The Unit. Part 2

She didn't yet know-nor did I-how right she was when she talked about eternal summer. In the winter garden it was in fact spring and summer all year round. Mimosa, bougainvillea, rhododendrons, roses, peonies, tulips and forget-me-nots flowered week after week, month after month. Everything was either just coming out or in full bloom, but never yellowing, withering or dead. Nothing died in the winter garden. And yet everything was real; there were no silk flowers or plastic bushes or trees from some stage set. These were real plants, real living flowers with stamens and pistils, and real live b.u.mblebees buzzing around them. Flowers and leaves that could be picked and arranged in a vase, or used to make tea or dye clothes. If you picked them and put them in a vase with some water, they gradually faded like any other flower, but in the beds or on the trees, where you'd picked them from, delicate new plants or buds soon emerged. And the lawns were real gra.s.s; they needed cutting and fertilizing and watering, just like any other lawn. The bushes and trees also had to be trimmed and pruned at regular intervals so that the paths and patios wouldn't get overgrown. Everything was green all the time. The color of the leaves never changed from green to yellow to red to brown, they never dried up and they never fell. On the citrus trees the oranges, lemons, mandarins and grapefruit never ripened. However, their small white scented petals did fall after the brief flowering period, filling the air between the trees and forming a snowy carpet on the ground. But the buds from which the petals had fallen never developed into fruit. Instead they came into blossom once again after a while. But Elsa was not yet aware of any of this as she went on: "Perhaps they want us to experience summer and romance. One last time."

"Or for the first time," I said.

"Maybe," said Elsa. Then she asked: "Do you think you'll miss the Scandinavian winter? Snow and wind and cold?"

I thought it over.

"Autumn and late winter," I replied. "Late winter moving into spring, the way it is out there right now," and in my mind's eye I could see my garden as it had looked the previous morning: the winter aconite and the snowdrops that had just appeared. And I could see the outside of my house with its flaking white paint and its roof covered in patches of moss, with the chimney puffing out the transparent, quivering smoke from the stove. And I saw myself coming out of the door in my warm jacket, hat, scarf, and gloves along with Jock, setting off for a long walk in the wind in the low, early spring sun. I shook myself to get the images out of my head, but it didn't work. So I stood up quickly and said: "Can we go a bit further, I just feel I ... I need to get moving."

It must have been obvious that there was something I needed to shake off, because Elsa nodded and got up straightaway; she took my arm and we went through the nearest warm air lock into the Atrium Walkway, where two joggers came steaming toward us, their feet almost soundless on the surface of the track.

"Hi Dorrit!" panted one of them, wiping the sweat from his eyes with his sleeve. "Thanks for yesterday."

It was Johannes. He stopped. His companion stopped too, and jogged in place.

"This is Dorrit, who's such a good dancer," explained Johannes, turning to his companion. I felt ridiculously flattered. I don't think I blushed, but I might have.

Johannes introduced his friend to us and I introduced Elsa, and we all shook hands, then they jogged away and Elsa and I took elevator A to the next floor, where we walked out directly into the library.

It wasn't large. It was just like an ordinary rural branch library: one big room divided up by shelves. But as we walked around I could see that it was well organized and impressively up-to-date; I noticed a number of t.i.tles that had just been published. The CD and DVD section wasn't large either, but it too was varied and current.

The librarian, a skinny man in saggy brown corduroy pants, came over to us as we stood checking out the selection of films. He stopped directly behind us, his hands in the back pockets of his pants. It was a little while before he spoke, and when he did it was with a sullen whining quality that we would soon realize was somehow inherent in his voice. Whatever he said, it sounded negative. He said: "You can of course order music CDs and films on loan from the real library out in the community."

"So you mean this isn't a real library?" I said, amused.

He didn't reply. Instead he took his right hand out of his back pocket and held it out slowly, first to me and then to Elsa, shook us by the hand and introduced himself as Kjell.

"I used to work for the library service in Lund," he said. "I actually saw you there once, recording one of your books as an audio book. Anyway, I've been looking after all this for two years now," he said, making a sweeping gesture around the room. "Full time-at least. There's a certain amount of overtime, if I can put it that way."

"I see," I said.

"Well, it's because there are so many intellectuals here. People who read books."

"I see," I said again.

"People who read books," he went on, "tend to be dispensable. Extremely."

"Right," I said.

"Yes," he said.

I looked for Elsa, who had moved discreetly away and was now leafing through a gardening book a few shelves away.

Kjell slipped his hand back into his pocket, and for a moment it looked as if he were going back to the issue desk, but he stopped.

