The Maze Runner Part 33

Guess not. Thomas had a strong feeling it wasn't a way out of their nightmare; he just hoped it didn't lead to another pack of Grievers.

Teresa slipped down the slide with an almost cheerful shriek, and Thomas followed her before he could talk himself out of it-anything was better than the Maze.

His body shot down a steep decline, slick with an oily goo that smelled awful-like burnt plastic and overused machinery. He twisted his body until he got his feet in front of him, then tried to hold his hands out to slow himself down. It was useless-the greasy stuff covered every inch of the stone; he couldn't grip anything.

The screams of the other Gladers echoed off the tunnel walls as they slid down the oily chute. Panic gripped Thomas's heart. He couldn't fight off the image that they'd been swallowed by some gigantic beast and were sliding down its long esophagus, about to land in its stomach at any second. And as if his thoughts had materialized, the smells changed-to something more like mildew and rot. He started gagging; it took all his effort not to throw up on himself.

The tunnel began to twist, turning in a rough spiral, just enough to slow them down, and Thomas's feet smacked right into Teresa, hitting her in the head; he recoiled and a feeling of complete misery sank over him. They were still falling. Time seemed to stretch out, endless.

Around and around they went down the tube. Nausea burned in his stomach-the squis.h.i.+ng of the goo against his body, the smell, the circling motion. He was just about to turn his head to the side to throw up when Teresa let out a sharp cry-this time there was no echo. A second later, Thomas flew out of the tunnel and landed on her.

Bodies scrambled everywhere, people on top of people, groaning and squirming in confusion as they tried to push away from each other. Thomas wiggled his arms and legs to scoot away from Teresa, then crawled a few more feet to throw up, emptying his stomach.

Still shuddering from the experience, he wiped at his mouth with his hand, only to realize it was covered in slimy filth. He sat up, rubbing both hands on the ground, and he finally got a good look at where they'd arrived. As he gaped, he saw, also, that everyone else had pulled themselves together into a group, taking in the new surroundings. Thomas had seen glimpses of it during the Changing, but didn't truly remember it until that very moment.

They were in a huge underground chamber big enough to hold nine or ten Homesteads. From top to bottom, side to side, the place was covered in all kinds of machinery and wires and ducts and computers. On one side of the room-to his right-there was a row of forty or so large white pods that looked like enormous coffins. Across from that on the other side stood large gla.s.s doors, although the lighting made it impossible to see what was on the other side.

"Look!" someone shouted, but he'd already seen it, his breath catching in his throat. Goose b.u.mps broke out all over him, a creepy fear trickling down his spine like a wet spider.

Directly in front of them, a row of twenty or so darkly tinged windows stretched across the compound horizontally, one after the other. Behind each one, a person-some men, some women, all of them pale and thin-sat observing the Gladers, staring through the gla.s.s with squinted eyes. Thomas shuddered, terrified-they all looked like ghosts. Angry, starving, sinister apparitions of people who'd never been happy when alive, much less dead.

But Thomas knew they were not, of course, ghosts. They were the people who'd sent them all to the Glade. The people who'd taken their lives away from them.

The Creators.

CHAPTER 59.

Thomas took a step backward, noticing others doing the same. A deathly silence sucked the life out of the air as every last Glader stared at the row of windows, at the row of observers. Thomas watched one of them look down to write something, another reach up and put on a pair of gla.s.ses. They all wore black coats over white s.h.i.+rts, a word st.i.tched on their right breast-he couldn't quite make out what it said. None of them wore any kind of discernible facial expression-they were all sallow and gaunt, miserably sad to look upon.

They continued to stare at the Gladers; a man shook his head, a woman nodded. Another man reached up and scratched his nose-the most human thing Thomas had seen any of them do.

"Who are those people?" Chuck whispered, but his voice echoed throughout the chamber with a raspy edge.

"The Creators," Minho said; then he spat on the floor. "I'm gonna break your faces!" he screamed, so loudly Thomas almost held his hands over his ears.

"What do we do?" Thomas asked. "What are they waiting on?"

"They've probably revved the Grievers back up," Newt said. "They're probably coming right-"

A loud, slow beeping sound cut him off, like the warning alarm of a huge truck driving in reverse, but much more powerful. It came from everywhere, booming and echoing throughout the chamber.

"What now?" Chuck asked, not hiding the concern in his voice.

For some reason everyone looked at Thomas; he shrugged in answer-he'd only remembered so much, and now he was just as clueless as anyone else. And scared. He craned his neck as he scanned the place top to bottom, trying to find the source of the beeps. But nothing had changed. Then, out of the corner of his eye, he noticed the other Gladers looking in the direction of the doors. He did as well; his heart quickened when he saw that one of the doors was swinging open toward them.

The beeping stopped, and a silence as deep as outer s.p.a.ce settled on the chamber. Thomas waited without breathing, braced himself for something horrible to come flying through the door.

Instead, two people walked into the room.

