The Simple Art Of Murder Part 31

"I still like it," she said. "Who are you?"

She had a deep soft voice. He liked the sound of it. He said: "Ted Carmady. I live down the hall in 937."

"I got a dizzy spell, I guess."

"Uh-huh. You got sapped, angel." His bright eyes looked at her probingly. There was a smile tucked to the corners of his lips.

Her eyes got wider. A glaze came over them, the glaze of a protective enamel.

He said: "I saw the guy. He was snowed to the hairline. And here's your gun."

He took it out of his pocket, held it on the flat of his hand.

"I suppose that makes me think up a bedtime story," the girl said slowly.

"Not for me. If you're in a jam, I might help you. It all depends."

"Depends on what?" Her voice was colder, sharper.

"On what the racket is," he said softly. He broke the magazine from the small gun, glanced at the top cartridge. "Copper-nickel, eh? You know your ammunition, angel."

"Do you have to call me angel?"

"I don't know your name."

He grinned at her, then walked over to a desk in front of the windows, put the gun down on it. There was a leather photo frame on the desk, with two photos side by side. He looked at them casually at first, then his gaze tightened. A handsome dark woman and a thin blondish cold-eyed man whose high stiff collar, large knotted tie and narrow lapels dated the photo back many years. He stared at the man.

The girl was talking behind him. "I'm Jean Adrian. I do a number at Cyrano's, in the floor show."

Carmady still stared at the photo. "I know Benny Cyrano pretty well," he said absently. "These your parents?"

He turned and looked at her. She lifted her head slowly. Something that might have been fear showed in her deep blue eyes.

"Yes. They've been dead for years," she said dully. "Next question?"

He went quickly back to the davenport and stood in front of her. "Okey," he said thinly. "I'm nosey. So what? This is my town. My dad used to run it. Old Marcus Carmady, the People's Friend; this is my hotel. I own a piece of it. That snowed-up hoodlum looked like a life-taker to me. Why wouldn't I want to help out?"

The blond girl stared at him lazily. "I still like your whiskey," she said. "Could I-"

"Take it from the neck, angel. You get it down faster," he grunted.

She stood up suddenly and her face got a little white. "You talk to me as if I was a crook;" she snapped. "Here it is, if you have to know. A boy friend of mine has been getting threats. He's a fighter, and they want him to drop a fight. Now they're trying to get at him through me. Does that satisfy you a little?"

Carmady picked his hat off a chair, took the cigarette end out of his mouth and rubbed it out in a tray. He nodded quietly, said in a changed voice: "I beg your pardon." He started towards the door.

The giggle came when he was halfway there. The girl said behind him softly: "You have a nasty temper. And you've forgotten your flask."

He went back and picked the flask up. Then he bent suddenly, put a hand under the girl's chin and kissed her on the lips.

"To h.e.l.l with you, angel. I like you," he said softly.

He went back to the hallway and out. The girl touched her lips with one finger, rubbed it slowly back and forth. There was a shy smile on her face.

TWO.

Tony Acosta, the bell captain, was slim and dark and slight as a girl, with small delicate hands and velvety eyes and a hard little mouth. He stood in the doorway and said: "Seventh row was the best I could get, Mister Carmady. This Deacon Werra ain't bad and Duke Targo's the next light heavy champ."

Carmady said: "Come in and have a drink, Tony." He went over to the window, stood looking out at the rain. "If they buy it for him," he added over his shoulder.

"Well-just a short one, Mister Carmady."

The dark boy mixed a highball carefully at a tray on an imitation Sheraton desk. He held the bottle against the light and gauged his drink carefully, tinkled ice gently with a long spoon, sipped, smiled, showing small white teeth.

"Targo's a lu, Mister Carmady. He's fast, clever, got a sock in both mitts, plenty guts, don't ever take a step back."

"He has to hold up the b.u.ms they feed him," Carmady drawled.

"Well, they ain't fed him no lion meat yet," Tony said.

The rain beat against the gla.s.s. The thick drops flattened out and washed down the pane in tiny waves.

Carmady said: "He's a b.u.m. A b.u.m with color and looks, but still a b.u.m."

Tony sighed deeply. "I wisht I was goin'. It's my night off, too."

Carmady turned slowly and went over to the desk, mixed a drink. Two dusky spots showed in his cheeks and his voice was tired, drawling.

"So that's it. What's stopping you?"

"I got a headache."

"You're broke again," Carmady almost snarled.

The dark boy looked sidewise under his long lashes, said nothing.

Carmady clenched his left hand, unclenched it slowly. His eyes were sullen.

"Just ask Carmady," he sighed. "Good old Carmady. He leaks dough. He's soft. Just ask Carmady. Okey, Tony, take the ducat back and get a pair together."

He reached into his pocket, held a bill out. The dark boy looked hurt.

"Jeeze, Mister Carmady, I wouldn't have you think-"

"Skip it! What's a fight ticket between pals? Get a couple and take your girl. To h.e.l.l with this Targo."

Tony Acosta took the bill. He watched the older man carefully for a moment. Then his voice was very softly, saying: "I'd rather go with you, Mister Carmady. Targo knocks them over, and not only in the ring. He's got a peachy blonde right on this floor, Miss Adrian, in 914."

Carmady stiffened. He put his gla.s.s down slowly, turned it on the top of the desk. His voice got a little hoa.r.s.e.