"Yes, that's the way things are," he said. "Books, on the other hand, can't be ordered from the main library. Either I have to buy them," he said, sighing, "or you can download them as an e-book. You can sign out a reader each from here, if you haven't already got one."

We did that. And we sorted out our library cards as well. Then we sat down in the armchairs in the corner and flipped through the daily newspapers and magazines. A man was fast asleep in one of the other armchairs. The newspaper he had been reading was lying on the floor in front of him. He was breathing audibly-not exactly snoring, but it sounded as if there was something wrong with his airway. He was making a grating, whistling noise.

Perhaps he has a cold, we whispered to each other, and neither Elsa nor I wanted to catch anything, so we got up and left.

During those early days at the unit I would come across several people who just fell asleep anywhere, and who breathed in the same way, almost snoring. It would soon be explained to me that this was a side effect of one of a series of tranquilizing drugs being tested here. The people involved in this particular experiment found their ability to absorb oxygen was seriously impaired, and at the same time the yawn reflex was canceled out. A consequence of these two side effects was that they found it very easy to fall asleep. A few were also affected by minor but permanent brain damage, presumably as a result of the lack of oxygen, and in the worst cases had difficulty walking, talking, and knowing where they were or what day it was.

In other words, the man sleeping in the corner probably didn't have a cold, and there was no need for us to worry about our health.

We didn't borrow anything from the library that first day, but left empty-handed apart from our readers. As we were pa.s.sing the issue desk on the way out, we nodded to Kjell.

"Thanks for popping in," he said gloomily. "Come again any time."

We emerged into a large indoor square, surrounded by a department store, lots of smaller shops, a cinema, a theater, an art gallery and a restaurant with tables outside. In the middle of the square, which was paved with mottled gray polished slabs of the kind you often find in churchyards, in the form of gravestones, was a rectangle of thick gla.s.s, with several stone benches surrounding a bronze sculpture representing a fis.h.i.+ng boat. Through the gla.s.s we could see s.h.i.+fting, constantly moving shades of blue and turquoise. We realized the swimming pool must be directly beneath us.

Among the small shops around the square were two boutiques, one offering new clothes and one secondhand, a music store with guitars, wind instruments, electric organs and drum kits in the window, a craft shop with goods made by artists in the unit, a hardware store and a shop with hobby items as well as office and art supplies. The words "shop" and "store" are perhaps misleading, and I must stress that no money changed hands. Or to put it more clearly, it wasn't really a question of shopping at all. You just went in and picked up what you needed, apart from certain items that had to be signed out. Sometimes you also had to order things that were temporarily out of stock, or fill out a request for some specific product or a specific brand to be stocked in the future.

The cinema had two screens. At the moment they were showing The Double-Headed Crane The Double-Headed Crane, a psychological drama about a family in crisis that had received very good reviews, and an action comedy, The Maniac 3 The Maniac 3.

The art gallery was closed while a new exhibition was being mounted, and it would open the following Sat.u.r.day. It was Majken who was exhibiting. She had told us during dinner at the party: "My first solo exhibition!"

The theater was also closed. But a poster informed us that Chekhov's The Seagull The Seagull would shortly be having its premiere, and later in the spring they would be putting on Shakespeare's would shortly be having its premiere, and later in the spring they would be putting on Shakespeare's The Merchant of Venice The Merchant of Venice.

"What a shame," I said. "Now that we can actually afford to go to the theater, they're only doing the same old cla.s.sics."

"It doesn't really matter, though, does it?" said Elsa. "A play is a play. The whole thing about going to the theater is actually going to the theater, isn't it?"

I laughed; there was certainly some truth to what she said.

"Okay, let's go for a swim!" she said, grabbing my arm and dragging me with a certain amount of gentle force in the direction of the elevators at the opposite end of the square.

10.

I have always loved exercise, and in the unit's sports complex there was everything I could have wished for, and more: a small sports ground with a running track-as if the Atrium Walkway weren't enough-and equipment for all kinds of athletics, a big hall for various ball and racquet sports, a bowling alley, a cla.s.sic gymnasium with wall bars all the way around, and a storeroom next door with a vaulting horse, a vaulting box, baseball bats, hockey sticks, and nets containing b.a.l.l.s of various sizes. And on two floors there were smaller rooms for aerobics, Friskis & Svettis gym training, spinning, dance, yoga, fencing and so on, as well as a weight room. And the swimming pool was right in the center of everything.