One was a woman. An actual grown-up. She seemed very ordinary, wearing black pants and a b.u.t.ton-down white s.h.i.+rt with a logo on the breast-wicked spelled in blue capital letters. Her brown hair was cut at the shoulder, and she had a thin face with dark eyes. As she walked toward the group, she neither smiled nor frowned-it was almost as if she didn't notice or care they were standing there.

I know her, Thomas thought. But it was a cloudy kind of recollection-he couldn't remember her name or what she had to do with the Maze, but she seemed familiar. And not just her looks, but the way she walked, her mannerisms-stiff, without a hint of joy. She stopped several feet in front of the Gladers and slowly looked left to right, taking them all in.

The other person, standing next to her, was a boy wearing an overly large sweats.h.i.+rt, its hood pulled up over his head, concealing his face.

"Welcome back," the woman finally said. "Over two years, and so few dead. Amazing."

Thomas felt his mouth drop open-felt anger redden his face.

"Excuse me?" Newt asked.

Her eyes scanned the crowd again before falling on Newt. "Everything has gone according to plan, Mr. Newton. Although we expected a few more of you to give up along the way."

She glanced over at her companion, then reached out and pulled the hood off the boy. He looked up, his eyes wet with tears. Every Glader in the room sucked in a breath of surprise. Thomas felt his knees buckle.

It was Gally.

Thomas blinked, then rubbed his eyes, like something out of a cartoon. He was consumed with shock and anger.

It was Gally.

"What's he doing here!" Minho shouted.

"You're safe now," the woman responded as if she hadn't heard him. "Please, be at ease."

"At ease?" Minho barked. "Who are you, telling us to be at ease? We wanna see the police, the mayor, the president-somebody!" Thomas worried what Minho might do-then again, Thomas kind of wanted him to go punch her in the face.

She narrowed her eyes as she looked at Minho. "You have no idea what you're talking about, boy. I'd expect more maturity from someone who's pa.s.sed the Maze Trials." Her condescending tone shocked Thomas.

Minho started to retort, but Newt elbowed him in the gut.

"Gally," Newt said. "What's going on?"

The dark-haired boy looked at him; his eyes flared for a moment, his head shaking slightly. But he didn't respond. Something's off with him, Thomas thought. Worse than before.

The woman nodded as if proud of him. "One day you'll all be grateful for what we've done for you. I can only promise this, and trust your minds to accept it. If you don't, then the whole thing was a mistake. Dark times, Mr. Newton. Dark times."

She paused. "There is, of course, one final Variable." She stepped back.

Thomas focused on Gally. The boy's whole body trembled, his face pasty white, making his wet, red eyes stand out like b.l.o.o.d.y splotches on paper. His lips pressed together; the skin around them twitched, as if he were trying to speak but couldn't.

"Gally?" Thomas asked, trying to suppress the complete hatred he had for him.

Words burst from Gally's mouth. "They ... can control me ... I don't-" His eyes bulged, a hand went to his throat as if he were choking. "I ... have ... to ..." Each word was a croaking cough. Then he stilled, his face calming, his body relaxing.

It was just like Alby in bed, back in the Glade, after he went through the Changing. The same type of thing had happened to him. What did it- But Thomas didn't have time to finish his thought. Gally reached behind himself, pulled something long and s.h.i.+ny from his back pocket. The lights of the chamber flashed off the silvery surface-a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him.

The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn't.

Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless.

With a sickening, wet thunk, the dagger slammed into Chuck's chest, burying itself to the hilt. The boy screamed, fell to the floor, his body already convulsing. Blood poured from the wound, dark crimson. His legs slapped against the floor, feet kicking aimlessly with onrus.h.i.+ng death. Red spit oozed from between his lips. Thomas felt as if the world were collapsing around him, crus.h.i.+ng his heart.

He fell to the ground, pulled Chuck's shaking body into his arms.

"Chuck!" he screamed; his voice felt like acid ripping through his throat. "Chuck!"

The boy shook uncontrollably, blood everywhere, wetting Thomas's hands. Chuck's eyes had rolled up in their sockets, dull white orbs. Blood trickled out of his nose and mouth.

"Chuck ...," Thomas said, this time a whisper. There had to be something they could do. They could save him. They- The boy stopped convulsing, stilled. His eyes slid back into normal position, focused on Thomas, clinging to life. "Thom ... mas." It was one word, barely there.

"Hang on, Chuck," Thomas said. "Don't die-fight it. Someone get help!"

n.o.body moved, and deep inside, Thomas knew why. Nothing could help now. It was over. Black spots swam before Thomas's eyes; the room tilted and swayed. No, he thought. Not Chuck. Not Chuck. Anyone but Chuck.

"Thomas," Chuck whispered. "Find ... my mom." A racking cough burst from his lungs, throwing a spray of blood. "Tell her ..."

He didn't finish. His eyes closed, his body went limp. One last breath wheezed from his mouth.

Thomas stared at him, stared at his friend's lifeless body.

