to die out in the Baltic. The evening wore on. Karlsson didn't turn up, but just before ten another man came in, someone none of them had ever seen before. The conversation was more intense at this hour and no one noticed him until the man was sitting alone at a table at the far end of the room.

Jocke leaned toward Larry.

"Who's that?"

Larry looked over discreetly, shook his head.

"Don't know."

The new guy got a big whisky and quickly emptied it, ordered another. Morgan blew air out through his lips with a low whistle.

"This guy means business."

The man did not appear to notice that he was being observed. He simply sat motionless at the table, studying his hands, looking like all the trouble in the world had been stuffed into a backpack and strapped onto him. He quickly downed his second whisky and ordered a third. The waiter leaned down and said something to him. The man dug around in his pocket and showed him a few bills. The waiter made a gesture as if to say that wasn't what he meant, when of course that was exactly what he had meant, and then he walked off to fill the man's order. It wasn't surprising to them that the man's credit had been in question. His clothes were wrinkled and stained as if he had slept in them, in some uncomfortable place. The ring of hair around his bald spot was straggly and hung halfway to his ears. The face was dominated by a large pink nose and a jutting chin. Between them were a pair of small, plump lips that moved from time to time as if he were talking to himself. His expression didn't change at all when the whisky was placed in front of him. The gang returned to the subject they had been discussing: if Ulf Adelsohn would be worse than Gosta Bohman had been. Only Lacke looked over at the lone man from time to time. After a while, when the man was on his fourth drink, he said, "Shouldn't we ... ask him if he wants to join us?"

Morgan glanced at the man, who had sunk together even more. "No, why? What's the use? His wife has left him, the cat is dead and life is h.e.l.l. I know it all already."

"Maybe he'll offer to buy us a round."

"That's a different story. Then he's allowed to have cancer as well." Morgan shrugged. "It's OK by me."

Lacke looked at Larry and Jocke. They made small gestures of a.s.sent and Lacke got up and walked over to the man's table.

"h.e.l.lo."

The man looked up at Lacke, bleary-eyed. The gla.s.s in front of him was almost empty. Lacke rested his hands on the chair on the other side of the table and leaned down toward the man.

"We were just wondering if maybe ... you wanted to join us?" The man shook his head slowly and made a befuddled, dismissive gesture, brus.h.i.+ng the suggestion away.

"No, thank you, but why don't you sit down?"

Lacke pulled the chair out and sat down. The man drained the last of his drink and waved the waiter over.

"You want something? It's on me."

"In that case. Same as you, then."

Lacke didn't want to say the word "whisky" since it sounded presumptuous to ask someone to buy you something expensive like that, but the man only nodded, and when the waiter came closer he made a Vsign with his fingers and pointed to Lacke. Lacke leaned back in the chair. How long had it been since he had last ordered whisky in a bar?

Three years? At least.

The man showed no signs of wanting to start a conversation, so Lacke cleared his throat and said, "Some cold weather we're having." Yes.

"Could snow soon."

"Mmm."

Then the whisky arrived and made further conversation unnecessary for the moment. Even Lacke got a double, and he felt the eyes of the gang burning in his back. After a few sips he raised the gla.s.s.

"Cheers. And thanks."

"Cheers."

"You live around here?"

The man stared out into s.p.a.ce, as if this was something he had never thought about before. Lacke couldn't determine if the nodding of his head indicated an answer to the question or if it was part of an inner dialogue.

Lacke took another sip and decided that if the man didn't answer the next question then he wanted to be left alone, not talk to anyone. If that was the case, Lacke would take his drink and return to the others. He had done his duty. He hoped the man wouldn't answer.

"So, then. What do you do to make the time go by?"

The man furrowed his brow and the corners of his mouth were lifted spasmodically into a grin, then relaxed again.

"... I help out a little."

"I see. With what kind of thing?"

A spark of alertness flashed under the man's transparent cornea. The man looked straight at Lacke, who felt a s.h.i.+ver at the base of his spine, as if a black ant had bitten him just above the tailbone.