My mouth was almost watering as Elsa and I wandered around. We saw people practicing the high jump, long jump and discus, playing badminton, tennis, hockey and volleyball. And as we cautiously pushed open the door of each of the smaller rooms in turn and peeped in, we saw two women playing squash, a group in cotton outfits learning judo, another group doing something that sounded and looked like African dance, a man on his own practicing tai chi, plus a group exercising around a Friskis & Svettis instructor to some music with a powerful beat. When she saw us in the doorway she waved to us to come and join in, but we smiled and waved our refusal, pointing at our clothes and shoes by way of explanation. Elsa was wearing loafers and I was in sandals. The instructor nodded and we closed the door and went into the gym next door.

It was small but well equipped, the air fresh without feeling chilly, the music pulsating energetically but with the volume relatively low. Five or six people were exercising at the moment. None of them took any notice of us; they carried on lifting, walking on the treadmill, pulling and pus.h.i.+ng as they puffed, grimaced and concentrated as hard as they could on one muscle group at a time, one repet.i.tion at a time.

"I don't get it," muttered Elsa as we made our way between rows of well-oiled, perfectly functioning machines.

"Don't get what?" I said.

"All this luxury! How much is all this costing the taxpayer?"

"That's true," I agreed, although I was actually more excited than upset. "We seem to be expensive to run."

"Exactly. And for what purpose?"

I didn't reply. Not because I had nothing to say, but because at that moment I caught sight of something that took my attention away from the topic of luxury. On the leg-curl machine was a man in a T-s.h.i.+rt and shorts, exhaling audibly each time he pulled the weight down toward himself with the back of his legs, keeping an even rhythm. On his face, arms and legs he had some kind of outbreak: blue-black and reddish brown spots and blotches, the smallest the size of the nail on your little finger, the biggest about as large as a medium-size birch leaf. Some of the larger blotches had burst and were suppurating. They looked revolting. It looked like a disease, and it made me think of Kaposi's sarcoma, which I had seen an AIDS patient suffering from when I was young and working in health services and home care. This outbreak reminded me of Kaposi's, and the lumps were swelling and shrinking according to the movement of the man's muscles. As we pa.s.sed him I glanced curiously and as discreetly as I could at the weights on the machine, and saw that he was lifting four hundred pounds with the back of his thighs. Not bad for a man between sixty and sixty-five. Whatever he was suffering from, at least it wasn't AIDS.

Elsa, who didn't seem to have noticed either the man's skin or the strength of his legs, sighed and carried on her argument.

"We're like free-range pigs or hens. The only difference is that the pigs and hens are-hopefully-happily ignorant of anything but the present."

Suddenly a long-forgotten memory surfaced; I laughed and said: "You know what, Elsa-you haven't changed at all."

"What do you mean?"

"Do you remember our cla.s.s trip to the zoo in fourth grade?"

"Er ... vaguely. Why?"

"The sight of all the animals wandering back and forth behind bars made you absolutely furious. Particularly the beasts of prey and the elephants. And the big birds that didn't have room to fly properly. You were probably the only one of us who realized that their restless wandering wasn't natural behavior. Do you remember? Do you remember what you did?"

"Let them out? No, I don't remember at all."

"Every time you caught sight of one of the keepers or anyone else employed by the zoo," I said, "you crept up behind them, and when you got there, right behind them, you yelled out: 'Gestapo!' Do you remember?"

She giggled and said: "Now you come to mention it, yes I do. But do you remember when you and that Lotta ..."-and we were off, chatting about childhood memories as we carried on out of the gym and into the echoing foyer of the swimming pool, with its smell of chlorine. This sort of talk was calming, soothing. It was as if we were wrapped in a kind of cotton wool, insulating us from everything around us.

We hadn't brought swimsuits, but Elsa had heard that there was a small selection of used but clean ones that could be borrowed, so we went over to the nearest attendant, dressed in white, and made inquiries. He showed us to a closet containing trunks, bikinis, and one-pieces neatly sorted according to size. Next to it was another closet containing hand towels and bathing towels.

"Just help yourselves," said the attendant. "When you've finished, put them in the laundry bags in the changing room. Towels and swimming gear in separate bags. Simple and practical, isn't it?"

He smiled. We thanked him, took what we needed and went to the ladies' changing room, where we each found a locker, got undressed and tramped along to the showers barefoot and topless, each with our bathing towel wound around our hips.

There weren't many people in there, which was fortunate, because the few naked bodies we did see made the insulating cotton wool of our old childhood memories loosen and fall away. In front of us were six naked women. Three of them had the same kind of outbreak on their bodies and faces as the man on the leg-curl machine. They all had one or more scars from surgery, most on their bellies. Two of the women had distorted, swollen joints, their movements slow and jerky, as if their whole body ached. Another was clearly finding it difficult to breathe. She was also moving very slowly, and was always within reach of something that she could use for support-a wall, a faucet, a friend-when she had to stop and gasp, gasp, gasp for air, before tottering unsteadily on.