"He's still a b.u.m, Tony. Okey, I'll meet you for dinner, in front of your hotel at seven."

"Jeeze, that's swell, Mister Carmady."

Tony Acosta went out softly, closed the outer door without a sound.

Carmady stood by the desk, his fingertips stroking the top of it, his eyes on the floor. He stood like that for a long time.

"Carmady, the All-American sucker," he said grimly, out loud. "A guy that plays with the help and carries the torch for stray broads. Yeah."

He finished his drink, looked at his wrist watch, put on his hat and the blue suede raincoat, went out. Down the corridor in front of 914 he stopped, lifted his hand to knock, then dropped it without touching the door.

He went slowly on to the elevators and rode down to the street and his car.

The Tribune Tribune office was at Fourth and Spring. Carmady parked around the corner, went in at the employees' entrance and rode to the fourth floor in a rickety elevator operated by an old man with a dead cigar in his mouth and a rolled magazine which he held six inches from his nose while he ran the elevator. office was at Fourth and Spring. Carmady parked around the corner, went in at the employees' entrance and rode to the fourth floor in a rickety elevator operated by an old man with a dead cigar in his mouth and a rolled magazine which he held six inches from his nose while he ran the elevator.

On the fourth floor big double doors were lettered City Room. Another old man sat outside them at a small desk with a call box.

Carmady tapped on the desk, said: "Adams. Carmady calling."

The old man made noises into the box, released a key, pointed with his chin.

Carmady went through the doors, past a horseshoe copy desk, then past a row of small desks at which typewriters were being banged. At the far end a lanky red-haired man was doing nothing with his feet on a pulled-out drawer, the back of his neck on the back of a dangerously tilted swivel chair and a big pipe in his mouth pointed straight at the ceiling.

When Carmady stood beside him he moved his eyes down without moving any other part of his body and said around the pipe: "Greetings, Carmady. How's the idle rich?"

Carmady said: "How's a glance at your clips on a guy named Courtway? State Senator John Myerson Courtway, to be precise."

Adams put his feet on the floor. He raised himself erect by pulling on the edge of his desk. He brought his pipe down level, took it out of his mouth and spit into a wastebasket. He said: "That old icicle? When was he ever news? Sure." He stood up wearily, added: "Come along, Uncle," and started along the end of the room.

They went along another row of desks, past a fat girl in smudged make-up who was typing and laughing at what she was writing.

They went through a door into a big room that was mostly six-foot tiers of filing cases with an occasional alcove in which there was a small table and a chair.

Adams prowled the filing cases, jerked one out and set a folder on a table.

"Park yourself. What's the graft?"

Carmady leaned on the table on an elbow, scuffed through a thick wad of cuttings. They were monotonous, political in nature, not front page. Senator Courtway said this and that on this and that matter of public interest, addressed this and that meeting, went or returned from this and that place. It all seemed very dull.

He looked at a few halftone cuts of a thin, white-haired man with a blank, composed face, deep set dark eyes in which there was no light or warmth. After a while he said: "Got a print I could sneeze? A real one, I mean."

Adams sighed, stretched himself, disappeared down the line of file walls. He came back with a s.h.i.+ny black and white photograph, tossed it down on the table.

"You can keep it," he said. "We got dozens. The guy lives forever. Shall I have it autographed for you?"

Carmady looked at the photo with narrow eyes, for a long time. "It's right," he said slowly. "Was Courtway ever married?"

"Not since I left off my diapers," Adams growled. "Probably not ever. Say, what'n h.e.l.l's the mystery?"

Carmady smiled slowly at him. He reached his flask out, set it on the table beside the folder. Adams' face brightened swiftly and his long arm reached.

"Then he never had a kid," Carmady said.

Adams leered over the flask. "Well-not for publication, I guess. If I'm any judge of a mug, not at all." He drank deeply, wiped his lips, drank again.

"And that," Carmady said, "is very funny indeed. Have three more drinks-and forget you ever saw me."

THREE.

The fat man put his face close to Carmady's face. He said with a wheeze: "You think it's fixed, neighbor?"

"Yeah. For Werra."

"How much says so?"

"Count your poke."

"I got five yards that want to grow."

"Take it," Carmady said tonelessly, and kept on looking at the back of a corn-blond head in a ringside seat. A white wrap with white fur was below the gla.s.sily waved hair. He couldn't see the face. He didn't have to.

The fat man blinked his eyes and got a thick wallet carefully out of a pocket inside his vest. He held it on the edge of his knee, counted out ten fifty-dollar bills, rolled them up, edged the wallet back against his ribs.

"You're on, sucker," he wheezed. "Let's see your dough."

Carmady brought his eyes back, reached out a flat pack of new hundreds, riffled them. He slipped five from under the printed band, held them out.

"Boy, this is from home," the fat man said. He put his face close to Carmady's face again. "I'm Skeets O'Neal. No little powders, huh?"

Carmady smiled very slowly and pushed his money into the fat man's hand. "You hold it, Skeets. I'm Carmady. Old Marcus Carmady's son. I can shoot faster than you can run-and fix it afterwards."

The fat man took a long hard breath and leaned back in his seat. Tony Acosta stared soft-eyed at the money in the fat man's pudgy tight hand. He licked his lips and turned a small embarra.s.sed smile on Carmady.

"Gee, that's lost dough, Mister Carmady," he whispered. "Unless-unless you got something inside."