Then he rubbed his hand over his eyes and pulled a few hundred kro-nor bills out of his pocket, laid them on the table and stood up.

"Excuse me, I have to ..."

"OK. Thanks for the drink."

Lacke raised his gla.s.s to his host but he was already on his way over to the coat rack. He got his coat down with clumsy hands and walked out. Lacke stayed put with his back to the gang, looking at the heap of bills in front of him. Five one hundred kronor bills. A tumbler of whisky cost sixty kronor and this outing had consisted of a total of five, maybe six. Lacke looked surrept.i.tiously to the side. The waiter was busy settling the bill of an older couple, the only dining customers. While Lacke stood up he crumpled one of the notes into a ball, slipped it into his pocket and walked back to his regular table.

Halfway there he turned back, emptied the remaining whisky from the man's gla.s.s into his own, and took it with him.

A successful evening all around.

"But Nutcrackers Nutcrackers is on tonight!" is on tonight!"

"Yeah, but I'll be back for it."

"It starts in . . . half an hour."

"I know."

"Where are you going?"

"Out."

"Well, you don't have to watch Nutcrackers, Nutcrackers, of course. I can watch it by myself. If you really have to go out." of course. I can watch it by myself. If you really have to go out."

"But... I'll be back for it."

"I see. I guess I'll wait on heating up the crepes."

"No, you can ... I'll be back later."

Oskar was torn. Nutcrackers Nutcrackers was one of the highlights of their TV week. Mom had made crepes with shrimp filling to eat in front of the TV. He knew he was disappointing her by going out instead of sitting here . . . and sharing the antic.i.p.ation with her. was one of the highlights of their TV week. Mom had made crepes with shrimp filling to eat in front of the TV. He knew he was disappointing her by going out instead of sitting here . . . and sharing the antic.i.p.ation with her.

But he had been standing by the window since it got dark and just now he had seen the girl come out of the building next door and walk down toward the playground. He had immediately pulled back from the window. He didn't want her to think that he . . .

Therefore he had waited five minutes before putting on his clothes and heading out. He didn't put on a hat.

He couldn't see her on the playground. She was probably sitting high up on the jungle gym somewhere, like yesterday. The blinds in her window were still drawn but there was light coming from the apartment. Except for the bathroom window, a dark square.

Oskar sat down on the sandbox ledge and waited. Like he was waiting for an animal to come out of its hole. He was simply planning to sit here for a while. And if the girl didn't come out he would go back in again, play it cool.

He got out his Rubik's Cube, started to twist it in order to have something to do. He had gotten tired of having that one corner piece to worry about and so he mixed up the cube completely so he could start over.

The creak from the Cube was amplified in the cold air; it sounded like a small machine. In the corner of his eye Oskar saw the girl get up from her perch in the monkey bars. He kept working, creating a new onecolored side. The girl stood still. He felt a flicker of worry in his stomach but took no notice of her.

"You here again?"

Oskar lifted his head, pretending to be surprised, let a few seconds pa.s.s and then: "You again." again."

The girl said nothing and Oskar twisted the Cube again. His fingers were stiff. It was hard to tell the colors apart in the dark and so he only worked with the white side that was easiest to differentiate.

"Why are you sitting here?"

"Why are you up there?"

"I came here to be by myself."

"Me too."

"So why don't you go home?"

"You go home. I've lived here longer than you."

Take that. The white side was done now and it was harder to keep going. The other colors were one big dark gray blur. He kept moving pieces, at random.

The next time he looked up the girl was standing on the railing and getting ready to jump. Oskar felt a quiver in his tummy when she hit the ground; if he had tried the same jump he would have hurt himself. But the girl landed as softly as a cat, walked over to him. He turned back to the Cube. She stopped right in front of him.

"What's that?"

Oskar looked up at the girl, at the Cube, then back at the girl.

"This?"

"Yes."

"You don't know?"

"No."