Elsa and I had stopped dead on the tiled floor, just inside the doorway of this wet, steaming room, with our borrowed swimsuits in our hands and the bathing towels wrapped around our hips and thighs. We just stood there. The women turned toward us where they were, under the showers or beside the rows of faucets where a couple of them were rinsing out their swimsuits. They all gave us a friendly smile and said hi-except the one who was having difficulty breathing; she just nodded wearily as she stood there with one hand pressed against the tiles on the wall.

Elsa was the first to start moving again. Resolutely she pulled off the bathing towel, stepped forward and hung it on a hook, then carried on into one of the showers and turned on the water. Mechanically I followed her example, and when we had put on our swimsuits we went out into the pool area. There were two big pools, a deep one 75 feet long, with a trampoline and diving boards, and a shallow one 150 feet long. There were also two Jacuzzis. No children's pool.

Without a word Elsa marched straight over to the diving boards and began to climb. There were four different levels, each with a board extending out over the pool. I a.s.sumed she was going to walk out onto one of the two lower ones, get ready, then jump feetfirst into the water, but she didn't. She kept on climbing, past the third level, all the way up to the top-from where I was standing it looked as if she were only a few feet from the ceiling.

With relaxed, confident steps she walked out onto the board, which bounced slightly under her weight; she positioned herself right at the end, with her toes just over the edge. Extended her arms out in front of her, stood completely still, staring straight ahead until the movement of the board stopped altogether. Up above her I could just make out the blurred shape of the soles of a pair of shoes through the thick gla.s.s ceiling, as someone walked across the square on the floor above. At the same time I became aware of a dragging feeling of dizziness in the soles of my own feet as I waited there watching Elsa by the side of the pool down below. I've always had a tendency to feel dizzy easily.

Then she began to bend her knees, once, twice, so that the board began to bounce, and the third time she pulled back her arms and seemed to collect her body, somehow. And when she straightened her knees and pushed off, her arms shot up in a straight line above her head, and the whole of her body formed a single straight line from the tips of her toes to the tips of her fingers. She was like a spear as she took off from the board-or perhaps it was the board that fired her into the air, like a spring. She flew upward at an angle, toward the ceiling. And when she had gone a short distance up in the air she bent her upper body forward, downward, toward her legs, then straightened her body once more by extending her legs backward and upward, once again forming that same straight spear, but this time hurtling downward. The next moment she cut through the surface of the water with a sound that was most reminiscent of a whiplash, then she was underwater without the slightest splash. At least that's the way I remember it, the way I see it in my mind now as I try to describe it: as if she went through the surface of the water with a whistling, cracking noise, without even a drop of water splas.h.i.+ng up around her. The only trace I remember her leaving behind was a series of gently undulating rings spreading across the surface of the pool from her point of entry.

She swam underwater, the contours of her body rippling beneath the rings on the surface; she came up at the far end, climbed up the metal ladder, pushed her wet hair back from her face and shook the water out of her ears.

"Oh, I can't tell you how good that feels!" she said when I had made my way around the pool to join her.

I was amazed, admiring, and asked stupidly: "Where did you learn to do that?"

"Oh," she said, laughing, "I used to dive when I was young. I'd already started a little bit in middle school, in fifth grade if I remember correctly. Then after a few years I started competing."

"You must have been good," I said. "I mean, you are are good." good."

"Thanks. Yes, I was pretty good, actually. Won a few prizes, that sort of thing. It was fun. I mean, diving was fun. But I wasn't compet.i.tive enough to carry on at the top level. I only did it because it felt so liberating, so beautiful somehow. It was the experience of beauty and the slight sense of danger I wanted, not a load of trophies and medals and fuss."

I gazed at her, lost for words.

"I know what you're thinking," she said. "You're thinking that if I'd gone in for competing at the top, I might not have ended up here."

"Something like that, yes," I admitted. "For example, if you'd won an Olympic medal ..."

"I know," she said. "Then I would have become a great, positive role model for many young women, and would have been protected for the rest of my life. But I have to tell you, Dorrit, that I don't regret getting out of that particular rat race for one single second. It's not my thing, I've never understood the point of winning just for the sake of winning. What's the point in putting all your energy into being better than other people at just one thing, which is in fact completely irrelevant? Why do it? Do you understand it?"

"No," I replied truthfully. "I don't, actually."

"No," she said, "I can see you don't. If you did, you probably wouldn't have ended up here either. Shall we have a swim now? We'd better go for the other pool so we don't risk somebody like me landing on our heads."