Something happened within Thomas. It started deep down in his chest, a seed of rage. Of revenge. Of hate. Something dark and terrible. And then it exploded, bursting through his lungs, through his neck, through his arms and legs. Through his mind.

He let go of Chuck, stood up, trembling, turned to face their new visitors.

And then Thomas snapped. He completely and utterly snapped.

He rushed forward, threw himself on Gally, grasping with his fingers like claws. He found the boy's throat, squeezed, fell to the ground on top of him. He straddled the boy's torso, gripped him with his legs so he couldn't escape. Thomas started punching.

He held Gally down with his left hand, pus.h.i.+ng down on the boy's neck, as his right fist rained punches upon Gally's face, one after another. Down and down and down, slamming his balled knuckles into the boy's cheek and nose. There was crunching, there was blood, there were horrible screams. Thomas didn't know which were louder-Gally's or his own. He beat him-beat him as he released every ounce of rage he'd ever owned.

And then he was being pulled away by Minho and Newt, his arms still flailing even when they only hit air. They dragged him across the floor; he fought them, squirmed, yelled to be left alone. His eyes remained on Gally, lying there, still; Thomas could feel the hatred pouring out, as if a visible line of flame connected them.

And then, just like that, it all vanished. There were only thoughts of Chuck.

He threw off Minho's and Newt's grip, ran to the limp, lifeless body of his friend. He grabbed him, pulled him back into his arms, ignoring the blood, ignoring the frozen look of death on the boy's face.

"No!" Thomas shouted, sadness consuming him. "No!"

Teresa was there, put her hand on his shoulder. He shook it away.

"I promised him!" he screamed, realizing even as he did so that his voice was laced with something wrong. Almost insanity. "I promised I'd save him, take him home! I promised him!"

Teresa didn't respond, only nodded, her eyes cast to the ground.

Thomas hugged Chuck to his chest, squeezed him as tightly as possible, as if that could somehow bring him back, or show thanks for saving his life, for being his friend when no one else would.

Thomas cried, wept like he'd never wept before. His great, racking sobs echoed through the chamber like the sounds of tortured pain.

CHAPTER 60.

He finally pulled it all back into his heart, sucking in the painful tide of his misery. In the Glade, Chuck had become a symbol for him-a beacon that somehow they could make everything right again in the world. Sleep in beds. Get kissed goodnight. Have bacon and eggs for breakfast, go to a real school. Be happy.

But now Chuck was gone. And his limp body, to which Thomas still clung, seemed a cold talisman-that not only would those dreams of a hopeful future never come to pa.s.s, but that life had never been that way in the first place. That even in escape, dreary days lay ahead. A life of sorrow.

His returning memories were sketchy at best. But not much good floated in the muck.

Thomas reeled in the pain, locked it somewhere deep inside him. He did it for Teresa. For Newt and Minho. Whatever darkness awaited them, they'd be together, and that was all that mattered right then.

He let go of Chuck, slumped backward, trying not to look at the boy's s.h.i.+rt, black with blood. He wiped the tears from his cheeks, rubbed his eyes, thinking he should be embarra.s.sed but not feeling that way. Finally, he looked up. Looked up at Teresa and her enormous blue eyes, heavy with sadness-just as much for him as for Chuck, he was sure of it.

She reached down, grabbed his hand, helped him stand. Once he was up, she didn't let go, and neither did he. He squeezed, tried to say what he felt by doing so. No one else said a word, most of them staring at Chuck's body without expression, as if they'd moved far beyond feeling. No one looked at Gally, breathing but still.

The woman from WICKED broke the silence.

"All things happen for a purpose," she said, any sign of malice now gone from her voice. "You must understand this."

Thomas looked at her, threw all his compressed hatred into the glare. But he did nothing.

Teresa placed her other hand on his arm, gripped his bicep. What now? she asked.

I don't know, he replied. I can't- His sentence was cut short by a sudden series of shouts and commotion outside the entrance through which the woman had come. She visibly panicked, the blood draining from her face as she turned toward the door. Thomas followed her gaze.

Several men and women dressed in grimy jeans and soaking-wet coats burst through the entrance with guns raised, yelling and screaming words over each other. It was impossible to understand what they were saying. Their guns-some were rifles, other pistols-looked ... archaic, rustic. Almost like toys abandoned in the woods for years, recently discovered by the next generation of kids ready to play war.

Thomas stared in shock as two of the newcomers tackled the WICKED woman to the floor. Then one stepped back and drew up his gun, aimed.

No way, Thomas thought. No- Flashes lit the air as several shots exploded from the gun, slamming into the woman's body. She was dead, a b.l.o.o.d.y mess.

Thomas took several steps backward, almost stumbled.

A man walked up to the Gladers as the others in his group spread out around them, sweeping their guns left and right as they shot at the observation windows, shattering them. Thomas heard screams, saw blood, looked away, focused on the man who approached them. He had dark hair, his face young but full of wrinkles around the eyes, as if he'd spent each day of his life worrying about how to make it to the next.