We swam twenty lengths, back and forth. After the first three or four warm-up lengths I speeded up. I was swimming b.r.e.a.s.t.stroke, I've never managed to learn anything else, but I had strong arms and legs and could swim pretty fast when I was in the mood, which I was at the moment. It felt as if I were literally splitting the water in half as I pushed it aside with huge, rapid strokes and kicked it away with my legs.

When I had swum my laps and came up I was as heavy as a whale; I heaved myself out onto the side of the pool with a particularly unattractive splash and waited for Elsa, who had taken things a little more slowly and still had a couple of lengths to go. I was out of breath, my heart pounding rapidly, steadily, rhythmically. I really did feel alive.

PART 2.

1.

I didn't think about Nils. I didn't think about my house. I didn't think about Jock, but it didn't help. Not thinking about Jock didn't help, because the way I missed him was different. It was in my body. It was in my heart. And it was painful.

For anyone who has never experienced or set any store by being close to an animal, it is perhaps difficult to understand that you can miss a dog so that it literally hurts. But the relations.h.i.+p with an animal is so much more physical than a relations.h.i.+p with another person. You don't get to know a dog by asking how he's feeling or what he's thinking, but by observing him and getting to know his body language. And all the important things you want to say to him you have to show through actions, att.i.tude, gestures and sounds.

People, on the other hand, can always be reached through talking. A bridge of words grows easily between people, a bridge of information, explanations and a.s.surances. For example, one person can say to another: "It's my birthday on August twenty-sixth," which is a piece of information, or: "I'm late because I couldn't get the car started," which is an explanation, or: "I will love you until death do us part," which is an a.s.surance. But words between people also act as a kind of shock absorber; those in close relations.h.i.+ps often choose to talk about something other than the matter that is weighing them down, worrying them or annoying them. Just like when Elsa and I were sharing our childhood memories. Or when an established couple immerse themselves in a discussion about the fact that the children need new shoes, or start enthusiastically planning a house extension, instead of talking about why they're always mad at each other these days.

Between Jock and me there was no bridge, no shock absorber. The contact between us was what it was, with no shortcuts, diversions or beltways. We couldn't talk to each other about our relations.h.i.+p, couldn't sort out misunderstandings or explain how much we meant to each other. We lived completely separately, because of the conditions imposed by our respective species. But we also lived side by side, body to body, without promises, lies or small talk. And irrespective of whether I thought about him or not, during my early days in the unit I could feel his coa.r.s.e coat beneath the palm of my hand, the rapid beating of his heart under the coa.r.s.eness, his cold nose, his warm tongue against my cheek, the smell of his breath and his fur. I could hear and see him: his brief bark when he caught sight of me and came bounding toward me, his legs wide apart, but his head held elegantly high; his excited snuffles and constantly wagging tail; his panting breath as he ran alongside me, his paws rhythmically rasping against the ground. And in bed at night I could feel his weight on my leg, and when I woke up in the morning I would sit up straightaway, and for a fraction of a second I would imagine I could see his expectant expression meeting my eyes from the foot of the bed. Each one of these sensory perceptions, these phantom emotions surrounding Jock's presence was immediately followed by the realization that it bore no relation whatsoever to reality. This realization was always equally brutal, like being struck hard by a fist or stabbed with a knife, and then it turned to a constant, nagging ache.

The only thing that could alleviate this kind of pain was physical activity. As long as I was on the go, the body was producing endorphins, and as long as the body was producing endorphins, life was bearable. Elsa seemed to be thinking along the same lines, because without ever discussing it or even commenting on the reasons, we were more or less constantly on the move during those first free days. We went for long, brisk walks around the Atrium Walkway and in the winter garden, swam, went to Friskis & Svettis, did strength-building exercises, joined in with various dance groups-salsa, hip-hop, jazz, step, belly dancing-and tried to keep up as best we could. In the evenings we had dinner at the restaurant on the indoor square on level 4, chatting about old school friends or talking for a while with whoever happened to be dining in the restaurant. This was something completely new for me, this idea of whiling away the time just chatting and socializing with other people. I had never looked at time or at people that way before. I had always valued my time and I had always regarded people as individuals, I had never reduced them to "just anybody" who might keep me company. Never before had I valued company for its own sake. I had never valued small talk. Now I noticed that small talk had a soothing effect; it was like a cold compress placed on a twisted ankle, counteracting swelling and bruising. And when the night came and Elsa and I left each other to go to our own apartments, I was so exhausted from all the physical activity, all the chatting, all this intense time killing, that I literally collapsed into bed and slipped into a black, dreamless sleep. Eight hours later I woke feeling rested, and with each new morning my perceptions of Jock were slightly less overwhelming.

2.